Gotowa bibliografia na temat „Music audiences”
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Artykuły w czasopismach na temat "Music audiences"
Miranda, Pritta, i Reny Yuliati. "Eksistensi Radio Saat Ini : Studi Preferensi & Motivasi Khalayak Dalam Mendengarkan Radio". Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 4, nr 3 (5.11.2020): 735. http://dx.doi.org/10.25139/jsk.v4i3.2477.
Pełny tekst źródłaLitos, Ioannis, i Eirini Papadaki. "‘If you play some good music, people immediately understand it’: Audience response to busking". International Journal of Community Music 16, nr 2 (1.07.2023): 135–53. http://dx.doi.org/10.1386/ijcm_00079_1.
Pełny tekst źródłaWu, Jun, Jiede Wu, Chien-Wen Cheng, Chang-Chieh Shih i Po-Hsien Lin. "A Study of the Influence of Music on Audiences’ Cognition of Animation". Animation 16, nr 3 (listopad 2021): 141–56. http://dx.doi.org/10.1177/17468477211052599.
Pełny tekst źródłaCorsa, Andrew J. "John Cage, Henry David Thoreau, Wild Nature, Humility, and Music". Environmental Ethics 43, nr 3 (2021): 219–34. http://dx.doi.org/10.5840/enviroethics202111828.
Pełny tekst źródłaArvidsson, Alf. "Guest Editor’s Column". Puls - musik- och dansetnologisk tidskrift 7 (1.05.2022): 5–8. http://dx.doi.org/10.62779/puls.v7i.19252.
Pełny tekst źródłaSdraulig, Charlie, i Louis d'Heudières. "ATTENDING TO ATTENDING: PERFORMING AUDIENCE PERSONAE IN CONTEMPORARY MUSIC". Tempo 76, nr 300 (kwiecień 2022): 18–32. http://dx.doi.org/10.1017/s0040298221000899.
Pełny tekst źródłaSposato, Jeffrey S. "Saint Elsewhere: German and English Reactions to Mendelssohn's Paulus". 19th-Century Music 32, nr 1 (2008): 26–51. http://dx.doi.org/10.1525/ncm.2008.32.1.026.
Pełny tekst źródłaMatthews, Emma-Kate. "Activating Audiences: How spatial music can help us to listen". Organised Sound 24, nr 3 (29.11.2019): 297–306. http://dx.doi.org/10.1017/s1355771819000360.
Pełny tekst źródłaSCHEDEL, MARGARET ANNE. "Alternative venues for computer music: SoundGallery_Living Room_ARTSHIP". Organised Sound 9, nr 3 (grudzień 2004): 301–3. http://dx.doi.org/10.1017/s1355771804000500.
Pełny tekst źródłaCheng, Lee, Chi Hin Leung i Wing Yan Jasman Pang. "Audience’s Perceived Expectancy and Authenticity of Classical Music Performance by Digital Musical Instrument Mobile Apps". Music Perception: An Interdisciplinary Journal 41, nr 2 (1.12.2023): 132–47. http://dx.doi.org/10.1525/mp.2023.41.2.132.
Pełny tekst źródłaRozprawy doktorskie na temat "Music audiences"
Redhead, Tracy. "Interactive music formats : will audiences interact?" Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/80881/4/Tracy_Redhead_Thesis.pdf.
Pełny tekst źródłaZaborowski, Rafal. "Audible audiences : engaging with music in Japan". Thesis, London School of Economics and Political Science (University of London), 2015. http://etheses.lse.ac.uk/3219/.
Pełny tekst źródłaLee, Erin Gilligan. "New Audiences for New Music: A Study of Three Contemporary Music Ensembles". University of Akron / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=akron1240423668.
Pełny tekst źródłaLee, Erin. "New audiences for new music a study of three contemporary music ensembles /". Akron, OH : University of Akron, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1240423668.
Pełny tekst źródła"May, 2009." Title from electronic thesis title page (viewed 8/1/2009) Advisor, Durand Pope; Faculty Readers, Neil Sapienza, George Pope; School Director, Neil Sapienza ; Dean of the College, James Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
Emanski, Julianna. "Early Music Audiences: A Survey and Analysis of Early Music Consumers in Texas". Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707272/.
Pełny tekst źródłaHearn, Lucinda J. "Wild release: Making albums for audiences in a short-form economy". Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/117287/2/Lucinda%20Hearn%20Thesis.pdf.
Pełny tekst źródłaDilokkunanant, Komsun. "Strategies for classical music audiences: an exploration of existing practices used by western European art music organizations". Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/6937.
Pełny tekst źródłaFreeman, Cole. "Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930". Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc500034/.
Pełny tekst źródłaLee, Sang Won. "Audience participation using mobile phones as musical instruments". Thesis, Georgia Institute of Technology, 2012. http://hdl.handle.net/1853/44749.
Pełny tekst źródłaCarter, Danielle Catherine. "Envisaged, invited and actual audiences: A new model to approach audience research in Australian community-engaged performance projects". Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/127464/1/Danielle_Carter_Thesis.pdf.
Pełny tekst źródłaKsiążki na temat "Music audiences"
Horowitz, Harold. The American jazz music audience. Washington, D.C. (1201 Pennsylvania Ave., NW, Suite 720, Washington 20004): National Jazz Service Organization, 1986.
Znajdź pełny tekst źródła1969-, Mann Kenton, red. Music unlimited!: The performer's guide to new audiences. Chur, Switzerland: Harwood Academic Publishers, 1994.
Znajdź pełny tekst źródłaFarrell, Isabel. Music unlimited: The performer's guide to new audiences. [Chur, Switzerland]: Harwood Academic Publishers, 1994.
Znajdź pełny tekst źródłaWa Lehulere, Kemang, 1984- contributor, red. Luxurama. [South Africa?]: [publisher not identified], 2018.
Znajdź pełny tekst źródłacontributor, Dupin-Meynard Félix, Négrier Pauline contributor, Potier Damien contributor i Gerbaud Philippe illustrator, red. Les musiques du monde et leur(s) public(s): Six festivals en Provence-Alpes-Côte d'Azur. [Marseille]: Le Mot et le reste, 2014.
Znajdź pełny tekst źródłaMatthews, Jacob Thomas, i Lucien Perticoz. L'industrie musicale à l'aube du XXIe siècle: Approches critiques. Paris: L'Harmattan, 2012.
Znajdź pełny tekst źródłaRijal, Shiva. Performing for tourists: Redefining performances, performers, and audiences. New Delhi: D.K. Printworld, 2010.
Znajdź pełny tekst źródłaGewerkschaft Erziehung und Wissenschaft. Landesverband Hamburg. Musikausschuss., red. Hundert Jahre Hamburger Schülerkonzerte 1898-1998. Altenmedingen: H. Junker Verlag, 1998.
Znajdź pełny tekst źródłaSusanna, Agardy, i Australian Broadcasting Tribunal, red. Young Australians and music. Melbourne: Research Branch, Australian Broadcasting Tribunal, 1985.
Znajdź pełny tekst źródłaBarendregt, Bart, Peter Keppy i Henk Schulte Nordholt. Popular Music in Southeast Asia. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984035.
Pełny tekst źródłaCzęści książek na temat "Music audiences"
Tibbetts, John C. "Engaging Audiences". W Performing Music History, 327–40. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92471-7_11.
Pełny tekst źródłaPhillips, Michelle, i Amanda E. Krause. "17. Audiences of the Future". W Classical Music Futures, 333–54. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.17.
Pełny tekst źródłaBlair, Christopher. "Concert Halls, Music, and Audiences". W Modern Theatres 1950–2020, 53–67. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-9.
Pełny tekst źródłaSmilde, Rineke. "Engaging with New Audiences". W Forum Musikvermittlung - Perspektiven aus Forschung und Praxis, 151–68. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839456811-012.
Pełny tekst źródłaEmerson, Gina. "Contemporary classical music and its audiences". W Audience Experience and Contemporary Classical Music, 45–67. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003142874-3.
Pełny tekst źródłaToelle, Jutta. "10. Is It Time for Brahms, Again?" W Classical Music Futures, 191–204. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.10.
Pełny tekst źródłaHambersin, Michel. "Classical Music: New Proposals for New Audiences". W Enhancing Participation in the Arts in the EU, 311–22. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-09096-2_21.
Pełny tekst źródłaFernandez-Blanco, Victor, Maria J. Perez-Villadoniga i Juan Prieto-Rodriguez. "Looking Into the Profile of Music Audiences". W Enhancing Participation in the Arts in the EU, 141–54. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-09096-2_9.
Pełny tekst źródłaSadoff, Ronald, i Miguel Mera. "Shaping the Soundtrack? Hollywood Preview Audiences". W The Routledge Companion to Screen Music and Sound, 291–304. New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315681047-24.
Pełny tekst źródłade Wit, Krista, i Beste Sevindik. "8. Meaningful Music in Healthcare". W Classical Music Futures, 153–76. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0353.08.
Pełny tekst źródłaStreszczenia konferencji na temat "Music audiences"
Takatama, Mirai, i Wonseok Yang. "Remote Cheering System with Voice in Live Streaming". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001753.
Pełny tekst źródłaTseng, Hua Hui. "PROGRAM NOTES: EDUCATING MUSICIANS AND AUDIENCES IN PROFESSIONAL MUSIC TRAINING - THE TUT EXPERIENCE". W International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end062.
Pełny tekst źródłaGao, Xinwei, Deng Kai Chen, Zhiming Gou, Lin Ma, Ruisi Liu, Di Zhao i Jaap Ham. "AI-Driven Music Generation and Emotion Conversion". W 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004679.
Pełny tekst źródłaRossi Rognoni, Gabriele, Marie Martens, Arnold Myers i Jen Schnitker. "CIMCIM Call for Papers ‘Global Crises and Music Museums: Representing Music after the Pandemic’". W Global Crises and Music Museums: Representing Music after the Pandemic, redaktorzy Mimi Waitzman i Esteban Mariño. CIMCIM, 2023. http://dx.doi.org/10.46477/seca7941.
Pełny tekst źródłaDeweppe, Alexander, Nuno Diniz, Pieter Coussement i Marc Leman. "Engaging Audiences through a Participatory Design Approach with the Interactive Music Installation ‘SoundField’". W Electronic Visualisation and the Arts (EVA 2014). BCS Learning & Development, 2014. http://dx.doi.org/10.14236/ewic/eva2014.1.
Pełny tekst źródłaJucu, Ioan Sebastian. "REPRESENTING CITIES, PLACES AND CULTURES THROUGH MUSIC TOURISM AND ICONIC MUSIC LEGENDS: A SHORT GEOGRAPHICAL ANALYSIS OF CELINE DION�S MUSIC AND TRAVEL". W 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.122.
Pełny tekst źródłaOliveira, Gabriel P., i Mirella M. Moro. "Mining Exceptional Genre Patterns on Hit Songs". W Symposium on Knowledge Discovery, Mining and Learning. Sociedade Brasileira de Computação - SBC, 2023. http://dx.doi.org/10.5753/kdmile.2023.232412.
Pełny tekst źródłaQin, Y., D. J. Li i J. T. Yang. "Impact of computer music technology on the effect of the information memory of audiences". W 2015 International Conference on Power Electronics and Energy Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/peee-15.2015.64.
Pełny tekst źródłaPostolache, Inga. "Premises of the appearance of the Romanian musical: pages of history". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.13.
Pełny tekst źródłaKaneko, Tatsuyoshi, Hiroyuki Tarumi, Keiya Kataoka, Yuki Kubochi, Daiki Yamashita, Tomoki Nakai i Ryota Yamaguchi. "Supporting the Sense of Unity between Remote Audiences in VR-Based Remote Live Music Support System KSA2". W 2018 IEEE International Conference on Artificial Intelligence and Virtual Reality (AIVR). IEEE, 2018. http://dx.doi.org/10.1109/aivr.2018.00025.
Pełny tekst źródłaRaporty organizacyjne na temat "Music audiences"
Taela, Kátia, Taela, Kátia, Euclides Gonçalves, Catija Maivasse i Anésio Manhiça. Shaping Social Change with Music in Maputo, Mozambique. Institute of Development Studies (IDS), luty 2021. http://dx.doi.org/10.19088/ids.2021.020.
Pełny tekst źródłaManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse i Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), listopad 2020. http://dx.doi.org/10.19088/ids.2020.001.
Pełny tekst źródłaBerggren, Erik. Migration and Culture. Linköping University Electronic Press, sierpień 2024. http://dx.doi.org/10.3384/9789180757638.
Pełny tekst źródłaYatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
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