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Artykuły w czasopismach na temat "Minority artists"
Kleeblatt, Norman L. "Master Narratives/Minority Artists". Art Journal 57, nr 3 (1998): 29. http://dx.doi.org/10.2307/777967.
Pełny tekst źródłaKleeblatt, Norman L. "Master Narratives/Minority Artists". Art Journal 57, nr 3 (wrzesień 1998): 29–35. http://dx.doi.org/10.1080/00043249.1998.10791890.
Pełny tekst źródłaLe, Huong, Uma Jogulu i Ruth Rentschler. "Understanding Australian ethnic minority artists’ careers". Australian Journal of Career Development 23, nr 2 (13.06.2014): 57–68. http://dx.doi.org/10.1177/1038416214521400.
Pełny tekst źródłaBergsgard, Nils Asle, i Anders Vassenden. "Outsiders? A sociological study of Norwegian artists with minority background". International Journal of Cultural Policy 21, nr 3 (27.05.2014): 309–25. http://dx.doi.org/10.1080/10286632.2014.920331.
Pełny tekst źródłaShi, Tian. "Visualized Trauma, Sensitized Resilience: Urban Art among the French Hmong Community". Cosmopolitan Civil Societies: An Interdisciplinary Journal 14, nr 2 (29.07.2022): 40–51. http://dx.doi.org/10.5130/ccs.v14.i2.8089.
Pełny tekst źródłaBrusila, Johannes, i Kim Ramstedt. "From audio broadcasting to video streaming: The impact of digitalization on music broadcasting among the Swedish-speaking minority of Finland". Journal of European Popular Culture 10, nr 2 (1.10.2019): 145–59. http://dx.doi.org/10.1386/jepc_00006_1.
Pełny tekst źródłaThomas, Steffan. "Mutually Beneficial Publisher and Artist Regulated Distribution Model for the Niche Music Industry". Journal of Creative Industries and Cultural Studies 3 (2017): 32–45. http://dx.doi.org/10.56140/jocis-v3-2.
Pełny tekst źródłaSchroeder, Nina. "Art and Heterodoxy in the Dutch Enlightenment". Church History and Religious Culture 101, nr 2-3 (21.07.2021): 324–56. http://dx.doi.org/10.1163/18712428-bja10027.
Pełny tekst źródłaPushaw, Bart. "Artistic Alliances and Revolutionary Rivalries in the Baltic Art World, 1890–1914". International Journal for History, Culture and Modernity 4, nr 1 (28.03.2016): 42–72. http://dx.doi.org/10.18352/hcm.503.
Pełny tekst źródłaMorelli, Didier. "Stanley Février: Performing the Invisible". Canadian Theatre Review 190 (1.04.2022): 69–72. http://dx.doi.org/10.3138/ctr.190.016.
Pełny tekst źródłaRozprawy doktorskie na temat "Minority artists"
Croft, Pamela Joy, i n/a. "ARTSongs: The Soul Beneath My Skin". Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030807.124830.
Pełny tekst źródłaCroft, Pamela Joy. "ARTSongs: The Soul Beneath My Skin". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367423.
Pełny tekst źródłaThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
Full Text
Zhang, Naiyong. "Les femmes artistes d'origine miao, mongole et ouïgoure dans le champ artistique chinois 1950-2010". Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA042.
Pełny tekst źródłaThis thesis is devoted to studying the evolution of the place of female artists with Miao, Mongolian and Uygur origins in the Chinese artistic field 1950-2010. The central theme is to demonstrate how social changes have changed the place of women, and more specifically, how the place of women has been redefined in an identity discourse. If in the years 1960-1980, the art works dealing with the collectivist ideology and the representation of the ‘iron woman’ occupied a primordial place, in the years 1981-2000, the female artists describe the real situation of the women and put the focus on the question of the identity of modern women and the relations between women and men. They seek to master the different forms of ethnic artistic expression. Since 2001, in order to preserve ethnic cultures facing the globalization, the female artists are trying to interpret the depth of ethnic culture in their art works. It is towards traditions, such as historical memory, mythologies, songs and dances, that the female artists with ethnic minority origins are looking for their cultural roots. This research is based at the same time on the analysis of the socio-cultural situation of female artists with minority origins, the analysis of the construction of the feminine identity and the analysis of the particularities of the expression of female artists because of their ethnicity
Lemieux, Suzanne. "Le processus de création chez les artistes francophones et anglophones de la région de Sudbury". Acfas-Sudbury, 2005. https://zone.biblio.laurentian.ca/dspace/handle/10219/86.
Pełny tekst źródłaParadis, Vigneault Marie-Claude. "Par les mains pour les yeux : Les représentations de l'identité sourde au sein de performances artistiques de la scène montréalaise". Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29327/29327.pdf.
Pełny tekst źródłaThis thesis is based on ethnographic research conducted primarily within the Montreal’s Deaf community and tries to identify Deaf identity representations through artistic performances of the Montreal scene. The purpose of the research is to include Deaf culture in the social and scientific reflections about the expression of their cultural identity by minorities, through the arts. In an attempt to demonstrate the links, both theoretical and practical, between the Deaf identity and recognized social and socio-political minorities such as Blacks, gays, women or Queers, this study is grounded in the concepts of performativity (Judith Butler), performance (Clifford Geertz and Victor Turner) and representations (Moscovici and Stuart Hall). It also demonstrates the relationships between these concepts, the subjects’ personal experiences, their agency and their artistic expression.
Rivera-Servera, Ramón Hommy Dolan Jill. "Grassroots globalization, queer sexualities, and the performance of Latinidad". 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3122780.
Pełny tekst źródłaDutkiewicz, Adam. "Raising ghosts post-World War Two European emigre and migrant artists and the evolution of abstract painting in Australia, with special reference to Adelaide ca 1950-1965". 2000. http://arrow.unisa.edu.au:8081/1959.8/24967.
Pełny tekst źródłathesis (PhDVisualArts)--University of South Australia, 2000.
Rivera-Servera, Ramón H. 1973. "Grassroots globalization, queer sexualities, and the performance of Latinidad". 2003. http://hdl.handle.net/2152/12590.
Pełny tekst źródłaCmielewski, Cecelia. "Challenges of leadership in arts policy and practice in multicultural Australia". Thesis, 2018. http://hdl.handle.net/1959.7/uws:48765.
Pełny tekst źródłaDuarte, Inês da Silva Fróis. "Conflito de interesses entre sócios maioritários e minoritários : alterações realizadas nos artigos 87º, 88º e 89º do Código das Sociedades Comerciais pelo Decreto-lei 79/2017, de 30 de junho". Master's thesis, 2020. http://hdl.handle.net/10400.14/36748.
Pełny tekst źródłaThe impact of conflict of interests in a company and, in a country like Portugal, can constitute an obstacle to the development of an economy, society and, sometimes, a limit to its internationalization. In the present master's thesis, we intend to explore the theme of conflicts between partners and, also, of all the elements that we consider essential for the purpose. From a concrete perspective and very illustrative of these possible conflicts, we will analyze the implications that the new process of converting supplies into share capital, approved on June 30, by DL 79/2017, unleashes before society, the partners and, even, for with other stakeholders. The changes in articles 87 to 89 of the CSC, which emerged with this DL, will then be the focus and focus of an analysis that is sought to be complete and exhaustive, contextualized in the reconciliation of duties and principles, added to the completeness of the process, with the future potential of it in Portuguese commercial companies. Accordingly, we will proceed to an analysis of conflicts of interest between partners and the varied manner in which they may arise. Then, we will move on to the study of the partners' standards of conduct, highlighting their duties and rights. And finally, as mentioned earlier, we will explore the new process of converting supplies into social capital, under the genesis of possible conflicts between partners.
Książki na temat "Minority artists"
LaDuke, Betty. Women artists: Multi-cultural visions. Trenton, N.J: Red Sea Press, 1992.
Znajdź pełny tekst źródłaThackray, Marc, Christine O'Dowd-Smyth i Stephanie McKenzie. Living at the edge, living at the centre: Ireland, Newfoundland, the francophone world : the birth of a new, demarginalised creativity. Corner Brook, Nfld: Scop Productions, 2006.
Znajdź pełny tekst źródłaConseil des communautés culturelles et de l'immigration du Québec. Avis sur les nouvelles présences d'artistes: Vers une meilleure insertion sociale des créateurs de communuautés culturelles en arts visuels. [Québec]: Le Conseil, 1990.
Znajdź pełny tekst źródłaConseil des communautés culturelles et de l'immigration du Québec. Avis sur les nouvelles présences d'artistes: Vers une meilleure insertion sociale des créateurs des communautés culturelles en arts visuels : avis adopté à la réunion du Conseil des communautés culturelles et de l'immigration tenue le 22 février 1990. Montréal, Québec: Le Secrétariat du Conseil, 1990.
Znajdź pełny tekst źródłaTremblay, Stéfanie. Rincebook: 30 jours jamais hors ligne. [Alma, Québec]: Centre Sagamie, 2010.
Znajdź pełny tekst źródłaKulturzentrum bei den Minoriten (Graz, Austria). 20 Jahre Kulturzentrum bei den Minoriten: Eine Dokumentation. Redaktorzy Seuter Harald 1941- i Pölzl Birgit. Graz: Das Zentrum, 1995.
Znajdź pełny tekst źródłaNguyen, Hoa. La visibilité des artistes des communautés culturelles: Compte rendu des entrevues réalisées auprès d'un groupe d'artistes en arts visuels. Montréal, Québec: Conseil des communautés culturelles et de l'immigration, 1989.
Znajdź pełny tekst źródłaAndreoni, Helen. --Outside the gum tree--: The visual arts in multicultural Australia. Redfern: National Association for the Visual Arts, 1992.
Znajdź pełny tekst źródłaM, Farris-Dufrene Phoebe, red. Voices of color: Art and society in the Americas. Atlantic Highlands, N.J: Humanities Press, 1997.
Znajdź pełny tekst źródłaAguirre, J. C. Artistes immigrants, société québécoise: Un bateau sur le fleuve. [Québec]: Editions du CIDIHCA, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Minority artists"
Magazzini, Tina. "In the Eye of the Beholder? Minority Representation and the Politics of Culture". W IMISCOE Research Series, 275–91. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67608-7_15.
Pełny tekst źródłaPannewick, Friederike. "The Year 1979 as a Turning Point in Syrian Theatre: From Politicization to Critical Humanism". W Re-Configurations, 277–87. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_18.
Pełny tekst źródłaBest, Katelyn. "Expanding Musical Inclusivity". W Music and Democracy, 235–66. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-010.
Pełny tekst źródłaMay, Adrian. "Immoral, Impure, Atheist Artists?" W From Bataille to Badiou, 94–128. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940438.003.0004.
Pełny tekst źródła"13. From Others to Artists? Immigrant and Ethnic Minority Art". W An Introduction to Immigrant Incorporation Studies, 305–24. Amsterdam University Press, 2014. http://dx.doi.org/10.1515/9789048523153-014.
Pełny tekst źródłaUy, Michael Sy. "The National Endowment for the Arts, the U.S. Bicentennial, and the Expansion Arts and Jazz/Folk/Ethnic Programs". W Ask the Experts, 155–82. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197510445.003.0007.
Pełny tekst źródłaAvilez, GerShun. "Movement in Black". W Black Queer Freedom, 21–53. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043376.003.0002.
Pełny tekst źródłaGlick, Joshua. "Wattstax and the Transmedia Soul Economy". W Los Angeles Documentary and the Production of Public History, 1958-1977. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293700.003.0006.
Pełny tekst źródłaHargreaves, Alec G., i Mark McKinney. "Afterword A Long Road To Travel". W Post-Migratory Cultures in Postcolonial France, 257–74. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941138.003.0015.
Pełny tekst źródłaWilliams, Justin A. "Politics". W Brithop, 91–118. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190656805.003.0005.
Pełny tekst źródłaStreszczenia konferencji na temat "Minority artists"
Chen, Zheng, i Hai Liang. "Research on Aesthetic Culture and Artistic Communication in Frontier Minority Areas under the Background of qthe Belt and Roadq". W 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.135.
Pełny tekst źródłaCao, Thi Hao. "Research on Tay Ethnic Minority Literature in Vietnam Under Cultural View". W GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-3.
Pełny tekst źródłaFreitas, Priscilla Fernandes Silva de, i Ana Carla Silva Dos Santos. "COMUNICAÇÃO EFETIVA DOS PROFISSIONAIS DE SAÚDE NA ASSISTÊNCIA A PESSOA COM SURDEZ: REVISÃO INTEGRATIVA". W II Congresso Nacional Multidisciplinar em Enfermagem On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/2549.
Pełny tekst źródłaDias, Amanda Gaio, Jaqueline Guinallia Verona, Larissa Ramos de Lima e. Silva, Letícia Marsari Pereira i Samira Coladão dos Santos. "RELAÇÃO ENTRE DOENÇA DE KAWASAKI E SÍNDROME INFLAMATÓRIA MULTISSISTÊMICA EM CRIANÇAS ASSOCIADA À COVID-19: EVOLUÇÃO E CONDUTA". W Congresso Online Brasileiro de Medicina. CONGRESSE ME, 2021. http://dx.doi.org/10.54265/xiln8372.
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