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Artykuły w czasopismach na temat "Music by women composers"
Rickards, Guy. "Music by women composers". Tempo 59, nr 234 (21.09.2005): 66–72. http://dx.doi.org/10.1017/s0040298205300325.
Pełny tekst źródłaBroe, Carolyn Waters. "Viola Music by Women Composers". American String Teacher 57, nr 3 (sierpień 2007): 68–71. http://dx.doi.org/10.1177/000313130705700312.
Pełny tekst źródłaCant, Stephanie. "Women Composers and the Music Curriculum". British Journal of Music Education 7, nr 1 (marzec 1990): 5–13. http://dx.doi.org/10.1017/s0265051700007476.
Pełny tekst źródłaWILSON KIMBER, MARIAN. "Women Composers at the White House: The National League of American Pen Women and Phyllis Fergus's Advocacy for Women in American Music". Journal of the Society for American Music 12, nr 4 (listopad 2018): 477–507. http://dx.doi.org/10.1017/s1752196318000378.
Pełny tekst źródłaHayes, Deborah, i Judith Tick. "American Women Composers before 1870". American Music 3, nr 4 (1985): 478. http://dx.doi.org/10.2307/3051836.
Pełny tekst źródłaBasart, Ann P., Aaron I. Cohen i Jane Frasier. "International Discography of Women Composers". American Music 4, nr 2 (1986): 227. http://dx.doi.org/10.2307/3051992.
Pełny tekst źródłaEllsworth, Therese. "Composers in academia: Women composers at American colleges and universities". Contemporary Music Review 16, nr 1-2 (styczeń 1997): 27–36. http://dx.doi.org/10.1080/07494469700640041.
Pełny tekst źródłaKálló, Krisztián. "Katalin Incze G.: Portrait af a Composer". Studia Universitatis Babeş-Bolyai Musica 67, nr 1 (30.06.2022): 9–19. http://dx.doi.org/10.24193/subbmusica.2022.1.01.
Pełny tekst źródłaWu, Di. "A Study of Clara Schumann's Piano Music Performance, Composition and Teaching under the Feminist Movement". Journal of Education, Humanities and Social Sciences 5 (23.11.2022): 22–27. http://dx.doi.org/10.54097/ehss.v5i.2878.
Pełny tekst źródłaRickards, Guy. "New Releases of music by Women Composers". Tempo 59, nr 231 (styczeń 2005): 74–80. http://dx.doi.org/10.1017/s0040298205260072.
Pełny tekst źródłaRozprawy doktorskie na temat "Music by women composers"
Rothenberg, Florie. "Music for clarinet and string quartet by women composers". Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186505.
Pełny tekst źródłaFuller, Sophie. "Women composers during the British musical renaissance, 1880-1918". Thesis, Online version, 1998. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.263601.
Pełny tekst źródłaWahl, Shelbie L. "By women, for women choral works for women's voices composed and texted by women, with an annotated repertoire list /". Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/788.
Pełny tekst źródłaSeddon, Laura. "The instrumental music of British women composers in the early twentieth century". Thesis, City University London, 2011. http://openaccess.city.ac.uk/1172/.
Pełny tekst źródłaCooke, Mary Lee. "Southern women, southern voices Civil War songs by southern women /". Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1477CookeML/umi-uncg-1477.pdf.
Pełny tekst źródłaTitle from PDF t.p. (viewed Feb. 29, 2008). Directed by Nancy Walker; submitted to the School of Music. Includes bibliographical references (p. 160-176).
Creasap, Susan D. "American women composers of band music : a biographical dictionary and catalogue of works". Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1019472.
Pełny tekst źródłaSchool of Music
Richards, Melanie Ann. "A selected bibliography of music for clarinet and one other instrument by women composers". Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1244141413.
Pełny tekst źródłaMarcho, Trevor K. "Socially Responsible Music Repertoire: Composer Gender Diversity in Instrumental Ensembles". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1593085683940817.
Pełny tekst źródłaTaliani, Alexandra R. "An Annotated Catalog of the Music of Eusebia Simpson Hunkins in the Music and Dance Library Special Collections Room and the Mahn Center for Archives and Special Collections of Ohio University". Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1587141633610687.
Pełny tekst źródłaBarber, Holly. "Women in the Spotlight| A Survey of Female Choral Composers for Middle and High School Choirs". Thesis, California State University, Los Angeles, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10618445.
Pełny tekst źródłaThis project report presents a set of criteria for choosing a balanced program of repertoire for choirs, specifically focusing on increasing the representation of female composers in programming for middle and high school choirs. The recital given in conjunction with this report represents these criteria in action.
In addition to providing a biography of each composer and analyzing the text and musical structure of each song, the author includes her rationale for choosing each piece based on the criteria, as well as teaching strategies and conducting techniques employed. The project report also includes an appendix with an annotated bibliography to provide an updated resource for conductors at the middle and high school level who want to be deliberate in programming a more diverse representation of composers.
Książki na temat "Music by women composers"
Dees, Pamela Youngdahl. Piano music by women composers. Westport, Conn: Greenwood/Prager, 2004.
Znajdź pełny tekst źródłaWomen music makers: An introduction to women composers. New York: Walker, 1992.
Znajdź pełny tekst źródłaKorean women composers and their music. Missoula, MT: College Music Society, 2012.
Znajdź pełny tekst źródłaFurman, Schleifer Martha, i Glickman Sylvia, red. Women composers: Music through the ages. New York, NY: G.K. Hall, 1996.
Znajdź pełny tekst źródłaHinson, Maurice. At the piano with women composers. [Van Nuys, CA]: Alfred Pub. Co., 1990.
Znajdź pełny tekst źródłaAustria. Bundesministerium für europäische und internationale Angelegenheiten., red. Women/music: Austria. Vienna: Brandstätter, 2009.
Znajdź pełny tekst źródłaAustria. Bundesministerium für europäische und internationale Angelegenheiten., red. Women/music: Austria. Vienna: Brandstätter, 2009.
Znajdź pełny tekst źródłaM, Bowers Jane, i Tick Judith, red. Women making music. Urbana, IL: University of Illinois, 1986.
Znajdź pełny tekst źródłaJohnson, Calvert. Organ music by women composers before 1800. Pullman, WA: Vivace Press, 1993.
Znajdź pełny tekst źródłaSmith, Gail. Women composers in history: 18 intermediate to late intermediate piano pieces by 8 composers. Milwaukee, WI: Hal Leonard, 2013.
Znajdź pełny tekst źródłaCzęści książek na temat "Music by women composers"
Bowers, Jane. "The Emergence of Women Composers in Italy, 1566–1700". W Women Making Music, 116–67. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-09367-0_6.
Pełny tekst źródłaWolstencroft, Edwina. "Celebrating women composers on BBC Radio 3". W The Routledge Handbook of Women's Work in Music, 318–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-32.
Pełny tekst źródłaGolding, Rosemary. "Anon., ‘Women as Composers’; and Anon., ‘Manliness in Music’". W Music in Nineteenth-Century Britain, 304–11. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003892-32.
Pełny tekst źródłaBagge, Maren. "Women song composers and the London Ballad Concerts". W The Routledge Handbook of Women's Work in Music, 260–70. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-26.
Pełny tekst źródłaOlson, Judith E. "Luise Adolpha Le Beau: Composer in Late Nineteenth-Century Germany". W Women Making Music, 282–303. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-09367-0_11.
Pełny tekst źródłaClauson-Elliott, Susan. "Women composers and the Proms: the first 100 years (1895–1994)". W The Routledge Handbook of Women's Work in Music, 91–105. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-10.
Pełny tekst źródłaWollenberg, Susan. "‘Where Are We Now?’: teaching and studying women composers post-Citron". W The Routledge Handbook of Women's Work in Music, 19–25. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-2.
Pełny tekst źródłaBernstein, Jane A. "“Shout, Shout, Up with Your Song!” Dame Ethel Smyth and the Changing Role of the British Woman Composer". W Women Making Music, 304–24. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-09367-0_12.
Pełny tekst źródłaAppleby, Rosalind. "“Dear Women Composers in Australia (and Beyond)”: (A Letter from a Music Critic)". W A Century of Composition by Women, 209–23. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95557-1_11.
Pełny tekst źródłaFuller, Sophie. "Grace, Betty, Maude and Me: 30 years of fighting for women composers". W The Routledge Handbook of Women's Work in Music, 9–18. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429201080-1.
Pełny tekst źródłaStreszczenia konferencji na temat "Music by women composers"
Mo, Fan, Xingchao Wang, Shuaijun Li i Huihuan Qian. "A Music Generation Model for Robotic Composers". W 2018 IEEE International Conference on Robotics and Biomimetics (ROBIO). IEEE, 2018. http://dx.doi.org/10.1109/robio.2018.8665078.
Pełny tekst źródłaTaylor, Stephen. "From Program Music to Sonification: Representation and the Evolution of Music and Language". W The 23rd International Conference on Auditory Display. Arlington, Virginia: The International Community for Auditory Display, 2017. http://dx.doi.org/10.21785/icad2017.060.
Pełny tekst źródłaZaozerskikh, Alena, i Mariya Chikhachyova. ""Memory of Culture" in Memorial Music by Siberian Composers". W Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.109.
Pełny tekst źródłaSANZHIEVA, L. N. "MUSIC OF COMPOSERS OF BURYATIA IN THE COUNTRY AND THE WORLD". W Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-213-216.
Pełny tekst źródłaSporka, Adam J., Ben L. Carson, Paul Nauert i Sri H. Kurniawan. "Toward accessible technology for music composers and producers with motor disabilities". W ASSETS '13: The 15th International ACM SIGACCESS Conference on Computers and Accessibility. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2513383.2513412.
Pełny tekst źródłaWest, Nicola, Tamara Rathcke i Rachel Smith. "Timing in speech and music of contemporary English and Scottish composers". W Speech Prosody 2022. ISCA: ISCA, 2022. http://dx.doi.org/10.21437/speechprosody.2022-109.
Pełny tekst źródłaKing, Rob. "‘Music of the People’: Music From Data as Social Commentary". W ICAD 2019: The 25th International Conference on Auditory Display. Newcastle upon Tyne, United Kingdom: Department of Computer and Information Sciences, Northumbria University, 2019. http://dx.doi.org/10.21785/icad2019.007.
Pełny tekst źródłaDeng, Kaiyuan. "Vocal Score and Piano Score The Interaction Between Chamber Music and Vocal Music of Chinese Composers". W 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.29.
Pełny tekst źródłaЧжао, Яньчжань. "The influence of Russian piano music on the work of Chinese composers". W Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.82.60.079.
Pełny tekst źródłaCosta, Lucas F. P., i Andrés E. Coca S. "Characterization and identification of twelve-tone composers". W XV Encontro Nacional de Inteligência Artificial e Computacional. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/eniac.2018.4465.
Pełny tekst źródłaRaporty organizacyjne na temat "Music by women composers"
Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481278.
Pełny tekst źródłaDuch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481276.
Pełny tekst źródłaBuene, Eivind. Intimate Relations. Norges Musikkhøgskole, sierpień 2018. http://dx.doi.org/10.22501/nmh-ar.481274.
Pełny tekst źródłahuang, shuwen, you wu, qiuping ren, jianying shen, wenna liang i candong li. The effectiveness of five-element music therapy on anxiety and depression in perimenopausal women: A protocol of systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, czerwiec 2022. http://dx.doi.org/10.37766/inplasy2022.6.0091.
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