Rozprawy doktorskie na temat „Motion pictures – iran – history”
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Vanhala, Helena. "Hollywood portrayal of modern international terrorism in blockbuster action-adventure films : from the Iran hostage crisis to September 11, 2001 /". view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181135.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes filmography (leaves 435-448) and bibliographical references (leaves 454-471). Also available for download via the World Wide Web; free to University of Oregon users.
Galt, Rosalind. "Redrawing the map of Europe space, history and spectacle in new European cinema /". [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Pełny tekst źródłaWilliams, Danielle E. Winn J. Emmett. "Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /". Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Pełny tekst źródłaHaywood, Keene McDonald. "Beyond Words: The Use of the Non-Verbal Genre in Natural History Filmmaking". Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/haywood/HaywoodK0807.pdf.
Pełny tekst źródłaPang, Lai Kwan. "China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /". online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.
Pełny tekst źródłaChan, Shuen-yan. "History and memory in Hou Hsiao-hsien's A City of Sadness and Tian Zhuangzhuang's The Blue Kite". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21241065.
Pełny tekst źródłaUmphrey, Olivia. "From screen to page : Japanese film as a historical document, 1931-1959 /". [Boise, Idaho] : Boise State University, 2009. http://scholarworks.boisestate.edu/td/26/.
Pełny tekst źródłaInocencio, Jessica Lynn. "The hybridization of African identities in African film". Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/828.
Pełny tekst źródłaCoe, Jason George. "Left behind by history: complicating narrative, modernity in the mundane, and reading history through womenin "feeling of life films"". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48539533.
Pełny tekst źródłapublished_or_final_version
Literary and Cultural Studies
Master
Master of Arts
Võ, Ch'o'ng-Đài Hồng. "An assemblage of fragments history, revolutionary aesthetics and global capitalism in Vietnamese/American literature, films and visual culture /". Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3386844.
Pełny tekst źródłaTitle from first page of PDF file (viewed February 11, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 155-168).
Yalvac, Ahsen. "A cultural critique of Turkish cinema in relation to "Arabesk"". Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23272909.
Pełny tekst źródłaMeurer, Hans Joachim. "The split screen : cinema and national identity in a divided Germany (1979-89)". Thesis, University of Stirling, 1997. http://hdl.handle.net/1893/26674.
Pełny tekst źródłaMorrey, Douglas. "Jean-Luc Godard and the other history of cinema". Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/1303/.
Pełny tekst źródłaWolpert, Daniel Jonas. "Temporality, identity and history in German cinema, 1946-1949". Thesis, University of Cambridge, 2015. https://www.repository.cam.ac.uk/handle/1810/283967.
Pełny tekst źródłaÇaglayan, Orhan Emre. "Screening boredom : the history and aesthetics of slow cinema". Thesis, University of Kent, 2014. https://kar.kent.ac.uk/43155/.
Pełny tekst źródłaHenderson, Stuart. "The history and form of the Hollywood sequel, 1911-2010". Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47714/.
Pełny tekst źródłaYang, Jing, i 杨静. "The construction of the Chinese woman in 1990s American cinema". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B43813185.
Pełny tekst źródłaChan, Shuen-yan, i 陳旋茵. "History and memory in Hou Hsiao-hsien's A City of Sadness and Tian Zhuangzhuang's The Blue Kite". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31951843.
Pełny tekst źródłaSungsri, Patsorn. "Thai cinema as national cinema: an evaluative history". Thesis, Sungsri, Patsorn (2004) Thai cinema as national cinema: an evaluative history. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/354/.
Pełny tekst źródłaSungsri, Patsorn. "Thai cinema as national cinema : an evaluative history /". Sungsri, Patsorn (2004) Thai cinema as national cinema: an evaluative history. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/354/.
Pełny tekst źródłaTam, Yee Lok. "A critical study on wenyi and wenyi film in republican China". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/488.
Pełny tekst źródłaJoo, Woojeong. "The flavour of tofu : Ozu, history and the representation of the everyday". Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49454/.
Pełny tekst źródłaAkhter, Fahmida. "Fragmented memory, incomplete history : women and nation in war films of Bangladesh". Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20049/.
Pełny tekst źródłaRyu, Jae Hyung. "Reality & effect a cultural history of visual effects /". unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03292007-172937/.
Pełny tekst źródłaTitle from file title page. Ted Friedman, committee chair; Kathy Fuller-Seeley, Angelo Restivo, Jung-Bong Choi, Alisa Perren, committee members. Electronic text (249 p.) : digital, PDF file. Description based on contents viewed Oct. 29, 2007. Includes bibliographical references (p. 236-249).
Wood, Mark. "An evaluation of the National Cinema of Wales and whether this cinema constructs or represents a national identity". Thesis, University of South Wales, 2007. https://pure.southwales.ac.uk/en/studentthesis/an-evaluation-of-the-national-cinema-of-wales-and-whether-this-cinema-constructs-or-represents-a-national-identity(a96741dc-38a9-4e46-bd51-0c980b7aa1eb).html.
Pełny tekst źródłaEmerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /". Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Pełny tekst źródłaLam, Suk-yin, i 林淑燕. "The construct of masculinity and femininity in John Woo and Stanley Kwan's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951144.
Pełny tekst źródłaMercer, Nicholas R. "Thinking the commodity through the moving image : a philosophical investigation into cinematic consciousness and the commodity as a mode of communication". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0261.
Pełny tekst źródłaHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-50)". Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Pełny tekst źródłaTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Burton, James Amos. "Film, history and cultural memory : cinematic representations of Vietnam-era America during the culture wars, 1987-1995". Thesis, University of Nottingham, 2008. http://eprints.nottingham.ac.uk/10493/.
Pełny tekst źródłaNtsane, Ntsane Steve. "The dual world metaphor and the 'struggle' in selected South African and African films (1948 to 1996)". Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53628.
Pełny tekst źródłaENGLISH ABSTRACT: The terminology used in segregationist discourse that South Africa is a combination of 'first world' and 'third world' elements has been appropriated from an international discourse about problems of world-wide socio-economic development. The terms are used to describe the sophisticated metropolitan areas inhabited by highly developed whites and simple, backward, isolated, rural regions occupied by undeveloped or underdeveloped blacks. However, in South Africa this dual world metaphor, which has socio-political implications that have brought great misfortune to blacks, was institutionalised by apartheid, with the consequences that blacks have expressed their resistance in what became known as the 'struggle' against the dualist system. Selected South African and African films whose themes have a bearing on such a socio-economic system are explored in this thesis. A supplementary exploration of films dealing with the theme of the 'struggle', which has become a metaphor for the 'generations of resistance', has been undertaken by means ofa detailed analysis. The interpretation of 'development' in this thesis finds a link betweeen the dualist paradigm, the perpetuation of poverty and the migratory labour system. The peculiar relationship which the 'struggle' has had with the cultures of black people, in which there is a mutual influence between the 'struggle' and the nature of these cultures, is explored in the relevant films. However, this thesis offers no solutions, but exposes a VICIOUS system which IS threatening to gain world ascendency.
AFRIKAANSE OPSOMMING: Die terminologie gebruik in die segregasie-diskoers tot die effek dat Suid-Afrika 'n kombinasie van 'Eerste Wêreld' en 'Derde Wêreld' elemente is, is oorgeneem uit 'n internasionale diskoers wat handeloor wêreld-wye sosio-ekonomiese ontwikkeling. Dié terme word gebruik om die gesofistikeerde metropolitaanse areas bewoon deur hoogsontwikkelde blankes en eenvoudige, agterlike, geïsoleerde, landelike streke beset deur onder- of on-ontwikkelde swartes te beskryf. Maar in Suid-Afrika is hierdie dubbelwêreld metafoor - met die sosio-politiese implikasies daarvan wat tot groot ellende vir swartes aanleiding gegee het - deur Apartheid geïnstitusionaliseer, met die gevolg dat swartes hul weerstand uitgedruk het in wat bekend geword het as die 'struggle' teen dierdie dualistiese sisteem. 'n Keur van films uit Suid-Afrika en die res van Afrika, die tema's waarvan betrekking het op hierdie sosio-ekonomiese sisteem, word ondersoek in hierdie skripsie. 'n Bykomstige ondersoek na films wat handeloor die tematiek van die 'struggle', wat metafories geword het vir die 'generasie van weerstand', is by wyse van 'n meer gedetaileerde analise uitgevoer. Die interpretasie van 'ontwikkeling' in hierdie skripsie ontbloot 'n verband tussen die dualistiese sisteem, die voortsetting van armoede en die sisteem van trekardbeid. Die besonderse manier wat die 'struggle' met die kulture van swart mense verhou, waarin daar 'n wedersydse beïnvloeding tussen die 'struggle' en die aard van die kulture plaasvind, word ondersoek in die relevante films. Hierdie skripsie bied egter geen oplossings nie, maar ontmasker eerder 'n wrede sisteem wat dreig tot wêreld-oorheersing.
Insell, Maria Katherine. "Avant-garde film theory and praxis : an historical analysis of the narrative/anti-narrative debate". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28074.
Pełny tekst źródłaArts, Faculty of
Theatre and Film, Department of
Graduate
Murphree, Hyon Joo Yoo. "Toward an "accented" critique of culture theorizing postcolonial East Asia /". Related electronic resource:, 2007. http://proquest.umi.com/pqdweb?did=1342729001&sid=1&Fmt=2&clientId=3739&RQT=309&VName=PQD.
Pełny tekst źródłaKnight, Claire Alice Jean. "Soviet cinema of the late Stalin era, 1945-53". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708213.
Pełny tekst źródłaPreston, Barry A. (Barry Alan). "Myths and Movies: a Mythographical Methodology of Motion Picture Analysis". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279362/.
Pełny tekst źródłaTriquell, Ximena. "Projecting history : a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy". Thesis, University of Nottingham, 2000. http://eprints.nottingham.ac.uk/11710/.
Pełny tekst źródłaBangert, Axel. "Reviewing the German experience : the Third Reich in post-reunification cinema and television". Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608915.
Pełny tekst źródłaTan, Jeffery. "The Shaw Brothers' exploitation of sex in Hong Kong films of the early 1970s". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609580.
Pełny tekst źródłaRydzewska, Joanna. "East meets West meets Auteur : transnational encounters with imagined identities in British and Polish cinema". Thesis, Swansea University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678569.
Pełny tekst źródłaFinnane, Gabrielle. "Second nature : artifice and history in film". Thesis, View thesis View thesis, 1996. http://handle.uws.edu.au:8081/1959.7/28326.
Pełny tekst źródłaVitols, Maruta Zane. "From the Personal to the Public: Juris Podnieks and Latvian Documentary Cinema". Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1210796660.
Pełny tekst źródłaTrippe, William Micah. "Where are the urban mechanics? : the case of the French city film 1926-1930". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610501.
Pełny tekst źródłaBiswas, Moinak 1961. "Historical realism : modes of modernity in Indian cinema, 1940-60". Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7582.
Pełny tekst źródłaTadeo, Fuica Beatriz. "In search of images : Uruguayan cinema, 1960-2010". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11417.
Pełny tekst źródłaSchofield, Guy Peter. "Soundtrack-controlled cinematographic systems". Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2422.
Pełny tekst źródła黃曉恩. "華人院商家族與香港戲院業變遷, 1930-1930年代 = Chinese cinema operators and cinema business in Hong Kong, 1930s-1960s". HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1373.
Pełny tekst źródłaBanchuen, Woraphat. "A comparative study of product placement in movies in the United States and Thailand". CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3265.
Pełny tekst źródłaWalsh, Lau Man Yee Eliza, i 劉敏儀. "In search of identity: Hong Kong as seen through its cinema from the 1950s to the early 1980s". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31213728.
Pełny tekst źródłaHofmann, Ingrid. "Deadly seductions : femme fatales in 90's film noir". Title page, table of contents and abstract only, 1998. http://web4.library.adelaide.edu.au/theses/09ARM/09armh713.pdf.
Pełny tekst źródłaRoss, Oliver Paul. "Same-sex desire and syncretism : 'homosexualities' in Indian literature and film". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609810.
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