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Artykuły w czasopismach na temat "Music – England – 20th century"
Barlow, Jill. "London, Royal Opera House: ‘The Blackened Man’". Tempo 57, nr 223 (styczeń 2003): 87–89. http://dx.doi.org/10.1017/s004029820327008x.
Pełny tekst źródłaKertesz, Elizabeth. "Ethel Smyth’s The Wreckers: a cosmopolitan voice for English opera". Studia Musicologica 52, nr 1-4 (1.03.2011): 485–97. http://dx.doi.org/10.1556/smus.52.2011.1-4.33.
Pełny tekst źródłaLogan, Jeremy. "Synesthesia and feminism: A case study on Amy Beach (1867-1944)". New Sound, nr 46 (2015): 130–40. http://dx.doi.org/10.5937/newso1546130l.
Pełny tekst źródłaRevill, George. "A New English Music: Composers and Folk Traditions in England’s Musical Renaissance from the Late 19th to the Mid-20th Century. By Tim Rayborn". Twentieth Century British History 29, nr 2 (9.08.2017): 326–29. http://dx.doi.org/10.1093/tcbh/hwx040.
Pełny tekst źródłaKlendiy, O. M. "Interpretative aspect of C. Saint‑Saëns’s piano music". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, nr 56 (10.07.2020): 136–53. http://dx.doi.org/10.34064/khnum1-56.09.
Pełny tekst źródłaMarks, Anthony, i Paul Griffiths. "20th Century". Musical Times 128, nr 1732 (czerwiec 1987): 332. http://dx.doi.org/10.2307/1193737.
Pełny tekst źródłaMarks, Anthony. "20th Century". Musical Times 128, nr 1732 (czerwiec 1987): 337. http://dx.doi.org/10.2307/1193747.
Pełny tekst źródłaMarks, Anthony. "20th Century". Musical Times 127, nr 1718 (maj 1986): 281. http://dx.doi.org/10.2307/965468.
Pełny tekst źródłaMartynova, V. I. "Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, nr 54 (10.12.2019): 71–93. http://dx.doi.org/10.34064/khnum1-54.05.
Pełny tekst źródłaBanfield, Stephen. "20th-Century British". Musical Times 126, nr 1704 (luty 1985): 99. http://dx.doi.org/10.2307/963479.
Pełny tekst źródłaRozprawy doktorskie na temat "Music – England – 20th century"
Prozzillo, Nicholas Stefano. "Organ reform in England : aesthetics and polemics, 1901-1965". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:edc38b39-1749-49b6-b35f-1493f605e7e0.
Pełny tekst źródłaParry, Simon Halsall. "Why should the Devil have all the best tunes? : 20th century popular- and folk-style church music in England". Thesis, University of Liverpool, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369112.
Pełny tekst źródłaBray, Michael Robert. "The liturgical canticle settings for chorus and organ of Ralph Vaughan Williams". Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186253.
Pełny tekst źródłaHopwood, Paul Andrew. "Frank Bridge and the English pastoral tradition". University of Western Australia. School of Music, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0017.
Pełny tekst źródłaBagley, Paul Michael. "Mysticism in 20th and 21st century violin music". Thesis, University of Maryland, College Park, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3643907.
Pełny tekst źródła“Mysticism,” according to the Oxford dictionary, can be defined as “belief in or devotion to the spiritual apprehension of truths inaccessible to the intellect.” More generally, it applies to the aspects of spirituality and religion that can only be directly experienced, rather than described or learned. This dissertation examines how mysticism fits into the aesthetic, compositional, and musical philosophies of four prominent composers of the 20th and 21st centuries—Ernest Bloch, Olivier Messiaen, Sophia Gubaidulina, and John Zorn, with a cameo by the Jewish composer David Finko—and how their engagement with the concept of mysticism and the mystical experience can be seen in a selection of their works featuring the violin: Bloch's Baal Shem suite and Poème mystique; Finko's Lamentations of Jeremiah, Zorn's Kol Nidre, Goetia, All Hallow's Eve, and Amour fou; Gubaidulina's In tempus praesens; and Messiaen's Quartet for the End of Time. These works exemplify the mysticism shared by these composers, despite their different religious and cultural backgrounds, particularly their belief in the transcendental nature of music. This belief is expressed in their works through programmatic, melodic, harmonic, rhythmic, and formal elements, all of which display, to a greater or lesser degree, the influence of mystical philosophy and symbolism.
Tsurtsumia, Rusudan. "The Value Orientation of 20th-Century Georgian Music". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72008.
Pełny tekst źródłaHocking, Rachel School of Music & Music Education UNSW. "Crafting connections: original music for the dance in Australia, 1960-2000". Awarded by:University of New South Wales. School of Music and Music Education, 2006. http://handle.unsw.edu.au/1959.4/27289.
Pełny tekst źródłaBernier, Kiyono Monique. "Disparate measures: Two 20th century treatments of the Paganini theme". Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284086.
Pełny tekst źródłaReeh, Tina Alice Bonne. "The Church of England and Britain's Cold War, 1937-1948". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2c197863-2037-4cf9-af48-590f5694abea.
Pełny tekst źródłaStrahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /". Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.
Pełny tekst źródłaKsiążki na temat "Music – England – 20th century"
Gillett, Paula. Musical women in England, 1870-1914: "encroaching on all man's privileges". New York: St. Martin's Press, 2000.
Znajdź pełny tekst źródłaGillett, Paula. Musical women in England, 1870-1914: "encroaching on all man's privileges". Basingstoke: Macmillan, 2000.
Znajdź pełny tekst źródłaMusgrave, Michael. The musical life of the Crystal Palace. Cambridge [England]: Cambridge University Press, 1995.
Znajdź pełny tekst źródła(Firm), H. P. Kraus. Recent acquisitions in a wide variety of fields: Including art & architecture, natural history, geography & maps, illustrated books including French 20th-century, humanism, classics, Italy, music, judaica, military science, Ireland, emblems, England, Low Countries, law. New York: H. P. Kraus, 1994.
Znajdź pełny tekst źródłaRead, Gardner. 20th-century microtonal notation. New York: Greenwood Press, 1990.
Znajdź pełny tekst źródłaLebrecht, Norman. The companion to 20th-century music. New York: Simon & Schuster, 1992.
Znajdź pełny tekst źródłaShen, Sin-yan. Chinese music in the 20th Century. Chicago: Chinese Music Society of North America, 2001.
Znajdź pełny tekst źródłaLebrecht, Norman. The companion to 20th-century music. New York: Da Capo Press, 1996.
Znajdź pełny tekst źródłaDavid, Pickering. Cassell companion to 20th-century music. London: Cassell, 1997.
Znajdź pełny tekst źródłaLebrecht, Norman. The companion to 20th-century music. London: Simon & Schuster, 1992.
Znajdź pełny tekst źródłaCzęści książek na temat "Music – England – 20th century"
Wanke, Riccardo D. "Sound in 20th-century music". W Sound in the Ecstatic-Materialist Perspective on Experimental Music, 10–30. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003132387-1.
Pełny tekst źródłaWebster, Peter. "Chichester Music". W Church and Patronage in 20th Century Britain, 187–211. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_7.
Pełny tekst źródłaCorsbie-Massay, Charisse L’Pree. "Recorded Music". W 20th Century Media and the American Psyche, 35–49. London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780203702352-4.
Pełny tekst źródłaRossi, Arcangelo. "Kantianism and Physics from the 19th to the 20th Century". W Language, Quantum, Music, 293–301. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-017-2043-4_27.
Pełny tekst źródłaWebster, Peter. "Music, Art and Poetry: 1944–1955". W Church and Patronage in 20th Century Britain, 85–118. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_4.
Pełny tekst źródłaHai, Alessandra Arce, Helen May, Kristen Nawrotzki, Larry Prochner i Yordanka Valkanova. "The Malting House School, England". W Reimagining Teaching in Early 20th Century Experimental Schools, 155–92. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50964-4_5.
Pełny tekst źródłaChristensen, Erik. "Overt and Hidden Processes in 20th Century Music". W Process Theories, 97–117. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-007-1044-3_5.
Pełny tekst źródłaBazayev, Inessa, i Christopher Segall. "Introduction". W Analytical Approaches to 20th-Century Russian Music, 1–10. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-1.
Pełny tekst źródłaZavlunov, Daniil. "Alexander Mosolov’s Piano Sonata No. 1 and Its Synthetic Modernism". W Analytical Approaches to 20th-Century Russian Music, 132–54. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-10.
Pełny tekst źródłaMóricz, Klára. "The Rebirth of Melody in Lourié’s Post-Neoclassical Concerto da camera". W Analytical Approaches to 20th-Century Russian Music, 155–72. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003000808-11.
Pełny tekst źródłaStreszczenia konferencji na temat "Music – England – 20th century"
Ouimet, William B. "QUANTIFYING 17TH TO EARLY 20TH CENTURY LANDSCAPE CHANGE IN SOUTHERN NEW ENGLAND". W GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-308698.
Pełny tekst źródłaKaname, Mariko. "Considering the Drawing Education for Children during the 19th Century to the 20th Century in England". W 2nd International Conference of Art, Illustration and Visual Culture in Infant and Primary Education. São Paulo: Editora Edgard Blücher, 2012. http://dx.doi.org/10.5151/edupro-aivcipe-30.
Pełny tekst źródłaLaato, Samuli, Sampsa Rauti i Erkki Sutinen. "The Role of Music in 21st Century Education-Comparing Programming and Music Composing". W 2020 IEEE 20th International Conference on Advanced Learning Technologies (ICALT). IEEE, 2020. http://dx.doi.org/10.1109/icalt49669.2020.00088.
Pełny tekst źródłaWang, Qi. "The Promotion of Russian Music Culture on Harbin Music Education in the 20th Century". W Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.185.
Pełny tekst źródłaCoroiu, Petruta-Maria. "THE PSALMS OF DAVID � TEXTUAL CONSENSUS IN THE MUSIC OF THE 20TH CENTURY". W 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s16.62.
Pełny tekst źródłaQi, Ling. "Explanation of Chinese Piano Music National Character in the First Half of the 20th Century". W 2016 2nd International Conference on Education Technology, Management and Humanities Science. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/etmhs-16.2016.97.
Pełny tekst źródłaYue, Shengdong, i Yutong Xuan. "Commentary of Sichuan Opera Music Reform' Research Literature in the Latter Half of the 20th Century". W 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.113.
Pełny tekst źródłaXiang, Yu. "An Overview of the Development of Music Education in China's Normal Universities in the Second Half of the 20th Century". W Proceedings of the 2018 8th International Conference on Management, Education and Information (MEICI 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/meici-18.2018.83.
Pełny tekst źródłaXiang, Yu. "An Overview of the Development of Music Education in China's Normal Universities in the First Half of the 20th Century". W 8th International Conference on Education, Management, Information and Management Society (EMIM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emim-18.2018.5.
Pełny tekst źródłaSlavikova, Zuzana. "ARTISTIC RENDITION OF VALUES IN THE MUSIC OF ROMAN BERGER A SLOVAK COMPOSER AND PHILOSOPHER OF CULTURE OF THE 20th CENTURY". W 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s03.027.
Pełny tekst źródłaRaporty organizacyjne na temat "Music – England – 20th century"
Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481274.
Pełny tekst źródłaWater-quality trends in New England rivers during the 20th century. US Geological Survey, 2003. http://dx.doi.org/10.3133/wri034012.
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