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Bardsley, Karen. "Out of sight : resemblance, illusion and cinematic perception". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84465.
Pełny tekst źródłaRassos, Effie School of Media Film & Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.
Pełny tekst źródłaMercer, Nicholas R. "Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0261.
Pełny tekst źródłaRoesch, Stefan, i n/a. "There and back again - comparative case studies of film location tourists� on-site behaviour and experiences". University of Otago. Department of Tourism, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080211.090920.
Pełny tekst źródłaFleming, David H. "Drugs, danger, delusions (and Deleuzians?) : extreme film-philosophy journeys into and beyond the parallel body and mind". Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/985.
Pełny tekst źródłaSmolenski, Kristina Lyn. "High fidelity: Adapting narcissism to film". CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2101.
Pełny tekst źródłaGérard, Fabien. "La certitude et de doute: recherche du mystère et quête identitaire dans le cinéma de Bernardo Bertolucci". Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211352.
Pełny tekst źródłaChan, Shuen-yan, i 陳旋茵. "History and memory in Hou Hsiao-hsien's A City of Sadness and Tian Zhuangzhuang's The Blue Kite". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31951843.
Pełny tekst źródłaRay, Radharani. "The rhetoric of postcolonialism Indian middle cinema and the middle class in the 1990s /". Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035171.
Pełny tekst źródłaNtsane, Ntsane Steve. "The dual world metaphor and the 'struggle' in selected South African and African films (1948 to 1996)". Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53628.
Pełny tekst źródłaENGLISH ABSTRACT: The terminology used in segregationist discourse that South Africa is a combination of 'first world' and 'third world' elements has been appropriated from an international discourse about problems of world-wide socio-economic development. The terms are used to describe the sophisticated metropolitan areas inhabited by highly developed whites and simple, backward, isolated, rural regions occupied by undeveloped or underdeveloped blacks. However, in South Africa this dual world metaphor, which has socio-political implications that have brought great misfortune to blacks, was institutionalised by apartheid, with the consequences that blacks have expressed their resistance in what became known as the 'struggle' against the dualist system. Selected South African and African films whose themes have a bearing on such a socio-economic system are explored in this thesis. A supplementary exploration of films dealing with the theme of the 'struggle', which has become a metaphor for the 'generations of resistance', has been undertaken by means ofa detailed analysis. The interpretation of 'development' in this thesis finds a link betweeen the dualist paradigm, the perpetuation of poverty and the migratory labour system. The peculiar relationship which the 'struggle' has had with the cultures of black people, in which there is a mutual influence between the 'struggle' and the nature of these cultures, is explored in the relevant films. However, this thesis offers no solutions, but exposes a VICIOUS system which IS threatening to gain world ascendency.
AFRIKAANSE OPSOMMING: Die terminologie gebruik in die segregasie-diskoers tot die effek dat Suid-Afrika 'n kombinasie van 'Eerste Wêreld' en 'Derde Wêreld' elemente is, is oorgeneem uit 'n internasionale diskoers wat handeloor wêreld-wye sosio-ekonomiese ontwikkeling. Dié terme word gebruik om die gesofistikeerde metropolitaanse areas bewoon deur hoogsontwikkelde blankes en eenvoudige, agterlike, geïsoleerde, landelike streke beset deur onder- of on-ontwikkelde swartes te beskryf. Maar in Suid-Afrika is hierdie dubbelwêreld metafoor - met die sosio-politiese implikasies daarvan wat tot groot ellende vir swartes aanleiding gegee het - deur Apartheid geïnstitusionaliseer, met die gevolg dat swartes hul weerstand uitgedruk het in wat bekend geword het as die 'struggle' teen dierdie dualistiese sisteem. 'n Keur van films uit Suid-Afrika en die res van Afrika, die tema's waarvan betrekking het op hierdie sosio-ekonomiese sisteem, word ondersoek in hierdie skripsie. 'n Bykomstige ondersoek na films wat handeloor die tematiek van die 'struggle', wat metafories geword het vir die 'generasie van weerstand', is by wyse van 'n meer gedetaileerde analise uitgevoer. Die interpretasie van 'ontwikkeling' in hierdie skripsie ontbloot 'n verband tussen die dualistiese sisteem, die voortsetting van armoede en die sisteem van trekardbeid. Die besonderse manier wat die 'struggle' met die kulture van swart mense verhou, waarin daar 'n wedersydse beïnvloeding tussen die 'struggle' en die aard van die kulture plaasvind, word ondersoek in die relevante films. Hierdie skripsie bied egter geen oplossings nie, maar ontmasker eerder 'n wrede sisteem wat dreig tot wêreld-oorheersing.
Thomas, Patricia Brooks. "Propaganda on film : shadows from the past, projections for the future?" Thesis, Swansea University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678661.
Pełny tekst źródłaYang, Julianne Qiuling Ma, i 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.
Pełny tekst źródłapublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Gazetas, Aristides. "Imagining selves : the politics of representation, film narratives and adult education". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25053.pdf.
Pełny tekst źródłaDeacy, Christopher. "Screen Christologies : an evaluation of the Christian concept of redemption and its application through film". Thesis, University of Wales Trinity Saint David, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683160.
Pełny tekst źródłaPeeler, Scott Edward. "The dynamics of proximity : Hitchcock's cinema of claustrophobia". Scholarly Commons, 1988. https://scholarlycommons.pacific.edu/uop_etds/2151.
Pełny tekst źródłaChan, Kim-mui Eileen, i 陳劍梅. "Postmodernity and recent Hong Kong cinema". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B3121390X.
Pełny tekst źródłaMontgomery, Michael Vincent. "Bakhtin's chronotope and the rhetoric of Hollywood film". Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185758.
Pełny tekst źródłaLaw, Yuk-wa, i 羅玉華. "On time and festivity: a study of Chinese newyear films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38301155.
Pełny tekst źródłaFourie, Elizabeth. "The representation of materialist consumerism in film". Thesis, Nelson Mandela Metropolitan University, 2009. http://hdl.handle.net/10948/954.
Pełny tekst źródłaGoode, Ian. "Voices of inheritance : aspects of British film and television in the 1980s and 1990s". Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/35838/.
Pełny tekst źródłaCroy, William Glen, i n/a. "The role of film in destination decision-making". University of Otago. Department of Tourism, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080404.155622.
Pełny tekst źródłaColônia, Regina Célia. "Adult age differences in memory for lateral orientation of pictures". Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/29327.
Pełny tekst źródłaMecklai, Noorel-nissa S. "Abrogated identity : Muslim representation in Hindi popular cinema 1947-2000". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/352.
Pełny tekst źródłaWalsh, Lau Man Yee Eliza, i 劉敏儀. "In search of identity: Hong Kong as seen through its cinema from the 1950s to the early 1980s". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213728.
Pełny tekst źródłaLau, Tsz-wan Christal, i 劉芷韻. "Ethics in the production of Hong Kong movies". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39559105.
Pełny tekst źródłaLafferty, Sarah. "Holding Out For A Female Hero: The Visual And Narrative Representation Of The Female FBI Agent In Hollywood Psychological Thrillers From 1991-2008". Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1237405595.
Pełny tekst źródłaBenfey, Matthias Wilhelm. "Religious cinema as virtual religious experience : a theory of religious cinema applied to Werner Herzog's Herz aus Glas". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=72087.
Pełny tekst źródłaThe thesis defines religious cinema as virtual religious experience; therefrom a theory of religious cinema is derived. This derivation depends on a discussion of the essential elements of the cinematic experience and permits the expansion of the category of religious cinema beyond its traditional frontier. Throughout the dissertation, a dialogue is maintained with general cinema theory on the one hand and religious cinema criticism on the other. The purpose of this dialogue is to increase credibility (in the former case) and to demonstrate originality (in the latter case).
Finally, extrapolating from a specific dialogue between Crossan and Ricoeur, a critical method is developed, then applied to Werner Herzog's Herz aus Glas, a transcription of which is included as an appendix.
Cicchetti, Pasquale. "A long way home : cinema and the cultural map of America, 2001-2011". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11866.
Pełny tekst źródłaChen, Fangyu. "The post-2000 Hong Kong film workers". HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/751.
Pełny tekst źródłaStober, JoAnne. "That's not what I heard, synchronized sound cinema in Montreal, 1926-1931". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ64013.pdf.
Pełny tekst źródłaHubbard, Christine Karen Reeves. "Rebellion and Reconciliation: Social Psychology, Genre, and the Teen Film 1980-1989". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279235/.
Pełny tekst źródłaMechar, Kyle William. "The cultural logic of dis-ease : difference andas displacement in popular discourses of the AIDS crisis". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23229.
Pełny tekst źródłaJiwaji, Aamera Hamzaali. "Negotiating the global : how young women in Nairobi shape their local identities in response to aspects of the mexican telenovela, Cuando seas mia". Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1013364.
Pełny tekst źródłaChéné, Johanne. "La représentation de la femme dans des films québécois mettant en scène les années 1900 à 1950". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq26050.pdf.
Pełny tekst źródłaTjalle, Rosalie Olivia Vanessa. "The presentation of African government leaders or Sovereigns' in selected African and mainstream films". Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/12392.
Pełny tekst źródłaCheung, Ting-yan, i 張婷欣. "Reading beyond "Happily Ever After": refiguring the Disney narrative of femininity". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B36403465.
Pełny tekst źródłaNorrie, Kathleen Margaret. "Family patterns in French films of the 1930s and of the Occupation". Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/24388.
Pełny tekst źródłaCampbell, Robin Rhodes. "Images of ethnicity in pornography". CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/695.
Pełny tekst źródłaGiordano, Maria Graciela. "Más allá del trauma colectivo : represión y exilio en la narrativa de mujeres y el cine argentino". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100610.
Pełny tekst źródłaThe purpose of this dissertation is to analyse the "social tics" which flourish in various art forms, as well as in the underpinnings of Argentine society, and come from the fact that collective suffering has created a defined present which controls the past, and, inevitably, influences the future. In turn, certain themes thus emerge from subjective and fragmented spaces of enunciation where memory plays a crucial role.
In order to do this, I concentrate here on alternative cultural productions to the official propaganda produced during and after the period of dictatorship, paying special attention to women's narratives and testimonies or memoirs of repression. Finally, I undertake an analysis of certain selected cinematographic productions which, like the contemporary literature analysed here, also form part of the movement that demonstrates the need to question Argentine reality---present and past---by foregrounding collective and individual memory in opposition to the generalized trend of amnesia/anaesthesia to point up the very real danger inherent in such "historic amnesia." Taken together, these works reveal the existence of a past that must be recaptured and redeemed, but which, given the existence of the negated and silenced "sinister" space in contemporary reality, forms only a small part of Argentine history still under construction.
Lam, Sui-kwong Sunny, i 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.
Pełny tekst źródłaTsui, Sum-yin, i 徐心言. "Local motion in the image plane and in the stereo-depth plane distortsan object's perceived location and spatial arrangement". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38610607.
Pełny tekst źródłaLaw, Yuk-wa, i 羅玉華. "The poetics of absence: a study of Antonioni and Wenders". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42577093.
Pełny tekst źródłaChen, Jing, i 陈静. "An investigation of visual cues and the neural mechanisms on human motor control behaviour". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B47849587.
Pełny tekst źródłapublished_or_final_version
Psychology
Doctoral
Doctor of Philosophy
Yam, Chi-Keung. "Study of popular Hong Kong cinema from 2001 to 2004 as resource for a contextual approach to expressions of Christian faith in the public realm after the reversion to Chinese sovereignty in 1997". Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/4015.
Pełny tekst źródłaWong, Yu-bon Nicholas, i 黃裕邦. "The pomobody: body parts, desire and fetishism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39707507.
Pełny tekst źródłaLefler, Thomas J. "In Search of a Transcendental Film Style: The Cinematic Art Form and the Mormon Motion Picture". Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,23527.
Pełny tekst źródłaHurlstone, Lise Danielle. "Performing Marginal Identities: Understanding the Cultural Significance of Tawa'if and Rudali Through the Language of the Body in South Asian Cinema". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/154.
Pełny tekst źródłaMills, Jane Kathryn. "Hollywood and its others : porous borders and creative tensions in the transnational screenscape". Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/19823.
Pełny tekst źródłaBarbara, Kathleen M. "The post-modern body in cinema". Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t044.pdf.
Pełny tekst źródłaBrown, Anna Marie. "Cinerati". PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/808.
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