Gotowa bibliografia na temat „Motion pictures - Aesthetics”
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Artykuły w czasopismach na temat "Motion pictures - Aesthetics"
Khrenov, Nikolai Andreyevich. "S.M. Eisenstein’s Aesthetics in Semiotic Perspective". Journal of Flm Arts and Film Studies 7, nr 1 (15.03.2015): 8–25. http://dx.doi.org/10.17816/vgik718-25.
Pełny tekst źródłaKhorob, S. I. "THE CREATION OF A CINEMA WORLD AS A FICTIONAL PROCESS (ON THE MATERIAL OF FILMS OF UKRAINIAN “POETIC CINEMA”)". PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, nr 2(54) (22.01.2019): 288–97. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-288-297.
Pełny tekst źródłaADAMS, BRETT, CHITRA DORAI i SVETHA VENKATESH. "FINDING THE BEAT: AN ANALYSIS OF THE RHYTHMIC ELEMENTS OF MOTION PICTURES". International Journal of Image and Graphics 02, nr 02 (kwiecień 2002): 215–45. http://dx.doi.org/10.1142/s0219467802000573.
Pełny tekst źródłaViernes, Noah Keone. "Restricted vision: Censorship and cinematic resistance in Thailand". Journal of Southeast Asian Studies 52, nr 4 (grudzień 2021): 634–57. http://dx.doi.org/10.1017/s0022463421000990.
Pełny tekst źródłaOliveira Lopes, Rui. "A New Light on the Shadows of Heavenly Bodies". Religion and the Arts 20, nr 1-2 (2016): 160–96. http://dx.doi.org/10.1163/15685292-02001008.
Pełny tekst źródłaWu, Hui. "Shakespeare in Chinese Cinema". Multicultural Shakespeare: Translation, Appropriation and Performance 10, nr 25 (31.12.2013): 71–81. http://dx.doi.org/10.2478/mstap-2013-0006.
Pełny tekst źródłaHasan, Haris. "The Depiction Of Rape Scenes In Popular Hindi Cinema : A Critical Examination Of Representation Of Gender In Media". Journal of Women Empowerment and Studies, nr 12 (27.10.2021): 42–46. http://dx.doi.org/10.55529/jwes.12.42.46.
Pełny tekst źródłaBraiko, Oleksandr. "Cinematographic coloring of open space in Volodymyr Drozd’s short prose from 1960s". Слово і Час, nr 3 (26.05.2020): 28–47. http://dx.doi.org/10.33608/0236-1477.2020.03.28-47.
Pełny tekst źródłaMenshikov, Leonid A. "DECONSTRUCTION OF CINEMA IN THE NEO-DADA PROJECT: THE FLUXFILM ANTHOLOGY IN THE ANTI-AESTHETICS CONTEXT". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, nr 39 (2020): 79–92. http://dx.doi.org/10.17223/22220836/39/8.
Pełny tekst źródła김지은. "Aesthetic Extension of Motion Picture via Digital Multi-channel Sound". journal of the moving image technology associon of korea 1, nr 19 (grudzień 2013): 5–22. http://dx.doi.org/10.34269/mitak.2013.1.19.001.
Pełny tekst źródłaRozprawy doktorskie na temat "Motion pictures - Aesthetics"
Ming, Kee-ying Thomas. "An analysis of the filmic : a philosophical grounding for film aesthetics /". [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.
Pełny tekst źródłaCossar, Harper. "Snakes and funerals aesthetics and American widescreen films /". unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-03162007-175907/.
Pełny tekst źródłaTitle from file title page. Greg M. Smith, committee chair; Matthew Bernstein, Kathy Fuller-Seeley, Jack Boozer, Angelo Restivo, committee members. Electronic text (349 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed June 4, 2007. Includes bibliographical references (p. 342-348).
Udden, James. "Hou Hsiao-hsien and the aesthetics of historical experience". access full-text online access from Digital dissertation consortium, 2003. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3089679.
Pełny tekst źródła明奇英 i Kee-ying Thomas Ming. "An analysis of the filmic: a philosophical grounding for film aesthetics". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212578.
Pełny tekst źródłaWilliams, Tami Michelle. "Beyond impressions the life and films of Germaine Dulac from aesthetics to politics /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886421&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaRassos, Effie School of Media Film & Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.
Pełny tekst źródłaPang, Lai Kwan. "China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /". online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.
Pełny tekst źródłaYang, Julianne Qiuling Ma, i 楊秋凌. "Towards a cinema of contemplation: Roy Andersson's aesthetics and ethics". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50162810.
Pełny tekst źródłapublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Isaacs, Bruce. "Film Cool: Towards a New Film Aesthetic". Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/1156.
Pełny tekst źródłaIsaacs, Bruce. "Film Cool: Towards a New Film Aesthetic". English, School of Letters, Art and Media, 2006. http://hdl.handle.net/2123/1156.
Pełny tekst źródłaThe influential theorist, David Bordwell, talks about various modes of watching film: the intellectual, the casual, or the obsessive interaction with cinema practiced by the film-buff. This thesis is an attempt to come to terms with film and film culture in a number of ways. It is first an attempt at reinscribing a notion of aesthetics into film studies. This is not an easy task. I argue that film theory is not adequately equipped to discuss film in affective terms, and that instead, it emphasises ways of thinking about film and culture quite removed from the act of film ‘spectating’ – individually, or perhaps even more crucially, collectively. To my mind, film theory increasingly needs to ask: are theorists and the various subjectivities about whom they theorise watching the same films, and in the same way? My experience of film is, as Tara Brabazon writes about her own experience of film, a profoundly emotional one. Film is a stream of quotation in my own life. It is inextricably wrapped up inside memory (and what Hutcheon calls postmodern nostalgia). Film is experience. I would not know how to communicate what Sergio Leone ‘means’ or The Godfather ‘represents’ without engaging what Barbara Kennedy calls the ‘aesthetic impulse.’ In this thesis, I extrapolate from what film means to me to what it might mean to an abstract notion of culture. For this reason, Chapters Three and Four are necessarily abstract and tentatively bring together an analysis of The Matrix franchise and Quentin Tarantino’s brand of metacinema. I focus on an aesthetics of cinema rather than its politics or ideological fabric. This is not to marginalise such studies (which, in any case, this thesis could not do) but to make space for another perspective, another way of considering film, a new way of recuperating affect.
Książki na temat "Motion pictures - Aesthetics"
Aesthetics and film. London: Continuum, 2008.
Znajdź pełny tekst źródłaJ, Aumont, red. Aesthetics of film. Austin: University of Texas Press, 1992.
Znajdź pełny tekst źródłaSight, sound, motion: Applied media aesthetics. Wyd. 5. Belmont, CA: Thomson/Wadsworth, 2008.
Znajdź pełny tekst źródłaFurniss, Maureen. Art in motion: Animation aesthetics. Eastleigh, UK: John Libbey, 2007.
Znajdź pełny tekst źródłaFurniss, Maureen. Art in motion: Animation aesthetics. Eastleigh, UK: John Libbey, 2007.
Znajdź pełny tekst źródłaArt in motion: Animation aesthetics. London: John Libbey, 1998.
Znajdź pełny tekst źródłaSight, sound, motion: Applied media aesthetics. Wyd. 2. Belmont, Calif: Wadsworth Pub. Co., 1990.
Znajdź pełny tekst źródłaSight, sound, motion: Applied media aesthetics. Wyd. 4. Belmont, CA: Thompson/Wadsworth, 2005.
Znajdź pełny tekst źródłaThe unmaking of fascist aesthetics. Minneapolis: University of Minnesota Press, 2001.
Znajdź pełny tekst źródłaSight, sound, motion: Applied media aesthetics. Wyd. 6. Boston, MA: Wadsworth Cengage Learning, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Motion pictures - Aesthetics"
Klevan, Andrew. "Aesthetic Criticism". W The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 409–39. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_18.
Pełny tekst źródła"Vision in Motion: Defining the Dimension of Movement in Television Pictures". W Television Aesthetics, 52–70. Routledge, 2013. http://dx.doi.org/10.4324/9780203811030-10.
Pełny tekst źródłaErish, Andrew A. "Conclusion". W Vitagraph, 219–20. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.003.0008.
Pełny tekst źródłaMathias, Nikita. "The Sublime in Disaster Cinema". W Disaster Cinema in Historical Perspective. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463720120_ch07.
Pełny tekst źródłaO’brien, Charles. "Dubbing in the early 1930s: An improbable policy". W The Translation of Films, 1900-1950, 177–90. British Academy, 2019. http://dx.doi.org/10.5871/bacad/9780197266434.003.0010.
Pełny tekst źródłaSundmark, Björn. "Uppståndna igen ifrån de döda: Kristna motiv i nyare skandinavisk barnlitteratur". W Oppvekst og livstolkning, 95–119. Cappelen Damm Akademisk/NOASP, 2020. http://dx.doi.org/10.23865/noasp.107.ch4.
Pełny tekst źródłaErish, Andrew A. "1909–1913". W Vitagraph, 58–110. University Press of Kentucky, 2021. http://dx.doi.org/10.5810/kentucky/9780813181196.003.0004.
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