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Artykuły w czasopismach na temat "Motion pictures - Psychological aspects"
Madhona, Rizkyka Hamama, i Yenny. "Representasi Emosional Joker Sebagai Korban kekerasan Dalam Film Joker 2019 (Analisis Semiotika Ferdinand De Saussure)". Soetomo Communication and Humanities 3, nr 1 (26.05.2022): 1–13. http://dx.doi.org/10.25139/sch.v3i1.4475.
Pełny tekst źródłaSretić, Stefan. "Program content in relation with compositional and technical solutions found in piano pieces by Modest Mussorgsky". Artefact 7, nr 1 (2021): 33–49. http://dx.doi.org/10.5937/artefact2101033s.
Pełny tekst źródłaMurray, John B. "Psychophysiological Aspects of Motion Sickness". Perceptual and Motor Skills 85, nr 3_suppl (grudzień 1997): 1163–67. http://dx.doi.org/10.2466/pms.1997.85.3f.1163.
Pełny tekst źródłaJiménez, Paul, Anita Dunkl, Kerstin Eibel, Elisabeth Denk, Vincent Grote, Christina Kelz i Maximilian Moser. "Evaluating Psychological Aspects of Wood and Laminate Products in Indoor Settings with Pictures". Forest Products Journal 65, nr 5-6 (wrzesień 2015): 263–71. http://dx.doi.org/10.13073/fpj-d-14-00003.
Pełny tekst źródłaFrenţiu, Luminiţa, i Codruţa Goşa. "From West to East: Romeo Must Die but Shakespeare is the Sun". Romanian Journal of English Studies 11, nr 1 (1.03.2014): 167–82. http://dx.doi.org/10.2478/rjes-2014-0021.
Pełny tekst źródłaBasilowski, M., B. Schönfeld, S. Esser, A. Jatho, M. Kownatka, J. Signerski-Krieger, H. Esselmann i in. "From Bones to Brain: 50 Years of Star Trek and Changes in the Stigmatization of Psychological Disorders". Current Psychology 39, nr 5 (19.05.2018): 1705–14. http://dx.doi.org/10.1007/s12144-018-9868-9.
Pełny tekst źródłaKhorob, S. I. "THE CREATION OF A CINEMA WORLD AS A FICTIONAL PROCESS (ON THE MATERIAL OF FILMS OF UKRAINIAN “POETIC CINEMA”)". PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, nr 2(54) (22.01.2019): 288–97. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-288-297.
Pełny tekst źródłaFavaretto, Maddalena, Danya F. Vears i Pascal Borry. "On the Epistemic Status of Prenatal Ultrasound: Are Ultrasound Scans Photographic Pictures?" Journal of Medicine and Philosophy: A Forum for Bioethics and Philosophy of Medicine 45, nr 2 (14.01.2020): 231–50. http://dx.doi.org/10.1093/jmp/jhz039.
Pełny tekst źródłaOliveira Lopes, Rui. "A New Light on the Shadows of Heavenly Bodies". Religion and the Arts 20, nr 1-2 (2016): 160–96. http://dx.doi.org/10.1163/15685292-02001008.
Pełny tekst źródłaPratama, Agus Darma Yoga. "Translation of Children’s Picture Book". RETORIKA: Jurnal Ilmu Bahasa 5, nr 2 (15.10.2019): 168–76. http://dx.doi.org/10.22225/jr.5.2.1355.168-176.
Pełny tekst źródłaRozprawy doktorskie na temat "Motion pictures - Psychological aspects"
Bardsley, Karen. "Out of sight : resemblance, illusion and cinematic perception". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84465.
Pełny tekst źródłaRassos, Effie School of Media Film & Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.
Pełny tekst źródłaMercer, Nicholas R. "Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0261.
Pełny tekst źródłaRoesch, Stefan, i n/a. "There and back again - comparative case studies of film location tourists� on-site behaviour and experiences". University of Otago. Department of Tourism, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080211.090920.
Pełny tekst źródłaFleming, David H. "Drugs, danger, delusions (and Deleuzians?) : extreme film-philosophy journeys into and beyond the parallel body and mind". Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/985.
Pełny tekst źródłaSmolenski, Kristina Lyn. "High fidelity: Adapting narcissism to film". CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2101.
Pełny tekst źródłaGérard, Fabien. "La certitude et de doute: recherche du mystère et quête identitaire dans le cinéma de Bernardo Bertolucci". Doctoral thesis, Universite Libre de Bruxelles, 2002. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211352.
Pełny tekst źródłaChan, Shuen-yan, i 陳旋茵. "History and memory in Hou Hsiao-hsien's A City of Sadness and Tian Zhuangzhuang's The Blue Kite". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31951843.
Pełny tekst źródłaRay, Radharani. "The rhetoric of postcolonialism Indian middle cinema and the middle class in the 1990s /". Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035171.
Pełny tekst źródłaNtsane, Ntsane Steve. "The dual world metaphor and the 'struggle' in selected South African and African films (1948 to 1996)". Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53628.
Pełny tekst źródłaENGLISH ABSTRACT: The terminology used in segregationist discourse that South Africa is a combination of 'first world' and 'third world' elements has been appropriated from an international discourse about problems of world-wide socio-economic development. The terms are used to describe the sophisticated metropolitan areas inhabited by highly developed whites and simple, backward, isolated, rural regions occupied by undeveloped or underdeveloped blacks. However, in South Africa this dual world metaphor, which has socio-political implications that have brought great misfortune to blacks, was institutionalised by apartheid, with the consequences that blacks have expressed their resistance in what became known as the 'struggle' against the dualist system. Selected South African and African films whose themes have a bearing on such a socio-economic system are explored in this thesis. A supplementary exploration of films dealing with the theme of the 'struggle', which has become a metaphor for the 'generations of resistance', has been undertaken by means ofa detailed analysis. The interpretation of 'development' in this thesis finds a link betweeen the dualist paradigm, the perpetuation of poverty and the migratory labour system. The peculiar relationship which the 'struggle' has had with the cultures of black people, in which there is a mutual influence between the 'struggle' and the nature of these cultures, is explored in the relevant films. However, this thesis offers no solutions, but exposes a VICIOUS system which IS threatening to gain world ascendency.
AFRIKAANSE OPSOMMING: Die terminologie gebruik in die segregasie-diskoers tot die effek dat Suid-Afrika 'n kombinasie van 'Eerste Wêreld' en 'Derde Wêreld' elemente is, is oorgeneem uit 'n internasionale diskoers wat handeloor wêreld-wye sosio-ekonomiese ontwikkeling. Dié terme word gebruik om die gesofistikeerde metropolitaanse areas bewoon deur hoogsontwikkelde blankes en eenvoudige, agterlike, geïsoleerde, landelike streke beset deur onder- of on-ontwikkelde swartes te beskryf. Maar in Suid-Afrika is hierdie dubbelwêreld metafoor - met die sosio-politiese implikasies daarvan wat tot groot ellende vir swartes aanleiding gegee het - deur Apartheid geïnstitusionaliseer, met die gevolg dat swartes hul weerstand uitgedruk het in wat bekend geword het as die 'struggle' teen dierdie dualistiese sisteem. 'n Keur van films uit Suid-Afrika en die res van Afrika, die tema's waarvan betrekking het op hierdie sosio-ekonomiese sisteem, word ondersoek in hierdie skripsie. 'n Bykomstige ondersoek na films wat handeloor die tematiek van die 'struggle', wat metafories geword het vir die 'generasie van weerstand', is by wyse van 'n meer gedetaileerde analise uitgevoer. Die interpretasie van 'ontwikkeling' in hierdie skripsie ontbloot 'n verband tussen die dualistiese sisteem, die voortsetting van armoede en die sisteem van trekardbeid. Die besonderse manier wat die 'struggle' met die kulture van swart mense verhou, waarin daar 'n wedersydse beïnvloeding tussen die 'struggle' en die aard van die kulture plaasvind, word ondersoek in die relevante films. Hierdie skripsie bied egter geen oplossings nie, maar ontmasker eerder 'n wrede sisteem wat dreig tot wêreld-oorheersing.
Książki na temat "Motion pictures - Psychological aspects"
Wolfenstein, Martha. Movies: A psychological study. Glencoe, Ill: Free Press, 1987.
Znajdź pełny tekst źródłaMünsterberg, Hugo. The film: A psychological study. Mineola, N.Y: Dover Pub., 2004.
Znajdź pełny tekst źródłaUnderstanding cinema: A psychological theory of moving imagery. Cambridge, U.K.: Cambridge University Press, 2003.
Znajdź pełny tekst źródłaPer, Persson. Understanding cinema: A psychological theory of moving imagery. Cambridge: Cambridge University Press, 2003.
Znajdź pełny tekst źródłaFilmverstehen und Alltagserfahrung: Grundzüge einer kognitiven Psychologie des Mediums Film. Wiesbaden: Deutscher Universitäts-Verlag, 2001.
Znajdź pełny tekst źródłaScreen, culture, psyche: A post-Jungian approach to working with the audience. New York: Routledge, 2006.
Znajdź pełny tekst źródłaMovies and the mind: Theories of the great psychoanalysts applied to film. Jefferson, N.C: McFarland, 2004.
Znajdź pełny tekst źródłaThe cinema, or, The imaginary man. Minneapolis: University of Minnesota Press, 2005.
Znajdź pełny tekst źródłaR, Plantinga Carl, i Smith Greg M. 1962-, red. Passionate views: Film, cognition, and emotion. Baltimore: Johns Hopkins University Press, 1999.
Znajdź pełny tekst źródłaCinema, technologies of visibility, and the reanimation of desire. New York: Palgrave Macmillan, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Motion pictures - Psychological aspects"
Molenda, Michael H. "History and Development of Instructional Design and Technology". W Handbook of Open, Distance and Digital Education, 1–18. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0351-9_4-1.
Pełny tekst źródłaMolenda, Michael H. "History and Development of Instructional Design and Technology". W Handbook of Open, Distance and Digital Education, 57–74. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-2080-6_4.
Pełny tekst źródłaBradley, D. C. "Motion Perception: Psychological and Neural Aspects". W International Encyclopedia of the Social & Behavioral Sciences, 10099–105. Elsevier, 2001. http://dx.doi.org/10.1016/b0-08-043076-7/03497-5.
Pełny tekst źródłaLadjailia, Ammar, Imed Bouchrika, Nouzha Harrati i Zohra Mahfouf. "Encoding Human Motion for Automated Activity Recognition in Surveillance Applications". W Applied Video Processing in Surveillance and Monitoring Systems, 170–92. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1022-2.ch008.
Pełny tekst źródłaLadjailia, Ammar, Imed Bouchrika, Nouzha Harrati i Zohra Mahfouf. "Encoding Human Motion for Automated Activity Recognition in Surveillance Applications". W Computer Vision, 2042–64. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-5204-8.ch089.
Pełny tekst źródłaAbe, Akinori. "The Possibility of the Literary Work Generation by Computer". W Computational and Cognitive Approaches to Narratology, 76–90. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0432-0.ch002.
Pełny tekst źródłaHieronymi, Pamela. "What is a will?" W Free Will, 13–20. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197572153.003.0002.
Pełny tekst źródłaBurge, Tyler. "The Iconic Nature of Perception". W Perception: First Form of Mind, 293–364. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198871002.003.0009.
Pełny tekst źródłaEstera Mrozewicz, Anna. "Guilt and Shame in (Trans)national Spaces". W Beyond Eastern Noir. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474418102.003.0005.
Pełny tekst źródłaCohen-Stratyner, Barbara. "Precision Dancing". W Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1925-1.
Pełny tekst źródłaStreszczenia konferencji na temat "Motion pictures - Psychological aspects"
Popescu, Dragos marian, Adrian Macovei, Marian Macri i Andreea mihaela Popescu. "VIRTUAL ENVIRONMENT SICKNESS - A TAKE FROM AVIATION MEDICINE PERSPECTIVE". W eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-256.
Pełny tekst źródłaPopescu, Maria magdalena, i Filofteia Repez. "TEACHING DIGITAL IN PANDEMIC TIMES: RECALIBRATING THE CLASSROOM FOR WEB 3.0 STUDENTS". W eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-057.
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