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Artykuły w czasopismach na temat "Mort – Photographie"
Dietschy, Nathalie. "Le motif du Christ mort dans la photographie contemporaine". Articles 23, nr 2 (18.01.2012): 26–32. http://dx.doi.org/10.7202/1007586ar.
Pełny tekst źródłaMalabou, Catherine. "L’imprenable en question ou se prendre à mourir". Études françaises 38, nr 1-2 (18.08.2004): 135–44. http://dx.doi.org/10.7202/008396ar.
Pełny tekst źródłaGiampaoli, Michelangelo. "Architectes de leur mort". 2e partie : Pratiques de et vers la fin de vie 45, nr 1-2 (16.11.2021): 135–53. http://dx.doi.org/10.7202/1083798ar.
Pełny tekst źródłaBrito, Maria Dos Remédios de, i Manoel Januário da Silva Neto. "(FOTO) IMAGINO (GRAFIAS): a poética do ficcionar". Revista Observatório 4, nr 2 (1.04.2018): 1046. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n2p1046.
Pełny tekst źródłaVirkki, Susanna. "Finnish Theatre Photography and the Influence of Technology". Nordic Theatre Studies 26, nr 2 (9.09.2014): 60. http://dx.doi.org/10.7146/nts.v26i2.24310.
Pełny tekst źródłaMavrikakis, Catherine. "Quelques r.-v. avec Hervé. Quand Sophie Calle rencontre encore Hervé Guibert". Filer (Sophie Calle), nr 7 (10.08.2011): 127–38. http://dx.doi.org/10.7202/1005520ar.
Pełny tekst źródłaFox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan". Media, War & Conflict 11, nr 3 (13.07.2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.
Pełny tekst źródłaCocker, Alan. "Photographers Hart, Campbell and Company: The role of photography in exploration, tourism and national promotion in nineteenth century New Zealand." Back Story Journal of New Zealand Art, Media & Design History, nr 2 (1.07.2017): 93–103. http://dx.doi.org/10.24135/backstory.vi2.24.
Pełny tekst źródłaLund, Katrín Anna. "Co-Creating Nature: Tourist Photography as a Creative Performance". Humanities 12, nr 6 (29.11.2023): 141. http://dx.doi.org/10.3390/h12060141.
Pełny tekst źródłaShevchenko, Olga. "Photographs and Their Many Lives". Slavic Review 76, nr 1 (2017): 90–97. http://dx.doi.org/10.1017/slr.2017.12.
Pełny tekst źródłaRozprawy doktorskie na temat "Mort – Photographie"
De, Siqueira Daniella Géo. "Représenter la mort : le remploi d'images photographiques post mortem en art contemporain". Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030013.
Pełny tekst źródłaThis thesis focuses on the examination of the operation mode of the photographic re-employment incontemporary art, and in special of post mortem photographic images. With the support of various theories that focus on photography and the observation of several photographic re-employment artworks, this study examines, on the one hand, genetic and theoretical problematic that are specific to this contemporary practice. On the other, this work crosses historical and also anthropological perspectives on humans facing the dead body, taking into account different aspects of the transformations in Western society’s relationship to death, in order to observe the effects on contemporary photography production. In this context, this study identifies two major types of postmortem photographic images re-employed – both associated with violence –, and then analyses the newsymbolic relations proposed by a number of artworks. This study seeks to observe to what these artworks that re-employ post mortem photographic images respond to, and at the same time, seeks toobserve that the photographic re-employment, as an artistic practice that aims to review and criticize representations, contributes however, for the construction of a representation of death within the very contemporary perspectives, which they respond to
Pietri, Nicole. "La photographie comme sépulture". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080049.
Pełny tekst źródłaSince the beginning of mankind, man has been taking care of his dead ones, while the relationship between death and photography began in the middle of the 19th century with the invention of photography. Death supposes a dead body that one takes care of by giving it a burial. As we conceive it, burial is an intentional deposition which shows, by this act, the attention that one draws to the dead one that keeps its humanity in Death. Preservation of humanity is precisely what should be protected through burial. By proposing to question the relationship between Death and the image of the dead one, starting from photography and in the light of burial, the purpose of this research work would not be so much to know or to affirm that photography is or is not a burial, but how photography can question the very notion of burial. In return, we ask ourselves, starting from burial, how burial would be likely to induce a questioning towards the photography. Photography as a burial, supposes to bring photography closer to burial, and to consider how photography could respond to what one could expect from a burial. On a different scale, we question whether it would be possible to see what would be related to the burial in analogue photography from the work of Christian Boltanski which appears as the guiding thread of this thesis. Among all the artist-photographers who feed and guide this reflection, Boltanski, without being a photographer, has an artistic path that led him to turn to photography and create burials, funerary monuments. He offers a particular insight to approach both photography and burial. By crossing disciplines, points of view, what is seen and what is not seen, what is said and what is whispered, this thesis should be read as a weaving between implicit and explicit
Lachiver, Claire Cohen. "Poétiser la mort : les poires sentimentales". Paris 1, 2010. http://www.theses.fr/2010PA010697.
Pełny tekst źródłaLiakou, Amalia. "L’esthétique de l’imaginaire surréaliste & la photographie grecque depuis 1930 : paradoxe, thanatos, eros". Paris 8, 2013. http://www.theses.fr/2013PA083923.
Pełny tekst źródłaIn a time when we come across the recurrent presence of the surrealist imaginary in the artistic creation, the question arises: "Why do we speak of surrealism in the 21st century?". Moreover André Breton declared, “surrealism existed before me and I am certain that it will survive after me. ” From this postulate, how is the surrealist imaginary constructed? What are the characteristics that induce its presence before and after a historical movement? With the initial idea that the surrealist imaginary is linked to notions of paradox, of Thanatos and Eros, subject to the cosmos and the human being, we establish a dialectic between photographic creation, mainly Greek, and the philosophical and psychoanalytic thought. The theory of surrealists, the thoughts of Sigmund Freud and the book Philosophie du Surréalisme (Philosophy of surrealism) of Ferdinand Alquié nurture our reflection on the aesthetics of surrealist imaginary, while exemplary photographs of Nelly’s, Andréas Embiricos, Lizzie Calligas, Takis Zerdevas, amongst others, express this presence of the surrealist spirit in the Greek photography, especially since 1930 and outside of any movement. At first, the surrealist imaginary as a paradox, leads to a reflection on the contradictions of the photographic image, along with a study of paradoxes of the cosmos and human beings in relation to the surrealist imaginary. Then, in a second step, we propose a reflection of the surrealist imaginary as Thanatos, at a broader sense, similar to Freud's death instinct. Lastly, in a third step, we are interested in the surrealist imaginary as Eros, similar to the life instinct of the psychoanalytic theory
Clouâtre, Mélanie. "Saisir la réalité de sa mort par l'écriture photographique: Étude des relations intermédiales entre la photographie et l'écriture dans "L'usage de la photo" et "Les années d'Annie Ernaux". Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106581.
Pełny tekst źródłaCe mémoire s'intéresse aux rôles de la photographie, de l'écriture et plus particulièrement de leurs échanges intermédiaux dans L'usage de la photo et Les années d'Annie Ernaux. Notre hypothèse est que l'intermédialité qui émerge de ces textes permet de saisir les réalités du cancer du sein et du vieillissement à travers le langage de ces deux différents media. Dans le premier chapitre, nous observons comment le medium photographique est utilisé par Annie Ernaux et son coauteur, Marc Marie, dans L'usage de la photo pour interroger l'expérience du cancer du sein et l'essence de leur relation amoureuse sous des angles nouveaux. Dans Les années, la photo recrée la progression du temps et les effets du vieillissement. Dans le deuxième chapitre, nous examinons, d'une part, comment l'écriture plate restitue le minimalisme l'iconicité de la photographie et, d'autre part, comment l'écriture transpersonnelle reproduit à la fois l'effet d'étrangeté d'Ernaux à elle-même et son appartenance à la communauté féminine. Les deux écritures cherchent à démystifier les tabous autour du cancer du sein. Enfin, dans le dernier chapitre, nous abordons les œuvres d'après leurs pratiques intermédiales respectives. L'usage de la photo présente la plupart de ses échanges intermédiaux intégralement grâce à la combinaison des media qui permet la mise en relief des frontières médiales. Les années fait émerger ses multiples références intermédiales à travers la seule écriture. Mots clés : Annie Ernaux, L'usage de la photo, Les années, intermédialité, écriture plate, écriture transpersonnelle, photographie, cancer du sein, vieillissement, mort.
Cheilian, Claudia Dallet Sylvie. "Photographie et momification égyptienne : l'esthétisme de la mort à travers les clichés d'Emil Brugsch-Pacha (1842-1930) : Mémoire de Master 2 Recherche /". [S.l. : s.n], 2005. http://catalogue.bnf.fr/ark:/12148/cb401678463.
Pełny tekst źródłaBoultouak, Sihem. "Le dernier portrait ou la belle mort : détournement du stylisme de mode à partir d'une pratique personnelle". Paris 1, 2010. http://www.theses.fr/2010PA010528.
Pełny tekst źródłaKim, Seonja Thélot Jérôme. ""L'image fantôme" chez Hervé Guibert". Créteil : Université de Paris-Val-de-Marne, 2007. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0394858.htm.
Pełny tekst źródłaVersion électronique uniquement consultable au sein de l'Université Paris 12 (Intranet). Titre provenant de l'écran-titre. Bibliogr. : 295 réf.
Sassi, Sonia. "Roland Barthes : figures du discours de l'amour, de la mort et du deuil dans "Fragments d'un discours amoureux", "La chambre claire. Note sur la photographie" et "Journal de deuil"". Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100039.
Pełny tekst źródłaThis doctoral thesis is entitled Figures of the speech of love, death and mourning in Fragments of a lover’s discourse, Camera Lucida. Reflections on Photography and Mourning Diary, published respectively in 1977, 1980 and 2009. At the point of convergence of language sciences and literature, this long-term research is based on a generative approach, understanding the three texts of the corpus in relation to each other, throughout the stages of the investigation conducted. In the analysis of the three essays, which constitutes an interdependent triptych, the objective of this thesis is not only to highlight the affinities and their intersections, but also their differences and disparities at all levels: the configuration of the themes, words, notions and key expressions constituting love, death and mourning, the morphology and composition of the three texts, the metaphoricity and its semiotics, the enunciating dispositions of the speech and the interdiscourse they support. Thus it will be easy to recognize what a science of enunciation and discursive formations can bring to literary analysis: microreadings centered on lexis, minute details and sequences through which literature confronted with love passion, funeral amazement and grief, affirms its strength, but also its collapse
Fossey, Caroline. "La photographie de nature morte /". [Paris] : C. Fossey, 1986. http://catalogue.bnf.fr/ark:/12148/cb39056174x.
Pełny tekst źródłaKsiążki na temat "Mort – Photographie"
Carrera, Gaston Fernandez. La photographie, le néant: Digressions autour d'une mort occidentale. Paris: Presses universitaires de France, 1986.
Znajdź pełny tekst źródłaDorion, Hélène. Le temps du paysage. Montréal (Québec): Druide, 2016.
Znajdź pełny tekst źródłaBennett, Terry. Early Photography in Vietnam. GB Folkestone: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9781912961047.
Pełny tekst źródłaHannouch, Hanin. Gabriel Lippmann's Colour Photography. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.
Pełny tekst źródłaMercer, Vera. Vera Mercer: Natura morta/natura viva. Soligo]: Punto Marte editore, 2015.
Znajdź pełny tekst źródłaBerge, Valérie. Nature morte: Photographies. Bordeaux: Egone & Terre noire, 2001.
Znajdź pełny tekst źródłaHolländer, Matthias, i Christoph Bauer. Matthias Holländer: Photographie : nature morte. Heidelberg: Kaden, 2010.
Znajdź pełny tekst źródłaHeflin, Mark. American photography 36. New York, NY: American Photography, 2020.
Znajdź pełny tekst źródłaCole, Teju. Golden apple of the sun. London]: MACK, 2021.
Znajdź pełny tekst źródłaAlthouse, Stephen. Stephen Althouse. Boca Raton, Fla: Boca Raton Museum of Art, 2009.
Znajdź pełny tekst źródłaCzęści książek na temat "Mort – Photographie"
Massari, Alice. "The (In)Visibility of Migrants". W IMISCOE Research Series, 167–92. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71143-6_7.
Pełny tekst źródłaHodne, Lasse. "Unit 2 Lab: Portraits as Faces". W Neuroaesthetics, 101–6. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-42323-9_7.
Pełny tekst źródłaCat, Jordi. "Photographic Collaborations: Two More Cases". W Maxwell, Sutton and the Birth of Color Photography, 67–72. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137338310_7.
Pełny tekst źródłaMarcus, Laura. "Autofiction and Photography: “The Split of the Mirror”". W Palgrave Studies in Life Writing, 309–25. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_16.
Pełny tekst źródłaGodfrey, Anne C. "More than both ways with photography". W Active Landscape Photography, 131–37. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351066662-11.
Pełny tekst źródłaQuicke, Donald, Buntika A. Butcher i Rachel Kruft Welton. "Adding photographs." W Practical R for biologists: an introduction, 332–34. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245349.0029.
Pełny tekst źródłaQuicke, Donald, Buntika A. Butcher i Rachel Kruft Welton. "Adding photographs." W Practical R for biologists: an introduction, 332–34. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245349.0332.
Pełny tekst źródłaBolloch, Joëlle. "La photographie post mortem". W La mort à l’œuvre, 205–26. Presses universitaires de Provence, 2013. http://dx.doi.org/10.4000/books.pup.27353.
Pełny tekst źródłaMarco Vidor, Gian. "La photographie post mortem dans l’Italie des xixe et xxe siècles". W La mort à l’œuvre, 247–67. Presses universitaires de Provence, 2013. http://dx.doi.org/10.4000/books.pup.27368.
Pełny tekst źródłaLe Poidevin, Robin. "The Cinematic Universe". W Travels in Four Dimensions, 148–63. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780198752547.003.0009.
Pełny tekst źródłaStreszczenia konferencji na temat "Mort – Photographie"
Ben Amor, Syrine. "Pour une lecture croisée des représentations de l'onde dans Bruges-la-Morte de Georges Rodenbach". W XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3068.
Pełny tekst źródłaLi, Zinuo, Xuhang Chen, Shuqiang Wang i Chi-Man Pun. "A Large-Scale Film Style Dataset for Learning Multi-frequency Driven Film Enhancement". W Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. California: International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/129.
Pełny tekst źródłaSugiyama, Naoki, Tomoko Ota i Akihiko Goto. "Quality analysis of images between expert and beginners taken by drone." W 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003180.
Pełny tekst źródłaFuster pérez, Jaime. "La edición fotográfica en Ramón Masats". W I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.7055.
Pełny tekst źródłaAhtik, Jure. "A new method for analysing eye-tracking measurement data". W 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p93.
Pełny tekst źródłaŠtampfl, Veronika, i Jure Ahtik. "The influence of the surrounding space on the lighting conditions in a photographic scene". W 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p95.
Pełny tekst źródłaCampbell, Melanie C. W., W. R. Bobier, C. R. McCreary, A. M. Power i K. Yang. "The Effect of The Eye’s Chromatic Aberration on Coaxial Photorefractive Patterns: A Geometrical Optical Analysis". W Ophthalmic and Visual Optics. Washington, D.C.: Optica Publishing Group, 1992. http://dx.doi.org/10.1364/ovo.1992.tuf3.
Pełny tekst źródłaRibeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic". W LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.
Pełny tekst źródłaBergey, Dana J., James P. Mills i Steven K. Rogers. "Multiple aperture optical imaging". W OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.ma6.
Pełny tekst źródłaCamm, D. M. "World's most powerful lamp for high-speed photography". W 20th International Congress on High Speed Photography and Photonics, redaktorzy John M. Dewey i Roberto G. Racca. SPIE, 1993. http://dx.doi.org/10.1117/12.145766.
Pełny tekst źródłaRaporty organizacyjne na temat "Mort – Photographie"
Onikzeh, Parinaz, Afshin Heidari, Aida Kazemi, Parisa Najjariasl, Kamran Dalvandi, Hamidreza Sadeghsalehi i Hadi Zamanian. 3D photography versus digital planimetry in wound measurement : a systematic review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, październik 2021. http://dx.doi.org/10.37766/inplasy2021.10.0069.
Pełny tekst źródłaLight. L51572 Demonstration of Realtime Radiography on Pipeline Girth Welds. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), wrzesień 1988. http://dx.doi.org/10.55274/r0011315.
Pełny tekst źródłaSanborn-Barrie, M., N. M. Rayner i A. Ford. Investigation into the feasibility of increasing geoscience accessibility through existing web platforms and mobile applications, Nunavut. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331384.
Pełny tekst źródłaConnell, Sean D. Geologic map of the Albuquerque - Rio Rancho metropolitan area and vicinity, Bernalillo and Sandoval counties, New Mexico. New Mexico Bureau of Geology and Mineral Resources, 2008. http://dx.doi.org/10.58799/gm-78.
Pełny tekst źródłaRegis, D., i M. Sanborn-Barrie. Delimiting the extent of 'Boothia terrane' crust, Nunavut: new U-Pb geochronological results. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/330703.
Pełny tekst źródłaDouglas, Gordon, i David Moore. Analyzing the Use and Impacts of Oakland Slow Streets and Potential Scalability Beyond Covid-19. Mineta Transportation Institute, lipiec 2022. http://dx.doi.org/10.31979/mti.2021.2152.
Pełny tekst źródłaDouglas, Gordon, i David Moore. Analyzing the Use and Impacts of Oakland Slow Streets and Potential Scalability Beyond Covid-19. Mineta Transportation Institute, lipiec 2022. http://dx.doi.org/10.31979/mti.2022.2152.
Pełny tekst źródłaYoung, Allison, Carey Baxter, Joseph Murphey, Karlee Feinen, Madison Story i Adam Smith. US Air Force Academy Gallagher and Massey ranch houses : Historic American Buildings Surveys CO-237, CO-237-A, and CO-238. Engineer Research and Development Center (U.S.), czerwiec 2023. http://dx.doi.org/10.21079/11681/47190.
Pełny tekst źródłaBarkatov, Igor V., Volodymyr S. Farafonov, Valeriy O. Tiurin, Serhiy S. Honcharuk, Vitaliy I. Barkatov i Hennadiy M. Kravtsov. New effective aid for teaching technology subjects: 3D spherical panoramas joined with virtual reality. [б. в.], listopad 2020. http://dx.doi.org/10.31812/123456789/4407.
Pełny tekst źródłaMcKinnon, Mark B., i Daniel Madrzykowski. Four Firefighters Burned in Residential House Fire - Georgia. UL's Fire Safety Research Institute, czerwiec 2022. http://dx.doi.org/10.54206/102376/gekk4148.
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