Gotowa bibliografia na temat „Music – Philosophy and aesthetics”
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Artykuły w czasopismach na temat "Music – Philosophy and aesthetics"
Sunarto, Sunarto. "Pemikiran Hanslick tentang Estetika dan Kritik Musik". PROMUSIKA 3, nr 2 (23.11.2015): 163–73. http://dx.doi.org/10.24821/promusika.v3i2.1702.
Pełny tekst źródłaMagdalena, Elsa, Destri Natalia, Andry Pranata i Nicolhas Jurdy Wijaya. "Filsafat dan Estetika Menurut Arthur Schopenhauer". Clef : Jurnal Musik dan Pendidikan Musik 3, nr 2 (31.12.2022): 61–77. http://dx.doi.org/10.51667/cjmpm.v3i2.1111.
Pełny tekst źródłaRowe, M. W. "Aesthetics and Music". British Journal of Aesthetics 49, nr 3 (10.06.2009): 313–14. http://dx.doi.org/10.1093/aesthj/ayp028.
Pełny tekst źródłaWang, Yijie. "Aesthetic Discussion of Music Art from Philosophical Perspective". Journal of Education and Educational Research 7, nr 3 (3.03.2024): 268–70. http://dx.doi.org/10.54097/kv9z2q70.
Pełny tekst źródłaŠuvaković, Miško. "Critical Questiones About Deconstrution or About De-Centring Of The Relation Between Philosophy And Music". Musicological Annual 41, nr 2 (1.12.2005): 71–80. http://dx.doi.org/10.4312/mz.41.2.71-80.
Pełny tekst źródłaDr. Muhmmad Jawwad. "Influence of Kant’s Aesthetics on the Aesthetics of Collingwood". sjesr 6, nr 2 (30.06.2023): 148–52. http://dx.doi.org/10.36902/sjesr-vol6-iss2-2023(148-152).
Pełny tekst źródłaLevinson, Jerrold, i Roger Scruton. "The Aesthetics of Music". Philosophical Review 109, nr 4 (październik 2000): 608. http://dx.doi.org/10.2307/2693633.
Pełny tekst źródłaBidney, Martin. "The Aesthetics of Music". International Studies in Philosophy 36, nr 1 (2004): 289–90. http://dx.doi.org/10.5840/intstudphil200436160.
Pełny tekst źródłaLevinson, J. "THE AESTHETICS OF MUSIC". Philosophical Review 109, nr 4 (1.10.2000): 608–14. http://dx.doi.org/10.1215/00318108-109-4-608.
Pełny tekst źródłaOliva, Stefano. "Risonanze della Teoria della Formatività di Luigi Pareyson nell’Estetica Musicale Contemporanea". Philosophy of Music 74, nr 4 (30.12.2018): 1077–92. http://dx.doi.org/10.17990/rpf/2018_74_4_1077.
Pełny tekst źródłaRozprawy doktorskie na temat "Music – Philosophy and aesthetics"
Razumovskaya, Maria. "Heinrich Neuhaus : aesthetics and philosophy of an interpretation". Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/355/.
Pełny tekst źródłaSweeney, Mark Richard. "The aesthetics of videogame music". Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:70a29850-0c0d-4abd-a501-e75224fa856a.
Pełny tekst źródłaRobertson, Casey. "Illuminating postmodern elements in the music of John Cage". Thesis, California State University, Dominguez Hills, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10020172.
Pełny tekst źródłaWhile the American composer John Cage is often classified as an influential figure in the realm of modernist music, the controversial nature of Cage's work has proven to be more far-reaching than many had initially contended. Through a process of re-examining the work of Cage through a postmodern lens, this thesis rejects the notion that Cage was confined to the realm of modernism, and demonstrates that the composer not only exhibited postmodern tendencies through his ideas and concepts, but also aesthetically in his compositions. By illuminating these postmodern compositional practices and postmodern-influenced belief systems expressed by Cage as an artist, a reinterpretation of the composer and his work is carried out, while also addressing criticisms leveled toward Cage as a postmodernist. Through this contemporary reanalysis, the thesis demonstrates that Cage was a composer that transcended genres and classifications to ultimately resonate as a viable figure of postmodern music.
Pitkin, Carissa. "Against Expression?: Avant-garde Aesthetics in Satie's "Parade"". University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595499202615172.
Pełny tekst źródłaHenry, Jon L. "Techniques of Sensual Perception: The Creation of Emotional Pathways". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2276/.
Pełny tekst źródła高舒 i Shu Phyllis Kao. "Affective gesture in J.S. Bach's keyboard music with special referenceto selected works in D minor". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213145.
Pełny tekst źródłaDORAN, NICOLE ELLEN. "A CHRISTIAN PHILOSOPHY OF MUSIC AND THE ARTS: THE CONTRIBUTIONS OF SCHAEFFER FAMILY AND THE L'ABRI COMMUNITY". University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1023192423.
Pełny tekst źródłaWong, Ching-ping. "The manifestation of Chinese philosophy and aesthetics in the performance of the pipa music". Thesis, Kingston University, 1989. http://eprints.kingston.ac.uk/20532/.
Pełny tekst źródłaTaig, Phillip Barry. "The Musicality of The Sublime: Romantic sensibilities in film music". Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/24674.
Pełny tekst źródłaStellings, Alan. "Music cognition as musical culture, a philosophical investigation of cognitivist theory of music". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0005/NQ28131.pdf.
Pełny tekst źródłaKsiążki na temat "Music – Philosophy and aesthetics"
Lippman, Edward A. The philosophy & aesthetics of music. Lincoln: University of Nebraska Press, 1999.
Znajdź pełny tekst źródłaSanyal, Ritwik. Philosophy of music. Bombay: Somaiya Publications, 1987.
Znajdź pełny tekst źródłaMusic and philosophy. Milwaukee, Wis: Marquette University Press, 2005.
Znajdź pełny tekst źródłaSanyal, Ritwik. Philosophy of music. Bombay: Somaiya Publications, 1987.
Znajdź pełny tekst źródłaMarcel, Gabriel. Music and philosophy. Milwaukee, WI: Marquette University Press, 2005.
Znajdź pełny tekst źródłaScruton, Roger. The aesthetics of music. New York, NY: Oxford University, 1997.
Znajdź pełny tekst źródłaScruton, Roger. The aesthetics of music. Oxford: Clarendon Press, 1999.
Znajdź pełny tekst źródłaScruton, Roger. The aesthetics of music. Oxford: Clarendon Press, 1997.
Znajdź pełny tekst źródłaMacarthur, Sally. Feminist aesthetics in music. Westport, Conn: Greenwood Press, 2002.
Znajdź pełny tekst źródłaBowie, Andrew. Music, philosophy, and modernity. Cambridge: Cambridge University Press, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Music – Philosophy and aesthetics"
Alperson, Philip. "The Philosophy of Music: Formalism and Beyond". W The Blackwell Guide to Aesthetics, 254–75. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756645.ch14.
Pełny tekst źródłaBarwell, Ismay, i Justine Kingsbury. "Aesthetics and Philosophy of Music in Australasia". W History of Philosophy in Australia and New Zealand, 479–509. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6958-8_25.
Pełny tekst źródłaLiu, Johanna. "Art and Aesthetics of Music in Classical Confucianism". W Dao Companion to Classical Confucian Philosophy, 227–44. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-90-481-2936-2_10.
Pełny tekst źródłaKivy, Peter. "Another Go at the Meaning of Music: Koopman, Davies, and the Meanings of « Meaning »". W Aesthetics and Philosophy of Art, 285–301. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5069-5_14.
Pełny tekst źródłaFarina, Mario. "The Philosophy of Music and the Dissolution of the Aesthetic". W Adorno’s Aesthetics as a Literary Theory of Art, 53–91. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45281-0_2.
Pełny tekst źródłaMangum, Charles Christopher, i Randall Everett Allsup. "Aesthetics Movement in North America and Reimer’s Contribution to Music Education". W Encyclopedia of Educational Philosophy and Theory, 1–13. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-287-532-7_686-1.
Pełny tekst źródłaHagberg, Garry L. "Wittgenstein, Music, and the Philosophy of Culture". W Wittgenstein on Aesthetic Understanding, 61–95. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-40910-8_3.
Pełny tekst źródłaPark, So Jeong. "The Aesthetics of Musical Emotion in Ji Kang’s “Music has in It Neither Grief nor Joy”". W Dao Companions to Chinese Philosophy, 251–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49228-1_13.
Pełny tekst źródłaChernoff, John Miller. "African Music". W Aesthetics, 229–32. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-47.
Pełny tekst źródłaCaplan, Ben, i Carl Matheson. "Ontology of Music". W Aesthetics, 196–201. 4 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315303673-41.
Pełny tekst źródłaStreszczenia konferencji na temat "Music – Philosophy and aesthetics"
Didenko, Natalia. "Music Time: from Intonation to Style Philosophy and Aesthetic Analysis". W 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.49.
Pełny tekst źródłaGROZAVU, Daniela Monica. "Specific aspects of the relationship philosophy – music pedagogy". W Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v2.24-25-03-2023.p314-317.
Pełny tekst źródłaPolska, Iryna. "MUSICAL ENSEMBLE AS A FACTOR IN THE ETHICAL AND SOCIAL CONSOLIDATION". W 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s07.068.
Pełny tekst źródłaSubbotina, N. "AESTHETIC MODUS OF G. SHPET'S PHILOSOPHY". W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2566.978-5-317-06726-7/145-148.
Pełny tekst źródłaKondratyev, E. A. "AESTHETIC AND HERMENEUTIC RESEARCHS IN THE CONTEXT OF CONTEMPORARY PHILOSOPHY". W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2535.978-5-317-06726-7/11-13.
Pełny tekst źródłaKulbizhekov, V. "ARTIFICIAL INTELLIGENCE AND MUSIC: A DIALOGUE OF OPPOSITES?" W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2549.978-5-317-06726-7/70-74.
Pełny tekst źródłaPolmeer, Gareth. "Sublating Time: Hegel’s speculative philosophy and digital aesthetics". W Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.49.
Pełny tekst źródłaWANG, YANRU. "ANALYSIS OF MUSIC ART FORM FROM THE PERSPECTIVE OF MUSIC AESTHETICS". W 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36063.
Pełny tekst źródłaMescherina, E. "NIKOLAUS ARNONCOURT: “NEW UNDERSTANDING” AND PROBLEMS OF INTERPRETATION OF ANCIENT MUSIC". W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2547.978-5-317-06726-7/61-64.
Pełny tekst źródłaChudoba, Eva. "JOHN DEWEYS AESTHETICS OF EVERY DAY LIFE". W SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.100.
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