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Artykuły w czasopismach na temat "Music – california – history and criticism"
Тарускин, Р. ""'Everybody Gotta be Someplace' (on Context)"". Музыкальная академия, nr 2(782) (26.06.2023): 52–83. http://dx.doi.org/10.34690/308.
Pełny tekst źródłaBotstein, Leon. "On Criticism and History". Musical Quarterly 79, nr 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Pełny tekst źródłaMarcus, K. H. "Nineteenth Century California Sheet Music". Journal of American History 98, nr 1 (1.06.2011): 308. http://dx.doi.org/10.1093/jahist/jar137.
Pełny tekst źródłaBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, nr 1-2 (1.03.2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Pełny tekst źródłaRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, nr 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Pełny tekst źródłaVojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI". Nasledje Kragujevac XX, nr 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.
Pełny tekst źródłaFoote, Thelma Wills. "Music of African Americans in California". Pacific Historical Review 69, nr 1 (1.02.2000): 89–95. http://dx.doi.org/10.2307/3641239.
Pełny tekst źródłaTukova, Iryna, Valentina Redya i Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)". Studia Universitatis Babeş-Bolyai Musica 67, nr 2 (20.12.2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.
Pełny tekst źródłaMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II". Muzyka 63, nr 4 (31.12.2018): 55–64. http://dx.doi.org/10.36744/m.344.
Pełny tekst źródłakang, sun ha. "The Problems an Improvement Direction of High School Music Appreciation and Criticism Textbook". Korean Association For Learner-Centered Curriculum And Instruction 23, nr 17 (15.09.2023): 1–15. http://dx.doi.org/10.22251/jlcci.2023.23.17.1.
Pełny tekst źródłaRozprawy doktorskie na temat "Music – california – history and criticism"
Hilliard, Howard (Howard Louis). "The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.
Pełny tekst źródłaKirilov, Kalin Stanchev. "Harmony in Bulgarian Music". Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Pełny tekst źródłaThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
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Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Pełny tekst źródłaSchmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Pełny tekst źródłaBrownlee, Jane. "The Transmission of Traditional Fiddle Music in Australia". Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/13919.
Pełny tekst źródłaBrownlee, Jane. "The transmission of traditional fiddle music in Australia". Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/7913.
Pełny tekst źródłaStewart, Shawna Lynn. "Charles C. Hirt at the University of Southern California| Significant contributions and an enduring legacy". Thesis, University of Southern California, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564029.
Pełny tekst źródłaDr. Charles Hirt and the Department of Church and Choral Music at the University of Southern California (USC) produced some of America's most successful choral conductors and administrators. Many of those students are conducting or administrating at the finest colleges and universities, secondary schools, churches, and community choral organizations in the nation. From the earliest moments of his career, Charles Hirt himself received a seemingly endless string of accolades. Always focused on the betterment and future of the choral arts, he was a "founding father" of significant choral organizations such as the American Choral Directors Association (ACDA), Choral Conductors Guild of California, and the International Federation of Choral Music. It was also his visionary mindset that served as a hallmark of his tenure at USC and arguably earned him the right to stand as an equal alongside the greatest of American choral conductors.
It is the aim of this study to examine Hirt's significant contributions to the University of Southern California and his legacy as it continues on in his students and the subsequent generation of choral leaders they generated.
Williams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Pełny tekst źródłaSarmast, Ahmad Naser. "A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D". Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Pełny tekst źródłaPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Pełny tekst źródłaKsiążki na temat "Music – california – history and criticism"
Haslam, Gerald W. Workin' man blues: Country music in California. Berkeley: University of California Press, 1999.
Znajdź pełny tekst źródłaWood, Jack. Surf city: The California sound. New York: Friedman/Fairfax Publishers, 1995.
Znajdź pełny tekst źródłaReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Znajdź pełny tekst źródłaReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Znajdź pełny tekst źródłaReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Znajdź pełny tekst źródłaCountry Music Hall of Fame & Museum (Nashville, Tenn.), red. The Bakersfield sound: Buck Owens, Merle Haggard, and California country. Nashville, Tenn: Country Music Foundation Press Country Music Hall of Fame, 2012.
Znajdź pełny tekst źródłaYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Znajdź pełny tekst źródłaYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Znajdź pełny tekst źródłaYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Znajdź pełny tekst źródłaFowley, Kim. California confidential: A small taste of California dreamin' and California schemin' : in conversation with Kim Fowley. Wyd. 2. North Strathfield, N.S.W: CMusic Books, 2001.
Znajdź pełny tekst źródłaCzęści książek na temat "Music – california – history and criticism"
Wehrs, William. "Affect and Film Music: A Brief History". W The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Pełny tekst źródłaBrüstle, Christa. "Gender Issues as Criticism Within (New) Music Institutions". W New Music and Institutional Critique, 49–68. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_3.
Pełny tekst źródłaIddon, Martin. "Darmstadt and Its Discontents". W New Music and Institutional Critique, 69–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_4.
Pełny tekst źródłaLockhart, Ellen. "Giuditta Pasta and the History of Musical Electrification". W Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284432.003.0006.
Pełny tekst źródłaKramer, Lawrence. "History". W Interpreting Music, 96–112. University of California Press, 2010. http://dx.doi.org/10.1525/california/9780520267053.003.0006.
Pełny tekst źródła"History and Criticism". W Italian Ars Nova Music, 13–74. Wyd. 2. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8306149.10.
Pełny tekst źródłaDahl, Per. "Music Criticism in Norway". W The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Pełny tekst źródłaSolie, Ruth A. "Beethoven as Secular HumanistIdeology and the Ninth Symphony in Nineteenth-Century Criticism". W Music in Other WordsVictorian Conversations, 5–43. University of California Press, 2004. http://dx.doi.org/10.1525/california/9780520238459.003.0002.
Pełny tekst źródłaKarnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY". W Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Pełny tekst źródłaFrey, Emily. "Music Criticism in Imperial Russia". W The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Pełny tekst źródłaStreszczenia konferencji na temat "Music – california – history and criticism"
Kolomiets, G. "ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS". W Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.
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