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Artykuły w czasopismach na temat "Museo provinciale di Catanzaro"

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Bottini, Angelo. "La panoplia lucana del Museo provinciale di Potenza". Mélanges de l’École française de Rome. Antiquité 101, nr 2 (1989): 699–715. http://dx.doi.org/10.3406/mefr.1989.1645.

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Leonardi, Andrea, Giuseppe De Sandi i Claudia Colella. "Ephemeral Museums in Pandemic Era: Bari and the Museo Provinciale that Was There, that Has Been and Has Never Been". European Journal of Interdisciplinary Studies 7, nr 1 (15.05.2021): 124. http://dx.doi.org/10.26417/241tmv41h.

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Streszczenie:
The proposal introduces the theme of the communicative resilience of exhibitions during the Pandemic Era. On March 7, 2020, Italy and its museums, as well as the countless exhibitions housed in their rooms, were closed leaving hundreds, perhaps thousands, of works without the public: from the paintings of Raphael (Rome, Scuderie del Quirinale), to the tables of the Griffoni Polyptych assembled after three hundred years (Bologna, Palazzo Fava), to the statues of Canova (Rome, Palazzo Braschi), to the Sant'Antonio by Antonio Vivarini and to the San Felice in the chair by Lorenzo Lotto chased by Bernard Berenson in his Apulian 'pilgrimages' (Bari, Palazzo Ateneo). Indeed, the latter is the exhibition to which particular attention is paid here. The spaces of the ancient Museum have come back to life with the exhibition “Il Museo che non c’è. Arte, collezionismo, gusto antiquario nel Palazzo degli Studi di Bari 1875-1928”. The exhibition involved lenders institutions such as Villa I Tatti - The Harvard University Center for Italian Renaissance Studies, the Central State Archive in Rome, the Pinacoteca of Bari 'Corrado Giaquinto' and several others. The exhibition in Bari was inaugurated on February 28th. After the first five days only the exhibition was closed for the advance of COVID 19 virus. In the 'great hall' - as the main space of the ancient Provincial Museum was called - everything remained suspended and perfectly finished: showcases, exhibitors, paintings, statues, clay and stone art objects. However, there was no longer the possibility of letting people, visitors enter. We said that it would have been wonderful to be said that it would have been wonderful to be able to reopen it at least 'virtually'. And so we did, with an immersive and advanced teaching perspective.
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Caboara, Marco. "Simbolo, Potere, Mobilità: Il Tirolo Nelle Mappe Storiche [Symbol, Power, Mobility: Tyrol in Historical Maps]; Symbol, Macht, Bewegung. Tirol im historischen Kartenbild Simbolo, Potere, Mobilità: Il Tirolo Nelle Mappe Storiche [Symbol, Power, Mobility: Tyrol in Historical Maps]; Symbol, Macht, Bewegung. Tirol im historischen Kartenbild . Edited by Petra Svatekon behalf of Museo provinciale di Castel Tirolo. Bolzano: Castel Tirolo, 2021. ISBN 978-88-95523-40-8[Italian version]; 978-88-95523-39-2 [German version]. Pp. 317, illus. Euro €35.00 (cloth)." Imago Mundi 75, nr 1 (2.01.2023): 139. http://dx.doi.org/10.1080/03085694.2023.2221567.

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Patterson, John R. "E. M. De Juliis, L'ipogeo dei Vimini di Canosa (Adrias II). Bari: Edipuglia, 1990. Pp. vii + 149, 519 illus. ISBN 88-7228-068-0. L 60,000. - J. G. Pedley, Paestum: Greeks and Romans in Southern Italy. London: Thames and Hudson, 1990. Pp. 184, 136 illus. ISBN 0-500-39027-4. £20.00. - R. Lambrechts et al., La Civita di Artena: Scavi belgi 1979–1989. Rome: ‘L'Erma’di Bretschneider, 1989. Pp. xx + 96, numerous illus. ISBN 88-7062-676-8. - F. D'andria, Archeologia dei Messapi: Catalogo della mostra Lecce, Museo Provinciale ‘Sigismondo Castromediano’, 7 ottobre 1990–7 gennaio 1991 (Le mostre, i cataloghi I). Bari: Edipuglia, 1990. Pp. xvi + 348, numerous illus. ISBN 88-7228-062-1. L 70,000. - G. Volpe, La Daunia nell'età della romanizzazione: Paesaggio agrario, produzione, scambi (Adrias I). Bari: Edipuglia, 1990. Pp. xviii + 298, 246 illus. L 90,000. - R. Compatangelo, Un Cadastre de Pierre: Le Salento romain: Paysage et structures agraires (Centre de recherches d'histoire ancienne xc: Annales littéraires de l'Université de Besançon CDIII). Paris: Les Belles Lettres, 1989. Pp. 280, 78 illus. ISBN 2-251-60-403-0. - M. Tascio, Todi: Forma e urbanistica (Città antiche in Italia II). Rome: ‘L'Erma’ di Bretschneider, 1989. Pp. xi + 138. 110 illus. ISBN 88-7062-653-9. L 100,000." Journal of Roman Studies 83 (listopad 1993): 189–93. http://dx.doi.org/10.2307/300994.

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Książki na temat "Museo provinciale di Catanzaro"

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Marinazzo, Angela. Museo archeologico provinciale "F. Ribezzo" di Brindisi. Bari: M. Adda, 2004.

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Giancarlo, Chielli, Museo d'arte contemporanea dell'Accademia di Catanzaro. i Complesso Monumentale del San Giovanni (Catanzaro, Italy), red. MAC, Museo d'arte contemporanea dell'Accademia di Catanzaro: Opere e artisti 1973- 1992. Cinisello Balsamo (Milano): Silvana, 2005.

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Niro, Angela Di. Il Museo sannitico di Campobasso: Catalogo della collezione provinciale. Pescara, Italia: Carsa, 2007.

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Clara, Gelao, Bari (Italy : Province). Pinacoteca provinciale. i Bari (Italy : Province). Assessorato alla cultura e alla tutela dei beni culturali., red. Da Museo archeologico a Pinacoteca provinciale: Settant'anni di un'istituzione. Bari: Palomar, 1999.

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Chielli, Giancarlo. MAC, Museo d'arte contemporanea dell'Accademia di Catanzaro: Opere e artisti 1993-2006 : nuove acquisizioni. Cinisello Balsamo (Milano): Silvana, 2007.

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Cosmo, Luigi Di. Le ceramiche medievali di Capua: Conservate nel Museo provinciale campano. Marina di Minturno (LT) [Italy]: A. Caramanica, 1998.

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Museo archeologico provinciale (Brindisi, Italy), red. I bronzi di Punta del Serrone: Dal mare al Museo provinciale di Brindisi. Bari: M. Adda, 2010.

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Kubin, Alfred. Alfred Kubin: Bestiarium : Landesmuseum Schloss Tirol = Museo provinciale di Castel Tirolo. Bolzano: Christa Spangenberg, 1998.

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Museo provinciale campano (Capua, Italy), red. Lo sguardo della Gorgone: Immagini dal Museo provinciale campano di Capua. Foggia: C. Grenzi, 2012.

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Torcello, Museo provinciale di. Il Museo di Torcello: Bronzi, ceramiche, marmi di età antica. Venezia: Marsilio, 1993.

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