Gotowe bibliografie tematyczne / Museum fictions

Gotowa bibliografia na temat „Museum fictions”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Museum fictions"

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Bissell, Blake, Mo Morris, Emily Shaffer, Michael Tetzlaff i Seth Berrier. "Vessel: A Cultural Heritage Game for Entertainment". Archiving Conference 2021, nr 1 (18.06.2021): 1–6. http://dx.doi.org/10.2352/issn.2168-3204.2021.1.0.2.

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Museums are digitizing their collections of 3D objects. Video games provide the technology to interact with these objects, but the educational goals of a museum are often at odds with the creative forces in a traditional game for entertainment. Efforts to bridge this gap have either settled on serious games with diminished entertainment value or have relied on historical fictions that blur the line between reality and fantasy. The Vessel project is a 3D game designed around puzzle mechanics that remains a game for entertainment while realizing the benefits of incorporating digitized artifacts from a museum. We explore how the critical thinking present in solving puzzles can still encourage engagement of the story the artifacts have to tell without creating an historical fiction. Preliminary results show a preference for our in-game digital interaction over a traditional gallery and a desire to learn more about the artifacts after playing.
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Bessire, Mark H. C., Mary Anne Staniszewski i Emma Barker. "Facts and Fictions: The Histories of Museum Display and Installation in Cultural History". Art Journal 60, nr 2 (2001): 107. http://dx.doi.org/10.2307/778072.

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Juncker, Kris. "Figures & Fictions: Contemporary South African Photography. Victoria and Albert Museum, London, April 12–July 17, 2011". African Arts 45, nr 1 (marzec 2012): 81–82. http://dx.doi.org/10.1162/afar.2012.45.1.81.

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Gough, Noel. "Continuing the Narrative Some 20 years Later". Australian Journal of Environmental Education 30, nr 1 (lipiec 2014): 30. http://dx.doi.org/10.1017/aee.2014.20.

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I wrote ‘Narrative and Nature: Unsustainable Fictions in Environmental Education’ in 1991 as a revised version of a paper subtitled ‘Poststructural Inquiries in Environmental Education’ that I presented at the Sixth National Conference of the Australian Association for Environmental Education in September 1990. To the best of my knowledge, these papers were the first instances of advocacy for poststructuralist analyses of dicourses/practices in the Anglophone literature of environmental education. The key influences on my thinking at this time were US and Canadian ‘reconceptualist’ curriculum scholars, including Cleo Cherryholmes, Jacques Daignault, William Doll, Clermont Gauthier, Rebecca Martusewicz, William Pinar and William Reynolds. The significance and impact of my poststructuralist inquiries in environmental education were recognised by the award of the inaugural Australian Museum Eureka Prize for Environmental Education Research in 1997. Since then, my ‘post’ scholarship has expanded to include postcolonialism and posthumanism. Narrative continues to be an important theme in my work, especially through my development of an approach to narrative experimentation that I call ‘rhizosemiotic play’.
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Ferres, Kay. "Cities and Museums: Introduction". Queensland Review 12, nr 1 (styczeń 2005): 1–4. http://dx.doi.org/10.1017/s1321816600003846.

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In September 2004, the Museum of Brisbane, Museums Australia and the Centre for Public Culture and Ideas at Griffith University hosted a symposium, ‘Cities and Museums’, at the university's Southbank campus. This event initiated a conversation among museum professionals and academics from across Australia. Nick Winterbotham, from Leeds City Museum, and Morag Macpherson, from Glasgow's Open Museum, and were keynote speakers. Their papers provided perspectives on museum policy and practice in the United Kingdom and Europe, and demonstrated how museums can contribute to urban and cultural regeneration. Those papers are available on the Museum of Brisbane website (www.brisbane.qld.gov.au/MoB). The Cities and Musuems section in this issue of Queensland Review brings together papers that explore the relationship of cities and museums across global, national and local Brisbane contexts, and from diverse disciplinary perspectives. The disciplines represented in this selection of papers from the symposium include social history, urban studies, literary fiction, and heritage and cultural policy.
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Tupan, Tupan, i Mohamad Djaenudin. "Peran Kolaborasi Galeri, Perpustakaan, Arsip dan Museum Dalam Mendiseminasikan Sumber Informasi Pengetahuan kepada Masyarakat". Tik Ilmeu : Jurnal Ilmu Perpustakaan dan Informasi 6, nr 2 (29.12.2022): 139. http://dx.doi.org/10.29240/tik.v6i2.3301.

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An analysis of the role of galleries, libraries, archives and museums as a source of information for public knowledge was conducted. This study aims to find out how the collaborative role of galleries, libraries and archives in disseminating knowledge information sources to the public. The study was conducted using a narrative review which was complemented by observations via the web. The results of the analysis show that institutions that have collaborated include merging and collaborating with regional libraries and archives located in provinces and districts as well as cities throughout Indonesia. The libraries and galleries that have joined are the Fiction Literacy Library and Gallery in Surabaya. For libraries and museums that have joined or collaborated are the Zoological Museum, Tobacco Library and Museum, Soil and Agriculture Museum, and the Geological Museum. As for the combination or collaboration of museums and galleries, they are the Natural History Museum and the Youth Pledge Museum. Referring to the merger between libraries and archives, between libraries and museums, as well as between museums and galleries, it is hoped that the concept of merging or convergence of the roles of galleries, libraries, archives and museums in disseminating regulatory science and technology to the public.
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Prokopovich, L. V. "Fiction about museums as an alternative museum guides". Odes’kyi Politechnichnyi Universytet. Pratsi, nr 1 (10.06.2014): 282–87. http://dx.doi.org/10.15276/opu.1.43.2014.47.

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Gordon, Jennifer. "Museum Fiction". Art History 19, nr 1 (marzec 1996): 150–55. http://dx.doi.org/10.1111/j.1467-8365.1996.tb00659.x.

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Lowe, Hilary Iris. "Dwelling in Possibility". Public Historian 37, nr 2 (1.05.2015): 42–60. http://dx.doi.org/10.1525/tph.2015.37.2.42.

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Challenges to historic house museums are often mired in the rhetoric of crisis. Toward countering that rhetoric, this essay attempts to draw attention to it and to the complicated history of narrative (and storytelling) in interpretation and the academy. It argues that literary house museums are sites of innovation within the house museum sector with lessons for us all. These lessons include a willingness to leverage “the old, bad history” toward reflective practice and continuity for multigenerational audiences; creating inventive university and school partnerships toward insuring strong community stakeholders; embracing the history of race, gender, and sexuality; and perhaps most importantly, making the most of fiction toward embracing multiple points of view about the past.
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Simonsson, Märit. "The Most Powerful Material in Westeros: Fiction Exhibitions and the Authenticity of Fiction Objects". Museum and Society 20, nr 2 (1.11.2022): 250–63. http://dx.doi.org/10.29311/mas.v20i2.4072.

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This article examines authenticity in relation to exhibitions about films and television series and the objects they contain, defined here as fiction exhibitions and fiction objects. The study is based on an analysis of Game of Thrones: The Touring Exhibition. Material and constructed authenticity are examined and used in the analysis. It is concluded that the exhibition relates to both categories of authenticity, as it contains authentic material from the production of the series and constructs authenticity by emphasizing the fiction objects’ value. The value of objects is also discussed in relation to the representation of different fictional cultures in the exhibition. Comparing exhibitions and objects of fiction with exhibitions and objects of cultural history, the paper concludes that their authentic qualities are similar, confirming that fiction exhibitions and objects are no less authentic than exhibitions and objects in established museums.
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Rozprawy doktorskie na temat "Museum fictions"

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Berry, Jessica, i n/a. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art". Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.151934.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collections which examine the narratives of everyday existence. This paper adopts an interdisciplinary approach to material culture and art criticism in examining everyday objects within contemporary collection-art. In this context, this paper argues that: the investigation of collection motivations (fetish, souvenir and system) as metaphor, process and imagery in conjunction with the mimicking of museology methodologies (classification, order and display) is an effective model for interpreting everyday objects within contemporary collection-art. In formulating this argument, this paper examines the ways in which artists emulate museology methodologies in order to convey cultural significance for everyday objects. This is explored in conjunction with the employment of collection motivations by artists as a device to understand elements of human/object relations. In doing so, it contemplates the convergence between the practices of museums and collection-artists. These issues are explored through the visual and analytic investigations of key artist case studies including: Damien Hirst, Sylvie Fleury, Mike Kelley, Christian Boltanski, On Kawara, Luke Roberts, Jason Rhoades, Karsten Bott and Elizabeth Gower. In doing so, this paper argues that the everyday objects of collection-art can represent a broad range of socio/cultural concerns, so delineating a closer relationship between collection-art and material culture.
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Berry, Jessica. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art". Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365478.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collections which examine the narratives of everyday existence. This paper adopts an interdisciplinary approach to material culture and art criticism in examining everyday objects within contemporary collection-art. In this context, this paper argues that: the investigation of collection motivations (fetish, souvenir and system) as metaphor, process and imagery in conjunction with the mimicking of museology methodologies (classification, order and display) is an effective model for interpreting everyday objects within contemporary collection-art. In formulating this argument, this paper examines the ways in which artists emulate museology methodologies in order to convey cultural significance for everyday objects. This is explored in conjunction with the employment of collection motivations by artists as a device to understand elements of human/object relations. In doing so, it contemplates the convergence between the practices of museums and collection-artists. These issues are explored through the visual and analytic investigations of key artist case studies including: Damien Hirst, Sylvie Fleury, Mike Kelley, Christian Boltanski, On Kawara, Luke Roberts, Jason Rhoades, Karsten Bott and Elizabeth Gower. In doing so, this paper argues that the everyday objects of collection-art can represent a broad range of socio/cultural concerns, so delineating a closer relationship between collection-art and material culture.
Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
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Dyehouse, Jeremiah. "Science Fiction : Rhetoric, Authenticity, Textuality and the Museum of Jurassic Technology". Oberlin College Honors Theses / OhioLINK, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1509374752516486.

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Potoczny, Marie. "From the Museum of Lost Smells". VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/45.

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Two teenage girls get summer jobs as tour guides at a Christian corporation's Poverty-Around-the-World display. A man seduces women with the nostalgia of smell. A young couple finds passion while waiting at a traffic light. These and other stories in the collection explore themes of loneliness, isolation, and coming-of-age in the contemporary American landscape.
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Durdana, Benazir. "Muslim India in Anglo-Indian fiction /". The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487944660930967.

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Arimbi, Diah Ariani Women's &amp Gender Studies UNSW. "Reading the writings of contemporary Indonesian Muslim women writers: representation, identity and religion of Muslim women in Indonesian fictions". Awarded by:University of New South Wales. Women's and Gender Studies, 2006. http://handle.unsw.edu.au/1959.4/25498.

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Indonesian Muslim women???s identity and subjectivity are not created simply from a single variable rather they are shaped by various discourses that are often competing and paralleling each other. Discourses such as patriarchal discourses circumscribing the social engagement and public life of Muslim women portray them in narrow gendered parameters in which women occupy rather limited public roles. Western colonial discourse often constructed Muslim women as oppressed and backward. Each such discourse indeed denies women???s agency and maturity to form their own definition of identity within the broad Islamic parameters. Rewriting women???s own identities are articulated in various forms from writing to visualisation, from fiction to non fiction. All expressions signify women???s ways to react against the silencing and muteness that have long imposed upon women???s agency. In Indonesian literary culture today, numerous women writers have represented in their writings women???s own ways to look at their own selves. Literary representations become one group among others trying to portray women???s strategies that will give them maximum control over their lives and bodies. Muslim women writers in Indonesia have shown through their representations of Muslim women in their writings that Muslim women in Indonesian settings are capable of undergoing a self-definition process. However, from their writings too, readers are reminded that although most women portrayed are strong and assertive it does not necessarily mean that they are free of oppression. The thesis is about Muslim women and gender-related issues in Indonesia. It focuses on the writings of four contemporary Indonesian Muslim women writers: Titis Basino P I, Ratna Indraswari Ibrahim, Abidah El Kalieqy and Helvy Tiana Rosa, primarily looking at how gender is constructed and in turn constructs the identity, roles and status of Musim women in Indonesia and how such relations are portrayed, covering issues of authenticity, representation and power inextricably intertwined in a variety of aesthetic forms and narrative structures.
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Mallick, Suman. "Apples and Knives (A Novel)". PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3023.

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ZULEIKHA, who was trained as a pianist in her hometown of Lahore, Pakistan, arrives in Irving, Texas after her arranged marriage to ISKANDER, but finds it difficult to get accustomed to the appurtenances, encumbrances, and perquisites of the middle-class housewife lifestyle. Despite giving birth to a son, WASIM, she quickly falls out of love with her dutiful but straight-laced husband. She begins giving private lessons, and commences an affair with PATRICK, a transplanted Canadian who is trapped in his own loveless marriage. When she gets pregnant, Zuleikha is convinced the child belongs to her husband. She ends her affair with Patrick, but Iskander finds out about it anyway. The ensuing confrontation between Zuleikha and Iskander turns into a physical altercation, during which Zuleikha, having fallen to the floor, is unable to see if Iskander stomps on her belly, or falls on her by accident as he will later claim. The trauma results in a miscarriage. The unusual set of circumstances surrounding this violent episode serves as the backdrop for the rest of the story, by catapulting this otherwise nondescript couple into the glare of the public eye. Iskander is arrested and charged with feticide, and he faces a long prison sentence under Texas law. A court order prohibits him from contacting Zuleikha and Wasim, who are taken to a shelter for Muslim women and children. There, the other domestic abuse victims view Zuleikha as someone who "had it coming" because of her infidelity, and are therefore openly hostile to her. The shelter's director, a woman named REZA, is beholden to wealthy Muslim donors, and therefore arranges for Zuleikha to meet with members of a highly controversial Islamic tribunal. Zuleikha is pressured to forgive her husband and testify in his favor, so as not draw further negative attention to the Muslim community. JANE, the District Attorney, on the other hand, initially plays nice with Zuleikha and informs her that she will devote any and all available resources in the prosecution of Iskander. When Zuleikha can't get her story straight and hesitates about testifying against her husband, however, Jane, too, turns against her. Zuleikha discovers that the DA has been caught hiding her own secrets and now faces a public confidence crisis of her own. Zuleikha comes to realize that Jane's reasons for being so gung-ho about winning Iskander's conviction have as much to do with re-endearing herself to her electorate as with justice. Zuleikha thus finds herself at the epicenter of a political firestorm fueled by winds of anti-Muslim hysteria, with different people trying to use her situation to their own advantage. When Wasim gets in a scuffle at the shelter and has to be taken to a clinic, she panics and contacts Iskander against her better judgment. Husband and wife finally confront each other while Wasim is being treated. Iskander claims to still love Zuleikha and begs her to take him back so that they and their son can resume their prior family life. But Zuleikha realizes that even if Iskander is sincere and not merely seeking reconciliation in order to avoid a harsh prison sentence, she will never be able to forgive him, let alone love him and live with him again. She comes to accept the fact that she has no control over Iskander's fate in court, and can only move forward by testifying truthfully and trying to do what is best for her and her son. While waiting for the trial to begin, she gains admission in a summer training program for piano instructors and begins the next phase of her life.
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Ameri, Firouzeh. "Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English". Thesis, Ameri, Firouzeh (2012) Veiled experiences: Rewriting women's identities and experiences in contemporary Muslim fiction in English. PhD thesis, Murdoch University, 2012. https://researchrepository.murdoch.edu.au/id/eprint/10197/.

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In dominant contemporary Western representations, including various media texts, popular fiction and life-narratives, both the Islamic faith in general and Muslim women in particular are often vilified and stereotyped. In many such representations Islam is introduced as a backward and violent religion, and Muslim women are represented as either its victims or its fortunate survivors. This trend in the representations of Islam and Muslim women has been markedly intensified following the terrorist attacks of 9/11 2001. This thesis takes a postpositivist realist approach to reading selected contemporary women’s fiction, written in English, and foregrounding the lives and religious identities of Muslim women who are neither victims nor escapees of Islam but willingly committed to their faith. Texts include The Translator (1999) and Minaret (2005) by Leila Aboulela, Does my head look big in this? (2005) by Randa Abdel-Fattah, Sweetness in the belly (2005) by Camilla Gibb and The girl in the tangerine scarf (2006) by Mohja Kahf. Attempting to explain how these fictional texts can be read as variously writing back to the often monolithic representations of Islam and Muslim women characteristic of mainstream Western texts (such as those depicted in popular life narratives), the thesis draws attention to the ways in which particular narrative techniques highlight the complexities of Muslim women’s religious identities and experiences. Since the novels depict the lives of Muslim female characters in the West, this study is especially concerned with the exploration of the tensions and contradictions of women’s Muslim identities in Western countries, and addresses Western people’s interests and prejudices in their encounter with Muslim women. Finally, given that various aspects to Muslim women's identities and experiences are typically elided in dominant representations, it is argued that a disruption of the stereotypes of Muslim women signals the potential for the compatibility of Muslim women's distinct identities with Western values.
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Alqahtani, Norah Hassan. "Muslim feminisms and fictions in a postcolonial frame : case studies of Nawal El Saadawi and Leila Aboulela". Thesis, University of Kent, 2017. https://kar.kent.ac.uk/67676/.

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The postcolonial condition has had life-shaping effects on millions of individuals, in the Third World in particular. This study focuses on the different positions embraced by two authors recognized as 'Muslim feminists.' I explore how they engage with postcolonial subjects and particularly address women's questions in their contemporary societies, through analyses of such 'Muslim fictions' as Woman at Point Zero, The Fall of the Imam, and Zeina by Nawal El Saadawi and The Translator, Minaret, and Lyrics Alley by Leila Aboulela. Because a feminist movement is not autonomous, but bound to its sociopolitical context, the rise as well as the failure of secular political and social movements in Egypt have had an impact on feminist struggles. El Saadawi starts her independent secular feminism and inscribes her female characters as revolutionary subjects who rebel against Islamic patriarchal law. Using Caroline Rooney's concept of 'revolutionary spirit' and Linda Alcoff's positionality, this study demonstrates how El Saadawi enables her female characters to counter the brutality of Arab women's lives through different strategies, even hostile ones. Moreover, El Saadawi is as much a nationalist writer as she is a feminist one, so this study illustrates how the tale of the country has been interwoven with the private lives of women, in alignment with Fredric Jameson's paradigm. Whatever the limitations of El Saadawi's secular feminism have been, however, it is undeniable that her version of secular feminism prepared the ground for the new emergent movement that is Islamic feminism. This study examines Aboulela's novels as a comparative paradigm with El Saadawi's. From a committed Muslim point of view, Aboulela inscribes Islamic faith extensively in her writings. Her work offers a potentially universalizing, although not universal, rallying point; it offers a chance for women to create an Islamic spiritual site of belonging and possible solidarity that transcends social classes, ethnic differences and geographical boundaries. However, Aboulela`s work for emancipation is confined to a spiritual level and seems to be less radical in the feminist focus regarding women's rights.
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Erlandsson, Patrik. "Gäst i Katas hus : En undersökning av fiktionens roll i museet". Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15080.

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This work is about fiction in the museum, and an approach towards transmedia storytelling with two different methods of mediation. With background in literature on cultural heritage, mediation in museums, mediation of history, fiction, transmedia storytelling and adaptation, visitors’ discussions about an exhibition and a fictional text was examined. In order to make the two methods of mediation converge, a number of themes from the existing exhibition were adapted and encapsulated in a fictional story.The visitors were primarily interested in a historical discussion in regards to the two methods of mediation. The message in both methods was considered to be historical, although different reasons as to why were expressed. The discussion about the fictional text emanated from a traditional view of historical fiction, i.e. was considered by the visitors to be provocative or compelling fictional prose that may guide a visitor to the exhibit. Somewhat contradictory to this expressed meaning, the visitors’ discussion about the fiction revealed a more suggestive and imaginative relationship with the subject matter, suggesting that fiction in the museum is a means to problematize meaning making in the museum, if they should promote experiences or build frameworks for learning in an authoritative method of mediation.
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Książki na temat "Museum fictions"

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The tree of death. New York: New American Library, 1987.

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The Bermuda Key. Victoria, British Columbia: Friesen, 2015.

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Museum trouble: Edwardian fiction and the emergence of modernism. Charlottesville: University of Virginia Press, 2011.

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Alcorn, Alfred. The counterfeit murder in the Museum of Man. Hanover, N.H: Zoland Books, 2010.

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Lehman, Barbara. Museum trip. Boston: Houghton Mifflin, 2006.

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ill, Reifsnider Robin, red. Magical Mondays at the art museum. Richmond, VA: Cockadoodledoo Creations, 2000.

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Hutchins, H. J. Anna at the art museum. Toronto: Annick Press, 2018.

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Verde, Susan. The museum. New York: Abrams Books for Young Readers, 2013.

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Naguib, Al-Attas Muhammad. Historical fact and fiction. Johor Bahru, Johor Darul Ta'zim, Malaysia: Penerbit UTM Press, Universiti Teknologi Malaysia, 2011.

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Dalton, Annie. The midnight museum. London: Mammoth, 2001.

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Części książek na temat "Museum fictions"

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Tlostanova, Madina. "Decolonizing the Museum". W Postcolonialism and Postsocialism in Fiction and Art, 73–92. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48445-7_4.

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Callahan, Carolyn M., Tracy C. Missett, Amy Price Azano, Melanie Caughey, Annalissa V. Brodersen i Mary Tackett. "Memoir Museum". W Fiction and Nonfiction Language Arts Units for Gifted Students in Grade 4, 231–35. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003235194-37.

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Chambers, Claire. "Introduction". W British Muslim Fictions, 1–32. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_1.

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Chambers, Claire. "Robin Yassin-Kassab". W British Muslim Fictions, 191–206. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_10.

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Chambers, Claire. "Kamila Shamsie". W British Muslim Fictions, 207–27. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_11.

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Chambers, Claire. "Hanif Kureishi". W British Muslim Fictions, 228–44. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_12.

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Chambers, Claire. "Ahdaf Soueif". W British Muslim Fictions, 245–56. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_13.

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Chambers, Claire. "Zahid Hussain". W British Muslim Fictions, 257–69. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_14.

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Chambers, Claire. "Conclusion". W British Muslim Fictions, 270–73. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_15.

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Chambers, Claire. "Tariq Ali". W British Muslim Fictions, 33–55. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230343085_2.

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Streszczenia konferencji na temat "Museum fictions"

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Candello, Heloisa, Mauro Pichiliani, Mairieli Wessel, Claudio Pinhanez i Michael Muller. "Teaching Robots to Act and Converse in Physical Spaces: Participatory Design Fictions with Museum Guides". W HTTF 2019: Halfway to the Future. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3363384.3363399.

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Shirley, Donna, Leslie Howle i Bunny Lester. "A New Science Fiction Museum - Exciting Young People About Science and Engineering". W Space 2004 Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-5963.

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Dunaeva, Tamara. "Section of rare and valuable publications of the library named after M. V. Lomonosov, branch of the municipal library “B. P. Hasdeu”". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.12.

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Streszczenie:
The rare book section appeared in the library named after M.V. Lomonosov 8 years ago. This fund is small - only a couple of hundred books. However, its value is measured not by size, but by uniqueness. The basis of the fund is made up of editions of the XIX–XX centuries. In terms of its content, the fund is universal. Most of it is fiction. In addition, there is popular science literature of past centuries, dictionaries, encyclopedias, newspapers. The collection of rare books includes: the collection “Poems and Prose Articles” by Mikhail Vasilyevich Lomonosov, published in 1886 and donated in 1984 by the poet Ion Odobescu; A. Glazunov, 1895 edition; I. Turgenev –1898; M. Gorky – 1901; Emilian Bukov – 1938; V. Zhukovsky – 1902; N. Leskov – 1903; P. Tchaikovsky – 1908; I. Brahms – 1873; M. Yu. Lermonotov – 1940; H. Wells – 1909 “Otechestvennye zapiski” – 1840; “Bulletin of Europe” – 1879; “Course of Geography of NonEuropean Countries” – 1905; “Niva” – 1899; K. Marx’s “Capital” – published in 1950 and much more. Our books are not museum pieces. They form part of the actively used collection of the library. Any interested reader can get acquainted with the collection of rare books on the website of the library M. V. Lomonosov in the “Rare Books” section.
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