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Artykuły w czasopismach na temat "Museum workers"
Grishina, Natalia V. "THE STRUCTURE OF THE STAFFING THE MUSEUM AS AN OBJECT OF INFORMATIZATION". RSUH/RGGU Bulletin. Series Information Science. Information Security. Mathematics, nr 3 (2021): 74–81. http://dx.doi.org/10.28995/2686-679x-2021-3-74-81.
Pełny tekst źródłaMuravska, Svitlana, i Iryna Hnidyk. "Ukrainian Museums' Exhibitions and Educational Programmes During the First Six Months of War". Museum and Society 21, nr 2 (24.07.2023): 33–39. http://dx.doi.org/10.29311/mas.v21i2.4295.
Pełny tekst źródłaLIVEROVSKAYA, Tatyana, i Marina PIKULENKO. "SCIENCE AND SOCIETY INTERACTION IN NATURAL SCIENCE MUSEUMS IN USA". LIFE OF THE EARTH 42, nr 4 (25.11.2020): 451–64. http://dx.doi.org/10.29003/m1774.0514-7468.2020_42_4/451-464.
Pełny tekst źródłaKristinsdóttir, AlmaDís, i Sigurjón Baldur Hafsteinsson. "Organizational structures and the museum’s educative function. Empty options at the Reykjavík Art Museum". Nordisk Museologi 26, nr 2 (6.12.2019): 77–94. http://dx.doi.org/10.5617/nm.7478.
Pełny tekst źródłaIrina Anatol’evna, Kuklinova. "The problems of museography in French periodicals of the 1930s". Vestnik of Saint Petersburg State University of Culture, nr 2 (51) (2022): 90–98. http://dx.doi.org/10.30725/2619-0303-2022-2-90-98.
Pełny tekst źródłaSevastyanov, Alexander V. "From the history of museum work in Crimea: Activities of the Russian Society for the Study of the Crimea — Society for the Study of the Crimea (1922–1932)". Issues of Museology 13, nr 1 (2022): 39–56. http://dx.doi.org/10.21638/spbu27.2022.103.
Pełny tekst źródłaMuravska, Svitlana, i Oksana Hodovanska. "Organization of museums of western Ukraine after the full-scale invasion of the Russian Federation". Museologica Brunensia, nr 2 (2023): 12–19. http://dx.doi.org/10.5817/mub2023-2-2.
Pełny tekst źródłaDüisenova, N. K., i B. Q. Smagulov. "SOME ASPECTS OF THE DEVELOPMENT OF THE MUSEUM SPHEREIN KAZAKHSTAN IN THE 1930S – 1950S". edu.e-history.kz 31, nr 3 (20.10.2022): 173–83. http://dx.doi.org/10.51943/2710-3994_2022_31_3_173-183.
Pełny tekst źródłaLudvigsen, Peter. "History of the Workers' Museum in Denmark". International Labor and Working-Class History 76, nr 1 (2009): 44–53. http://dx.doi.org/10.1017/s0147547909990068.
Pełny tekst źródłaNye, David E. "The Workers' Museum in Copenhagen". Technology and Culture 29, nr 4 (październik 1988): 909. http://dx.doi.org/10.2307/3105051.
Pełny tekst źródłaRozprawy doktorskie na temat "Museum workers"
McCall, Vikki. "The 'chalkface' of cultural services : exploring museum workers' perspectives on policy". Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/9798.
Pełny tekst źródłaSanger, Amanda. "REVEALING LIVES: excavating, mapping and interrogating life histories of women clothing workers from District Six (1940 - present)". Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78698.
Pełny tekst źródłaDissertation (MSocSci)--University of Pretoria, 2020.
Historical and Heritage Studies
MSocSci
Unrestricted
Tramposch, William Joseph. "A matter of degree : mid-career professional training for museum workers in the United States & Great Britain". W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539618305.
Pełny tekst źródłaClapis, Pacheco Chaves Maria Luiza. "Le Musée du Mouvement des Sans Terre au Brésil : l'émergence d'un nouveau type de musée et d'une nouvelle muséologie". Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30027.
Pełny tekst źródłaIn the present work, we aim, first and foremost, to conceive a museum of the Landless Rural Workers Mouvement (MST) in Brazil. The struggle of the landless is one of the most important social and political phenomena in the history of this country. The Mouvement, mainstay of the popular mobilisation in Brasil, is the main reference in the figth against social inequality and neoliberalism, a force that leads to a strengthening in the concentration of wealth, inherent to the capitalist system, and socioeconomic disparities. First, we analyse the conception of this museum, its feautures, objectives, its importance for the social, economic and political development of Brazil and the feasibility of its implementation. We will see that the MST Museum presents a new kind of museum, one we define as a Struggle Museum, within de contexte of a new museology designated as Museology of Contemporaneity. This new museology highlights the need to adapt or update the objectives of social museums, wich were stablished by the New Museology mouvement of 1970-1980, in order to take into account the problems and collective aspirations of ours time. We will try to understand why the museums of New Museology have become ineffective relative to their original goals and how the Museology of Contemporaneity can provide a way out of a situation of inertia and help them play their role as social and political levers more effectively. Finally, with the conception of the Struggle Museum and its Museologie of Contemporaneity, we hope to open up new perspectives for the development of social museology, wherein it operates ; a politically-engaged museology in service of the creation of a better world, of human dignity, equality and social justice
El-Amin, Cheryl W. "Personal and professional spirituality: Muslim social workers' perspectives". ScholarWorks, 2009. https://scholarworks.waldenu.edu/dissertations/676.
Pełny tekst źródłaTolley, Rebecca. "Review of Art Museum Image Gallery". Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5631.
Pełny tekst źródłaEdwards, Deborah. "Understanding the organization of volunteers at visitor attractions". View thesis, 2005. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050927.114921/index.html.
Pełny tekst źródłaA thesis submitted to the University of Western Sydney in partial fulfilment of requirements for the degree of Doctor of Philosophy from the College of Law and Business. Includes bibliography.
Blanco, Maria Cristina. "Museu casa da xilogravura de Campos do Jordão: colaboração para formação inicial de professores de artes". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-27092017-115108/.
Pełny tekst źródłaThe current dissertation focuses mainly on studying the Woodcutting House Museum in the town of Campos do Jordão. A question was raised regarding the Arts/Education cooperation related to the teaching activities of this museum: \"What are the educational possibilities of the Casa da Xilogravura Museum for the initial training of Visual Art teachers?\". Information was gathered on the Festival de Inverno de Campos do Jordão (Winter Festival of Campos do Jordão) as parameters to reestablishing the relationships with current actions in which we suggest in this research a link between the visual arts teacher training and the town of Campos do Jordão, as well as its surroundings. Other pertinent issues were also considered, such as the approach to advanced studies elaborated by the professors Paulo Freire and Thierry De Duve as the basis for the discussion about the initial training of arts teachers. Brief study on legislation in the teaching of art was written for reflections on public policies in Higher Education. This paper comprises a cross section of the importance of the teaching work of the museums as basis of a concept, as well as a historic cross section on the teaching aspect of the first museums of the State of São Paulo. Studies on Educational Curatorship and Museum and digital collections were developed based on the relations we suggest on this thesis. A survey was carried out on the basis of the Observatory Project for Teacher Training, which dealt with the Education in Museums within the scope of graduation, which, by the way, was a very small amount in the research. A brief record on the development of the collection belonging to the Casa da Xilogravura Museum was made using bibliographic, documental and oral statement information; and we updated the quantitative data regarding personal visits of Fundamental School students to the Museum, as well as how the spontaneous visitor accesses the existing information on it. The study thoroughly contemplates the reading of the works-of-arts within the scope of the Triangular Approach of Arts Teaching by Ana Mae Barbosa; also, the Aesthetic Development was regarded in the light of the concepts of four researchers: Edmund B. Feldman, Robert W. Ott, Michael J. Parsons and Abigail Housen. We built an autonomous model based on these theories, which led us to propose Support Materials to the Visual Arts teacher which should be offered to the Colleges of the regions of Vale do Paraíba, South of Minas Gerais and South of Rio de Janeiro. This material presents the work of Lasar Segall, called \"Couple in the Mangue\", 1929, woodcut printed on paper, which is part of the collection of the Casa da Xilogravura Museum.
Edwards, Deborah. "Understanding the organization of volunteers at visitor attractions". Thesis, View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/30804.
Pełny tekst źródłaLoury, Sharon D. "History of Nursing and Partnership with the Museum at Mtn. Home". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/8191.
Pełny tekst źródłaKsiążki na temat "Museum workers"
Seppovaara, Juhani. The Amuri Museum of workers' housing. Helsinki: Rakennusalan Kustantajat Rak, 2000.
Znajdź pełny tekst źródłaHeaton, David. Museums among friends: The wider museum community. London: HMSO, 1992.
Znajdź pełny tekst źródłaSociety, Ontario Historical. Let's get organized!: Everything you ever wanted to know about operating an historical museum, but were afraid to ask. [s.l: Ontario Historical Society, 1985.
Znajdź pełny tekst źródłaDeWald, Louise. Heard Museum Guild history, 1958-1997. Phoenix, Ariz: Heard Museum, 1998.
Znajdź pełny tekst źródłaHagman, Jean Cassels. Museum volunteers: The fourth dimension. [S.l.]: Museum Information Services, 1985.
Znajdź pełny tekst źródłaRoyal Ontario Museum. Dept. of Museum Volunteers. Value of volunteer activities: Analysis for 2004-2005. [Toronto]: Royal Ontario Museum, Dept. of Museum Volunteers, 2006.
Znajdź pełny tekst źródłaIley, Sarah J. E. Befriending museums: A handbook. [Toronto]: Council for Business and the Arts in Canada, 1992.
Znajdź pełny tekst źródłaAmerican Association for Museum Volunteers. Directory of Museum Volunteer Programs. Washington, D.C: American Association for Museum Volunteers, 1988.
Znajdź pełny tekst źródłaMuseum, Glenbow. Laying the foundation: Policies and procedures for volunteer programs : a model manual from the Glenbow Museum, Art Gallery, Library and Archives. Calgary, AB: Glenbow Museum, 1996.
Znajdź pełny tekst źródłaUnited States Holocaust Memorial Museum., red. Memorable moments. [Washington, D.C.]: United States Holocaust Memorial Museum, 2003.
Znajdź pełny tekst źródłaCzęści książek na temat "Museum workers"
Needlman, Grace, i Jeremy Kreusch. "Good Morning Museum Workers". W Institutional Change for Museums, 90–95. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003365280-11.
Pełny tekst źródłaHlongwane, Ali Khangela, i Sifiso Mxolisi Ndlovu. "Workers’ History in the Post-Apartheid Memory/Heritage Complex: Public Art and the Workers’ Museum in Johannesburg". W Public History and Culture in South Africa, 43–75. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14749-5_2.
Pełny tekst źródłaGurian, Elaine Heumann. "How Mentoring Works". W Centering the Museum, 259–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003096221-21.
Pełny tekst źródłaPapoulias, Evangelos, i Theoklis-Petros Zounis. "Artists and the University Heritage: The Case of the Athens University History Museum and the Exhibition “Opy Zouni: In First Person”". W Strategic Innovative Marketing and Tourism, 817–25. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_88.
Pełny tekst źródłaMiller, Zoë, i Anke Moerland. "Is Trust Enforceable? The Conservation of Contemporary Artworks from a Socio-legal Perspective". W Conservation of Contemporary Art, 365–83. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_18.
Pełny tekst źródłaRangel, Bárbara, José Manuel Amorim Faria i João Pedro Poças Martins. "Display of Technique in Paulo Mendes Rocha Works". W Museum Technology and Architecture, 49–79. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-76172-5_6.
Pełny tekst źródłaSchatzki, Theodore. "Artworks in Art Museums". W Conservation of Contemporary Art, 17–32. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_2.
Pełny tekst źródłaLaurenson, Pip. "Making Time". W Conservation of Contemporary Art, 385–401. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_19.
Pełny tekst źródłaBravi, Luca. "Luoghi e memorialistica. Aspetti didattici del Memoriale degli italiani di Auschwitz tra passato e presente". W Raccontare la Resistenza a scuola, 115–24. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-650-6.16.
Pełny tekst źródła"Training Museum Workers". W Museum Origins, 265–68. Routledge, 2016. http://dx.doi.org/10.4324/9781315424019-55.
Pełny tekst źródłaStreszczenia konferencji na temat "Museum workers"
Bartseva, A. A., A. G. Shakhparunyants, A. Sh Chernyak, R. I. Stolyarevskaya i E. I. Rozovskiy. "DEVELOPMENT OF NEW STANDARDS FOR MUSEUM LIGHTING". W CIE 2021 Conference. International Commission on Illumination, CIE, 2021. http://dx.doi.org/10.25039/x48.2021.po48.
Pełny tekst źródłaMakos, K., i G. Burroughs. "86. Exposure Surveillance of Museum Workers to Residual Pesticides on Collections". W AIHce 2001. AIHA, 2001. http://dx.doi.org/10.3320/1.2765998.
Pełny tekst źródłaPASQUIER, Florent, i Mariana THIERIOT LOISEL. "The Museum Visit: Art and Transdisciplinarity". W For an international transdisciplinary chair. ADJURIS – International Academic Publisher, 2024. http://dx.doi.org/10.62768/adjuris/2024/2/13.
Pełny tekst źródłaНекрашевич, Анна Тадеушевна. "LIDA CASTLE: PROBLEMS OF RESTORATION AND MUSEUM IFICATION". W Международная научно-практическая конференция «Музеефикация фортификационных сооружений. проблемы и пути их решения». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.38.25.005.
Pełny tekst źródłaGranados González, Jerónimo. "Captando la mirada. Publicidad y reclamo en el espacio expositivo de Le Corbusier". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.699.
Pełny tekst źródłaWilleart, Saskia. "Digitizing collections of musical instruments in Africa". W SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.1.05.
Pełny tekst źródłaSchimerl, Nicolas, Pia Patrizia Weber i Thomas Stöllner. "RETHINKING THE ANALOGUE – FROM VIRTUAL ARCHAEOLOGY TO A DIGITAL EXHIBITION". W VIRTUAL ARCHAEOLOGY. SIBERIAN FEDERAL UNIVERSITY, 2021. http://dx.doi.org/10.17516/sibvirarch-003.
Pełny tekst źródłaStrizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
Pełny tekst źródłaDumont d'Ayot, Catherine. "Machines à exposer". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.
Pełny tekst źródłaBenente, Michela, Valeria Minucciani i Annamaria Berti. "Neurosciences and museum - Museum visit as inclusive, embodied and transformative experience". W 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003333.
Pełny tekst źródłaRaporty organizacyjne na temat "Museum workers"
Butyrina, Maria, i Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.
Pełny tekst źródłaRieger, Oya Y., Roger Schonfeld i Liam Sweeney. The Effectiveness and Durability of Digital Preservation and Curation Systems. Ithaka S+R, lipiec 2022. http://dx.doi.org/10.18665/sr.316990.
Pełny tekst źródłaMoreno Mejía, Luis Alberto, i Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, luty 2012. http://dx.doi.org/10.18235/0006209.
Pełny tekst źródłaSequeira, Dora María, Ileana Alvarado V. i Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, sierpień 2007. http://dx.doi.org/10.18235/0006438.
Pełny tekst źródłaHEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, październik 2020. http://dx.doi.org/10.47816/01.001.20.
Pełny tekst źródłaA Beautiful Horizon: The Arts of Minas Gerais, Brazil. Inter-American Development Bank, luty 2006. http://dx.doi.org/10.18235/0006396.
Pełny tekst źródłaWhat a Time It Was: Life and Culture in Buenos Aires. Inter-American Development Bank, luty 1996. http://dx.doi.org/10.18235/0006437.
Pełny tekst źródłaFigari's Montevideo: 1861 - 1938. Inter-American Development Bank, wrzesień 1995. http://dx.doi.org/10.18235/0006406.
Pełny tekst źródła50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, czerwiec 2009. http://dx.doi.org/10.18235/0008282.
Pełny tekst źródłaGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, wrzesień 2002. http://dx.doi.org/10.18235/0005919.
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