Gotowe bibliografie tematyczne / Medieval Horror

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Gotowa bibliografia na temat „Medieval Horror”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Medieval Horror"

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Pirotti Pereira, Gabriela. "To Take On the Nature of Wild Animals: Elements of Biological Horror in the Fourth Branch of the Mabinogi." Revista da Anpoll 51, no. 3 (2020): 74–83. http://dx.doi.org/10.18309/anp.v51i3.1456.

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Jason Colavito (2007) descreve “horror corporal” como uma seção na ficção de horror que se ocupa das “inquietações relacionadas ao corpo físico e seu relacionamento com o mundo natural” (p. 113). Tais narrativas frequentemente emergem durante períodos nos quais há ansiedades sociais conectadas à expansão científica e algum desafio aos valores morais. O presente artigo propõe uma leitura da história “Math, son of Mathonwy” explorando a possibilidade de que esta narrativa apresenta aspectos de horror corporal. Olhando para o contexto histórico e social do manuscrito medieval Y Mabinogi (O Mabino
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Field, Teresa. "Biblical Influences on the Medieval and Early Modern English Law of Sanctuary." Ecclesiastical Law Journal 2, no. 9 (1991): 222–25. http://dx.doi.org/10.1017/s0956618x0000123x.

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In Act Three of Shakespeare's King Richard III the Duke of Buckingham asks Cardinal Bourchier to try and persuade Elizabeth Woodville to release the young Duke of York from sanctuary at Westminster. In the event of such tactics failing, Buckingham wishes Lord Hastings to accompany the Cardinal to Westminster and ‘… from her jealous arms pluck him perforce.’ The Cardinal's initial reaction is one of horror:‘…if she be obdurateTo mild enteraties god in heaven forbidWe should infringe the holy privilgeOf blessed sanctuary not for all this landWould I be guilty of so deep a sin.’
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Buchan, Bruce. "Sight Unseen: Our Neoliberal Vision of Insecurity." Cultural Studies Review 24, no. 2 (2018): 130–49. http://dx.doi.org/10.5130/csr.v24i2.6051.

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Is security seen? Is security seen in images of peace and safety, or is it perceived in the troubled images of the horrors of violence and suffering? Vision has played a crucial role in shaping the modern Western preoccupation with, and prioritisation of security. Historically, security has been visually represented in a variety of ways, typically involving the depiction of its absence. In Medieval and Early Modern Europe especially, security and insecurity were presented as coterminous insofar as each represented separate conditions – their shared boundary envisioned in representations of the
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Dockray-Miller, Mary. "Afrisc Meowle: Exploring Race in the Old English Exodus." PMLA/Publications of the Modern Language Association of America 137, no. 3 (2022): 458–71. http://dx.doi.org/10.1632/s0030812922000281.

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AbstractAn Afrisc meowle (“African woman”) appears at the end of the Old English Exodus, a poem ostensibly celebrating religious freedom, migration, and divine justice. Amid the Hebrews’ final celebration, the explicit inclusion of the Afrisc meowle's racial difference from the Israelites exposes the horror and violence of the aftermath of war; a focus on her also invites questions about the poem's early medieval audience and how that audience could have understood her, especially since she does not appear in the source text of the Hebrew Bible. The scant critical analysis of this remarkable f
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Perry, R. D. "Anticipatory Trauma and Medieval Horror in Sir Gawain and the Green Knight." Exemplaria 37, no. 1 (2025): 62–76. https://doi.org/10.1080/10412573.2025.2466354.

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Fergusson, David A. S. "Predestination: A Scottish Perspective." Scottish Journal of Theology 46, no. 4 (1993): 457–78. http://dx.doi.org/10.1017/s0036930600045245.

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In contemporary Scottish culture the subject of predestination is guaranteed to evoke a variety of reactions ranging from horror and disgust on the one hand to laughter and ridicule on the other. It is viewed by some as a nightmare scenario devised by Christian theologians in their worst moments, while for odiers it is a ludicrous aberration of the medieval and Reformation mind. It is perceived frequently as the trademark of a theological mindset which is marked by harshness, legalism and a fatalistic attitude towards life. A clear example of this is Edwin Muir's biography of Knox which writes
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Minaya Gómez, Francisco Javier. "The Lexical Domains of Ugliness and Aesthetic Horror in the Old English Formulaic Style." Atlantis. Journal of the Spanish Association for Anglo-American Studies 45, no. 1 (2023): 147–67. http://dx.doi.org/10.28914/atlantis-2023-45.1.09.

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Even though as of late there has been a renewed interest in the aesthetic ideals in early Medieval England, the conceptualisation and experience of ugliness in Old English sources has been largely neglected. Drawing on the recent research carried out on aesthetic emotions and folk aesthetics, and despite the lack of academic materials on artistic and literary canons of ugliness, the purpose of this paper is to look into the terms that rendered the experience of ugliness and its closest emotional response, aesthetic horror, in order to examine how these are employed in poetic texts. The finding
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White, David Gordon. "Dracula's Family Tree: Demonology, Taxonomy, and Orientalist Influences in Bram Stoker's Iconic Novel." Gothic Studies 23, no. 3 (2021): 297–315. http://dx.doi.org/10.3366/gothic.2021.0106.

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Prior to Bram Stoker's Dracula, vampires were never represented in literature as reanimated or ‘undead’ humans capable of transforming into bats. The source of Stoker's innovation may be traced to his personal acquaintance Sir Richard Francis Burton, who in his adaptation of a South Asian anthology of ‘Gothic’ tales of horror and adventure had identified its hero's antagonist, called a vetāla in Sanskrit, as both a male vampire and a giant bat. This article surveys a number of ancient, medieval, and early modern Asian and European precursors of Stoker's vampire lore, noting that unlike Stoker'
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Mcdougall, Ian. "Serious entertainments: an examination of a peculiar type of Viking atrocity." Anglo-Saxon England 22 (December 1993): 201–25. http://dx.doi.org/10.1017/s0263675100004385.

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In a letter written to King Æthelred of Northumbria in or soon after 793, Alcuin bewails the appalling aftermath of the Viking attack on Lindisfarne. He writes, ‘vineam electam vulpes depredarunt, hereditas Domini data est populo non suo. Et ubi laus Domini, ibi ludus gentium. Festivitas sancta versa est in luctum.’1 Alcuin's horror at Viking merriment is shared by a great many other medieval historians in their accounts of the depredations of the Norsemen. Adam of Bremen, for instance, laments the Vikings' assault upon the Franks in 882, in which they made so bold as to attack King Charles II
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Classen, Albrecht. "Absurdity in Medieval Literature? Der Stricker’s Pfaffe Amîs as a Transgressive Literary Enterprise Long before Modernity." Humanities 13, no. 3 (2024): 80. http://dx.doi.org/10.3390/h13030080.

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Although the concept of the Absurd seems to be characteristic only of modernity, especially since WWII, we face the intriguing opportunity to investigate its likely first emergence in the early thirteenth century in Der Stricker’s Pfaffe Amîs (ca. 1220). While the narrative framework insinuates that meaning and relevance continue to be the key components of the priest’s life, especially because he constantly seeks new sources of income for his own generosity and hospitality, his various victims increasingly face absurd situations and are abandoned even to the threat of insanity and death. The
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Rozprawy doktorskie na temat "Medieval Horror"

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Bruen, Beverley Anne. "The making of monsters : has the medieval monster been reassembled as the unbounded body of medical science and environmental horror?" Phd thesis, 2011. http://hdl.handle.net/1885/147152.

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This investigation examines perceptions of the monster as an unbounded body. Bodily containment is clearly disregarded in the fearsome physical abnormality of the medieval monster. Their hybrid physiologies and the emphasis on bodily orifices are reminiscent of those horrors described in Julia Kristeva's Powers of Horror: An Essay on Abjection. My research argues that the monster continues to retain its impact as a metaphor for fear and horror of unforeseen dangers in contemporary secular circumstances. My studio practice addresses the unbounded body of the monster as a metaphor for environmen
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André, Carolina Limas Soares. "Pecados de mulheres : a cosmovisão medieval : das constituições sinodais e livros de penitenciais ao Horto do esposo e contos populares e lendas, coligidos por José Leite de Vasconcellos." Master's thesis, 2009. http://hdl.handle.net/10400.2/1450.

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Dissertação de Mestrado em Estudos Portugueses Multidisciplinares apresentada à Universidade Aberta<br>A dissertação «Pecados de Mulheres - a Cosmovisão Medieval: das Constituições Sinodais e Livros de Penitenciais ao Horto do Esposo e Contos Populares e Lendas, Coligidos por José Leite de Vasconcellos», procede à análise comparativa de textos normativos, (dos séculos XIII ao XV), com a obra Horto do Esposo (séculos XIV- XV) e com Contos Populares e Lendas, compilados por José Leite de Vasconcellos (dos finais do século XIX ao início do século XX), no que diz respeito a pecados de mulhere
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Sousa, Camila de Abreu Lopes Seixas e. "O basilisco: dos bestiários ao Orto do Esposo." Master's thesis, 2021. http://hdl.handle.net/10451/49290.

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O propósito último deste trabalho consiste na análise da figura do basilisco, enquanto serpente, em quatro bestiários ingleses — Bestiário de Aberdeen, Bestiário de Cambridge, MS. Ashmole 1511, e MS. Bodley 764, todos estes do século XIII — e na obra portuguesa Orto do Esposo, obra de finais do século XIV ou de inícios do século XV. De forma a levar a cabo esta análise, é feito um breve estudo da origem e evolução do Bestiário, bem como da sua estrutura e conteúdo. Atentamos seguidamente nos quatro livros que constituem o Orto do Esposo, fazendo depois uma análise da figura da serpente e da su
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Książki na temat "Medieval Horror"

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Lamberg, Marko. Päätön ritari: Kauhutarinoita keskiajalta. Suomalaisen Kirjallisuuden Seura, 2012.

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Fichtner, Christoph. Das Horber Stadtrecht im Mittelalter. Fahlbusch, 1990.

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1850-1894, Stevenson Robert Louis, ed. The strange case of Dr. Jekyll and Mr. Hyde: And, The dynamiter. Trident Press International, 2001.

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Robert Louis Stevenson. L' étrange cas du Dr Jekyll et de Mr Hyde. Marabout, 2010.

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Mitsu, Yamamoto, and Pablo Marcos Studio, eds. Dr. Jekyll and Mr. Hyde. ABDO Pub., 2002.

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1878-1938, Varlet Théo, and Grinfas-Tulinieri Josiane, eds. Le cas étrange du Dr Jekyll et de M. Hyde. Magnard, 2001.

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V, Qualls Barry, and Wolfson Susan J. 1948-, eds. The strange case of Dr. Jekyll and Mr. Hyde. Washington Square Press, 1995.

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Powell, Martin. The strange case of Dr. Jekyll and Mr. Hyde. Stone Arch Books, 2009.

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Gerard, Gibson, ed. Dr Jekyll and Mr Hyde: And, The bodysnatchers. Purnell, 1988.

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Robert Louis Stevenson. The strange case of Dr. Jekyll and Mr. Hyde. Dover Publications, 1991.

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Części książek na temat "Medieval Horror"

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Romero, Loreto. "Rapture and horror." In The Routledge Hispanic Studies Companion to Medieval Iberia. Routledge, 2021. http://dx.doi.org/10.4324/9781315210483-37.

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Power, Andrew J. "Horror and Damnation in Medieval Literature." In The Palgrave Handbook to Horror Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_9.

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Jakobsson, Ármann. "Horror in the Medieval North: The Troll." In The Palgrave Handbook to Horror Literature. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_3.

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Scheuer, Hans Jürgen. "Arthurian Myth and Cinematic Horror: M. Night Shyamalan’s The Sixth Sense." In The Medieval Motion Picture. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137074249_9.

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Pugh, Tison. "Queering the Medieval Dead: History, Horror, and Masculinity in Sam Raimi’s Evil Dead Trilogy." In Race, Class, and Gender in "Medieval" Cinema. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230603561_9.

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Cassidy-Welch, Megan. "‘A Place of Horror and Vast Solitude’: Medieval Monasticism and the Australian Landscape." In Medievalism and the Gothic in Australian Culture. Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.mmages-eb.4.000032.

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Orchard, Andy. "Fresh Terror, New Horror: Fear and the Unfamiliar in the Old English Exodus." In Fear in the Medical and Literary Imagination, Medieval to Modern. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-55948-7_7.

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Legassie, Shayne Aaron. "The Gothic Fly." In Burn after Reading: Vol. 1, Miniature Manifestos for a Post/medieval Studies + Vol. 2, The Future We Want: A Collaboration. punctum books, 2014. https://doi.org/10.21983/p3.0067.1.16.

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Gore Verbinski’s 2002 filmThe Ringis a remake of the popular Japanese horror movieRingu (1998), directed by Hideo Nakata. Both films tell the story of a cursed vide-otape whose viewers die gruesome deaths seven days after they watch it. At the level of both plot and visual style, Verbinski’s departures from Ringuare deeply in-debted to the conventions of the gothic novel, especially as they were mediated by European and American cine-ma. This gothic aesthetic “translates” Ringu into a more familiar Hollywood idiom for the benefit of North Ameri-can viewers. Many of The Ring’s gothic innovation
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Soto Posada, Gonzalo. "La Nueva Edad Media." In El trabajo filosófico de hoy en el Continente. Sociedad Colombiana de Filosofía, 1995. https://doi.org/10.5840/icp13199527.

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La ponencia intenta analizar desde la postmodemidad el mundo medieval y así destacar el significado de la Nueva Edad Media. Lo hace en cuatro momento: El primero muestra el horror y el entusiasmo que suscita el Medievo. El segundo plantea la relación pasado-presente optando por la Werwindung como deconstrucción. El tercero establece 16 analogías entre la Edad Media y nosotros mostrando la deconstrucción y la presencia de lo medieval. El cuarto, desde la intertextualidad de Eco, muestra las raíces medievales de nuestra contemporaneidad, raíces que nos descifran los signos medievales como nuestr
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Flavin, Christopher M., and Caitlyn Harris. "Introduction." In Folkloric Horror in Medieval Literature. Lexington Books, 2024. https://doi.org/10.5771/9781666971347-1.

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Streszczenia konferencji na temat "Medieval Horror"

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Jiménez-Camino Álvarez, Rafael. "Un taller alfarero de época nazarí-meriní en al-Ŷazīra al-jadrā‘ (Algeciras, c. 1300-1344)." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/wg3sfn19.

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Presentamos el único horno de producción cerámica excavado intramuros de la medina de al-Ŷazīra al-jadrā‘, en el entorno de la puerta del Fonsario. La piroestructura pertenece al tipo con “sagén” o doble cámara de cocción, del que se conocen muy pocos ejemplares en al-Andalus. En este trabajo, definimos los productos manufacturados en el taller a partir de los defectos de cocción: ataifores y alcadafes vidriados exclusivamente al interior, anafres y jarras; el utillaje de alfarero: atifles y dos fragmentos de disco, posiblemente relacionados con el torneado; y, por último, estudiamos, tanto el
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Arapu, Valentin. "Th e world of lepers in conditions of marginalization and mercy: habitat, legislation, restrictions and prejudices (historical, sanitary-epidemiological and ethnocultural interferences)." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.27.

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In the historical past, lepers were organized into separate communities, living poorly in leprosariums. In society, lepers were treated diff erently, being tolerated and marginalized. Tolerance of lepers included Christian perception and multiple biblical postulates in which the lepers were miraculously healed; Jesus was received in the home of Simeon the Leper. At the same time, people’s fear of leprosy, amplifi ed by the ignorance of the causes of the disease, made lepers undesirable in the medieval society. Multiple restrictions were imposed on lepers; marriages were dissolved when the husb
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