Gotowa bibliografia na temat „Mostra delle terre d'oltremare ((Naples, Italy)”

AbstractThis study analyses the essential question of the role of visual and material culture in the construction of a mass racial ideology during the Fascist colonial empire. The hypothesis behind this essay is that representations of the facial features of colonised populations may be understood as agents that transform what are in fact inconsistent and vague notions of identity and race into concrete and effective ontologies, both in the scientific field and in the popular imaginary. The facial casts made by the anthropologist Lidio Cipriani and exhibited in the race pavilion of the very popular Mostra triennale delle Terre italiane d'Oltremare (1940) in Naples, the anthropological photographs and illustrations of the infamous journal La Difesa della razza (1938–43), and the advertising images representing African women's bodies, both gave consistency to the notion of race and incarnated its protean nature made up of narratives, metaphors, fantasies, and prejudices constructed and accumulated over time.

Abstract. Digital survey and parametric-semantic modeling of historical or conventional building artifacts are becoming progressively more oriented toward HBIM (Heritage Building Information Modelling) to XR (Extended Reality) digital fruition projects. This encompasses a wide range of applications, from technical management to historical-scientific popularization of the architectural heritage. In this sense, the research explores the potential of BIM-to-XR virtualization systems concerning the systematization of historiographic documentation and interaction between different types of datasets for managing and disseminating the heritage. In particular, the research presents a prototypal experience conducted on Mostra d'Oltremare in Naples, Italy, a mid-20th-century exhibition center. In particular, the northwest access area had a rationalist layout, while the current configuration strongly differs from the monumental, exedra-shaped one built on a project by Arch. Stefania Filo Speziale, which was largely destroyed by World War II bombing. Thus, to document and facilitate the analysis of the original configurations, the original archival sources have been digitized and cataloged; moreover, reality-based integrated digital survey campaigns have been performed for the acquisition of metric-morphological data of the complex and the segmentation of the characteristic chromatic features of the residual decorative apparatuses. This has enabled the development of a BIM-oriented multi-scale information repository to enrich the real environment with digital content, thus creating an augmented reality experience. The latter has been introduced to create a virtual tool for querying and manipulating BIM databases, using the potential of visual programming languages and traditional scripts to create a two-way flow of data between BIM and AR.