Rozprawy doktorskie na temat „Motion picture producers and directors”
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Carter, Sandra Gayle. "Moroccan cinema : what Moroccan cinema? /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Pełny tekst źródłaLaw, Yuk-wa, i 羅玉華. "The poetics of absence: a study of Antonioni and Wenders". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42577093.
Pełny tekst źródłaLaw, Yuk-wa. "The poetics of absence a study of Antonioni and Wenders /". Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42577093.
Pełny tekst źródłaSitnisky-Cole, Carolina. "La literatura y el cine Andinos de la segunda mitad del siglo XX de una modernidad sólida a una líquida /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1973896441&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaPrime, Rebecca Lynn. "Intimate strangers blacklisted filmmakers in postwar Europe /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1779835961&sid=4&Fmt=2&clientId=48051&RQT=309&VName=PQD.
Pełny tekst źródłaUdden, James. "Hou Hsiao-hsien and the aesthetics of historical experience". access full-text online access from Digital dissertation consortium, 2003. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3089679.
Pełny tekst źródłaAltıner, Birsen. "Metin Erksan sineması". Bağcılar, İstanbul : Pan, 2005. http://catalog.hathitrust.org/api/volumes/oclc/62555500.html.
Pełny tekst źródłaNg, Hoi-shan Crystal. "Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.
Pełny tekst źródłaHoffman, Alison R. "Our bodies, our cameras women's experimental cinema in the U.S., 1964-1976 /". Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023781661&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaLass, Barbara Frances. "Hans Richter : film artist /". Access Digital Full Text version, 1987. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10778974.
Pełny tekst źródłaLin, Yiping, i 林一苹. "Lou Ye: the birth of a personal eye (I)". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44517798.
Pełny tekst źródłaField, Emma. "Only a trickle? : blood in detail and three women's films /". Connect to this title online, 2003. http://adt.lib.utas.edu.au/public/adt-TU20050315.093920.
Pełny tekst źródłaTu, Haijing. "A Chinese director and his transition from critical banned filmmaker to box office success". Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.
Pełny tekst źródłaHo, Ka-hang Jason. "Reinterpreting a queer experience a study of Stanley Kwan's films and their reception /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B34877642.
Pełny tekst źródłaSobotka, Jens U. "Die Filmwunderkinder Hans Abich und die Filmaufbau GmbH Göttingen /". Düsseldorf : [s.n.], 1999. http://books.google.com/books?id=D3RZAAAAMAAJ.
Pełny tekst źródłaHui, Suet-hung. "Subversive females : the politics of defiance in Zhang Yimou's films /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059966.
Pełny tekst źródłaPapageorgopoulou, Maria Aikaterini. "Modern tragedy : Michael Cacoyannis' early films". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ff6b46b-1d25-4ef9-8c13-40962cfcd2b1.
Pełny tekst źródłaWilliams, Tami Michelle. "Beyond impressions the life and films of Germaine Dulac from aesthetics to politics /". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467886421&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaLam, Shue-fung. "(Un)making Chineseness gender and cultural politics in Clara Law's films /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37754191.
Pełny tekst źródłaLeonard, Richard James. "The Cinematic mystical gaze : the films of Peter Weir /". Connect to thesis, 2003. http://eprints.unimelb.edu.au/archive/00000471.
Pełny tekst źródłaTypescript (photocopy). Includes bibliographical references (leaves 292-336).
Sze, Siu-sin Jean, i 史筱倩. "Remapping Taipei: globalization and Edward Yang's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B29144711.
Pełny tekst źródłaLam, Chung-keung Gary. "Disjunction of history, memory, and identity : the narrative of wanderings in Clara Law /". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25549741.
Pełny tekst źródła郭賢偉 i Yin-wai Joseph Kwok. "The construction of gender identity in Hong Kong cinema". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B30257384.
Pełny tekst źródłaHo, Ka-hang Jason, i 何家珩. "Reinterpreting a queer experience: a study ofStanley Kwan's films and their reception". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B34877642.
Pełny tekst źródłaCheung, William, i 張鳳麟. "An evaluation of the new wave cinema in Hong Kong through the study offour directors: Patrick Tam, Allen Fong, AnnHui and Tsui Hark". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31240033.
Pełny tekst źródłaKritzinger, Christiaan Cornelius. "The interrelationships between meaning(s), form, cinematic technology and surrealist ideology in Luis Buñuel's, Un Chien Andalou (1929)". Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1007847.
Pełny tekst źródłaKwok, Lai-yung, i 郭麗容. "The politics of memory: in search of imaginary homes in films by Clara Law and Ann Hui". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31227454.
Pełny tekst źródłaLam, Chung-keung Gary, i 林仲強. "Disjunction of history, memory, and identity: the narrative of wanderings in Clara Law". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953530.
Pełny tekst źródłaLam, Shue-fung, i 林澍峰. "(Un)making Chineseness: gender and cultural politics in Clara Law's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37754191.
Pełny tekst źródłaTse, Wing-hin, i 謝穎軒. "Deconstructing the auteur : a study of the process of value-formation in the cinema of Wong Kar-wai". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/206664.
Pełny tekst źródłapublished_or_final_version
Comparative Literature
Master
Master of Philosophy
吳晶. "杜琪峯的電影世界 : 香港電影作者個案研究 = The cinema world of Johnnie To : a case study of auteur in Hong Kong". HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/906.
Pełny tekst źródłaNg, Hoi-shan Crystal, i 吳海珊. "Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951697.
Pełny tekst źródłaLee, Cheuk-chi, i 李卓智. "To live and forget: the limits of comprehension and remembrance in the feature films of Hirokazu Kore-eda". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B47753018.
Pełny tekst źródłapublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Tsui, Kin-chung. "Wong Kar-wai : the filmmaker of solitude /". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262257.
Pełny tekst źródłaSexton-Finck, Larissa Sexton-Finck Larissa. "Be(coming) reel independent woman : an autoethnographic journey through female subjectivity and agency in contemporary cinema with particular reference to independent scriptwriting practice /". Murdoch University Digital Theses Program, 2009. https://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20100512.122302.
Pełny tekst źródłaThesis submitted to the Faculty of Creative Technologies and Media. Includes the screenplay, Float, by Larissa Sexton-Finck. Includes bibliographical references.
Mann, Erika Noelle. "Cinema's green is gold the commodification of Irishness in film /". CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-05082008-102020/.
Pełny tekst źródłaChen, Fangyu. "The post-2000 Hong Kong film workers". HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/751.
Pełny tekst źródłaVonderheide, Leah. "Literariness in the films of Eric Rohmer". Thesis, University of Canterbury. Theatre and Film Studies, 2008. http://hdl.handle.net/10092/2158.
Pełny tekst źródłaAlbertson, Mark C. "Cultivating Chicana/o images negotiating the cinematic mainstream for cultural survival /". To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2007. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Pełny tekst źródła李雅詩 i Nga-sze Sabrina Li. "Postmodernism and globalization in Wong Kar Wai's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42576349.
Pełny tekst źródłaLi, Nga-sze Sabrina. "Postmodernism and globalization in Wong Kar Wai's films". Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42576349.
Pełny tekst źródłaBae, Sang-Joon. "Rainer Werner Fassbinder und seine filmästhetische Stilisierung". Remscheid : Gardez! Verlag, 2005. http://books.google.com/books?id=4eZkAAAAMAAJ.
Pełny tekst źródłaKwok, Yin-wai Joseph. "The construction of gender identity in Hong Kong cinema /". Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?
Pełny tekst źródłaLau, Wai Sim. "Hong Kong auteurs in Hollywood : the case of John Woo". HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/437.
Pełny tekst źródłaCheung, William. "An evaluation of the new wave cinema in Hong Kong through the study of four directors : Patrick Tam, Allen Fong, Ann Hui and Tsui Hark /". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22030335.
Pełny tekst źródłaHui, Suet-hung, i 許雪紅. "Subversive females: the politics of defiance in Zhang Yimou's films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951648.
Pełny tekst źródłaIp, Wing Cheung. "Shaw in blue, women in nude : Li Han-Hsiang's fengyue films in 1970s". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/872.
Pełny tekst źródłaDickinson, Matthew G. Musser Dale Roy. "Architecting the spatial enablement of a film location database for enhanced geographic analysis and query". Diss., Columbia, Mo. : University of Missouri-Columbia, 2009. http://hdl.handle.net/10355/6729.
Pełny tekst źródłaSampson, Desiree. "Towards a Caribbean Cinema - Can there be or is there a Caribbean cinema?" Ohio University / OhioLINK, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1103230687.
Pełny tekst źródłaAllen, J. M. "The films of Asrul Sani from 1966 to 1983: a new art for a new mankind". Thesis, The University of Sydney, 2000. http://hdl.handle.net/2123/20354.
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