Gotowe bibliografie tematyczne / Medieval Illumination of book and manuscripts

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Gotowa bibliografia na temat „Medieval Illumination of book and manuscripts”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Medieval Illumination of book and manuscripts"

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Kelders, Ann. "De Gouden Eeuw van de Bourgondisch-Habsburgse Nederlanden." Queeste 27, no. 1 (2020): 63–70. http://dx.doi.org/10.5117/que2020.1.003.keld.

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Abstract The Royal Library of Belgium (kbr) has opened a new permanent museum showcasing the historical core of its collections: the luxurious manuscript library of the dukes of Burgundy. Centred around a late medieval chapel that is part of kbr’s present-day building, the museum introduces visitors to medieval book production, the historical context of the late medieval Low Countries, and the subject matter of the ducal library. The breadth of the dukes’ (and their wives’!) interests is reflected in the manuscripts that have come down to us, ranging from liturgical books over philosophical tr
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Jackson, Cailah. "The Illuminations of Mukhlis ibn ʿAbdallah al-Hindi: Identifying Manuscripts from Late Medieval Konya". Muqarnas Online 36, № 1 (2019): 41–60. http://dx.doi.org/10.1163/22118993-00361p03.

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Abstract The arts of the book of late medieval Rum (Anatolia) constitute a rich resource for Islamic art historians that remains relatively unknown in the wider scholarship. This complex period saw the disintegration of Seljuk rule and the partial absorption of the region into the Ilkhanid realm. Konya (present-day central Turkey), the former Seljuk capital, was hardly isolated from its better-known neighbors and was evidently an active center for the patronage of the arts of the book. This article contributes to ongoing discussions concerning late medieval Islamic manuscripts by discussing il
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Vieira, Márcia, Maria João Melo, Paula Nabais, João A. Lopes, Graça Videira Lopes, and Laura Fernández Fernández. "The Colors in Medieval Illuminations through the Magnificent Scriptorium of Alfonso X, the Learned." Heritage 7, no. 1 (2024): 272–300. http://dx.doi.org/10.3390/heritage7010014.

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This pioneering work studied the medieval color palette of four manuscripts produced in the scriptorium of Alfonso X, king of the Crown of Castile (r. 1252-84), including the Songs of Holy Mary (Cantigas de Santa Maria, in Rich Codex and Musicians’ Codex), Lapidary (Lapidario), and Book of Games (Libro de los juegos). Scientific analysis based on fiber-optics reflectance spectroscopy in the visible and Raman spectroscopy showed a color palette based on lapis lazuli, indigo, azurite, vermilion, red lead, orpiment, yellow ochre, two different greens (bottle green and vergaut), lead white, carbon
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Luxford, Julian. "Luxury and locality in a late medieval book of hours from south-west England." Antiquaries Journal 93 (June 6, 2013): 225–47. http://dx.doi.org/10.1017/s0003581512001345.

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This paper describes and analyses a previously unrecorded Sarum book of hours of considerable artistic and textual interest. Seven of its pages have bar-frame borders illuminated in a distinctive and remarkable style. Four of these pages also have initials with figure-subjects, some of which are contextually unusual or unique. There is also an initial with a coat of arms displaying a black engrailed cross on a gold field (the arms of Mohun of Dunster in west Somerset). While the manuscript cannot be linked to a member of the Mohun family, the occurrence of a Somerset toponym in an obit dated 1
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Paris-Popa, Andreea. "Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel." American, British and Canadian Studies 30, no. 1 (2018): 133–52. http://dx.doi.org/10.2478/abcsj-2018-0008.

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Abstract This essay follows three different stages of the fusion of images and words in the tradition of the book. More specifically, it tackles the transformation undergone by the initially religious combination of visual figures and scriptural texts, exemplified by medieval illuminated manuscripts into the spiritual, non-dogmatic, illuminated books printed and painted by poet-prophet William Blake in a manner that combines mysticism and literature. Eventually, the analysis reaches the secularized genre of the graphic novel that renounces the metaphysical element embedded in the intertwining
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Ravenhall, Henry. "Veiled Reading, Reading Veils: Textile Curtains and the Experiences of Medieval French Manuscripts, 1200–1325." Digital Philology: A Journal of Medieval Cultures 12, no. 2 (2023): 155–94. http://dx.doi.org/10.1353/dph.2023.a911843.

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Abstract: Building on groundbreaking studies by Christine Sciacca and Morgan Simms Adams, this article addresses an understudied phenomenon of medieval French manuscript culture: the sewing of textile curtains—fabric pieces made of silk, linen, or cotton gauze—above or beside illuminations to protect and veil them. Presenting a corpus of forty-six manuscripts of medieval French texts that once contained curtains, I demonstrate how this practice extended beyond the realm of Latin and devotional books to some of the most popular vernacular illuminated book traditions of the thirteenth and early
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Bankov, Mikhail S. "TO THE QUESTION OF SPACE ORGANIZATION OF BOOK ILLUMINATION OF LATE ANTIQUITY AND EARLY MIDDLE AGES (IV – VII CENTURY)." Scientific and analytical journal Burganov House. The space of culture 17, no. 4 (2021): 29–48. http://dx.doi.org/10.36340/2071-6818-2021-17-4-29-48.

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The article focuses on peculiarities of spatial organization of book miniature paintings of late antique and early medieval manuscripts (IV – VII centuries). The author analyses the problem of conveying illusion of depth in illustration in context of gradual transmission from roll to codex, which took place in antique book culture between the II and the V centuries. By analyzing survived fragments of illuminated rolls author displays characteristic features of their spatial organization and observes influence which had tradition of roll illustration on the development of codex. Nevertheless, p
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Karić, Enes. "The Qurʼan in the Manuscript Tradition of Bosnia and Herzegovina". Anali Gazi Husrev-Begove biblioteke 31, № 45 (2024): 7–28. https://doi.org/10.51719/25663267.2024.31.45.7.

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With the political and economic expansion of the Ottoman Empire into the Balkans from the mid-14th century onward, significant changes occurred in the religious, cultural, and civilizational spheres of life in many Balkan medieval states and among their populations. Bosnia and Herzegovina (hereinafter referred to as BiH) was one of the countries in the western Balkans where these changes were particularly evident. Moreover, in the context of hand-copying, illuminating, and the calligraphic transcription of the Qur’an, BiH holds a prominent position in the western Balkans. Some sources suggest
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Hanson, Marta. "From under the elbow to pointing to the palm: Chinese metaphors for learning medicine by the book (fourth–fourteenth centuries)." BJHS Themes 5 (2020): 75–92. http://dx.doi.org/10.1017/bjt.2020.6.

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AbstractThis article focuses on transformations in the main metaphors in ancient to late medieval titles of Chinese medical books used to convey to potential readers their ‘learning-by-the-book’ contents. It finds that in contrast to the European preference for hand metaphors in the genre terms – enchiridions, manuals and handbooks – the Chinese medical archive preserves bodily metaphors within which the hand metaphor appears only rarely in the early medieval period and is then superseded by metaphors that rely on the fingers and palms more than the hands per se. This longue durée survey from
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Stanford, Charlotte A. "Beyond Words: New Research on Manuscripts in Boston Collections, ed. Jeffrey F. Hamburger, Lisa Fagin Davis, Anne-Marie Eze, Nancy Netzer, and William P. Stoneman. Text, Image, Context: Studies in Medieval Manuscript Illumination, 8. Toronto: Pontifical Institute of Mediaeval Studies, 2021, 361 pp, 291 col. Ill." Mediaevistik 34, no. 1 (2021): 274–76. http://dx.doi.org/10.3726/med.2021.01.20.

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This study stems from an exhibition/ conference of the same name, “Beyond Words,” presented in Boston in 2006; however, it goes well beyond the bounds of a conventional exhibition catalog, which was produced at the time to accompany the objects on display. The volume produced here expands these initial parameters to consider additional questions about the manuscripts held in these Boston collections, notably Houghton Library at Harvard University, McMullen Museum of Art at Boston College, and the Isabella Stewart Gardner Museum of Boston. The book is divided into four major sections, devoted r
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Rozprawy doktorskie na temat "Medieval Illumination of book and manuscripts"

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Kitzinger, Beatrice. "Cross and Book: Late-Carolingian Breton Gospel Illumination and the Instrumental Cross." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10183.

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Crosses made in metal, paint, or stone stand at a singular intersection of past, present and future in the early medieval period. The historical cross of Golgotha is the source of such manufactured crosses’ form and power. Most also represent the theology of the Cross through their form and decoration, describing the soteriology of the crucifixion and anticipating its consummation at the end of time. As manufactured crosses recount the past and look forward to the eschaton, they concurrently function in the age of the Church, offering specific, contemporary points of access to all the larger c
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Liles, Linda Kathleen. "Guide to the pilgrim churches at Rome a late 15th century manuscript in Yale University's Beinecke Rare Book and Manuscript Library /." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Hansen, Kelli Bruce. "The Cross of Oviedo in medieval Spanish art /." free to MU campus, to others for purchase, 2003. http://wwwlib.umi.com/cr/mo/fullcit?p1418028.

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Meyer, Linda M. "Discovering the Nuances in the Book of Hours of the Virgin: A Book of Hours in the Toledo Museum of Art (1955.28)." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1305040445.

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Sheppard, Jennifer M. "The Giffard Bible Bodleian Library MS Laud misc. 752 /." New York : Garland Pub, 1986. http://catalog.hathitrust.org/api/volumes/oclc/11970124.html.

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THOR, WATT KELLY LYNN. "THE ILLUSTRATOR'S HAND: AN INVESTIGATION USING MARGINALIA AND CAPITALS OF THE BOOK OF KELLS TO ILLUMINATE QUESTIONS OF ARTISTIC ATTRIBUTION." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1022596547.

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Naughton, Joan Margaret. "Manuscripts from the Dominican monastery of Saint-Louis de Poissy /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000680.

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Cochrane, Laura E. "'Where there is no time' the quadrivium and images of eternity in three eleventh-century Anglo-Saxon manuscripts /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 250 p, 2009. http://proquest.umi.com/pqdweb?did=1818417331&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Rodrigues, Ubirajara Alencar 1966. "O colar perdido da caligrafia." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251132.

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Orientador: Milton Jose de Almeida<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2019-01-04T15:20:10Z (GMT). No. of bitstreams: 1 Rodrigues_UbirajaraAlencar_D.pdf: 41150719 bytes, checksum: dd62e343c9b0c326b696000c59b681f4 (MD5) Previous issue date: 2011<br>Resumo: Este é um estudo e uma pesquisa sobre imagens em literatura, cinema, letras e textos em manuscritos e miniaturas árabes e persas. O estudo passa pela novela O colar da pomba, de Ibn Hazm, andaluz do século XI, e suas aparições nem sempre claras no filme de Nacer Khemi
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Spyra, Ulrike. "Das "Buch der Natur" Konrads von Megenberg die illustrierten Handschriften und Inkunabeln /." Köln : Böhlau, 2005. http://books.google.com/books?id=LuXaAAAAMAAJ.

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Książki na temat "Medieval Illumination of book and manuscripts"

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Fisher, Celia. The medieval flower book. British Library, 2007.

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Fisher, Celia. Flowers in medieval manuscripts. University of Toronto Press, 2004.

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Library, British, ed. Flowers in medieval manuscripts. British Library, 2004.

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Bologna, Giulia. Illuminated manuscripts: The book before Gutenberg. Thames and Hudson, 1988.

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Mentré, Mireille. Illuminated manuscripts of medieval Spain. Thames and Hudson, 1996.

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Mentre, Mireille. Illuminated manuscripts of medieval Spain. Thames and Hudson, 1996.

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Dr. Jörn Günther Antiquariat (Firm). Recent acquisitions : medieval & renaissance manuscripts. J. Günther, Antiquariat, 1997.

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Dr. Jörn Günther Antiquariat (Firm). Recent acquisitions : medieval & renaissance manuscripts. J. Günther, Antiquariat, 1997.

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Gathercole, Patricia May. Animals in medieval French manuscript illumination. E. Mellen Press, 1995.

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Weinstein, Krystyna. The art of medieval manuscripts. Laurel Glen Pub., 1997.

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Części książek na temat "Medieval Illumination of book and manuscripts"

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Grebe, Anja. "Book Illumination." In Transforming the Medieval World. Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.usml-eb.3.4314.

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Wenzel, Siegfried. "Curiosities from a Sermon Book." In The Study of Medieval Manuscripts of England. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.asmar-eb.3.4629.

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Teviotdale, Elizabeth C. "Pembroke College 302: Abbreviated Gospel Book or Gospel Lectionary?" In The Study of Medieval Manuscripts of England. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.asmar-eb.3.4617.

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Kwakkel, Erik. "3. Late Medieval Text Collections: A Codicological Typology Based on Single-Author Manuscripts." In Author, Reader, Book, edited by Stephen Partridge and Erik Kwakkel. University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442665743-006.

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Ottaviano, Silvia. "Reading between the Lines of Virgil’s Early Medieval Manuscripts." In The Annotated Book in the Early Middle Ages. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.usml-eb.5.115029.

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Kidd, Peter. "UCLA Rouse MS 32: The Provenance of a Dismembered Italian Book of Hours Illuminated by the Master of the Brussels Initials." In Medieval Manuscripts, Their Makers and Users. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stpmsbh-eb.1.100071.

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Steinová, Evina. "Technical Signs in Early Medieval Manuscripts Copied in Irish Minuscle." In The Annotated Book in the Early Middle Ages. Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.usml-eb.5.115017.

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Teeuwen, Mariken. "The Intertwining of Ancient and Late-Antique Authorities in the Margins of Carolingian Manuscripts." In Crafting Knowledge in the Early Medieval Book. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.pjml-eb.5.133748.

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Vollandt, Ronny. "Geniza Book Lists as Indirect Sources of Medieval Jewish Book History in the Near East." In Interconnected Traditions: Semitic Languages, Literatures, Cultures—A Festschrift for Geoffrey Khan. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0464.06.

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The article explores book lists from the Cairo Geniza as indirect evidence of medieval Jewish book history in the Near East, focusing on their content, format, and cultural significance. These lists provide insights into private and public libraries, book trade, and the broader intellectual environment, including details about the physical characteristics of books, such as codices, scrolls, and rotuli. They also reveal the diversity of manuscripts, ranging from biblical texts to scientific and philosophical works, including medical treatises and translations of Greek classics. The lists highli
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Marti, Susan. "Double Monasteries in Images? Observations on Book Illumination from Communities in the South‑Western Empire." In Medieval Women: Texts and Contexts. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.mwtc-eb.1.102042.

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Streszczenia konferencji na temat "Medieval Illumination of book and manuscripts"

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Rozhdestvenskaya, Milena. "On the functionality of apocryphal stories in medieval Russian bookishness." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.27.

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The functions of the biblical Slavic-Russian apocrypha in manuscript collections depend on their perception by the ancient Russian scribes and the literary context of the manuscript. Cognitive, interpretative, magical, historical functions are associated with different genre forms, both book and folk. Particularly considered is the «apocryphal riddle» of two brothers from the manuscript of the XVIth century Stockholm Royal Library and manuscripts of the XVIIIth century collections of the Library of the Russian Academy of Sciences (St. Petersburg).
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Melnikov, Ilya A. "Collections of Old Believers Books of the Novgorod eological Seminary and the “Brotherhood of St. Sophia” in the Context of “Internal Mission”." In Лихудовские чтения — 2022. НовГУ им. Ярослава Мудрого, 2023. http://dx.doi.org/10.34680/978-5-89896-832-8/2023.readings.11.

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‰e article introduces the history of the formation of collections of handwritten and old printed books that were kept among the Old Believers, which then were transferred in the libraries of the Novgorod eological Seminary and the missionary Brotherhood of St. Sophia. As in other regions, these collections arose in the second half of the XIX century due to the need to conduct polemics with representatives of the Old Believers and sectarianism, which was an important part of the so-called “internal mission” of the Greek-Russian Church. ey were based on manuscripts con scated in the Old Believer
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