Rozprawy doktorskie na temat „Music criticism”
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Aitken, Shelagh Elizabeth. "Music and the popular press : music criticism in Paris during the First Empire /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb370598311.
Pełny tekst źródłaRéunit des articles du Journal des débats, du Journal de Paris, du Journal de l'Empire et du Moniteur universel en français avec la trad. anglaise en regard. Bibliogr. p. 433-444.
Carneiro, Albuquerque Liliana. "Mockumentaries and the music industry : between flattery and criticism". Doctoral thesis, Universitat Pompeu Fabra, 2013. http://hdl.handle.net/10803/125712.
Pełny tekst źródłaEsta tesis analiza la relación entre la industria de la música y los falsos documentales. Teniendo en cuenta que esta cuestión todavía no se ha estudiado en profundidad, la contribución original al conocimiento es centrarse en el análisis de esta relación. Para ello, una revisión de la literatura se proporciona, discutiendo lo que hasta ahora se ha escrito acerca de falsos documentales. Esta estrategia audiovisual también se estudia en el contexto de otras prácticas audiovisuales contemporáneas. En la siguiente sección, la industria musical es tratada en términos generales. En primer lugar se aborda la relación entre la música y el cine. A continuación, la industria de la música es analizada como un fenómeno cultural, y además se abordan cuestiones actuales. En el último capítulo cuatro falsos documentales relacionados con la música son analizados y por último se presentan una serie conclusiones.
Titus, Barbara. "Conceptualizing music : Friedrich Theodor Vischer and Hegelian currents in German music criticism, 1848-1887". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423336.
Pełny tekst źródłaKirilov, Kalin Stanchev. "Harmony in Bulgarian Music". Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Pełny tekst źródłaThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
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Flynn, Timothy Scott. "A study in music criticism and historiography : sacred music : journals in France, 1848 to 1870 /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb371033947.
Pełny tekst źródłaContient des analyses d'articles parus dans les périodiques suivants : Revue de musique ancienne et moderne, Le Plain-chant, Revue de musique sacrée ancienne et moderne, le choeur, la Maîtrise. Bibliogr. p. 518-535.
Harvey, David I. H. "The later music of Elliott Carter : a study in music theory and analysis". Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:c47d92da-277e-4850-9e3b-e5e0cd93308f.
Pełny tekst źródłaScaife, Nigel Clifford. "British music criticism in a new era : studies in critical thought 1894-1945". Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:88dc162f-d759-42f2-a45e-4a5d4c697418.
Pełny tekst źródłaRyan-Hirst, Thomas F. "The Elephant In The Concert Hall; Searching for the Postmodern in Music Criticism from 1965 to the Present". Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1433765766.
Pełny tekst źródłaYeagley, David Anthony. "Franz Liszt's "Dante Sonata": The origins, the criticism, a selective musical analysis, and commentary". Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186883.
Pełny tekst źródłaWilliams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Pełny tekst źródłaMatambo, Lotta Eleonoora. "The solo piano music of Einojuhani Rautavaara". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002311.
Pełny tekst źródłaGriswold-Nickel, Jennifer Ann. "Hugo Wolf's Penthesilea an analysis using criteria from his own music criticism /". Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1196011316.
Pełny tekst źródłaAdvisor: Mary Sue Morrow. Title from electronic thesis title page (viewed Feb. 6, 2008). Includes abstract. Keywords: Hugo Wolf; Penthesilea; symphonic poem; Heinrich von Kleist; music criticism; Vienna; Wiener Salonblatt; compositional aesthetic Includes bibliographical references.
Kalant, Amelia. "The politics of dissonance : a criticism of Theodor Adorno's theory of music". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61828.
Pełny tekst źródłaBrownlee, Jane. "The Transmission of Traditional Fiddle Music in Australia". Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/13919.
Pełny tekst źródłaBrownlee, Jane. "The transmission of traditional fiddle music in Australia". Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/7913.
Pełny tekst źródłaAlessandri, Elena. "Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings". Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/352/.
Pełny tekst źródłaDonnelly, Daniel. "The Madrigal as literary criticism: Veronese settings of Ariosto's «Orlando furioso»". Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32563.
Pełny tekst źródłaCette thèse décrit l'importance des académies amateures en tant que lieu de consommation d'œuvres musicales et littéraires dans l'Italie du cinquecento. En se positionnant entre les sphères publiques et privées, l'environnement culturel des académies fut très propice à la « lecture » analytique de textes par la musique. Lors de lezioni musicales d'extraits de l'épopée chevaleresque Orlando furioso d'Arioste, Jachet de Berchem, Vincenzo Ruffo et Jan Nasco se montrèrent sensibles aux mêmes problèmes que les critiques littéraires contemporains (l'interprétation d'images et de métaphores), mais en même temps, ils ont également créé des interprétations émotionnelles et psychologiques complexes des subjectivités des personnages principaux d'une manière qui va au-delà de celle des critiques contemporains sur les écrits d'Arioste. L'association de ces trois compositeurs et leur musique avec l'Accademia Filarmonica di Verona suggère donc que les compositeurs eurent un rôle important à jouer lors de discussions académiques sur l'esthétique littéraire, et que le madrigal peut être vu comme une forme de critique littéraire préservant certains aspects du discours académique, autrement perdu. Mon analyse représente donc une nouvelle façon d'interpréter les madrigaux et interprète leur signification via le contexte de ce discours.
Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Pełny tekst źródłaMiller, Timothy D. Wörner Felix. "Doing violence to violence Theodor W. Adorno and the responsibilities of music criticism /". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2631.
Pełny tekst źródłaTitle from electronic title page (viewed Oct. 5, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in Musicology in the Department of Music." Discipline: Music; Department/School: Music.
LaFleur, Brandon Kyle. "Musical Colors| On Establishing a Methodology for Color Applications in Musical Analysis". Thesis, University of Louisiana at Lafayette, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10271870.
Pełny tekst źródłaThis thesis explores the potential advantages of incorporating color into musical analysis and musical concepts into art analysis. Music and the visual arts are vehicles of expression using two different perceptible waves as a medium. By comparing the physical attributes of these waves, analogous terminology between the disciplines is highlighted. Terminology parallels allow us to identify relationships between musical ideas and sonorities and color theory concepts and color harmonies. Cross-modal relationships have been explored in synesthetically inspired works in both disciplines. In Scriabin?s Prometheus, the luce presents the colors to the audience. These colors emphasize the harmonic, formal, and mystical elements of the piece. Messiaen?s Des Canyons aux etoiles features chords that were specifically included to paint the colors of the places he had visited. Sonata No. 6 by Ciurlionis is a painting that includes the three major sections of sonata form with the color changes to match. Symphony verte by Valensi includes complex structural variations and the various shading and saturations found in the timbral diversity of a symphony. Accounting for the bimodal aspects of these pieces provides us with a more concise holistic understanding of the artist?s purpose.
Panyaniti, Rawin. "Bartók as ethnomusicologist and composer: folk music and art music influences on his musical language". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31223278.
Pełny tekst źródłaSkellington, Jennifer. "Transforming music criticism? : an examination of the changes in music journalism in the English broadsheet press from 1981 to 1991". Thesis, Oxford Brookes University, 2010. http://radar.brookes.ac.uk/radar/items/3958d85e-2def-ff16-f3f2-a1dd7aa44b55/1.
Pełny tekst źródłaWest, Aaron J. "Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz". Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9722.
Pełny tekst źródłaBrennan, Matthew. "Down beats and rolling stones : an historical comparison of American jazz and rock journalism". Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/222.
Pełny tekst źródłaThackray, Jeremy A. "The slow death of Everett True: A metacriticism". Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/95504/1/Jeremy_Thackray_Thesis.pdf.
Pełny tekst źródłaSarmast, Ahmad Naser. "A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D". Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Pełny tekst źródłaStrahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /". Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.
Pełny tekst źródłaPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaO'Byrne, Megan Sue. "When the President Talks to God: A Rhetorical Criticism of Anti-Bush Protest Music". Bowling Green State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1225216520.
Pełny tekst źródłaGriswold-Nickel, Jennifer Ann. "Hugo Wolf’s Penthesilea: An Analysis Using Criteria from His Own Music Criticism". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1196011316.
Pełny tekst źródłaO'Byrne, Megan. "When the President talks to God a rhetorical criticism of anti-Bush protest music /". Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1225216520.
Pełny tekst źródłaSchmitz, Michael David. "Oriental influences in the piano music of Claude Achille Debussy". Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187118.
Pełny tekst źródłaLau, Man-chun, i 劉文俊. "A study of Hong Kong popular music industry (1930-2000)". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B4389608X.
Pełny tekst źródłaChapman, Christopher Adam 1964. "Regional traditions of Lao vocal music : lam siphandon and khap ngeum". Monash University, School of Music-Conservatorium, 2002. http://arrow.monash.edu.au/hdl/1959.1/7867.
Pełny tekst źródłaSchmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Pełny tekst źródłaBurke, Kevin R. "Propagating a National Genre: German Writers on German Opera, 1798-1830". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277145931.
Pełny tekst źródłaPlamondon, Marc. "Music in the poetry of Robert Browning". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26304.
Pełny tekst źródłaFirst, the state of music in nineteenth-century England is briefly discussed, followed by a discussion of Browning's musical background and an attempt to identify some general characteristics of musical poetry. The balance of the study is devoted to a discussion of the musicality of ten poems, among them "A Toccata of Galuppi's" and "Master Hugues of Saxe-Gotha". Emphasis is placed on these last two poems' ability to approximate a musical form: the toccata and fugue in the first, and the fugue in the second. The study concludes with a more general discussion of music in Browning's poetry.
Forward, David William. "The keyboard repertory as a reflector of art nouveau in music /". Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09phf745.pdf.
Pełny tekst źródłaCard, Patricia Pierce. "The influence of klezmer on twentieth-century solo and chamber concert music for clarinet with three recitals of selected works of Manevich, Debussy, Horovitz, Milhaud, Martino, Mozart and others /". Thesis, connect to online resource, 2002. http://www.library.unt.edu/theses/open/20023/card%5Fpatricia/index.htm.
Pełny tekst źródłaWurz, Sarah. "The evolutionary origins of music". Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2909.
Pełny tekst źródłaThe evolutionary origins of music, defined as “an intentional action in which complex, learned vocalizations (and/or instrumentally produced sound) are combined with the movement of the body in synchrony to a beat” is investigated through an appraisal of the musilanguage theory and relevant literature. The biological adaptations allowing the production and perception of music are identified and their evolutionary histories investigated. The critical adaptations that made rhythmical body movement possible evolved around 1.6 million years ago. These include habitual bipedalism and changes in the vestibular system. There is almost no fossil evidence to inform on the timing and nature of the complex, learned vocalization. However, that the thoracic vertebrate canal had modern proportions by 600 000 years ago indicates that archaic humans were able to achieve the respiratory control necessary to sing. The size of this canal is a proxy for the number of nerve cells that control respiration via the intercostal and abdominal muscles. Musicality is essential to the human mind. Infants are born with rudimentary musical skills with regard to melody, temporal sequences and vocal and bodily imitation. These capabilities are central to the newborns’ innate ability to elicit care by synchronizing their vocal and bodily actions with that of the caregivers. Musical rhythm is further used to entrain bodily and neural oscillations and this permit the creation of trust and social bonding. It is concluded that protomusic developed between 1.6 million and 600 000 years ago. Protomusic consisted of entrained rhythmical whole body movements initially combined with grunt-like vocalizations. The evidence investigated cannot be used to infer the origins of modern music. KEYWORDS: Music, Evolution, Synchronisation, Melody, Dance, Bipedality, Vestibular system, Thoracic vertebrate canal, Infant-directed communication, Neural entrainment
Stephens, Christopher John. "Variations on a Theme: Forty years of music, memories, and mistakes". ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/934.
Pełny tekst źródłaSmith, David John. "The instrumental music of Peter Philips : its sources, dissemination and style". Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:d1af3140-2553-4f58-8437-a1eee66d7f13.
Pełny tekst źródłaRhodes, Carol Shirley. "The dance of time: The evolution of the structural aesthetics of the prepared piano works of John Cage". Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187153.
Pełny tekst źródłaNercessian, Andy Hagop. "Marxism-Leninism, national identity, and the perception of Armenian music". Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619554.
Pełny tekst źródłaDownes, Michael. "Debussy and the aesthetics of French music : from Wagner to the Ballets Russes". Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388938.
Pełny tekst źródłaKarnes, Kevin C. "Music, criticism, and the challenge of history : shaping modern musical thought in late nineteenth-century Vienna /". Oxford : Oxford University Press, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780195368666.
Pełny tekst źródłaSILVA, ANNA PAULA DE O. MATTOS. "PINDORAMA, WHERE SAMBA IS PURER: THE DISCOURSE OF TRADITION IN BRAZILIAN POLITICS, CRITICISM AND MUSIC MARKET". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12730@1.
Pełny tekst źródłaCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
FUNDAÇÃO DE APOIO À PESQUISA DO ESTADO DO RIO DE JANEIRO
Esta tese reúne observações críticas sobre o samba como manifestação musical urbana e de massas, discute a atualidade de um gênero tradicionalmente afirmado como síntese da sonoridade nacional, e analisa a reconfiguração das composições musicais num contexto de globalização dos signos. Tendo em vista tais propósitos, debruçamo-nos sobre discursos que ainda hoje evocam a força simbólica do samba como meio de legitimar projetos políticos e consolidar modelos estéticos. Estas reflexões se corporificaram em três textos interconectados. O primeiro é dedicado ao estudo das políticas culturais de patrimônio imaterial que tomaram o samba como objeto a partir do ano de 2004. O segundo tece considerações sobre a vertente tradicionalista da crítica de música popular por meio da análise das obras de dois de seus principais expoentes, o historiador José Ramos Tinhorão e o pesquisador e compositor Nei Lopes. O último capítulo trata da reivindicação de um trajeto único para o desdobramento do samba por parte dos artistas mais conservadores, e dos desvios promovidos pelos novos modos de criação e circulação musical.
This dissertation gathers critical observations about how samba, as an urban, massive musical manifestation, discusses the current state of a genre that is traditionally presented as the synthesis of national sound, and analyze the reconfiguration of musical compositions in a context of globalized signs. Taking that into consideration, we studied the discourses that still claim the symbolic force of samba as means to legitimate political projects and to consolidate aesthetic standards. These ideas are developed in three essays. The first one is dedicated to the study of cultural policies for the protection of immaterial cultural heritage that took samba as their focus since 2004. The second essay discusses the traditionalist branch of popular music criticism by analyzing the works of two of its main exponents: the historian José Ramos Tinhorão and the researcher and composer Nei Lopes. The last chapter discusses the claim of an exclusive line in the development of samba by more conservative artists, and the deviations promoted by new means of musical creation and circulation.
Peter, Timothy Layne. "Johann Mattheson's "Das Lied des Lammes": Progressive tendencies in the evangelist recitatives". Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186414.
Pełny tekst źródłaCheung, Kwok-hung Stephen, i 張國雄. "Traditional music and ethnicity : a study of Hakka shange". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/195958.
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Music
Doctoral
Doctor of Philosophy
Sweeney, Mark Richard. "The aesthetics of videogame music". Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:70a29850-0c0d-4abd-a501-e75224fa856a.
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