Rozprawy doktorskie na temat „Motion picture audiences”
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Carboni, Camilla. "Film spectatorship and subjectivity : semiotics, complications, satisfactions". Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.
Pełny tekst źródłaMatzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /". Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.
Pełny tekst źródłaZhao, Meng. "Understand the misunderstanding a study incorporating uses and gratifications theory on why Chinese film audiences see America the way they do /". Lynchburg, Va. : Liberty University, 2008. http://digitalcommons.liberty.edu.
Pełny tekst źródłaHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-50)". Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Pełny tekst źródłaTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /". Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Pełny tekst źródłaLupton, David, i emaylus@hotmail com. "Prolegomena to reflective film study : a Bourdieusian analysis of the economy of cinematic exchange". Swinburne University of Technology, 2004. http://adt.lib.swin.edu.au./public/adt-VSWT20050708.092149.
Pełny tekst źródłaLupton, David. "Prolegomena to reflective film study a Bourdieusian analysis of the economy of cinematic exchange /". Australasian Digital Thesis Program, 2004. http://adt.lib.swin.edu.au/public/adt-VSWT20050708.092149.
Pełny tekst źródłaTypescript. Submitted in fulfillment of the requirements for the degree of Doctor of Philosophy, Faculty of Life and Social Science, Swinburne University of Technology, 2004. Bibliography: p. 275-284. Also available on cd-rom.
Phiri, Diana. "An investigation into the popularity of Nigerian movies in Zambia: a reception study of Lusaka viewers". Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007615.
Pełny tekst źródłaRutherford, Anne. "'What makes a film tick?' : cinematic affect, materiality and mimetic innervation". Thesis, View thesis, 2006. http://handle.uws.edu.au:8081/1959.7/20720.
Pełny tekst źródłaHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-1950)". Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.
Pełny tekst źródłaChoi, Wing-yee Kimburley. "Reading audiences : spectatorship and stars in Hong Kong cinema : the case of Chow Yun-fat /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19853397.
Pełny tekst źródłaBardsley, Karen. "Out of sight : resemblance, illusion and cinematic perception". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84465.
Pełny tekst źródłaVermaak, Janelle Leigh, i Subeshini Moodley. "Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe". Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/13938.
Pełny tekst źródłaChoi, Wing-yee Kimburley, i 蔡穎儀. "Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B29913469.
Pełny tekst źródłaMargolis, Harriet Elaine. "The cinema ideal an introduction to psychoanalytic studies of the film spectator /". New York : Garland Pub, 1988. http://books.google.com/books?id=HYJZAAAAMAAJ.
Pełny tekst źródłaRutherford, Anne. "What makes a film tick? cinematic affect, materiality and mimetic innervation /". View thesis, 2006. http://handle.uws.edu.au:8081/1959.7/20720.
Pełny tekst źródłaA thesis presented to the University of Western Sydney, School of Communication Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.
Rassos, Effie School of Media Film & Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian". Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.
Pełny tekst źródłaAntonsen, Torben. "Sublime pixels : exploring the audience experience in digital special effects cinema : [a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Film] /". ResearchArchive@Victoria, 2009. http://hdl.handle.net/10063/1075.
Pełny tekst źródłaLabosier, James Bruce. "Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915". PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4952.
Pełny tekst źródłaLathrop, Benjamin A. "Cult films and film cults : the evil dead to Titanic /". Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1090934488.
Pełny tekst źródłaQuinn, Paul. "B films as a record of British working-class preoccupations in the 1950's : the historical importance of a genre that has disappeared /". Lewiston : The Edwin Mellen Press, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9780773447882.
Pełny tekst źródłaCherry, Brigid S. G. "The female horror film audience : viewing pleasures and fan practices". Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/2268.
Pełny tekst źródłaChiu, Chun-Kai. "Movie theater ticket order system: (MTTOS)". CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2541.
Pełny tekst źródłaLin, Shu-Fang. "Media enjoyment as a function of individual responses and emotional contagion". Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1123862440.
Pełny tekst źródłaTitle from first page of PDF file. Document formatted into pages; contains xiii, 126 p.; also includes graphics. Includes bibliographical references (p. 119-126). Available online via OhioLINK's ETD Center
Chang, Hsin-Ning. "Viewing the Long Take in Post-World War II Films: A Cognitive Approach". Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1227302639.
Pełny tekst źródłaTsakiri, Maria. "What are you looking at? : representations of disability in documentary films". Thesis, University of Stirling, 2015. http://hdl.handle.net/1893/24517.
Pełny tekst źródłaMcKenna, Susan E. "Seeing Lesbian Queerly: Visibility, Community, and Audience in 1980s Northampton, Massachusetts". Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/open_access_dissertations/102/.
Pełny tekst źródłaDickson, Lesley-Ann. "Film festival and cinema audiences : a study of exhibition practice and audience reception at Glasgow Film Festival". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5693/.
Pełny tekst źródłaBielecki, Paul M. "Rethinking Baudry's apparatus theory in light of DVD technology". Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180533851.
Pełny tekst źródłaPrince, Rob. "Say Hello to My Little Friend: De Palma's Scarface, Cinema Spectatorship, and the Hip Hop Gangsta as Urban Superhero". Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1256860175.
Pełny tekst źródłaLuce, Micah. "The cinema and the church experiential [koinonia] in audience and congregation /". Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.
Pełny tekst źródłaAsare, Kofi. "Pentecostal-Charismatic Christianity in video films : audience reception and appropriation in Ghana and the UK". Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8903.
Pełny tekst źródłaMacCormack, Patricia (Patricia Anne) 1973. "Pleasure, perversion and death : three lines of flight for the viewing body". Monash University, Centre for Women's Studies and Gender Research, 2000. http://arrow.monash.edu.au/hdl/1959.1/7835.
Pełny tekst źródłaBalan, Canan. "Changing pleasures of spectatorship : early and silent cinema in Istanbul". Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1985.
Pełny tekst źródłade, la Pava Velez Benjamin. "Celluloid love : audiences and representations of romantic love in late capitalism". Thesis, London School of Economics and Political Science (University of London), 2017. http://etheses.lse.ac.uk/3602/.
Pełny tekst źródłaCohen, Rachel. "Cinematic constructions of the female serial killer : a psychosocial audience study". Thesis, Cardiff University, 2012. http://orca.cf.ac.uk/46698/.
Pełny tekst źródłaZhang, Bing. "Avatar in China : a cyber-audience discourse analysis perspective". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525516.
Pełny tekst źródłaHubbard, Frances Rosina. "Screendance : corporeal ties between dance, film, and audience". Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/48856/.
Pełny tekst źródłaKiss, Robert James. "The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany". Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4124/.
Pełny tekst źródłaGovaert, Charlotte. "Cueing the viewer : how reflective elements in documentary film engage audiences in issues of representation". Thesis, University of Aberdeen, 2011. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=166024.
Pełny tekst źródłaBisson, Susan. "Studying 'psychosis' in medical knowledge, popular film, and audience identities : a discourse analysis of the naming of clinical psychosis, its filmic representations, and the interpretations of those who have experienced it". Thesis, Cardiff University, 2014. http://orca.cf.ac.uk/73098/.
Pełny tekst źródłaSandler, Kevin Scott. "How Hollywood got its groove back : reimagining the mass audience through the Motion Picture Association of America's rating system". Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20322/.
Pełny tekst źródłaAkers, Chelsie Lynn. "The Rise of Humor: Hollywood Increases Adult Centered Humor in Animated Children's Films". BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3724.
Pełny tekst źródłaJacobs, Jillian Kathleen. "It’s a Fanboy’s World: How Cinephile Blogs Perpetuate a Sexist Hollywood". Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1285035004.
Pełny tekst źródłaGuo, Kuo. "For Profit or for What?A Comparative Case Study on Film Programming Strategies in Nonprofit and For-profit Movie Theaters". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1534506758595266.
Pełny tekst źródłaKnoell, Tiffany L. "Animating America: Warner Bros. Animation During the Depression". Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1331398666.
Pełny tekst źródłaChoo, Christina. "Trend of thought : inspirations for a form of non-linear direction". Thesis, Queensland University of Technology, 2005.
Znajdź pełny tekst źródłaRutherford, Anne, University of Western Sydney, College of Arts i School of Communication Arts. "'What makes a film tick?' : Cinematic affect, materiality and mimetic innervation". 2006. http://handle.uws.edu.au:8081/1959.7/20720.
Pełny tekst źródłaDoctor of Philosophy (PhD)
Moore, Paul Samuel. "A rendezvous for particular people : showmanship, regulation, and promotion of early film-going in Toronto /". 2004. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99213.
Pełny tekst źródłaTypescript. Includes bibliographical references (leaves 459-482). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99213
Ionita, Casiana Elena. "The Educated Spectator: Cinema and Pedagogy in France, 1909-1930". Thesis, 2013. https://doi.org/10.7916/D8HQ3ZXR.
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