Gotowa bibliografia na temat „Minimal Dance”
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Artykuły w czasopismach na temat "Minimal Dance"
Lelunu, Sapta, Kesia Rosalina Putri, Daniel, Nia Olivia i Nova Lady Simanjuntak. "Art and Philosophy: Harmony of Giring-Giring Dance, Manganjan Dance, Tambun Bungai Dance of Kalimantan Tengah". Harmonia : Journal of Music and Arts 1, nr 1 (1.11.2023): 1–25. http://dx.doi.org/10.61978/harmonia.v1i1.71.
Pełny tekst źródłaWahyuni, Fitri, i Malta Nelisa. "Pembuatan Purwarupa Ensiklopedia Tarian Adat Minangkabau". Ilmu Informasi Perpustakaan dan Kearsipan 8, nr 1 (29.10.2019): 476. http://dx.doi.org/10.24036/107302-0934.
Pełny tekst źródłaHsieh, Chi-Min, i Annie Luciani. "Minimal dynamic modeling for dance verbs". Computer Animation and Virtual Worlds 17, nr 3-4 (2006): 359–69. http://dx.doi.org/10.1002/cav.139.
Pełny tekst źródłaLeitner, Birgit Maria. "Minimal Media Art – Minimal Music (Steve Reich)". Kieler Beiträge zur Filmmusikforschung 3 (27.07.2023): 69–83. http://dx.doi.org/10.59056/kbzf.2009.3.p69-83.
Pełny tekst źródłaBusenbarrick, Haley, i Kathleen L. Davenport. "Music to Our Ears: Are Dancers at Risk for High Sound Level Exposure?" Medical Problems of Performing Artists 35, nr 4 (1.12.2020): 227–32. http://dx.doi.org/10.21091/mppa.2020.4033.
Pełny tekst źródłaNihal, Aneel, Donald J. Rose i Elly Trepman. "Arthroscopic Treatment of Anterior Ankle Impingement Syndrome in Dancers". Foot & Ankle International 26, nr 11 (listopad 2005): 908–12. http://dx.doi.org/10.1177/107110070502601102.
Pełny tekst źródłaShin, Hyo Young. "The Base on Merleau-ponty’s ‘Body’ Philosophy of Minimal Dance". Dance Research Journal of Dance 79, nr 3 (31.08.2021): 205–18. http://dx.doi.org/10.21317/ksd.79.3.11.
Pełny tekst źródłaGiyartini, Rosarina, Dwi Alia, Muhammad Rijal Wahid Muharram i Retno Uly Nevyanti. "Implementasi Computational Thinking Unplugged dalam Pembelajaran Seni Tari di Sekolah Indonesia Luar Negeri Davao, Filipina". JPM (Jurnal Pemberdayaan Masyarakat) 7, nr 2 (6.11.2022): 877–84. http://dx.doi.org/10.21067/jpm.v7i2.6720.
Pełny tekst źródłaZhao, Haojun, Seong Pek Lim i Zhuozhuo Xin. "A Study on the Impact of Cheerleading on the Psychological Health of Female College Students". Journal of Contemporary Educational Research 8, nr 3 (24.03.2024): 43–48. http://dx.doi.org/10.26689/jcer.v8i3.6375.
Pełny tekst źródłaAfrita, Oky Bima Reza. "“Matuya Metta” Creation of Javanese Dance Drama from the Story of Phra Lor". International Journal of Creative and Arts Studies 10, nr 1 (20.06.2023): 31–42. http://dx.doi.org/10.24821/ijcas.v10i1.7877.
Pełny tekst źródłaRozprawy doktorskie na temat "Minimal Dance"
Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Pełny tekst źródłaLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Tuncgenc, Bahar. "Movement synchrony, social bonding and pro-sociality in ontogeny". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:b766e5a0-9cbe-4af2-b545-3e87c3d6d573.
Pełny tekst źródłaGuillien, Mathieu. "Du minimalisme dans la musique électronique populaire". Paris 8, 2011. http://www.theses.fr/2011PA084112.
Pełny tekst źródłaThe purpose of this study is to call into question the concept of minimalism in popular electronic music. The first part of the dissertation focuses on the concept of minimalism itself by mentioning the genesis of this aesthetic, which appeared in plastic arts in the 1950 in the United States, then its translation in the music field under the aegis of composers such as La Monte Young, Terry Riley and Steve Reich. To justify the use of the concept of minimalism while referring to different musical genres, a clarification is made in several steps: the relation of the musicians to History, their economic positioning, the technical means at their disposal as well as their reflection on their work, their social context, their relation to interpretation and live performance, and their views on problematics like repetition and dance. The second part focuses on techno itself. After tracing the history of the emergence of this musical genre at the beginning of the 1980’s in Detroit, as well as an outline of the electronic instruments which played a part in this emergence and their structural effects on the music, we can study the emersion of the « minimal » branch of techno. Lastly, studying the music of German composer Robert Henke allows us to broaden our subject by including an example of minimalism in popular electronic non-dance music
Avery-Gomm, Stephanie. "Determining the impacts of hydrological drought on endangered Nooksack dace (Rhinichthys cataractae) at the population and individual level : Implications for minimum environmental flow requirements". Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44408.
Pełny tekst źródłaKsiążki na temat "Minimal Dance"
Drumming: Anne Teresa de Keersmaeker. Yale University Press, 2021.
Znajdź pełny tekst źródłaSimone Forti: Thinking with the Body. Hirmer Verlag GmbH, 2015.
Znajdź pełny tekst źródłaHolland, Alicia. Afrojack Adult Coloring Book: Minimal House Star and EDM Legend, Best DJ in the World and Dance Icon Inspired Adult Coloring Book. Independently Published, 2019.
Znajdź pełny tekst źródłaPouillaude, Frédéric. Mallarmé: Deciphering the Stage. Tłumacz Anna Pakes. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199314645.003.0005.
Pełny tekst źródłaBeing watched: Yvonne Rainer and the 1960s. Cambridge: MIT Press, 2007.
Znajdź pełny tekst źródłaCzęści książek na temat "Minimal Dance"
Gnecco, Giorgio, Martina Fausto, Gabriele Romano, Gualtiero Volpe i Antonio Camurri. "Improving Output Visualization of an Algorithm for the Automated Detection of the Perceived Origin of Movement". W Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 96–106. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-55722-4_8.
Pełny tekst źródłaRusso, Ersilia. "Manzoni postillatore della Crusca veronese: le unità fraseologiche". W Studi e ricerche del Dipartimento di Lettere e Filosofia, 71–89. Firenze: Società Editrice Fiorentina, 2024. http://dx.doi.org/10.35948/dilef/978-88-6032-750-5.05.
Pełny tekst źródła"MINIMAL DANCE". W Choreographies, 5–32. Intellect Books, 2017. http://dx.doi.org/10.2307/j.ctv36xw2jm.5.
Pełny tekst źródłaChalfa Ruyter, Nancy Lee. "Final Words". W La Meri and Her Life in Dance, 263–68. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813066097.003.0011.
Pełny tekst źródła"The Maunder Minimum". W Dante and the Early Astronomer, 159–62. Yale University Press, 2019. http://dx.doi.org/10.2307/j.ctvfc5277.25.
Pełny tekst źródła"21. The Maunder Minimum". W Dante and the Early Astronomer, 159–62. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300244977-023.
Pełny tekst źródła"Yvonne Rainer A QUASI SURVEY O F SOME ‘ MINIMALIST ’ TENDENCIES I N THE QUANTITATIVELY MINIMAL DANCE ACTIVITY MIDST THE PLETHORA , O R A N ANALYSIS O F TRIO A". W The Twentieth Century Performance Reader, 411–18. Routledge, 2013. http://dx.doi.org/10.4324/9780203125236-55.
Pełny tekst źródłaBombara, Daniela. "La Commedia ribaltata di Cattivik". W «A riveder la china» Dante nei fumetti (e vignette) italiani dal XIX al XXI secolo. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-565-0/008.
Pełny tekst źródłaStreszczenia konferencji na temat "Minimal Dance"
Romashov, B. V., N. B. Romashova i A. V. Bakhtina. "DISTRIBUTION OF TREMATODE METACERCARIA IN CYPRINID FISH IN NATURAL RESERVOIRS OF THE LIPETSK REGION". W THEORY AND PRACTICE OF PARASITIC DISEASE CONTROL. VNIIP – FSC VIEV, 2024. http://dx.doi.org/10.31016/978-5-6050437-8-2.2024.25.334-338.
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