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Artykuły w czasopismach na temat "Mesure et rythme (musique)"
Chemillier, Marc, Jean Pouchelon, Julien André i Jérôme Nika. "La contramétricité dans les musiques traditionnelles africaines et son rapport au jazz". Anthropologie et Sociétés 38, nr 1 (10.07.2014): 105–37. http://dx.doi.org/10.7202/1025811ar.
Pełny tekst źródłaBouchard-Valentine, Vincent. "fonofone pour iPad et iPhone : cadrage historique et curriculaire d’une application québécoise conçue pour la création sonore en milieu scolaire". Les Cahiers de la Société québécoise de recherche en musique 17, nr 1 (17.04.2018): 11–24. http://dx.doi.org/10.7202/1044666ar.
Pełny tekst źródłaDelièège, Irèène. "Prototype Effects in Music Listening: An Empirical Approach to the Notion of Imprint". Music Perception 18, nr 3 (2001): 371–407. http://dx.doi.org/10.1525/mp.2001.18.3.371.
Pełny tekst źródłaحفيظة, بلقاسمي. "ترجمة النص الشكسبيري". Traduction et Langues 4, nr 1 (31.12.2005): 90–100. http://dx.doi.org/10.52919/translang.v4i1.334.
Pełny tekst źródłaBlanc, Pascale, i Anne-Gabrielle Chatoux. "Rythme, musique et mouvement". Métiers de la Petite Enfance 22, nr 233 (maj 2016): 18–19. http://dx.doi.org/10.1016/j.melaen.2016.03.006.
Pełny tekst źródłaMajed, Asma. "Musique et hypnose". Wisdom Journal For Studies & Research 2, nr 2 (30.03.2022): 148–73. http://dx.doi.org/10.55165/wjfsar.v2i2.92.
Pełny tekst źródłaPensom, Roger. "Musique et rythme chez Laforgue". Poétique 160, nr 4 (2009): 485. http://dx.doi.org/10.3917/poeti.160.0485.
Pełny tekst źródłaMartínez, Manuel García. "Le rythme et le temps". Protée 27, nr 1 (12.04.2005): 33–38. http://dx.doi.org/10.7202/030537ar.
Pełny tekst źródłaHughes, Walter, i Sophie Garnier. "L’Empire du rythme – disco et discipline". Audimat N° 20, nr 1 (25.01.2024): 111–38. http://dx.doi.org/10.3917/audi.020.0111.
Pełny tekst źródłaCardinal, Serge. "Où (en) est (l’étude de) la musique (au cinéma ?) du film ?" Articles 33, nr 1 (12.06.2014): 35–49. http://dx.doi.org/10.7202/1025554ar.
Pełny tekst źródłaRozprawy doktorskie na temat "Mesure et rythme (musique)"
Sauvanet, Pierre. "Le rythme et la raison : une approche philosophique des phénomènes rythmiques". Dijon, 1996. http://www.theses.fr/1996DIJOL018.
Pełny tekst źródłaThis work originates from the possible connections between music and philosophy as far as rhythm is concerned (Plato, Nietzsche, Bachelard. . . ) - and not only melody or harmony, as in the age of enlightenment (the Rousseau-Rameau quarrel). What does such a move involve : towards the body, the difference, the essence of time? Then the problem of the connections between rhythm and reason rises : how is rhythm stirring? How do the biological and the cultural, the spatial and the temporal interact? Generally speaking, can a rhythmical phenomenon be accounted for? And how? Thus, much more than a mere musical phenomenon must be meant by the words "rhythmical phenomenon". Contrary to melody or harmony, rhythm or at least a certain form of rhythm - is present in aesthetic as well as biological and even cosmological fields. Between science and art, we are still looking for the reason why we call "rhythm" so many phenomena so different from one to another, avoiding both reductionnism (H. Meschonnic's critique du rythme) and panrhythmism. In "rhythmologics" (tome 1), the first three chapters - etymology (rhuthmos), typology, phenomenology - deal with three "epistemological obstacles" to a comprehension of rhythm, before proposing a terminology
Barthel-Calvet, Anne-Sylvie. "Le rythme dans l'oeuvre et la pensée de Iannis Xenakis". Paris, EHESS, 2000. http://www.theses.fr/2000EHES0090.
Pełny tekst źródłaAccaoui, Christian. "Musique et temps : rythme, variation, symbolique dans la musique instrumentale de Haydn à Beethoven". Paris 8, 1994. http://www.theses.fr/1995PA080921.
Pełny tekst źródłaDoes instrumental music give way to its own movements or is its movement predetermined by a (or several) conception(s) of time ? does sense of instrumental music lie on its movement's configuration regarding to the three modalitees of time : succession, duraztion, simultaneousness ? this research attempts to answer to these the questions studing classical works from haydn, mozart, beethoven. The middle position of this corpus in instrumental music's history, its durable influence over the last two centuries' productions allow to extend, varing them slightly, most of this work's conclusions to a very large periode, since baroque up to now. The first two parts (rhythm, variation), very analytical, study from many musical examples the temporal involvings of rhythmical structures and classical technics of variation. The last two parts (time, symbolism) indicate convergences of such a conception of time : the contemporaneous one which is the german idealism, the earliest one which is the theological and philosophical tradition since plotin, saint augustin, boece
Désesquelles, Anne-Claire. "L'expression musicale". Paris 1, 1998. http://www.theses.fr/1998PA010540.
Pełny tekst źródłaBased on analysed examples, taken from great musical works, and on philosophical texts dealing with music, this thesis develops the following ideas : 1) music is endowed with a real power of expression : in the listener's mind, the sounds are converted into a succession of tensions and loosenings characteristic of the process of desire, and thus lead to unrest or peace according to the degree of expressivity. 2) the meaning which is expressed stems from the very shape of the work, consequently from its style, i. E. An original way of organizing sounds. 3) it is unjustified to impart all the power of expression to the tune only, since the other components also contribute, in particular rhytm, timbre and even silence. 4) expression is not more absolutely direct than wholly transcendent to sounds. As its essence is metaphorical, it enables the listener to have access to an inner life both adventurous and coherent, and bestows on him an imaginary being endowed with a rich and unified essence. Thus, a work satisfies the longing to be, which any human being craves for, and is blest with a metaphysical dimension which explains the fascination it rouses notwithstanding the variety of cultures and characters
Alonso, Arevalo Miguel. "Extraction d'information rythmique à partir d'enregistrements musicaux". Paris, ENST, 2006. http://www.theses.fr/2006ENST0036.
Pełny tekst źródłaThis dissertation presents work on the development of tools for the automated analysis of music signals, more exactly it proposes a number of techniques to identify and examine the fundamental elements of musical rhythm. There exist many applications requiring rhythmic information, for example automatic music transcription, music information retrieval, audio special effects, audio editing. The main research axis was the development of techniques to estimate rhythmic parameters of music such as beat rates and beat localizations at two different metrical levels: the tatum and the tactus (or tempo). In this work, we have proposed to carry out the analysis after separating the audio signal in a deterministic part (containing the harmonic sounds) and the stochastic part (containing the residual signal after extracting the harmonics from the original signal). We exploited the principle of the so-called Spectral Energy Flux, i. E. , the rate of change of the power spectrum as a function of time, to develop an effective algorithm to estimate the amount of musical stress at a given time. We have also presented a technique based on the dynamic programming algorithm that was specially conceived to track simultaneously the course of several rhythmic trajectories through time. The effectiveness of the system was validated using a database comprising 1435 musical pieces and covering ten musical genres. The algorithms was also submitted to external evaluation within the framework of the international contest "Music Information Retrieval Evaluation eXchange" in the category of "tempo extraction", and in the 2005 obtained the first place among more than twelve submissions
Dhôtel, France. "Essai d'une problématique sur la place de la dimension sonore et/ou musicale dans la composition chorégraphique contemporaine". Paris 8, 1996. http://www.theses.fr/1996PA081138.
Pełny tekst źródłaOn the basis of extensive research on rhytm and pulsation and the stability instability component inherent to all motion set within the confines of space and time, and by way of a comparative analysis of musical score, pictorial works and choreographies, we have sought to establish that the musical and sonic universe of each individual choreographic composition is conferred full meaning only within the exterior interior relation specific to each choreographer, leading to a specific relation between the "choreographerperformer"'s own body and the world outside. This meaning comes into its own within the confines of a unique scenic space and time recombination
Bekderna, Hanan. "Le problème de l'harmonisation dans la musique arabo-orientale". Bordeaux 3, 2010. http://www.theses.fr/2010BOR30007.
Pełny tekst źródłaArabic music has followed developments more or less important at different times. In the first part from the three parts of our thesis, we present different aspects of musical life in the ancient Arabs, their theories and their musical instruments without forgetting to expose some Western perspective on this music. In the second part, we will study the status of Arabic music in the twenty-first century building on the theory of that modern music, including the maqam and scientific study, then we discuss the Arab musical conventions and the role they played in the development of Arabic music. In the third and final part, we will take harmonization as an axis of development of Arabic music in the twenty-first century, We will also analyze some harmonized Arab works by focusing attention on the theory of harmonization in Arabic music
Fai͏̈ta, Frédérique. "Approche électrophysiologique des processus cognitifs impliqués dans la perception de la musique". Aix-Marseille 1, 1995. http://www.theses.fr/1995AIX11011.
Pełny tekst źródłaBouchard, Jean-Luc. "La modulation agogique : définition, typologie et analogie avec la modulation tonale". Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25071/25071.pdf.
Pełny tekst źródłaAbecasis, Donna. "Bases neurophysiologiques du traitement des séquences sonores en temps réel : étude des accents métriques". Paris 5, 2006. http://www.theses.fr/2006PA05H041.
Pełny tekst źródłaWithin the area of rhythm perception, the present work vas aimed at exploring in real time (using event-related brain potentials, ERPs) the induction of meter. Even in perfectly regular sound sequences and in the absence of physical differences between the tones (isochronous equitone sequences) we tend to perceive “subjective” metrical accenting (strong and weak beats), associated with the generation of temporal expectancies. We introduced occasional violations of expectancies (deviant soft tones) in otherwise equitone sequences. A late, artention-dependent ERP component (P3) showed larger amplitudes in response to deviants in accented positions. In further studies, earlier. Left-lateralised metrical effects on the elicited brain responses were also found, both in standard and deviant tones. Our results, discussed in the light of theories of attention, suggest that “subjective” accenting follows a default binary pattem, possibly due to covert schemes spontaneouslv imposed by listeners
Książki na temat "Mesure et rythme (musique)"
Traité de rythme, de couleur, et d'ornithologie: (1949-1992). Paris: A. Leduc, 1994.
Znajdź pełny tekst źródłaTraité de rythme, de couleur, et d'ornithologie: (1949-1992) : en sept tomes. Paris: A. Leduc, 1994.
Znajdź pełny tekst źródłaMun, Pong-sŏk. P'ansori changdan kwa sasŏl ŭi kyŏrhap pangsik. Sŏul: Minsogwŏn, 2021.
Znajdź pełny tekst źródłaWeng, Panfeng. Qing dai lü xue yan jiu. Beijing: Zhongguo she hui ke xue chu ban she, 2021.
Znajdź pełny tekst źródłaAnne, Danielsen, red. Musical rhythm in the age of digital reproduction. Burlington, VT: Ashgate, 2010.
Znajdź pełny tekst źródłaJoseph, Reiser, red. Moving notation: A handbook of musical rhythm and elementary labanotation for the dancer. Amsterdam: Harwood Academic, 1998.
Znajdź pełny tekst źródłaMusic, science, and the rhythmic brain: Cultural and clinical implications. New York: Routledge, 2011.
Znajdź pełny tekst źródłaCaldwell, J. Timothy. Expressive singing: Dalcroze eurhythmics for voice. Englewood Cliffs, N.J: Prentice Hall, 1995.
Znajdź pełny tekst źródłaJ, Tighe Thomas, i Dowling W. Jay, red. Psychology and music: The understanding of melody and rhythm. Hillsdale, N.J: L. Erlbaum, 1992.
Znajdź pełny tekst źródłaJaques-Dalcroze, Émile. Le rythme, la musique et l'éducation. [Lausanne]: Hug Musikverlage, 1988.
Znajdź pełny tekst źródłaCzęści książek na temat "Mesure et rythme (musique)"
Montémont, Véronique. "4. Rythme et musique". W Jacques Roubaud : L’amour du nombre, 109–39. Presses universitaires du Septentrion, 2004. http://dx.doi.org/10.4000/books.septentrion.53410.
Pełny tekst źródłaBonnet, Antoine. "Le rythme comme écriture de la scène". W Mallarmé et la musique, la musique et Mallarmé, 219–32. Presses universitaires de Rennes, 2016. http://dx.doi.org/10.4000/books.pur.183697.
Pełny tekst źródłaPollock, Jonathan. "Mesure romaine et rythme égyptien dans Antoine et Cléopâtre de William Shakespeare". W Rythmes et lumières de la Méditerranée, 307–14. Presses universitaires de Perpignan, 2003. http://dx.doi.org/10.4000/books.pupvd.23042.
Pełny tekst źródłaROSEN REINHARDT, Evelyne. "Innovation pédagogique et hospitalité en action". W Formation linguistique des apprenants allophones et pédagogies innovantes, 121–36. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.4166.
Pełny tekst źródłaLŐRINSZKY, Ildikó. "Accents, rythmes et sonorités". W Echantillons représentatifs et discours didactiques, 67–74. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.6540.
Pełny tekst źródłaBalasse, Marie, Matthieu Keller, Adrian Balasescu, Anne Tresset i Philippe Chemineau. "Cycle de reproduction des ovins et rythme saisonnier de l’élevage : un schéma plurimillénaire bouleversé par la recherche agronomique". W Regards croisés: quand les sciences archéologiques rencontrent l'innovation, 25–50. Editions des archives contemporaines, 2017. http://dx.doi.org/10.17184/eac.3789.
Pełny tekst źródłaStreszczenia konferencji na temat "Mesure et rythme (musique)"
Fléchet, Anaïs, i Sylvain Allemand. "Relations internationales et globalisation culturelle au rythme de la musique". W MSH Paris-Saclay. 5 ans d'interdisciplinarité sur un Plateau. MSH Paris-Saclay Éditions, 2019. http://dx.doi.org/10.52983/kyja5094.
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