Gotowa bibliografia na temat „Mordvin fiction”

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Artykuły w czasopismach na temat "Mordvin fiction"

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Mosina, Natalya Mikhaylovna. "Comparative Analysis of Phraseological Units with the Zoonym Component "Domestic Animal" in the Mordovian and Finnish Languages". Ethnic Culture 4, nr 3 (27.09.2022): 31–36. http://dx.doi.org/10.31483/r-103508.

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The purpose of the study is to identify common and distinctive features of Mordovian and Finnish phraseological units with the zoonym component «domestic animal» based on a comparative study of the characteristics of the studied phraseological units. The relevance of this study is due to the need for a comprehensive study of phraseological units with a zoonym component in the Mordovian (Erzya, Moksha) and Finnish languages in order to identify common and specific features inherent in these linguistic cultures. The obvious insufficiency of studies of phraseological units of the considered thematic group also explains the study of phraseological units, which have zoonymic components in their composition. The object of the study was the phraseological units of the Mordovian and Finnish languages, in which the zoonym component «domestic animal» was identified. Based on the methods of descriptive, comparative, component analysis, as well as the method of continuous sampling, this article highlights the components of the semantic aspect of phraseological units with zoonym components; the dominant images in phraseological units with the seme-zoonym are revealed, the frequency of their use in two languages is analyzed, and the universal and specific phenomena in the Mordovian and Finnish languages are determined. The main material of the study is presented by phraseological units with a zoocomponent in the Mordovian (Erzya and Moksha) and Finnish languages, identified by continuous sampling from explanatory monolingual, bilingual and phraseological dictionaries, as well as texts of fiction and journalistic literature.
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Mosina, Natalya Mikhaylovna. "Phraseological units with a component “bird” in the Mordovian and Finnish languages (semantic analysis)". Ethnic Culture 5, nr 1 (28.03.2023): 48–53. http://dx.doi.org/10.31483/r-105862.

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The purpose of the study is to identify common and distinctive features of Mordovian and Finnish phraseological units with the zoonym component “bird”. The relevance of this study is due to the need for a comprehensive study of phraseological units in order to identify common and specific features inherent in these linguistic cultures. The object of the study was the phraseological units of the Mordovian and Finnish languages, in which the zoonym component “bird” was identified. Based on the methods of descriptive, comparative, component analysis, the semantic characteristics of phraseological units are studied, dominant images are identified, universal phenomena and distinctive features in the meanings conveyed by phraseological units in the compared languages are determined. The main material of the study is presented by phraseological units with a zoocomponent, identified by continuous sampling from explanatory monolingual and bilingual dictionaries, as well as phraseological developments, texts of fiction and journalistic literature. The properties that the Mordovians and Finns attribute to poultry are in most cases similar, which is why both languages have a lot of phraseological units that coincide in meaning. In both Mordovian and Finnish cultures, the bird is considered a creature that is not very smart. The observed phenomenon is to a greater extent associated with domestic poultry, and to a lesser extent with wild birds.
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Zvereva, Tatyana Vjacheslavovna. "“TWILIGHT OF GODS” IN SERGEY STRATANOVSKY'S POETIC BOOK “ANIMATION OF THE TAMBOURINE”". Yearbook of Finno-Ugric Studies 14, nr 4 (25.12.2020): 651–58. http://dx.doi.org/10.35634/2224-9443-2020-14-4-651-658.

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The paper analyses the book Animation of the Tambourine by Sergey Stratanovskii. The research focuses on the poetic interpretation of the Russian peoples’ myths (Karelian-Finnish, Mari, Mordovian, Udmurt, Chuvash, Mansi , Tatar, Bashkir, Buryat, Chukchee, Nivkhi, Yakut, etc.). Special emphasis is made on the analysis of the poetry which refers to Finno-Ugric legends and myths. The author considers that S. Stratanovskii not only educes the unique character of certain cultures but also reveals universal archetypical structures which moderate surface differences on the primal level. The main conflict of the book is the clash between heathen beliefs and Christian faith which replaced them. Most texts deflect S. Stratanovskii’s ‘basic myth’, i.e. the ‘civilization myth’ about the Teacher’s arrival. Reference to fiction pretexts ( Calevala , A. Blok, K. Zhakov and Y. Rytkheu, etc. ) play an important role in sense making. Text analysis lets the author draw the conclusion of conventionality of artistic time continuum which correlates with past and present as well which means the hic et ubique situation rather than a given period in human history. Animation of the Tambourine raises a most important problem for the present-day Russia, namely the problem of interrelationship between the Russian and indigenous ethnic groups’ cultures. The fact ascending to folklore - fundamental variability of the book - is noted as there are a few copies of Animation of the Tambourine written by the author himself which differ in number of texts and genre composition.
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Salo, Merja. "Deverbal reflexive and passive in Chuvash". Suomalais-Ugrilaisen Seuran Aikakauskirja 2013, nr 94 (1.01.2013). http://dx.doi.org/10.33340/susa.82520.

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The question about reflexives and passives in Chuvash is complicated. Usually, the grammatical elements of the Turkic languages are quite similar in many ways; for example, reflexive and passive verbs are kept separate, each having its own suffixes. Some sources, however, claim that the passive category in Chuvash is formed differently than it is in the other Turkic languages, or even that it does not exist in the first place (Ašmarin 1898: 258–259, Ramstedt 1952: 165, 1957: 149, Serebrennikov 1976: 29, Serebrennikov-Gadžieva 1986: 200). The latest Chuvash grammar does not even mention the word passive when describing the verbal system (V. Sergeev 2002). Yet, the reflexive forms are quite uniform throughout the Turkic languages. This study tries to prove that both of these old Turkic categories do exist in Chuvash, although the line between them can be blurred and their meanings might overlap. The material in this study has been taken from grammars, dictionaries, folklore and translated fiction. Furthermore, the results have been compared to some extent with some of the languages surrounding it (Tatar, Bashkir, Mordvin and Mari) and also with the most studied language, Turkish. The analysis presented here is based on sentences, which has seldom been done in the reference literature used.
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Rozprawy doktorskie na temat "Mordvin fiction"

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王悅丞. "The Morden Traffic Mobility and The Spatial Narrative in Taiwan Literary Fiction after World War II(1948~2008)". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4ta329.

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Książki na temat "Mordvin fiction"

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Morris-Keitel, Peter. Die Verbrechensthematik im modernen Roman: Untersuchungen und Analysen zur Motivstruktur von Morden in der deutschsprachigen Literatur nach 1970 anhand kriminologischer Theorien. New York: P. Lang, 1989.

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Ce Qui Mordait Le Ciel (Folio Science Fiction) (French Edition). Gallimard Education, 2003.

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Christie, Agatha. Vergessliche Morderin/Third Girl. Distribooks Inc, 1994.

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Kevil, John J. Last Dragon of Steeple Morden. AuthorHouse, 2012.

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Jr, John J. Kevil. The Last Dragon of Steeple Morden. AuthorHouse, 2012.

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Die Verbrechensthematik Im Modernen Roman: Untersuchungen Und Analysen Zur Motivstruktur Von Morden in Der Deutschsprachigen Literatur Nach 1970 Anh (German life and civilization). Peter Lang Pub Inc, 1990.

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Części książek na temat "Mordvin fiction"

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"EIGHT. Ethan Mordden". W Gay Fiction Speaks, 261–96. Columbia University Press, 2001. http://dx.doi.org/10.7312/cann11694-008.

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