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1
Divall, Colin. "Transport Museums: Another Kind of Historiography". Journal of Transport History 24, nr 2 (wrzesień 2003): 259–65. http://dx.doi.org/10.7227/tjth.24.2.8.
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Morrow, Paul. "Are Holocaust Museums Unique?" Royal Institute of Philosophy Supplement 79 (październik 2016): 133–57. http://dx.doi.org/10.1017/s1358246116000114.
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AbstractHolocaust museums record and memorialize deeply affecting historical events. They can nevertheless be described and criticized using standard categories of museum analysis. This paper departs from previous studies of Holocaust museums by focusing not on ethical or aesthetic issues, but rather on ontological, epistemic, and taxonomic considerations. I begin by analysing the ontological basis of the educational value of various objects commonly displayed in Holocaust museums. I argue that this educational value is not intrinsic to the objects themselves, but rather stems from the extrinsic relations established between objects in museum exhibitions and displays. Next, I consider the epistemic, or knowledge-creating, function of Holocaust museums. I argue that the structure of public displays in such museums reflects the particular, document-based epistemology that continues to characterize Holocaust historiography and other fields of Holocaust research. Finally, I turn to examine taxonomic features of Holocaust museums. As I explain, both professional and ‘artefactual’ networks link the activities and display strategies of national, regional, and local Holocaust museums. A brief conclusion sketches some implications of my analysis for ongoing debates about the ethical function of Holocaust museums.
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Hughes, Patrick. "New Media in the ‘New Museums’: Much Technology, Little Historiography". Media International Australia 95, nr 1 (maj 2000): 183–90. http://dx.doi.org/10.1177/1329878x0009500116.
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New communications technologies offer museum curators opportunities to create exhibitions that are ‘open’ to diverse interpretations and are ‘democratic’ in privileging no particular interpretation. However, a fascination with the new forms of exhibition that communications technologies offer can distract us from the fact that they inevitably represent a particular view of the past. Reconsidering the collection of articles titled ‘Museums and New Media’ (Media International Australia incorporating Culture and Policy, no. 89) highlights the need to assert the primacy of historiography over the technologies of its representation.
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Zubanova, Nadezda A. "Museums of a “manufacturing type” in the USSR: Emergence, experience and liquidation. The history of museum development in the USSR in the 1920s–1930s". Issues of Museology 11, nr 2 (2020): 197–209. http://dx.doi.org/10.21638/11701/spbu27.2020.205.
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The article examines the experience of the museums of a “manufacturing type” that appeared in Soviet Russia in the 1920s. References to the existence of such museums are repeatedly found in official reports, museums’ documentation and periodicals of those years. At the same time, we note that up to now there is no definition of this type of museum in the national historiography of the history of museums. The reference to the experience of their work remains on the periphery of the research interest. The article explores the example of two Moscow’s museums — the Museum of Porcelain and the Museum of Furniture — to describe the history of the creation of museums, to find out the socio-cultural factors that contributed to their formation as a “manufacturing type” museums, and to analyze the reasons that led to the closure (in the case of the Museum of Furniture) or a change of their profile. The emergence and activity of manufacturing museums was associated with a special historical moment — the time of the active creation of the Soviet museum network and experiments in the field of museum business. If earlier museums in their activities were focused on storage and scientific functions, then at the new historical stage the role of museums in society was rethought: the educational functions were placed at the forefront of their activities. At this time, there was still the opportunity to implement certain creative experiments. In the activities of “manufacturing museums”, such types of museum work with a visitor were already successfully practiced and some approaches in expositional activities that were relevant in modern museology and in demand by modern museum institutions were implemented.
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Philipp Dominik Keidl. "Toward a Public Media Archaeology: Museums, Media, and Historiography". Moving Image: The Journal of the Association of Moving Image Archivists 17, nr 2 (2017): 20. http://dx.doi.org/10.5749/movingimage.17.2.0020.
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Danуluik, Igor. "Educational Museums of the Ivano-Frankivsk Region". Науковий вісник Чернівецького національного університету імені Юрія Федьковича. Історія 2, nr 46 (20.12.2017): 111–17. http://dx.doi.org/10.31861/hj2017.46.111-117.
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Educational museums are one of the most widespread types of museums not only in the Ivano-Frankivsk region, but on the whole and in Ukraine. Development of educational museums especially increased in 90th of the ХХ th on territory of Prykarpattya such museums are practically in every settlement. In villages it is mainly regional museums at schools or educational-educator complexes. The article analyses development, and becoming of educational museums on territory of our region.
This theme is practically not studied and not investigationed in historiography. Basis of the article are the worked out sources and resources that are accessible. The questions of development of educational museums investigated P. Arsenuch and B. Havruliv fragmentary. In the article analysed in particular educational museums, that are in rural locality. Fund work of these museums and display exhibitions are characterized. The basic orientation of these structures opens up on pumas and students young people. This article leads to the necessity of existence of such establishments, exposes them scientific and educational.
Keywords: museums, Ivano-Frankivskregion, regional, educational, funds, displays, exhibits, work, ancientthings
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Huzhalouski, Alexander A. "Museums of the Soviet Belarus during the Khrushchev’s ‘Thaw’ (1953–1968)". Issues of Museology 12, nr 1 (2021): 35–47. http://dx.doi.org/10.21638/spbu27.2021.104.
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The historical perspective allows us to take a fresh look at a complex and contradictory period in the development of museum affairs in the USSR, which entered into historiography under the name of Khrushchev’s ‘thaw’. Using archival sources that are part of the Ministry of Culture of the Byelorussian SSR record, published statistical data, as well as periodicals, the article attempts to show the growth of the museum network in the BSSR and trace the process of its profile differentiation and museum branch development during this period. Using the specified source base, an analysis of state policy and public initiatives in the field of museum work was carried out. The public discussion of the early 1960s on the role of an artist in the process of museum display design is considered. While listing and analysing museum innovations during the ‘thaw’, the author pays special attention to the legalization of the activities of Belarusian private collectors. The emergence of museum architecture as a material embodiment of socio-cultural ideas about the museum is considered separately. The transformation of Belarusian museums into a subject of international relations in 1953–1968 is presented as an important new trend in their development. Appreciating the positive changes in the life of museums during the ‘thaw’ period, the author points out that it was in those years that the subordination of all activities of Belarusian museums to the tasks of glorifying Soviet society at the expense of other historical periods was finally established at the normative level. All areas of museum activities were filled with ideological content, which reflected the general cultural policy, invariably pursued by the party leadership. The article significantly expands the museological interpretation of the ‘thaw’ era and its role in the expansion, democratization, and professionalization of museum activities.
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Carreño, Miryam. "The New Museums of Education, an International Movement". Encounters in Theory and History of Education 9 (9.10.2008): 75–91. http://dx.doi.org/10.24908/eoe-ese-rse.v9i0.1769.
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In this article the resurgence of interest in museums of education during the last twenty years of the twentieth century and their development up to this day is analyzed. The “new museums” of education are different from their predecessors, the pedagogical museums, which were created
in the last fifty years of the nineteenth century. The new museums constitute an international movement that is developing in an age of deep transformation. Some of them are analyzed here with the goal of looking for the explanation
of that great development: new historiography tendencies; the current globalization process; movements for the recovery of historical memory; and finally changes in museology.
Lastly, the creation and development of the new museums of education in Spain are analyzed, as well as the museographical and museological activities that are taking place in this
country
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Stead, Lisa. "Digital opportunities for feminist film historiography". Alphaville: Journal of Film and Screen Media, nr 20 (27.01.2021): 191–204. http://dx.doi.org/10.33178/alpha.20.14.
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This paper discusses some of the key methodological challenges emerging from the AHRC project Reframing Vivien Leigh: Stardom, Archives and Access, led by PI Dr. Lisa Stead at the University of Exeter. This twenty-month project examined how the legacies of screen star Vivien Leigh are archived and curated by a range of public institutions in the South West of England, taking audiences behind the scenes of local archives and museums. The paper reflects on how researching within rural heritage centres and volunteer run archives encourages the introduction of new voices and new case studies within women’s film history, by encompassing the archival labour of a network of volunteers, amateurs and professionals within a broader heritage sector whose historical actions and choices produce alternative kinds of women’s film history. It reflects in turn on the challenge involved in finding new ways to present these histories in interactive, digital and physical forms for audiences beyond the academy and to make meaningful impact from this kind of research.
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Overton, Keelan, i Kimia Maleki. "The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018–20". Journal of Material Cultures in the Muslim World 1, nr 1-2 (9.02.2021): 120–49. http://dx.doi.org/10.1163/26666286-12340005.
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Abstract The Emamzadeh Yahya at Varamin, a tomb-shrine located south of Tehran, is well known for supplying global museums with iconic examples of Ilkhanid-period luster tilework. After providing a historiography of the site, including its plunder in the late nineteenth century, we explore its current (2018–20) “life” in order to illuminate the many ways that it can be accessed, used, perceived, and packaged by a wide range of local, national, and global stakeholders. Merging past and present history, art history and amateur anthropology, and the academic, personal, and popular voice, this article explores the Emamzadeh Yahya’s delicate and active existence between historical monument, museum object, sacred space, and cultural heritage.
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Flothow, Dorothea. "Historical Crime Fiction as Popular Historiography". Crime Fiction Studies 1, nr 2 (wrzesień 2020): 203–20. http://dx.doi.org/10.3366/cfs.2020.0021.
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Due to the current history boom in the UK, which manifests itself in the conspicuous popularity of historical novels, costume dramas, and in rising visitor numbers to museums, the study of popular historiography has become a growing and vibrant field. Popular historiography formats such as costume dramas, historical romances, and re-enactments have been recognised as a key influence on the public's knowledge of the past. Consumed informally and voluntarily, entertaining and easily accessible, popular histories are often more significant for the public's perception of ‘historical fact’ than ‘academic’ forms of historiography. This article examines historical crime fiction as a genre of popular historiography with a special focus on recent novels set in the late seventeenth century, a period that has lately been the focus of a number of exciting crime series. As a genre mostly written to a formula, concentrating on a narrow theme (i.e. crime and violence), and typically showing the life of ‘the mean streets’, crime fiction has a genre-specific view of the past. Due to its focus on the everyday, it shows aspects of history which are particularly popular with a wider public. Additionally, as it is frequently preoccupied with history's dark secrets, crime fiction is especially suited to re-writing established images of the past.
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Ryzhenko, V. G. "Local transformations of museum «places of memory» in post-soviet era: historiographical notes and direct observations". Vestnik of Samara University. History, pedagogics, philology 27, nr 1 (26.04.2021): 23–31. http://dx.doi.org/10.18287/2542-0445-2021-27-1-23-31.
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The problem of transition from soviet era to modern Russia and associated transformations attracted the attention of scientists (sociologists specially). Within the framework of recent sociological research (the project Russia reforming), it was noted that in the historical memory of the population, the collapse of the USSR and the realities of the new Russia have ambiguous manifestations, and the collective memory is declining. It is necessary to refer to the characterization of the situation with assessments of ongoing transformations by representatives of other scientific fields in the context of the memory paradigm. The article is devoted to modern interpretations of local museum transformations like places of memory. It is necessary to compare approaches to the problem of museologists, cultural scientists and historians. The basis for historiographical notes and observations is intellectual history as an interdisciplinary subject field of actual historical knowledge about various types of creative activity, creative processes and its results. The novelty of our research is that the memory studies uses a historical and cultural model for the analysis of Museum places of memory with a separate emphasis on the assessment of the modern specifics of the representation of images of the Soviet past. As the obtained historiographical results, we record the greatest activity in considering the problem of transformations in Museum publications. However, their authors reduce the essence of the problem to the inner world of museums (the appearance of additional functions and forms of activity). At the same time, since the mid-2000s, there has been a convergence of museology with historical science (the project Role of museums libraries archives in the information support of historical science). The problem of possible creation of a Museum of local history of a new type has been raised. The first publications which connecting museum and historical memory in modern Russia are most important to memories historiography. Specifics of source base for research of local transformations museum places of memory are considered information from direct observations. Transformations of museums in culture space of some Siberian cities are used for example.
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Mokhov, A. S., i K. R. Kapsalykova. "Role of S. V. Korolenko in Evacuation of the Poltava Literary and Memorial Museum of V. G. Korolenko to Sverdlovsk in 1941". Nauchnyi dialog 1, nr 10 (31.10.2020): 368–83. http://dx.doi.org/10.24224/2227-1295-2020-10-368-383.
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The article is devoted to the problem of the evacuation of cultural values during the Great Patriotic War. The relevance of the research is due to the fact that in historiography insufficient attention is paid to the salvation of the treasures of provincial museums in 1941—1942. The question is raised about the lack of a unified plan for the evacuation of museum collections from the western regions of the USSR in the initial period of the war. The novelty of the research is in the introduction into scientific circulation of a unique document — a report on the evacuation of the literary and memorial museum of V. G. Korolenko from Poltava to Sverdlovsk. The question of the history of the creation of the museum and its work in the pre-war period is considered. The authors dwell on the history of the creation of literary and memorial museums in the USSR in the 1920s-1930s. The composition of the archive of V.G.Korolenko is characterized. It is shown that the graduates of the higher female Bestuzhev courses played a significant role in this process. Particular attention is paid to the activities of the museum director, the writer’s eldest daughter, Sofya Vladimirovna Korolenko. It has been proven that she is credited with saving the museum collection from the front line. According to the authors, the history of the evacuation of cultural property during the war is a poorly studied issue, the solution of which depends on the publication of sources.
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Benitez Herrera, Sandra, i Patrícia Figueiró Spinelli. "Girls of Today and Women from the Past: When the History of Female Scientists is Used to Engage Girls with Science". Transversal: International Journal for the Historiography of Science, nr 6 (30.06.2019): 35. http://dx.doi.org/10.24117/2526-2270.2019.i6.05.
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“Girls in the Museum” is a project aimed at school students to encourage them to explore scientific careers and engage with science. To achieve its goals, the project uses a variety of methodologies during the training sessions, always emphasizing the contributions of women to science and society throughout history. In one activity, the participants had to select 14 scientists and philosophers and compile their contributions in a talk that they presented in various Museum events. 1,5 years after the first presentation, we have interviewed and analysed the impressions and memories of the girls on this activity. The results show that the participants could still remember the history of the selected scientists and understand their scientific work because they felt represented. We argue that the historiography of women in sciences is a valuable resource that can be used in all educational levels as well as museums.
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PICKSTONE, JOHN. "Obituary: Professor Donald Cardwell (4 August 1919–8 May 1998)". British Journal for the History of Science 32, nr 4 (grudzień 1999): 485–88. http://dx.doi.org/10.1017/s0007087499003799.
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Before the Second World War, few scholars knew how to incorporate science, technology and medicine into social, political or economic history. Nowadays many historians know the methods: university courses, books and (some) museums manifest their skills. For the ‘greats’ of science, and for many lesser figures and groups, we are able to relate scientific ‘works’ to ‘lives’, contexts and audiences, with an analytical sophistication matching the best of current intellectual and cultural history. This progress in historiography owes much to the intellectual and institutional bases built in the 1950s and 1960s, not least in the universities of northern England. Among the pioneers, Donald Cardwell was a perspicacious and persistent innovator, especially in Manchester, where he helped develop both a school of historians and a marvellous museum of science and industry.
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Flores Silva, Joana Angélica. "Mulheres Negras e a Discussão de Gênero na Construção das Narrativas nos Museus de Salvador". Mosaico 9, nr 2 (27.05.2017): 178. http://dx.doi.org/10.18224/mos.v9i2.5239.
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O artigo trata da representação das mulheres negras nos museus históricos de Salvador, a partir dos vieses em gênero, raça e classe ao analisar o lugar que as mesmas ocupam nas exposições de longa duração, levando em consideração a teia de relações estabelecidas na tríade HomemXObjetoXRealidade. A abordagem se debruça sobre o discurso construído pelos museus ao atribuir à mulher branca o papel de protagonista na historiografia do país, enquanto que concede a figura da escravizada à mulher negra nesse mesmo contexto histórico, o que retroalimenta o imaginário coletivo quando lhe outorga a condição de subalterna. Com base na práxis museológica, a pesquisa deter-se-á no âmbito da reinterpretação dos signos, no processo de musealização dos objetos que representam o universo feminino. Assim, o estudo traz como contribuição, a reflexão acerca da construção de novas narrativas que evidenciem de forma não discriminatória a participação dos sujeitos nos espaços de memória.
Palavras-Chave: Museus de Salvador; Museologia; Gênero; Mulheres negras; Representações
ABSTRACT
The article deals this the representation of black women in the historical museums of Salvador, starting in the gender, race and class. Analyzing the place they occupy in long - term exhibit, taking into account of relationships established in the triad Man x Object x Reality. The approach focuses on the discourse constructed by the museums in assigning the white woman the role of protagonist in the historiography of the country, while granting the figure of the enslaved to the black woman, in this same historical context, which feeds the collective imaginary when it grantates the subordinate condition. Based on the museological praxis, the research will focus on the reinterpretation of signs, in the process of musealization of objects that represent the feminine universe. Therefore, this article bring forward a contribution, the reflection about the construction of new narratives that evidence in a non-discriminatory way the participation of the subjects in the memory spaces.
Keywords: Museums of Salvador; Museology; Genre; Black Women; Representations
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Bud, Robert. "Science, brands and the museum". Journal of Science Communication 15, nr 06 (16.12.2016): C03. http://dx.doi.org/10.22323/2.15060303.
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This paper argues that for citizens to be engaged with science they need to be able to share analytical techniques as well as the results of analyses. The category of "brand" which condenses the instrumental with the symbolic is both powerful in its uses and familiar to laypeople. The paper shows briefly how the categories of penicillin, biotechnology and applied science can be analysed in this way. It suggests that historians apply such an approach to the historiography of such new categories as synthetic biology and that this might be useful to curators of such topics in museums.
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Macchiavello Cornejo, Carla. "Weaving Forms of Resistance: The Museo de la Solidaridad and The Museo Internacional de la Resistencia Salvador Allende". Arts 9, nr 1 (21.01.2020): 12. http://dx.doi.org/10.3390/arts9010012.
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From the starting point of a 1975 artwork made by Norwegian artist Kjartan Slettemark in Sweden to stop a tennis match in resistance to the Chilean military dictatorship, this article reframes the linear image of networks of solidarity and resistance through the gaps and connectivity of a mesh. It expands the figure of the mesh taken from critical materialism into the affective realm of art, historiography, and art institutions by exploring the cases of the museums Museo de la Solidaridad (1971–1974) and Museo Internacional de la Resistencia “Salvador Allende” (1975–1990). As this article delves into various knots and lacunas of the meshes of solidarity and resistance partaking in these museums, and analyzing the relations they wove, it also aims to reflect on the capacity of resilience of arpilleras, as well as on the generative possibilities of the incomplete labor of art history and its ethical and political responsibilities.
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Hu, Alice Joan. "Jan Philip van Thielen and his flower garland paintings". Культура и искусство, nr 3 (marzec 2021): 58–65. http://dx.doi.org/10.7256/2454-0625.2021.3.33322.
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The subject of this research is the artworks of the Flemish painter Jan Philipp van Thielen – a prominent author of the pieces depicting flower garlands in the XVII century, but so little-known nowadays. His name is unjustly forgotten in Russian historiography, although his paintings exhibited in the national museums; although in Western historiography, his popularity has grown in recent decades. Special attention is given to the painter’s works in different genres (religion, portraits, mythology), which are framed by a flower garland accentuating and symbolizing the central images. The scientific novelty of consists in ratification of art of the once renowned and now almost forgotten painter Jan Philipp van Thielen, as well as in the proof that he was one of the most popular flower painters in Flanders, and his patrons and customers were such high-rank aristocrats as Diego Felípez de Guzmán 1st Marquess of Leganés (1580-1655), and Archduke Leopold Wilhelm of Austria (1664-1662), both art lovers and philanthropists. The acquired results demonstrate that Jan Philip van Thielen painted flower garlands in different genres. In the art of Flanders of the XVII century with remarkable success the showed the beauty of garlands and their use for enhancing the religious or moralizing meaning of the central images. His works are widely exhibited not only in museums, but also in auctions, which once again proves his important role in the painting of the XVII century.
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Kolář, Ondřej. "Different Stories of One Battle: The Moravian-Ostrava Offensive in Historiography and Collective Memory". Pogranicze. Polish Borderlands Studies 8, nr 2 (30.06.2020): 61–79. http://dx.doi.org/10.25167/ppbs2039.
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The paper focuses on the historiography and remembrance of a significant battle, fought between the Red Army and German forces in the last week of World War II in Europe on the present Czech-Polish border. In the opening part of the paper, the historical surveys are depicted and analysed. The text also examines “official” forms of remembrance, such as museums and memorials, as well as popular narratives, myths and common tales surrounding the military operation, which are seen in the context of a specific collective identity of the population of the borderland. The article seeks correlations between professional research, political rhetoric and other aspects that created the “popular image” of the offensive. The question of regional memory is understood in the context of nationwide debates about contemporary history.
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Stoškutė, Neringa. "Tension Between Everyday Practice and the New Museology Theory: A Case of the National Gallery of Art in Vilnius". Art History & Criticism 13, nr 1 (1.12.2017): 76–87. http://dx.doi.org/10.1515/mik-2017-0006.
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Summary This article aims to present the main aspects of the New Museology theory and discuss the possibilities of its adaptation in Lithuanian museum practice. To date, the New Museology theory, which was formed in the 1980’s and places the emphasis on the contextual presentation of artworks and the social role museums play in public cultural life, is not widely used in Lithuanian museum practice and a comprehensive survey of art museum permanent collection displays has not been carried out in regards to this particular framework. The first part of this article presents the New Museology theory and its historiography, including main authors, who have contributed to the formation and development of the ‘new’ theory. The second part presents an overview of different methods of display, including aesthetic, contextual/educational and white cube models. The third part shows how a recent establishment of the National Gallery of Art (NGA) in Lithuania completely ignored the New Museology theory and was based on the modernist view of art history, made popular in the Soviet period. Thus, it comes as no surprise, that the permanent collection display at the NGA has received a lot of criticism from various cultural and art historians and other academics. It is expected that the presentation of the main aspects of the New Museology theory and an assessment of a permanent collection display at the National Gallery of Art will help inform Lithuanian museum practice and form a basis for further studies in Lithuanian museological research.
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Falcucci, Beatrice. "Sources for Colonial Historiography: Museums and Colonial Collections, a Mapping and Memory Project on the Italian National Territory". Cahiers d'histoire 37, nr 1 (2019): 21. http://dx.doi.org/10.7202/1067955ar.
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Lyubichankovsky, Sergey V. "Emperor Alexander II and the South Urals: A New Collection of Documents Published by Archivists of the Chelyabinsk Region". Herald of an archivist, nr 1 (2020): 306–11. http://dx.doi.org/10.28995/2073-0101-2020-1-306-311.
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The article reviews the collection of documents “Emperor Alexander II and the Southern Urals,” published in 2019 and dedicated to the 200th anniversary of the Emperor. The book tells of the Tsarevich’s journey through the Southern Urals in 1837 and of manufacture of gifts to him by the Zlatoust craftsmen; a separate part consists of documents devoted to the reign of Alexander II and the impact of the Great Reforms on the development of the region. The collection ends with documents on the perpetuation of the Emperor’s memory. The review proves that this collection of documents closes the topic of relations between Alexander II and the Southern Urals, which has been little studied in the historiography. It concludes that the initiators of the publication – employees of the Joint State Archive of the Chelyabinsk Region – have included in the book legislative acts, recordkeeping materials, materials of the periodical press, sources of personal provenance, photographs, and visual materials. There is a list of archives and museums from which the sources originate: state archives of the Chelyabinsk, Orenburg, Sverdlovsk regions, the National Archive of the Republic of Bashkortostan, the Archive of the Zlatoust City District; the Verkhny Ufaley and Zlatoust local history museums; the Russian State Archive of Photo Documents, the State Russian Museum; the Department for Preservation of Historical Heritage of the South Ural Railway, the Russian State Historical Archive, and the State Archive of the Russian Federation. The review describes the structure of the collection and contends that it contributes to comprehensive coverage of the studied problems. It allows its readers to find the needed documents confidently and quickly, even with minimal research skills. Photo documents (little–known photographs and drawings) included in the collection complement the text quite successfully. The reviewers underscore that the publication contains three extensive introductory articles, the reading of which contributes to a deeper understanding of the sources. Thus, the review concludes that the collection has expanded the documentary base adequately in order to spur extensive research of the pre–revolutionary history of the Southern Urals.
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Bogochanova, Albina. "EFFORT OF EXPLANATION OF SOVIET RUSSIA'S ETHNOGRAPHIC HERITAGE OF THE 1920S". Proceedings of Altai State Academy of Culture and Arts 4 (2020): 28–33. http://dx.doi.org/10.32340/2414-9101-2020-4-28-33.
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The paper considers some tendencies appeared in Soviet ethnographic science in 1920s after acceptance by young Soviet state a new political line in inter-ethnic relation issues named “localization policy” or “indigenisation” in Russian historiography. The author's conclusions are based on analysis of the Academy of Sciences of the Soviet Union's scholars' subject-matter key writings and reports of major ethnographic fieldworks started by special expert committees opened in major Soviet ethnographic museums at the first quarter of the 20th century. On the author's opinion, increased research activities of Soviet scientific forces in the object field of ethnographic science is an answer to a governmental order for elaboration of theoretical base for meeting ideological goals in so called “ethnic building” area; the article gives a number of examples of ethnographic fieldworks with indigenous people (Altaians, Bachat Teleuts) from Altai Mountains (former Oirot autonomous region, now the Altai Republic).
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Lakishyk, Dmytro. "Features of Implication of Memory Policy in Norway and Denmark". European Historical Studies, nr 8 (2017): 147–64. http://dx.doi.org/10.17721/2524-048x.2017.08.147-164.
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The consolidation potential of memory policy in Norway and Denmark is analyzed. During the study, the distinctive features of the implementation of the memory policy of Norway and Denmark have been revealed. As in most European countries, the policy of the memory of the Scandinavian countries is reflected at the state level after the events of the Second World War. But the process of reconciliation with the past in Norway and Denmark in the 1970’s began to differ from a similar Western-European one. The north of the European continent was permeated with radical challenges to post-war historiography, which traditionally continued to represent a rather unified version of the interpretation of the events of the Second World War. Intensification of the study of memory dates back to the beginning of the twenty-first century. This process was especially noticeable in Denmark, where a large number of books on “dark spots” of the history of war were published, while in Norway, the number of publications was much smaller. Museums and exhibitions, which play an important role in representing the views of the Second Messenger War, are an important element in shaping memory policy. The main function of museums in Norway and Denmark was the restoration of national identity after the traumatic experience of war, which they still carry. Also, the integral parts of implementing the policy of memory in Scandinavian countries are measures devoted to the end of the war. In Norway and Denmark, as in other countries of the world, “memory days” are the cornerstone of memory policy. They are an important element for strengthening group identities and are a central component of collective memory.
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Kutsaieva, Tamara O. "Marginal Inscriptions as Objects of Museum Studies: the Case Study of the Library of the National Museum of Ukrainian History". SUMY HISTORICAL AND ARCHIVAL JOURNAL, nr 33 (2019): 14–23. http://dx.doi.org/10.21272/shaj.2019.i33.p.14.
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The first attempt in the scientific practice of the National Museum Ukrainian History to conduct an individual and complex studying of marginal inscriptions has been done in this article. There is the case study of the Hand Press Books and antiquarian books from the library of the mentioned museum. The object of the study has been characterized and reasoning why the antiquarian books published in XIX century, but after 1830, have been chosen as the objects of this research, besides the classical objects of the study of marginal inscriptions (Hand Press Books and antiquarian books). Sources and historiography of the research as well as publications of the museum specialists have been systemized. The conclusion about the small attention of researchers to the library of the National Museum of Ukrainian History has been done too. The author of the article has substantiated one more conclusion about the absence of publications dedicated to the library as the source of information about the history of book printing in Ukraine or museum book collections = historical libraries beyond the museum. The generally accepted scientific criteria for the classification of marginal inscriptions have been generalized on the basis of historiography. Four additional criteria for studying marginal inscriptions have been proposed for the discussion. Challenges of the research have been analyzed in the main part of the article. There is the absence of attribution and fixation of the history of acceptance of the books in the museum library because of the specific status of all museum libraries in Ukraine; absence of a formal right to use such definitions of the Ukrainian legislation as the Rare and Valuable Books concerning the books published in XVIII – the early XIX centuries and some antiquarian books; problems of identifications of handwriting exactly as a marginal inscription, not a written bookplate (exlibris). Some samples to the mentioned challenges have been proposed. The author of the article has implemented the aim of the research and presented attribution of the marginal inscriptions in eleven Hand Press Books and three antiquarian books, including one handwritten antiquarian book – the object of this study. The content of the marginal inscriptions in Mykola Zakrevskyi‘s book “Depiction of Kyiv” (1868) – the most unique book from the point of view of the historical narrative as well as the invitation letter to Mykola Zakrevskyi (the object of the museum importance or so-called “Museum finding”) has been presented in this research. The maximum of available information about the content and classifications of the types of marginal inscriptions (handwritten, marginal glosses, and Marginal inscriptions of publishing houses) has been presented in the article too. Contribution in research and popularisation of the collection of the National Museum of Ukrainian History, studying of the history of a book as the object of the material and spiritual heritage, the personality of (less)known readers and reading cultures in different йpoques have been done based on the results of attribution, bibliographical description, and classification of the books, marginal inscriptions, and bookplates. Another essential result of the research is entering in the scientific circulation the Preliminary list of the Hand Press Books and antiquarian books with marginal inscriptions that have been chosen as the objects of this research. The stress on the urgent relevance of continuation of the complex studying of these books with the aim to give them the status of the Rare and Valuable Books through the entry in the State Register of the National Cultural Heritage has been done. The author has determined some perspectives of this research. They are a continuation of the complex studying of the marginal inscriptions, searching of new marginal inscriptions and fragments of historical libraries that nowadays are parts of the collection of the National Museum of Ukrainian History in other museums, archives, and libraries for contribution to the development of the museum communication and studying of Auxiliary Sciences of History. Keywords: bookplate, book research, in script, marginal inscription, National Museum of Ukrainian History.
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Campbell, Claire. "On Fertile Ground: Locating Historic Sites in the Landscapes of Fundy and the Foothills". Journal of the Canadian Historical Association 17, nr 1 (23.07.2007): 235–65. http://dx.doi.org/10.7202/016109ar.
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Abstract Since the 1972 National Museums Policy announced its goals of “democratization and decentralization,” national historic sites have been marked by a trend toward regionalization. While scholars have focused on the nationalizing impetus of twentieth-century historiography before 1970, subsequently there have been consistent efforts to incorporate local environmental and cultural diversity into the “family” of national sites. This paper demonstrates this system-wide trend by comparing historic sites in the Bay of Fundy and the Alberta foothills. In both places, designation has evolved from the two-nations narrative of French-English rivalry, in seventeenth-century forts or fur trade posts which could integrate far-flung localities, thereby claiming transcontinental space as national territory. Interpretation now credits local ecological factors with shaping the course of historical events, and acknowledges in situ resources. In addition, Parks Canada has involved groups such as the Acadians or the Blackfoot, whose claims of “homeland” jostle the naturalized Canadian boundaries affirmed by the older national narrative. There are other complications, raised by revisions in public history; notably, these sites continue to play a role in the marketing of place – in a long tradition of using the landscape as an entrée to tourism – and they are not yet conceived in regional groupings.
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Lebedenko, Roman V., i Victoria B. Prozorova. "SOURCES ON THE PARTICIPATION OF SOVIET PEOPLE IN THE FRENCH RESISTANCE MOVEMENT. PART 1". History and Archives, nr 4 (2020): 36–52. http://dx.doi.org/10.28995/2658-6541-2020-4-36-52.
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Based on Russian and French materials, a comparative analysis of the informational value of French and Soviet (archived in Russia) documents on the participation of Soviet citizens in the French Resistance was carried out for the first time, their authenticity and reliability were evaluated. In this article, the authors examined the difficulties of documenting the participation of Soviet people in the French Resistance during and after World War II. The authors showed how the processes of “liquidation” of the Resistance structures and the repatriation of displaced Soviet citizens caused lacunae in the archival holdings. The article reveals the history of the formation, description and use of documentary systems preserved in France and Russia about the participation of Soviet people in the Resistance, as well as the creation of their scientific and reference apparatus. The authors demonstrate how those sources were used in the historiography of the Resistance in various periods of Soviet history and Franco-Russian relations. The authors provided the most relevant information about the libraries, museums and archives that store and collect those documents; for the first time, recommendations are given for working with their scientific and reference apparatus, as well as an advice to Russian-speaking researchers of the Second World War, including the family history researchers.
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Lebedenko, Roman V., i Victoria B. Prozorova. "SOURCES ON THE PARTICIPATION OF SOVIET PEOPLE IN THE FRENCH RESISTANCE MOVEMENT. PART 2". History and Archives, nr 1 (2021): 67–87. http://dx.doi.org/10.28995/2658-6541-2021-1-67-87.
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The article reveals the history of the formation, description, and use of the documentary systems preserved in France and Russia about the participation of Soviet people in the Resistance and the creation of their scientific and reference apparatus. For the first time, historians analyzed Russian and French materials, comparing the informative value of the French and Soviet documents on the participation of Soviet citizens in the French Resistance, evaluating their authenticity and reliability. The article also describes the integration methodology of the Resistance movement participants Database of the French Defense Ministry Archives and specifies the complexity of extracting information about the Soviet citizens from this integrated source. Furthermore, the main databases created by the Resistance Foundation are analyzed. The authors demonstrate how these sources were used in the French and Russian historiography of the Resistance during various periods of Soviet history and the Franco-Russian relations. They also show the historian’s specific use of the Resistance movement participant’s memoirs. The authors provided the most relevant information about the training and learning material, about the libraries, museums, and archives that store and collect these documents; for the first time, recommendations are made – including the Russian-speaking researchers of the Second World War, as well as family history researchers – on how to work with their scientific and reference apparatus.
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Schmidgen, Henning. "Successful Paranoia: Friedrich Kittler, Lacanian Psychoanalysis, and the History of Science". Theory, Culture & Society 36, nr 1 (7.08.2018): 107–31. http://dx.doi.org/10.1177/0263276418791722.
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With studies like Discourse Networks 1800/1900 and Gramophone, Film, Typewriter, Friedrich A. Kittler contributed significantly to transforming the history of media into a vital field of inquiry. This essay undertakes to more precisely characterize Kittler’s historiographical approach. When we look back on his early contributions to studies of the relationship between literature, madness and truth – among others, his doctoral dissertation on the Swiss poet and writer Conrad Ferdinand Meyer – what strikes us is the significance that Jacques Lacan’s structuralist psychoanalysis had in shaping the orientation of Kittler’s later studies. His intensive engagement with Lacan galvanized Kittler’s concern with the question of sex and/or gender in the evolution of the humanities as well as his concern with the media history of the university. At the same time, Kittler’s reliance on Lacan led him to a kind of history that is interested above all in the internal logic of discourse. As we see, for instance, in Kittler’s anecdotic treatment of 19th-century physiologist Hermann von Helmholtz, this historiography does not involve any original research in archives and/or museums. Rather, it builds upon existing historical accounts and focuses its analyses on the issue of symbolic structures. Instead of investigating the history of the material culture of science and technology, what is thereby ultimately reinforced is a philosophical idealism in which knowledge and paranoia become superimposed in and by means of an ‘original syntax’ (Lacan).
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Ţoca, Vlad. "Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause". Artium Quaestiones, nr 30 (20.12.2019): 93–122. http://dx.doi.org/10.14746/aq.2019.30.5.
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At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. The interwar period was a remarkable time for Romania’s cultural history. Between the two world wars, the Romanian cultural scene was dominated by what Keith Hitchins calls the ‘Great Debate’ about national identity and development. The opponents were those advocating synchronism with the West, on the one hand, and those pleading for tradition, on the other, with many others looking for a third way. In Romanian interwar culture, the country’s modernity was emphasized in order to place the country within the larger family of European nations. An opposing, and at the same time, complementary line of thought was that of presenting the long and noble Romanian history, tradition and ancestral roots. These two themes have been present in Romanian culture since the mid-19th century. They were used by various authors, sometimes in a complementary fashion, while at others, in a conflicting manner in literature, historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing or political discourse. This process did not end with the creation of the Greater Romania after the end of World War I. New threats, which are mentioned above, maintained the need to continue this discourse. In this context, historical arguments became political arguments and were used by the Romanians in order to justify the new territorial gains and the Versailles system. Art history, part of the family of historical disciplines, came to play an important part in this. Romanian art historical writing did not exist as such until the end of the 19th century. It was only in the first years of the next century that the number of scholarly works produced following western standards steadily increased. As part of a general tendency of aligning Romanian academic practices with those in the West, art historiography established itself as a respectable academic discipline, a process which went hand in hand with the establishment of new institutions such as museums, university departments, research institutions and the Commission for historical monuments. All these institutions were founded and financed by the Romanian state, and most scholars were involved with these institutions in one way or another. Although Romanian art historiography of the period is dominated by the desire to produce academic works to the highest standards, the ideas of the Great Debate are present in the works of that time. At the same time, in several texts, the most prominent art historians of the day strongly affirm the necessity of putting their work in the service of the national cause. In this paper, we will be looking at the general histories of Romanian art written between the two world wars. The choice of these texts is motivated by the fact that these works are the result of larger research projects and have a broader scope and as such better summarise the trends of the interwar period.
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Nikolay, Nevostruev, i Lyadova Valentina. "Medicine of the Kama Region during the Great Patriotic War 1941-1945". TECHNOLOGOS, nr 3 (2020): 73–87. http://dx.doi.org/10.15593/perm.kipf/2020.3.05.
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Attention is drawn to the lag in research of Perm medicine history during the Great Patriotic War from the general mainstream of historical publications of this period in domestic and foreign literature. So the filling of this lacuna presents one of the most perspective directions in the Ural historiography. The importance of Molotov (Perm) region in providing medical care to wounded and sick soldiers in the union and Ural system is emphasized. In this process a special role of Medical Institute becoming the basis of the organizational and personnel medical potential of the region has been highlighted. An equally important role is given to the study of scientific and applied research of medical scientists creating new methods of treatment and rehabilitation. The main areas of the health care system are characterized, the role of health chiefs, individual representatives of Perm medicine, which played an important role in achieving high results not only in the treatment and rehabilitation of wounded soldiers, but also in providing medical care to the civilian population is revealed. The level of effectiveness of complex measures in the main areas of medicine in the region is assessed. Promising areas of historical research on this topic are planned. It is mentioned that there is the need to involve not only archive staff, professional historians, but also the use of opportunities and achievements of the local history movement, school museums, memories of contemporaries, family documents and photographs, relics of the war years, resources of patriotic and youth organizations.
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Tweedale, Geoffrey. "Geology and industrial consultancy: Sir William Boyd Dawkins (1837–1929) and the Kent Coalfield". British Journal for the History of Science 24, nr 4 (grudzień 1991): 435–51. http://dx.doi.org/10.1017/s0007087400027631.
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In Britain's development as the first industrial nation, the crucial importance of surveyors, mining engineers and geologists in prospecting and exploiting minerals and raw materials seems self-evident. Yet historians of geology have yet to take proper account of this aspect of geological science. Why is this ? One reason may simply be that the historiography of the subject itself is only relatively recent and many areas, besides industrial geology, await coverage. Or perhaps the nature of the source material is to blame. While scientific geologists filled museums with their fossils and notebooks, engaged in well-publicized controversies of the day, and wrote numerous books and articles, industrial geologists often left relatively few papers and sometimes never published their results. On the other hand, it has been suggested that the neglect of economic geology may be due to a rapidly developing bias in the subject itself. A recent study has highlighted the fact that the history of British geology, as seen through the eyes of historians at least, appears to comprise two different but closely interconnected strands. The first relates to natural history and looks toward the scientific or ‘pure’ front; the second connects with mining and the search for raw materials and is slanted towards the industrial or ‘applied’ horizon. In the same way that the scientific branch of geology brought fame and fortune in Victorian times, so the protagonists of ‘pure’ geology have so far been the chief interest of historians – so much so that the literature so far lacks detailed case studies of the careers and work of applied geologists.
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Lee, Seunghye. "Korea's First Museum and the Categorization of “Buddhist Statues”". Sungkyun Journal of East Asian Studies 21, nr 1 (1.05.2021): 51–81. http://dx.doi.org/10.1215/15982661-8873892.
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Abstract The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art collection reveals what was available in the art market of the time and what was considered worthy of being collected in a royal museum. Through close examination of Korea's first museum and its collection, this study traces the recontextualization of religious icons into art objects and the historical implications behind the category of “Buddhist statues.”
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Sidorov, Sergey. "V International Scientific Conference “Military History of Russia: Problems, Search, Decisions” Devoted to the 75th Anniversary of the Victory in the Great Patriotic War (September 11–12, 2020, Volgograd)". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 26, nr 1 (marzec 2021): 253–60. http://dx.doi.org/10.15688/jvolsu4.2021.1.22.
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The article presents information about the V International scientific conference “Military history of Russia: problems, search, solutions” held in Volgograd on September 11–12, 2020, dedicated to the 75th anniversary of Victory in the Great Patriotic War. The conference was held at Volgograd State University. The conference was informative and representative in its composition: more than 220 representatives of scientific institutions of the Russian Academy of Sciences, civil and military universities and centers, archives, museums and libraries in 48 cities of Russia, Azerbaijan, Belarus, Great Britain, Kazakhstan, USA, Turkmenistan and Ukraine. Among the participants of the conference there was a corresponding member of RAE, 39 doctors and 82 candidates of sciences. Along with professors and associate professors, the conference was attended by young scientists: assistant lecturers, postgraduate students, master students, students and schoolchildren. The article analyzes the work of the plenary session, sections, round tables and the discussion platform. The mainstream sections were the following: “Patriotic War: history and modernity”, “National economy of the USSR during the Great Patriotic War”, “Social history of the Great Patriotic War”, “Lower Volga and the Don during the Great Patriotic War”, “Source base for the study of the Great Patriotic War”, “Problems of historiography of the Great Patriotic War”. The permanent sections presented reports on military history in ancient times, the middle ages, modern and contemporary times, social protection of the population in wartime, and international aspects of the Battle of Stalingrad. The round tables discussed issues of military and political security of society and the state, problems of military memorial tourism in the Russian Federation, and international aspects of military conflicts. The discussion platform was dedicated to patriotic education of children and youth.
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Fine, Steven. "The Menorah: Cult, History, and Myth Exhibiting the Past and Future of Catholic-Jewish Relations". IMAGES 11, nr 1 (4.12.2018): 141–51. http://dx.doi.org/10.1163/18718000-12340083.
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AbstractLa Menorà: Culto, Storia E Mito, The Menorah: Worship, History and Myth was a monumental exhibition mounted by the Vatican Museums and the Jewish Museum of Rome in the Spring of 2017. Bringing together many of the most important artifacts relating to the history of the biblical lampstand in both Jewish and Christian traditions, this exhibition marks a milestone in Jewish-Catholic engagement, and was an active agent in that process. This article presents this act of museological diplomacy, describing many of its most significant artifacts as well as the historiographic challenges presented by this exhibition.
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Feizabadi, Azin. "Chronicles from Majnun until Layla". ARTMargins 3, nr 1 (luty 2014): 81–86. http://dx.doi.org/10.1162/artm_a_00072.
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Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun (in preparation), and 3.) The Film (in preparation). Each stage bears its own approach, format, and mode of presentation. The first two stages are conceived as preparation for the third and final stage: the merging moment, which will be in the form of a feature-length, hybrid fiction/documentary film. The film depicts a couple, lovers, visiting a virtual museum of modern Iranian history. The lovers appear both as themselves and as “Layla and Majnun,” characters adapted from a classical Middle Eastern love tale. As they walk the museum, the couple engages in dialogue about their individual and collective stories, memories, dreams, rages, and desires. The lovers' affairs and conversations interact with the representations of the major historical moments of Iran being documented in the museum. In Stage 1, through the museum's architectural design and references to an official Iranian narrative taken from a high-school textbook, the various historical periods of Iran get transformed into Kairos (the Now), contradicting Chronos and scientific and analytical historiography.
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Tetuev, Alim. "COMMEMORATIVE PRACTICES IN KABARDINO-BALKARIA ABOUT THE GREAT PATRIOTIC WAR". History, Archeology and Ethnography of the Caucasus 17, nr 1 (28.03.2021): 69–88. http://dx.doi.org/10.32653/ch17169-88.
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The article explores commemorative practices about the Great Patriotic War on the example of Kabardino-Balkaria.
The state of historiography and the sources of the studied problem is analyzed, its relevance, novelty, theoretical and practical significance are substantiated. The regulatory legal acts of the Russian Federation and Kabardino-Balkaria, providing for various commemorative practices to preserve the memory of the Great Patriotic War, are considered.
The experience of state, municipal authorities and civil society institutions on the formation of commemorative practices at the federal, regional, municipal and family levels is summarized. It is noted that the main national symbols of the memory of the Great Patriotic War are such as Victory Day, Day of Remembrance and Sorrow, Day of the Unknown Soldier and other dates specified in the Federal Law “On Days of Military Glory and Memorable Dates of Russia”
Revealed places of memory in Kabardino-Balkaria: military cemeteries, mass graves, memorial places of military operations of soldiers of the Red Army, memorial plaques, books of memory, museums of military glory, as well as streets, squares, schools named after the heroes of the Great Patriotic War,
The experience of the work of state and municipal authorities and civil society institutions on the search and establishment of the names of the dead, the burial of their remains, the improvement of monuments, and reconstruction of the events of the war years that took place in Elbrus region in 1942–1943 is summarized.
The commemoration created at the initiative of family members, their relatives and veterans is analyzed. The activities of public movements, the Immortal Regiment, and the Candle of Remembrance campaigns to preserve the family’s personal memory of the generation of World War II are highlighted.
An analysis of the problem under study showed that commemorative practices create the conditions for preserving the memory of the Great Patriotic War and consolidating society
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Baker, James, i Andrew Salway. "Curatorial labour, voice and legacy: Mary Dorothy George and the Catalogue of Political and Personal Satires, 1930–54*". Historical Research 93, nr 262 (1.11.2020): 769–85. http://dx.doi.org/10.1093/hisres/htaa026.
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Abstract Between 1930 and 1954 Mary Dorothy George wrote catalogue entries for 12,553 ‘Golden Age’ satirical prints, entries that have become foundational to the historiography of British History in the long eighteenth century. This article examines George as a curatorial voice, an interlocutor between the archived past and her readers. It examines the labour processes that produced George’s contributions to the British Museum’s Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum, her writing as a corpus, and her interpretations therein. It is argued that focusing attention on linguistic and procedural choices requires us to rethink the legacy of both this remarkable catalogue and other comparable systems of knowledge organization.
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Tostões, Ana. "Towards a fresh reading of MoMo historiography". An Eastern Europe Vision, nr 59 (2018): 2–3. http://dx.doi.org/10.52200/59.a.vhvqpxas.
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While visiting the MAO (Museum of Architecture and Design) in Ljubljana one can appreciate the architectural power of Stanko Kristl’s work. The impressive buildings of this Slovenian architect revealed through the exhibition "Humanity and Space", illuminate the beauty of the museum space with some astonishing works and show why Eastern Europe deserves to be included in the historiography of the Modern Movement, to clearly demonstrate the contribution of Iron Curtain countries to the modern avant-garde. As Matevz Celik recognizes, “through his architecture he worked to provide responses to the needs of the people — for whom it was intended. This basic premise served as a guiding principle in experiments and his search for spatial and social innovation in architecture."
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Mariz, Vera. "From Portugal to England". Journal of the History of Collections 32, nr 1 (13.12.2018): 91–102. http://dx.doi.org/10.1093/jhc/fhy057.
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Abstract In 1865 John Charles Robinson travelled to Portugal in the service of the South Kensington Museum and plunged into the art market with the intention of acquiring works for that institution’s collections that were representative of Portuguese artistic production. This article provides a broad and contextualized approach to this connoisseur’s experience on the Portuguese market, framing it within a hitherto undervalued phenomenon: the persistent presence of English agents in this system. An original identification of all the works acquired in Portugal by Robinson and of all those so-far neglected dealers involved in such transactions allows us to assess the real extent and impact of such mission. We shall also show that the acquisitions made were decisive not only for diversifying the museum’s collections but also for art historiography, both being inseparable from the invention of the term Indo-Portuguese.
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Zherebtsova, Kristina O. "ON THE HISTORIOGRAPHY OF MUSEUM BUSINESS IN NOVOSIBIRSK". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, nr 32 (1.12.2018): 135–43. http://dx.doi.org/10.17223/22220836/32/14.
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Tokhtieva, Larisa N., i Elena K. Mineeva. "PROFESSIONAL ACTIVITY OF THE TEACHING COMMUNITY OF CHUVASHIA (1917–1941): HISTORIOGRAPHIC ASPECT". Historical Search 1, nr 4 (25.12.2020): 148–60. http://dx.doi.org/10.47026/2712-9454-2020-1-4-148-160.
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The paper analyzes the sources, first introduced into the scientific circulation, extracted from the State Archive of the Russian Federation and five regional archives: the National Archive of the Republic of Tatarstan, the State Archive of the Mari El Republic, the State Historical Archive of the Chuvash Republic, the State Archive of Modern History of the Chuvash Republic, the State Press Archive of the Chuvash Republic as well as from the current archives of general education organizations. The article presents a review of materials extracted from the Chuvash National, Poretsky historical and local history, school museums, the Museum of Public Education of the Chuvash Republic. Published sources are characterized in detail: normative legal acts, government and party resolutions, departmental materials, collections of documents, works of state and public figures, statistics, memoirs, reference materials, periodicals. According to the authors, it is essential to examine existing sources in a complex, comparing and contrasting them, with a view to identify the extent of their reliability. Multiplicity and diversity in the form and content of the presented historical sources create conditions for concretization, analysis, comparison, systematization and synthesis of all the collected information for deeper studying various aspects of evolvement and development of the Soviet school in Chuvashia in 1917–1941.
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Kapeliushnyi, Valerii. "Review of the monograph by V. M. Tkachenko «The Phenomenon of Ukrainian Easter Eggs Decoration of the Late XIX – the Beginning of the XXI Century. (Historiographical and Source-related Aspect). Kiev: Millennium, 2020. – 430 p.»". Ethnic History of European Nations, nr 60 (2020): 98–101. http://dx.doi.org/10.17721/2518-1270.2020.60.11.
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The author reviewed the monograph of V. M. Tkachenko «The Phenomenon of Ukrainian Easter Eggs Decoration of the Late XIX – the Beginning of the XXI Century. (Historiographical and Source-related Aspect). It is noted that the generalization and comprehension of V. Tkachenko of the available material on the studied problem and the detailed historiographic and source study analysis of sources and literature made by him significantly expand the existing ideas about Easter eggs as a deep layer of folk culture. It is noted that the reviewed monograph is the first special work in which V. M. Tkachenko conducted a comprehensive scientific study of the historiography of Ukrainian Easter eggs of the late XIX – early XXI centuries. For the first time in the Ukrainian ethnological and historical science an attempt has been made to make a comprehensive historiographical study of the development, existence and popularization of Easter eggs as a folk art of that period in such scientific disciplines as ethnology, art, cultural studies, museum studies, art education, etc. It is concluded that the reviewed monograph as a whole makes a positive impression, and the researcher’s search, creative and analytical-practical work deserves a positive assessment.
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Pejović, Snežana. "Appraisal of Personal Records in Archival Profession and in Historiography". Atlanti 28, nr 1 (12.11.2018): 123–38. http://dx.doi.org/10.33700/2670-451x.28.1.123-138(2018).
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This paper deals with the private archival material created/owned by a natural person, not a private legal entity. We attempted to ponder the problem of appraising private archives within archival practice from several angles, but also the one of appraising private records in historiography. We analysed mutual relationship between archival and historiographic appraisal of private archives and their influences in that process (both positive and negative ones) from the point of view of both areas. Mutual correlation in the appraisal process is presented through an example of a thematic archival exhibition. This exhibition is about an important international historic event, Rebellion of the Austro-Hungarian sailors on board warships based in Boka Kotorska Bay (presently the territory of Montenegro) that happened 100 years ago, at the very end of the World War I. The exhibited documents were selected from among the corpus of private archives and collections. We believe that an archival and museum exhibition of this kind, organized in Kotor Historical Archives, can be the best way to drew attention of scientists and general public on the importance of identifying, collecting, keeping and consulting (using) private archival records.
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Hebert, Kirsten. "Treating Museum Objects as Text: A Case Study". Hindsight: Journal of Optometry History 49, nr 4 (6.11.2018): 91–96. http://dx.doi.org/10.14434/hindsight.v49i4.25914.
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Medical instrument collections are neglected primary source material that can be used to produce original scholarship on thehistory of medicine and the history of optometry. Opening museum collections and associated archives to researchers allowscollections managers to simultaneously address curatorial backlogs, facilitate research, and provide a foundation for craftingpublic-facing exhibits. In order to add to the historiography, research should not only focus on the technical aspects of theinstruments, but also employ theory to examine of the meaning of the objects in context. In this way, objects can be a vehicle forunderstanding broader themes in the history of medicine and reveal their utility as material evidence of the impact of medicineon society and culture. This two-part article includes a historiography of ophthalmic instruments and a case study in which an assemblage of ophthalmometers in the Archives & Museum of Optometry collection are treated as “text” to explore the nature of power in the doctor-patient relationship in early optometry.
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N., Demirova. "Personal archives of V. A. Gorodtsov and the experience of their scientific use (after materials of registration and inquiry of OPI SHM)". Archaeological news 30 (2020): 349–55. http://dx.doi.org/10.31600/1817-6976-2020-30-349-355.
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Since 1989, documents of the prominent Russian archaeologist Vasiliy A. Gorodtsov are available for scientific studies. Registration of various documents conducted at the Department of Written Sources of the State His- torical Museum (OPI SHM) allows the researchers to analyse and systemize the practice of the scientific usage of the museum’s documentary collection. In the present paper, summary data are presented on the academic belonging of the researchers who studied materials from these archives, the geography of the scientific centres which they represented and analysis of the subjects of the investigations carried out. This study has resulted in sketching the general situation of the historiographic use of documents from V. A. Gorodtsov’s archives and outlining of the presumable directions of the fur- ther examination of the scholar’s archives and, particularly, of the study of the system of the archaeologist’s professional communications and of his ‘creative laboratory’.
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Rygalova, M. V., i E. V. Rygalov. "Museum Collections as a Historical Source (Review of Domestic Historiography)". Izvestiya of Altai State University, nr 5 (2018): 135–39. http://dx.doi.org/10.14258/izvasu(2018)5-24.
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Seta, Fabrizio Della. "Some difficulties in the historiography of Italian opera". Cambridge Opera Journal 10, nr 1 (marzec 1998): 3–13. http://dx.doi.org/10.1017/s0954586700005309.
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The historiography of Italian opera is particularly well suited to illustrate some problems in the general field of music history and musicology. On the one hand, there is little doubt that Italian opera belongs to the canon, not to say the museum, of learned western music; indeed, today's opera houses surpass concert halls in projecting the ‘museum character’ in which musical tradition seems ‘frozen’. On the other hand, it is also true that only in recent years has international musicology accepted Italian opera as unquestionably deserving of attention. The reasons for this delay are clear enough. Some were easily overcome, connected to the very history of our discipline: since the beginning of the nineteenth century, the musical language of Italian operatic composers diverged from the mainstream Austro-German tradition; the dramaturgy of Italian opera was difficult to understand in a cultural context moulded by Wagnerian theory and practice (in part also by Shakespeare, Schiller, etc.). Other factors, however, are more deeply embedded, and continue to have an effect even in intellectual conditions very different from those of traditional musicology. These include: the manner in which extra-artistic factors determine the operatic work; the various creative competencies that take part in operatic production; the considerable importance accorded to performers, particularly singers; the possibility that parts of an opera may be moved from one work to another, or from one author to another; the fact that in die history of Italian operatic conventions, shared codes and repetition of formulas often prevailed over the search for novelty.
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Alberti, Samuel J. M. M. "Shaping scientific instrument collections". Journal of the History of Collections 31, nr 3 (29.11.2018): 445–52. http://dx.doi.org/10.1093/jhc/fhy046.
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Abstract Many histories of scientific instruments concentrate on their manufacture and original function, but such artefacts as survive often do so in collections – many will have spent far longer in a museum than anywhere else. Alongside the rich literature on the history of scientific instruments, accordingly, there is a body of work on the histories of scientific instrument collections. This survey outlines genres and themes in the historiography of scientific instruments, focusing in particular on display and other collection-based functions. Fluid and contingent, collections are instrumental in the history, heritage, and historiography of science.