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Broad, Leah. "Nordic incidental music : between modernity and modernism". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8a2b5571-4bbc-4bed-9b99-4b66dbd1e12d.
Pełny tekst źródłaCRUZ, ALINE DUARTE DE OLIVEIRA. "MODERNITY AND MODERNISM IN LUIZ EDMUNDO´S MEMOIRE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9345@1.
Pełny tekst źródłaModernidade e modernismo nas memórias de Luiz Edmundo tem como objetivo analisar a vida de Luiz Edmundo e sua relação como jornalista e cronista com o desenvolvimento histórico da cidade do Rio de Janeiro a partir de suas memórias. Para isto, o trabalho analisa, tomando como base o material anteriormente citado, o que o autor entende como modernidade e quais foram as conseqüências sentidas pela cidade carioca e pela sua geração por conta da criação de uma mentalidade, referente aos períodos históricos nacionais entendidos pelo autor como colonial e imperial, e que seria responsável pelo atraso cultural nacional. O presente trabalho avalia, ainda, como o autor percebe o movimento de modernização da cidade, qual é a responsabilidade de sua geração literária em relação a este e, sobretudo, que relação se estabelece entre o autor e o mundo ocidental civilizado, através do conceito de cosmopolitismo.
Modernity and Modernism in Luiz Edmundo´s memoire has as principal object to show how a writer that was born in Rio de Janeiro, named Luiz Edmundo, in 1878, thinks about the historical process which was responsible for the colonial image of the city of Rio de Janeiro in his days of youth. In those days, working as a reporter and going to places in the town when most of the young people went for discuss about the most modern literature´s tendencies, Luiz Edmundo develops a way to understand the modern days and how his generation should act socially for embrace the cause of de Modernity in Rio de Janeiro. As principal concepts, the presented work talks about life and literature, Rio de Janeiro city before and after it´s modernization process and what for the author means being a modern man and a cosmopolitan.
Evans, Victoria Louise, i n/a. "Douglas Sirk, aesthetic modernism, and the culture of modernity". University of Otago. Department of Media, Film and Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080707.122544.
Pełny tekst źródłaHercock, Edwin Henry Frederick. "Modernist objects/objects under modernity : a philosophical reading of Discrete series". Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54335/.
Pełny tekst źródłaJackson, Mark Simon. "Foucault's Askesis, the ethical work of thinking modernity against modernity". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/MQ34311.pdf.
Pełny tekst źródłaChoi, Seoyoon. "The Ghost of Modernity: Normative Power of Modernity as Propaganda". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2139.
Pełny tekst źródłaBudathoki, Aakash. "Modernity & Migration". Thesis, Karlstad University, Faculty of Social and Life Sciences, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2807.
Pełny tekst źródłaSummery
The main objective of this essay is to analyze the challenges caused by today’s modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, “what does it really mean when a person becomes a migrant and what does it mean to be the host country?” Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes intigration process more difficult and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences.
I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades.
Budathoki, Aakash. "Migration & Modernity". Thesis, Karlstad University, Faculty of Social and Life Sciences, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-2809.
Pełny tekst źródłaThe main objective of this essay is to analyze the challenges caused by today's modern phenomenon of change in our society and to discuss it in relationship to the process of migration. In doing so I focus on questions like, "what does it really mean when a person becomes a migrant and what does it mean to be the host country?" Becoming a migrant or a host country is a complex process which involves variety of challenges both for individuals and the locality. New inventions are made in the field of science and technology. Societies and social institutions are subjected to change and we undergo several changes or modifications to fit in to this changing system. This makes integration process more tedious and complex. I feel that the process of accepting and adopting begins from the very first moment in the new society. The one who comes in also brings in new cultural perspectives, new ideologies and beliefs. This establishes the background of plurality which has both positive and negative consequences.
I believe that every factor from bigger social institutions to minute incidents associated with an individual are of equal importance in understanding society as a whole. So I approach my research question here by considering both micro and macro theorists. I have also referred to migrations history of Sweden which provides general idea of types and mode of migration in the past few decades.
Stafford, Johnathan. "A martime modernity?" Thesis, Kingston University, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658598.
Pełny tekst źródłaLeonard, John. "Lyric and modernity /". Online version, 1994. http://bibpurl.oclc.org/web/22516.
Pełny tekst źródłaReid, Margaret. "Melodrama : metropolis : modernity". Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6541/.
Pełny tekst źródłaPeter, Bruce. "Form follows fun : modernism and modernity in British pleasure architecture, 1925-1940". Thesis, Glasgow School of Art, 2005. http://radar.gsa.ac.uk/4064/.
Pełny tekst źródłaBaird, Timothy L. "Modernity in Context: Looking at Visual Representations of Modernity in Hangzhou". Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1414748203.
Pełny tekst źródłaHanda, Atsuko. "Bridging Sōseki and Murakami : the modernity of Japan through modernist and postmodern prose". Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5230.
Pełny tekst źródłaFerreboeuf, Rebecca Lucie. "The figure of the Detraquee: femininity and modernity in inter-war modernist writings". Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589035.
Pełny tekst źródłavan, Drunen Martha Elke. "Dwelling Among the Waves: Modernist Architecture, Walter Benjamin, and the Mythology of Modernity". Thesis, University of Canterbury. Social and Political Sciences, 2011. http://hdl.handle.net/10092/6595.
Pełny tekst źródłaCarriere, Rejean. "Habermas' pessimism and modernity". Thesis, University of Ottawa (Canada), 2007. http://hdl.handle.net/10393/27451.
Pełny tekst źródłaCarvounas, David John. "The future of modernity". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49979.pdf.
Pełny tekst źródłaCraven, Greg. "Foucault, modernity, and postmodernity". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0007/MQ40641.pdf.
Pełny tekst źródłaKennedy, Earl. "Homeschooling as Reflexive Modernity". NCSU, 2008. http://www.lib.ncsu.edu/theses/available/etd-10082008-160408/.
Pełny tekst źródłaMoran, Anthony F. "Modernity, racism and subjectivity /". Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00001238.
Pełny tekst źródłaParpoulova, Petia R. "Amalgamated spaces of modernity /". Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/6638.
Pełny tekst źródłaGrossman, Martin. "Museum imaging : modelling modernity". Thesis, University of Liverpool, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332517.
Pełny tekst źródłaBouchlaka, Rafik Abdessalem. "Islam, secularity & modernity". Thesis, University of Westminster, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434360.
Pełny tekst źródłaLehmann, Ulrich. "Tigersprung : fashion and modernity". Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361042.
Pełny tekst źródłaPerrett, Clive. "Magic, science and modernity". Thesis, University of East London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532459.
Pełny tekst źródłaFranken, Lizelle. "Evil, morality and modernity". Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20262.
Pełny tekst źródłaENGLISH ABSTRACT: This thesis takes Zygmunt Bauman’s book Modernity and the Holocaust as a point of departure in an attempt to show that genocides of the twentieth century are by-products of modernity, and not aberrations, as previously thought. Bauman’s work focuses on the distinctly modern nature of the Holocaust. Using the theory he develops in Modernity and the Holocaust, this thesis attempts to show, first and foremost, that the Holocaust is not the only example of modern genocide. By comparing and contrasting the Holocaust to another, more recent, genocide, namely the Rwandan genocide of 1994, it becomes clear that despite superficial differences between the two genocides, the Rwandan genocide is also a by-product of modernity. This conclusion has important implications, not only for the way in which we remember the Holocaust and the Rwandan genocide, but also for our understanding of evil and perpetrators of evil. Drawing on the work of Bauman and Hannah Arendt, especially with regard to the Eichmann case, chapter three investigates our traditional assumptions and expectations with regard to evil and perpetrators of evil and notes the unsettling differences between our assumptions and the modern reality. In order to truly understand the nature of perpetrators of modern genocide, it is important to look at the influence of morality on such perpetrators and the reasons why morality seems incompatible with modernity. In this regard, Haas’ book Morality after Auschwitz is of critical importance. Given the various failures and unexpected by-products of modernity, one has to wonder whether postmodernity would offer a better moral alternative to modernity. Chapter five investigates this supposition, and finds it wanting. Drawing yet again on Bauman, the notion of an ethics of responsibility is put forth as the only safeguard against modern evil.
AFRIKAANSE OPSOMMING: Hierdie tesis neem Zygmunt Bauman se boek Modernity and the Holocaust as ‘n beginpunt en probeer om te wys dat die volksmoorde van die twintigste eeu byprodukte, en nie afwykings, van moderniteit is nie. Bauman se werk fokus op die moderne eienskappe van die Holocaust. Deur gebruik te maak van die teorie wat hy in Modernity and the Holocaust ontwikkel, probeer hierdie tesis om, eerstens, te wys dat die Holocaust nie die enigste voorbeeld van ‘n moderne volksmoord is nie. Deur die Holocaust met ‘n ander, meer onlangse volksmoord, die Rwandese volksmoord van 1994, te vergelyk en te kontrasteer word dit duidelik dat ten spyte van die oppervlakkige verskille tussen die twee volksmoorde, die Rwandese volksmoord ook ‘n byproduk van moderniteit is. Hierdie gevolgtrekking het belangrike implikasies nie net vir die manier waarop ons die Holocaust en die Rwandese volksmoord onthou nie, maar ook vir die wyse waarop ons die kwaad (evil) en perpetrators of evil1 verstaan. Deur verder gebruik te maak van Bauman se werk sowel as die werk van Hannah Arendt, veral met betrekking tot die Eichmann saak, ondersoek hoofstuk drie ons tradisionele aannames en verwagtinge met betrekking tot die kwaad (evil) en perpetrators of evil en wys die onaangename verskille tussen ons aannames en die moderne realiteit uit. Ten einde werklik die aard van perpetrators van moderne volksmoord te verstaan, is dit belangirk om na die invloed van moraliteit op hierdie perpetrators of evil te kyk, asook die redes waarom moraliteit blykbaar teenstrydig is met moderniteit. Haas se belangrike boek, Morality after Auschwitz, word hier geraadpleeg. Gegewe die verskeie tekortkominge van moderniteit, moet ons wonder of postmoderniteit nie dalk ‘n beter morele alternatief bied nie. Hoofstuk vyf ondersoek hierdie stelling en vind dat postmoderniteit ook nie voldoende is nie. Laastens word Bauman weereens geraadpleeg en sy seining van ‘n etiek van verantwoordelikheid word voorgestel as die enigste beskerming teen moderne kwaad.
Harry Crossley Foundation
Jaggard, Dylan William Yeandle. "Nietzsche, morality and modernity". Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419710.
Pełny tekst źródłaSteffen, Giana Targanski. "Legends in liquid modernity". reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/xmlui/handle/123456789/123019.
Pełny tekst źródłaMade available in DSpace on 2014-08-06T17:41:15Z (GMT). No. of bitstreams: 1 325098.pdf: 2523039 bytes, checksum: 8777f69659b8615296b5be26f8c1c0f8 (MD5) Previous issue date: 2013
Abstract : Since the 1980's, Urban Legends (ULs) have been extensively studied by folklore studies (Brunvand, 1981, 1993, 1998, 2001, 2002), focusing on the role of these texts in society. Following the early focus on orally transmitted legends, more recent research has addressed the written format of ULs on the Internet (Genge, 2000; Noymer, 2001; Brednich, 2002; Dale, 2005; Lopes, 2007, 2008; DiFonzo & Bordia, 2007). In this context, the present research investigates textual and contextual features of contemporary ULs following the perspective of Critical Discourse Analysis (Fairclough, 1989, 1992, 1995, 2003, 2004), a multidisciplinary field to the study of texts that stresses the bidirectional relation between texts and contexts. The texts in this study are analyzed as a type of discourse and genre, examined in relation to specific lexicogrammatical features viz. TRANSITIVITY, MOOD and exponents of Modality (Halliday & Matthiessen, 2004), and discussed both in terms of their immediate context of situation and of the broader context of culture. Besides, aspects of the representation of social practices, social actors and legitimation are explored applying van Leeuwen's (1996, 2008) sociosemantic categories. In order to discuss the sociological component of language in the data, I propose to look at these texts as social semiotic activities in a globalized context that Bauman has called Liquid Modernity (2000, 2001, 2004, 2006, 2007a, 2007b, 2011a, 2011b). Results show that though relying on the narrative structure, contemporary Urban legends can be considered a type of hortatory discourse; the textual and contextual parameters allow the readers to identify with the victims' position, creating a virtual group of 'us' (possible victims) versus 'them' (deceivers), and the mundane, daily contemporary environments and social actions are represented as unsafe and fearful. Results also show that the writers/senders establish a degree of intimacy with the readers, rely on a series of legitimation techniques to manipulate belief in fabulous events and entice the re-transmission of the texts. Furthermore these stories can be seen as a social practice that represents and propagates the fears and insecurities which are characteristic of liquid modernity.
Desde a década de 1980, as Lendas Urbanas (LUs) tem sido bastante estudadas pelos estudos de folclore (Brunvand, 1981, 1993, 1998, 2001, 2002), que focalizam o papel desses textos na sociedade. Seguindo o foco inicial em lendas transmitidas oralmente, pesquisas mais recentes têm abordado a forma escrita das LUs na Internet (Genge, 2000; Noymer, 2001; Brednich, 2002; Dale, 2005; Lopes, 2007, 2008; DiFonzo & Bordia, 2007). Nesse contexto, a pesquisa aqui apresentada investiga características textuais e contextuais de LUs contemporâneas seguindo a perspective da Análise Crítica do Discurso (Fairclough, 1989, 1992, 1995, 2003, 2004), uma área multidisciplinar para o estudo de textos que destaca a relação bidirecional entre textos e contextos. Os textos nesse estudo são analisados como um tipo de discurso e gênero, examinados em relação a características lexicogramaticais especificas viz. TRANSITIVIDADE, MODO e exponentes de Modalidade (Halliday & Matthiessen, 2004), e discutidos tanto em relação ao contexto de situação imediato quanto ao contexto de cultura mais amplo. Além disso, aspectos da representação de práticas sociais, atores sociais e legitimação são explorados com a aplicação das categorias sociosemânticas de van Leeuwen (1996, 2008). Para a investigação do componente sociológico da linguagem nos dados, proponho que olhemos para estes textos como atividades socio-semióticas em um contexto globalizado a que Bauman se refere como Modernidade Líquida (2000, 2001, 2004, 2006, 2007a, 2007b, 2011a, 2011b). Os resultados mostram que, apesar de ter como base a estrutura narrativa, as Lendas Urbanas contemporâneas podem ser consideradas um tipo de discurso exortativo; os parâmetros textuais e contextuais permitem ao leitor identificar-se com a posição de vítima, criando um grupo virtual de 'nós' (possíveis vítimas) versus 'eles' (enganadores) os ambientes e ações sociais mundanos, diários e contemporâneos são representados como inseguros e passíveis de medo. Os resultados também mostram que os autores/retransmissores estabelecem um grau de intimidade com os leitores, utilizam uma série de estratégias de legitimação para manipular a crença em eventos fabulosos e incitar a retransmissão dos textos. Além disso, essas estórias podem ser vistas como uma prática social que representa e propaga o medo e a insegurança que são característicos da modernidade líquida.
Hebborn, William. "Three waves in modern Catholic education : from isolationism via modernity to post-modernity". Thesis, London South Bank University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265282.
Pełny tekst źródłaRepphun, Eric, i n/a. "Haunted, religious modernity and reenchantment". University of Otago. Department of Theology and Religious Studies, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090218.141700.
Pełny tekst źródłaSchwandt, Mark Wayne. "Transmodern initiatives or reengineering modernity". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ61945.pdf.
Pełny tekst źródłaPatel, E. S. "Ismaili religious education and modernity". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395302.
Pełny tekst źródłaMarden, Jonathan. "Danish Modernity : Society and Politics". Thesis, University of Sussex, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505910.
Pełny tekst źródłaSumich, James Michael. "Elites and modernity in Mozambique". Thesis, London School of Economics and Political Science (University of London), 2005. http://etheses.lse.ac.uk/831/.
Pełny tekst źródłaBhambra, Gurminder K. "Contesting modernity : a postcolonial analysis". Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406613.
Pełny tekst źródłaDutta, Ashim. "Mystic modernity : Tagore and Yeats". Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/21997/.
Pełny tekst źródłaTepe, John Bright. "Literary urbanism, visuality and modernity". Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/859/.
Pełny tekst źródłaAlberts, Thomas Karl. "Shaminism : history, discourse and modernity". Thesis, SOAS, University of London, 2013. http://eprints.soas.ac.uk/16642/.
Pełny tekst źródłaAkhmatov, Vladyslav, i L. V. Roienko. "History and modernity of cryptocurrencies". Thesis, Університет Григорія Сковороди в Переяславі, 2020. https://er.knutd.edu.ua/handle/123456789/16226.
Pełny tekst źródłaTang, Siu-Fu. "Modernity and Xunzi's moral philosophy". Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442907.
Pełny tekst źródłaGova, Alnoor S. "The Nizari-Ismailis in modernity /". Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2345.
Pełny tekst źródłaCarr, Jamie Marie. "Queer times : Christopher Isherwood's modernity /". View online ; access limited to URI, 2004. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3145424.
Pełny tekst źródłaLavery, Andrew. "Unmasking Modernity through Urban Ruin". Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/27497.
Pełny tekst źródłaTolonen, Juha. "Waste*lands : landscape photography modernity". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2007. https://ro.ecu.edu.au/theses/268.
Pełny tekst źródłaCarrasco, André de Oliveira Torres. "Os limites da arquitetura, do urbanismo e do planejamento urbano em um contexto de modernização retardatária: as particularidades desse impasse no caso brasileiro". Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-02022012-101349/.
Pełny tekst źródłaThe research subject of this doctoral thesis was the crisis scenario that involves the development of architecture, urbanism and urban planning in Brazil in the period between the second half of the twentieth century and the early years of Century XXI. This finding originated in the analysis of the contradictions between the goals envisioned by the Brazilian Modern Architecture, a school that would define the course of this production, and its results. One of the main points of its central program was the defense of human emancipation through the transformation of its space. However, its production would express critical limits from the time when the characteristics assumed by the modernization of Brazil, resulting from its way of development at the present stage of capitalism, would make the desired emancipation and would have cities marked by material and social precariousness. The central hypothesis developed in this thesis deals with the relations between the critical nature - to manifest itself as a perennial state of crisis - of the architecture, urbanism and urban planning production in Brazil and the particular forms of the modernization crisis development in the country.
Hidas, Eniko. "Modernity and the Backward Glance: Photography and the Uncanny in Hungary 1890-1939". Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23757.
Pełny tekst źródłaDaisley, Simon Francis Stirling. "Exorcising Luther: Confronting the demon of modernity in Tibetan Buddhism". Thesis, University of Canterbury. Social and Political Sciences, 2012. http://hdl.handle.net/10092/7329.
Pełny tekst źródłaIronside, Joseph. "Renewed Shall Be Blade That Was Broken: Tolkien, Modernity and Fascist Utopia". Thesis, Stockholms universitet, Engelska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-159897.
Pełny tekst źródłaValicourt, Emmanuel de. "La Société parfaite - catégorie de la modernité, catégorie théologique". Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLS524.
Pełny tekst źródłaFollowing the Incarnation of the son of God, the Church, analogy of mystical Body of Christ, is rooted in a transitional historical geography. This is the faith professed by the Roman Catholic Church. Its mission can not therefore be limited to spiritual realities understood as immaterial. If State has primary vocation to assume temporal realities according to the divine plan, that does not mean that the Church should give up its share of ethical and political responsability. Serving the ultimate vocation of human being it's "man seen in its unity and totality" (Gaudium et Spes 3) that the Church must also lead to salvation.Canonicity of the ecclesial commitment in temporal realities confronts political power and its hegemonic tendency to impose a doctrine either statist or regal, either separatist and sometimes discriminatory.What are legal arguments which the Church has to justify, before his political interlocutor, legitimacy of speaking in areas of "res publica" that fall firstly to the state and its structures ? In this task, it can occur either as an associative institution nor a simple lobby. The nineteenth and twentieth centuries were the scene of a doctrinal work and a magisterial speech rich in this area. Recalling its divine foundation which takes the legal form of a Theological perfect Society, the Church has affirmed the status of a religious society, distinguishing it from a secular machine to gain power and defining the proprium of an international ethics. The canonical organization of sovereignty is not a concession to the secular sphere, but a divine will. The Church is called perfect company or external company to the international organization, these concepts are necessarily theological