Rozprawy doktorskie na temat „Music composition”
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Stylianou, Constantinos Yerolemou. "Music composition". Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427954.
Pełny tekst źródłaBunch, M. R. B. "Composition, music". Thesis, University of Edinburgh, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.642214.
Pełny tekst źródłaBenson, John Stuart. "Music composition". Thesis, University of Salford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400828.
Pełny tekst źródłaCarvalho, Sara. "Music composition". Thesis, University of York, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367491.
Pełny tekst źródłaRenwick, Brendon. "Music composition". Thesis, University of York, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259823.
Pełny tekst źródłaMacMillan, James. "Music composition". Thesis, Durham University, 1987. http://etheses.dur.ac.uk/10283/.
Pełny tekst źródłaCashian, Philip. "Music composition". Thesis, Durham University, 1996. http://etheses.dur.ac.uk/10284/.
Pełny tekst źródłaCarcas, Gillian Ruth. "Music composition". Thesis, Durham University, 1995. http://etheses.dur.ac.uk/10193/.
Pełny tekst źródłaArchbold, Paul. "Music composition". Thesis, Durham University, 1998. http://etheses.dur.ac.uk/10188/.
Pełny tekst źródłaMulvey, Grainne. "Composition portfolio : ten compositions and commentaries". Thesis, University of York, 1998. http://etheses.whiterose.ac.uk/10860/.
Pełny tekst źródłaVelloso, Rodrigo Cicchelli. "Electroacoustic music composition". Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338057.
Pełny tekst źródłaCrutchley, Ian Joseph. "D.Phil. music composition". Thesis, University of York, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245869.
Pełny tekst źródłaBeiert, Michael. "Portfolio of compositions, with accompanying composition commentary". Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2042979/.
Pełny tekst źródłaMorgan, Louise Anne. "Children's collaborative music composition : communication through music". Thesis, University of Leicester, 1998. http://hdl.handle.net/2381/31262.
Pełny tekst źródłaSammoutis, Evis. "PhD in music composition". Thesis, University of York, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428424.
Pełny tekst źródłaYu, ChÅ ng. "Computer generated music composition". Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/10901.
Pełny tekst źródłaTibbetts, Tracey D. "Computer generated music : a methodology for computer music composition". Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1125059.
Pełny tekst źródłaDepartment of Computer Science
Prince, Lloyd T. "Composition portfolio". Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002318.
Pełny tekst źródłaRichard, Paul Christian Patrice. "Composition portfolio". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017548.
Pełny tekst źródłaStringer, John. "Composition". Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387767.
Pełny tekst źródłaKoo, Chat-po, i 顧七寶. "Six music compositions". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31210831.
Pełny tekst źródłaKoo, Chat-po. "Six music compositions /". [Hong Kong] : University of Hong Kong, 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1341821X.
Pełny tekst źródłaCaesar, Rodolfo. "The composition of electroacoustic music". Thesis, University of East Anglia, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412262.
Pełny tekst źródłaThiebaut, Jean-Baptiste. "Sketching music : representation and composition". Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/406.
Pełny tekst źródłaMartin, Pastor Fernando. "Composition portfolio and music analysis". Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/349471/.
Pełny tekst źródłaBlackburn, Manuella. "Portfolio of electroacoustic music composition". Thesis, University of Manchester, 2010. https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-electroacoustic-music-composition(3a1d224f-5d60-4fa8-8049-1e7c1f937b3f).html.
Pełny tekst źródłaWilkins, Keyna Rose. "Astronomical Phenomena in Music Composition". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17095.
Pełny tekst źródłaWillgoss, Richard Adrian. "Creativity in Art Music Composition". Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20586.
Pełny tekst źródłaSpyrou, Alexandros. "Liquid identity in music composition". Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/7032.
Pełny tekst źródłavan, den Broek Koen Alexander. "Composition Portfolio". Thesis, University of Canterbury. Music, 2015. http://hdl.handle.net/10092/10774.
Pełny tekst źródłaChanter, Tim Martin. "Composition portfolio". Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/8136.
Pełny tekst źródłaRao, Madhuri Preeti. "Senior Composition Thesis". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/812.
Pełny tekst źródłaWynne, Donovan. "Composition portfolio". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1003121.
Pełny tekst źródłaFells, Nicolas A. "Composition folio". Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242161.
Pełny tekst źródłaGhisi, Daniele. "Music across music : towards a corpus-based, interactive computer-aided composition". Thesis, Paris 6, 2017. http://www.theses.fr/2017PA066561/document.
Pełny tekst źródłaThe reworking of existing music in order to build new one is a quintessential characteristic of the Western musical tradition. This thesis proposes and discusses my personal approach to the subject: the borrowing of music fragments from large-scale corpora (containing audio samples as well as symbolic scores) in order to build a low-level, descriptor-based palette of grains. Parameters are handled via digital hybrid scores, in order to equip corpus-based composition with the control of notational practices. This thesis also introduces the dada library, providing Max with the ability to organize, select and generate musical content via a set of graphical interfaces manifesting an exploratory approach towards music composition. Its modules address a range of scenarios, including, but not limited to, database visualization, score segmentation and analysis, concatenative synthesis, music generation via physical or geometrical modelling, wave terrain synthesis, graph exploration, cellular automata, swarm intelligence, and videogames. The library is open-source and it fosters a performative approach to computer-aided composition. Finally, this thesis addresses the issue of whether classical representation of music, disentangled in the standard set of traditional parameters, is optimal. Two possible alternatives to orthogonal decompositions are presented: grain-based score representations, inheriting techniques from corpus-based composition, and unsupervised machine learning models, providing entangled, `agnostic' representations of music. The thesis also details my first experience of collaborative writing within the /nu/thing collective
Bearden, Stephanie. "Wanderer : an original composition /". Lynchburg, VA : Liberty University, 2007. http://digitalcommons.liberty.edu.
Pełny tekst źródłaIngimundardottir, Gudrun 1963. "Dawn (Original composition)". Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/291376.
Pełny tekst źródłaRothacker, Kurt Van Meter 1964. "Paean (Original composition)". Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/291824.
Pełny tekst źródłaGhisi, Daniele. "Music across music : towards a corpus-based, interactive computer-aided composition". Electronic Thesis or Diss., Paris 6, 2017. http://www.theses.fr/2017PA066561.
Pełny tekst źródłaThe reworking of existing music in order to build new one is a quintessential characteristic of the Western musical tradition. This thesis proposes and discusses my personal approach to the subject: the borrowing of music fragments from large-scale corpora (containing audio samples as well as symbolic scores) in order to build a low-level, descriptor-based palette of grains. Parameters are handled via digital hybrid scores, in order to equip corpus-based composition with the control of notational practices. This thesis also introduces the dada library, providing Max with the ability to organize, select and generate musical content via a set of graphical interfaces manifesting an exploratory approach towards music composition. Its modules address a range of scenarios, including, but not limited to, database visualization, score segmentation and analysis, concatenative synthesis, music generation via physical or geometrical modelling, wave terrain synthesis, graph exploration, cellular automata, swarm intelligence, and videogames. The library is open-source and it fosters a performative approach to computer-aided composition. Finally, this thesis addresses the issue of whether classical representation of music, disentangled in the standard set of traditional parameters, is optimal. Two possible alternatives to orthogonal decompositions are presented: grain-based score representations, inheriting techniques from corpus-based composition, and unsupervised machine learning models, providing entangled, `agnostic' representations of music. The thesis also details my first experience of collaborative writing within the /nu/thing collective
Buitendag, Kingsley Alexander. "A short composition portfolio". Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002297.
Pełny tekst źródłaField, Ambrose Edmund. "Electroacoustic composition". Thesis, City University London, 1999. http://openaccess.city.ac.uk/7755/.
Pełny tekst źródłaBaracskai, Zlatko. "Composition portfolio". Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/1739/.
Pełny tekst źródłaJensen, Johannes Høydahl. "Evolutionary Music Composition : A Quantitative Approach". Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for datateknikk og informasjonsvitenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-14036.
Pełny tekst źródłaGarcia, Jérémie. "Supporting music composition with interactive paper". Phd thesis, Université Paris Sud - Paris XI, 2014. http://tel.archives-ouvertes.fr/tel-01056992.
Pełny tekst źródłaWaters, Simon. "Electroacoustic music : composition beyond the acousmatic". Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338056.
Pełny tekst źródłaHargreaves, Jonathan James. "Music as communication : networks of composition". Thesis, University of York, 2008. http://etheses.whiterose.ac.uk/11086/.
Pełny tekst źródłaOberholtzer, Josiah W. "A Computational Model of Music Composition". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17463123.
Pełny tekst źródłaMusic
Yelkenci, Serhat. "Algorithmic Music Composition Using Linear Algebra". Thesis, Southern Illinois University at Edwardsville, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10275073.
Pełny tekst źródłaSound, in its all forms, is a source of energy whose capabilities humankind is not yet fully aware of. Composition - the way of aggregating sounds into the form of music - still holds to be an unperceived methodology with lots of unknowns. Methodologies used by composers are generally seem as being innate talent, something that cannot be used or shared by others. Yet, as any other form of art, music actually is and can be interpreted with mathematics and geometry. The focus of this thesis is to propose a generative algorithm to compose structured music pieces using linear algebra as the mathematical language for the representation of music. By implementing the linear algebra as the scientific framework, a practical data structure is obtained for analysis and manipulation. Instead of defining a single structure from a certain musical canon, which is a type of limiting the frame of music, the generative algorithm proposed in this paper is capable of learning all kinds of musical structures by linear algebra operations. The algorithm is designed to build musical knowledge (influence) by analyzing music pieces and receive a new melody as the inspirational component to produce new unique and meaningful music pieces. Characteristic analysis features obtained from analyzing music pieces, serves as constraints during the composition process. The proposed algorithm has been successful in generating unique and meaningful music pieces. The process time of the algorithm varies due to complexity of the influential aspect. Yet, the free nature of the generative algorithm and the capability of matrical representation offer a practical linkage between unique and meaningful music creation and any other concept containing a mathematical foundation.
Khan, Adil H. "Artificial intelligence approaches to music composition". Thesis, Northern Kentucky University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1549922.
Pełny tekst źródłaMusic composition using Artificial Intelligence is a well-established area of study with research dating back over six decades. From the time the mathematical model of computation was developed by Alan Turing in the 1940s, the question of whether computers can be built to match human level intelligence has been debated. Creativity is certainly considered to be a sign of intelligence, and many areas of Artificial Intelligence have pursued ways to emulate the creative spark found in humans. Music Composition via Artificial Intelligence falls into this category. This thesis explores the application of Artificial Intelligence approaches towards the goal of composing music by implementing three approaches found in Artificial Intelligence and studying their results.
Mayall, Jeremy Mark. "Composition Portfolio". The University of Waikato, 2006. http://hdl.handle.net/10289/2398.
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