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Artykuły w czasopismach na temat "Music – Semiotics"
Tarasti, Eero. "Musical Semiotics – a Discipline, its History and Theories, Past and Present1". Recherches sémiotiques 36, nr 3 (20.09.2018): 19–51. http://dx.doi.org/10.7202/1051395ar.
Pełny tekst źródłaAbdullah, Farid. "SEMIOTIKA = ILMU ATAU METODE : TELAAH BUKU ' HANDBOOK OF SEMIOTIK', WINFRIED NOTH, 1995". Jurnal Dimensi Seni Rupa dan Desain 8, nr 2 (1.09.2011): 1–10. http://dx.doi.org/10.25105/dim.v8i2.965.
Pełny tekst źródłaTomasevic, Katarina. "Dragutin Gostuski and the semiotics of music". Muzikologija, nr 22 (2017): 177–97. http://dx.doi.org/10.2298/muz1722177t.
Pełny tekst źródłaRomero, Brenda M. "Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero." Ethnomusicology Translations, nr 2 (1.07.2016): 1–33. http://dx.doi.org/10.14434/emt.v0i2.22335.
Pełny tekst źródłaHOOPER, GILES. "A Sign of the Times: Semiotics in Anglo-American Musicology". Twentieth-Century Music 9, nr 1-2 (marzec 2012): 161–76. http://dx.doi.org/10.1017/s1478572212000242.
Pełny tekst źródłaRozin, Vadim Markovich. "Semiotics as a philosophical and methodological, natural science and mathematical discipline (main stages of development and perspective)". Философия и культура, nr 6 (czerwiec 2022): 66–81. http://dx.doi.org/10.7256/2454-0757.2022.6.38261.
Pełny tekst źródłaCrnjanski, Nataša. "Is that a new language coming?" Rasprave Instituta za hrvatski jezik i jezikoslovlje 44, nr 2 (2018): 373–84. http://dx.doi.org/10.31724/rihjj.44.2.2.
Pełny tekst źródłaLeman, Marc, i Raymond Monelle. "Linguistics and Semiotics in Music". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 51 (1997): 213. http://dx.doi.org/10.2307/3687197.
Pełny tekst źródłaHatten, Robert S., i Raymond Monelle. "Linguistics and Semiotics in Music". Notes 50, nr 3 (marzec 1994): 1002. http://dx.doi.org/10.2307/898579.
Pełny tekst źródłaAmalia, Anindita Fikri, Nurdien Harry Kristanto i Sukarjo Waluyo. "Semiotika Nonverbal dalam Musik Video “Azza” Karya Rhoma Irama (Kajian Semiotika Roland Barthes)". Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 5, nr 4 (1.11.2022): 731–48. http://dx.doi.org/10.30872/diglosia.v5i4.494.
Pełny tekst źródłaRozprawy doktorskie na temat "Music – Semiotics"
Curry, Ben. "Reading conventions, interpreting habits : Peircian semiotics in music". Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/54429/.
Pełny tekst źródłaDougherty, William Patrick. "An Examination of Semiotics in Musical Analysis: The Neapolitan Complex in Beethoven's Op.131". The Ohio State University, 1985. http://catalog.hathitrust.org/api/volumes/oclc/23645007.html.
Pełny tekst źródłaKannisto, Viktor. "Varifrån får jag allt? : En självstudie i bruket av tecken i komposition". Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41067.
Pełny tekst źródłaThis study focuses on composition from a semiotic perspective, and how different “signs” are used in compositions to mediate the music’s content. The purpose is to explore the use of semiotic signs in a composition, and the research questions are: Which semiotic signs do I use in this specific composition? And how do I use these signs? The method consists of audio recordings of the composed music, and of my expressed thoughts and feelings. The result shows that I use three different kinds of signs: indexical, symbolic and affectional signs, in purpose to mediate the music’s content. Furthermore, the result shows that I use defined orchestration in varying degree to mediate these signs in purpose to obtain varied clarity. Finally the quality and the functions of these signs are discussed.
McGuire, Meghan S. "Covering Music: Tracing the Semiotics of Beatles'Album Covers Through the Cultural Circuit". Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112552888.
Pełny tekst źródłaMcGuire, Meghan. "Covering music : tracing the semiotics of Beatles album covers through the cultural circuit". Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1112552888.
Pełny tekst źródłaPotgieter, Liske. "Deconstructing Disney's diva: a feminist psychoanalytic critique of the singing princess". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/3379.
Pełny tekst źródłaLewis, Paul. "A model for culture-independent music analysis : 'sounding form' and musical communication". Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361468.
Pełny tekst źródłaHanby, Gary T. "The Status Is Not Quo: Unraveling Music Videos". BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6600.
Pełny tekst źródłaPozderac-Chenevey, Sarah. "The Narrative Function of Pre-existing Music in Video Games". University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1562060451119602.
Pełny tekst źródłaMorrison, Elizabeth Aileen Carmen. "The dead/ly feminine : violence and eroticism in three expressionist operas". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38245.
Pełny tekst źródłaKsiążki na temat "Music – Semiotics"
Linguistics and semiotics in music. Chur, Switzerland: Harwood Academic, 1992.
Znajdź pełny tekst źródłaReiner, Thomas. Semiotics of musical time. New York: Peter Lang Pub., 2000.
Znajdź pełny tekst źródłaBaest, Arjan van. A semiotics of opera. Delft: Eburon, 2000.
Znajdź pełny tekst źródłaTarasti, Eero. A theory of musical semiotics. Bloomington: Indiana University Press, 1994.
Znajdź pełny tekst źródłaJabłoński, Maciej. Music as sign. Imatra: International Semiotics Institute, 2010.
Znajdź pełny tekst źródłaname, No. Musical semiotics revisited. Imatra: International Semiotics Institute at Imatra, Semiotic Society of Finland, Department of Musicology, University of Helsinki, 2003.
Znajdź pełny tekst źródłaEero, Tarasti, Forsell Paul i Littlefield Richard, red. Musical semiotics in growth. Bloomington: Indiana University Press, 1996.
Znajdź pełny tekst źródłaNattiez, Jean Jacques. Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.
Znajdź pełny tekst źródłaNattiez, Jean-Jacques. Music and discourse: Toward a semiology of music. Princeton, N.J: Princeton University Press, 1990.
Znajdź pełny tekst źródłaThe sense of music: Semiotic essays. Princeton, N.J: Princeton University Press, 2000.
Znajdź pełny tekst źródłaCzęści książek na temat "Music – Semiotics"
Mazzola, Guerino, Alex Lubet, Yan Pang, Jordon Goebel, Christopher Rochester i Sangeeta Dey. "Semiotics of Time". W Computational Music Science, 193–97. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85629-8_14.
Pełny tekst źródłaTokumaru, Yoshihiko. "Intertextuality in Japanese Traditional Music". W Foundations of Semiotics, 139. Amsterdam: John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/fos.8.07tok.
Pełny tekst źródłaMazzola, Guerino, Maria Mannone, Yan Pang, Margaret O’Brien i Nathan Torunsky. "The Babushka Principle in Semiotics: Connotation, Motivation, and Metatheory". W Computational Music Science, 81–83. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47334-5_10.
Pełny tekst źródłaMazzola, Guerino, Maria Mannone, Yan Pang, Margaret O’Brien i Nathan Torunsky. "Recapitulation of the First Three Dimensions: Realities, Semiotics, Communication". W Computational Music Science, 127–29. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47334-5_14.
Pełny tekst źródłaMazzola, Guerino, René Guitart, Jocelyn Ho, Alex Lubet, Maria Mannone, Matt Rahaim i Florian Thalmann. "Gesture Philosophy: Phenomenology, Ontology, and Semiotics". W The Topos of Music III: Gestures, 845–57. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64481-3_2.
Pełny tekst źródłaMazzola, Guerino, Joomi Park i Florian Thalmann. "Oniontology: Realities, Communication, Semiotics, and Embodiment of Music". W Musical Creativity, 5–11. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_2.
Pełny tekst źródłaGolomb, Harai. "Music as Theme and as Structural Model in Chekhov'sThree Sisters". W Semiotics of Drama and Theatre, 174. Amsterdam: John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/llsee.10.11gol.
Pełny tekst źródłaOhno, Susumu. "Of Words, Genes and Music". W The Semiotics of Cellular Communication in the Immune System, 131–47. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-73145-7_12.
Pełny tekst źródłaTarasti, Eero. "Music as Sign and Process". W Semiotics and International Scholarship: Towards a Language of Theory, 127–51. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4464-0_7.
Pełny tekst źródłaBurkhart, Benjamin. "Popular Music Analysis and Social Semiotics: The Case of the Reggae Voice". W Popular Music Studies Today, 43–52. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_4.
Pełny tekst źródłaStreszczenia konferencji na temat "Music – Semiotics"
Attri, Shalini, i Yogesh Chander. "Reproducing Meaning: A Dialogic Approach to Sports and Semiotics". W GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-3.
Pełny tekst źródłaSantos da Rosa, Sandro. "MUSIC AS A METAPHOR OF LIFE". W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-066.
Pełny tekst źródłaNeț, Mariana. "POPULAR MUSIC AND SIGNS OF TIMES. ROMANCES DEDICATED TO BUCHAREST". W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-015.
Pełny tekst źródłaKokkidou, May, Christina Tsigka i Ifigeneia Vamvakidou. "MUSIC IN FILM SEMIOSPHERE: RECONSIDERING KUBRICK’S 2001: A SPACE ODYSSEY". W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-099.
Pełny tekst źródłaTaylor, Stephen. "From Program Music to Sonification: Representation and the Evolution of Music and Language". W The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.060.
Pełny tekst źródłaPonzio, Julia. "ARTICULATION AS MUSICAL DIMENSION OF TEXT. THE RELATION BETWEEN WORD AND MUSIC IN SALVATORE SCIARRINO’S WORK". W New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-070.
Pełny tekst źródłaKendall, Roger A. "Music in film and animation: experimental semiotics applied to visual, sound and musical structures". W IS&T/SPIE Electronic Imaging, redaktorzy Bernice E. Rogowitz i Thrasyvoulos N. Pappas. SPIE, 2010. http://dx.doi.org/10.1117/12.849097.
Pełny tekst źródłaMolchanyuk, Yuriy. "Analysis and Synthesis of Music using Semiotic Intelligent System". W 2007 4th IEEE Workshop on Intelligent Data Acquisition and Advanced Computing Systems: Technology and Applications. IEEE, 2007. http://dx.doi.org/10.1109/idaacs.2007.4488443.
Pełny tekst źródłaSagimin, Eka Margianti, i Ratna Sari. "A Semiotic Analysis on LAY’s and EXO’s Selected Music Videos". W Twelfth Conference on Applied Linguistics (CONAPLIN 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200406.010.
Pełny tekst źródłaMakovetskaya, Mariya. "MUSIC AS A LANGUAGE OF FEELINGS AND AS A SEMIOTIC SYSTEM". W 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/21/s06.035.
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