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Książki na temat „Media discourses and narratives”

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Autor: Grafiati
Data publikacji: 7 lipca 2024

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1

Nünning, Ansgar, Birgit Neumann i Vera Nünning. Cultural ways of worldmaking: Media and narratives. New York: De Gruyter, 2010.

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2

Narratives in popular culture, media, and everyday life. Thousand Oaks: Sage Publications, 1997.

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3

Davidson, Drew. Stories in between: Narratives and mediums @ play. [Pittsburgh, Pa.]: ETC Press, 2008.

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4

Popoola, Muyiwa. A discourse on personality-induced conflicts Nigeria's politics: The media and their narratives. Ibadan: John Archers, 2015.

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5

Polak, Sara, i Daniel Trottier, red. Violence and Trolling on Social Media. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989481.

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‘Trolls for Trump’, virtual rape, fake news — social media discourse, including forms of virtual and real violence, has become a formidable, yet elusive, political force. What characterizes online vitriol? How do we understand the narratives generated, and also address their real-world — even life-and-death— impact? How can hatred, bullying, and dehumanization on social media platforms be addressed and countered in a post-truth world? Violence and Trolling on Social Media: History, Affect, and Effects of Online Vitriol unpacks discourses, metaphors, dynamics, and framing on social media, in order to begin to answer these questions. Written for and by cultural and media studies scholars, journalists, political philosophers, digital communication professionals, activists and advocates, this book connects theoretical approaches from cultural and media studies with practical challenges and experiences ‘from the field’, providing insight into a rough media landscape.
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6

Page, Ruth E. New narratives: Stories and storytelling in the digital age. Lincoln: University of Nebraska Press, 2011.

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7

M, Harter Lynn, Japp Phyllis M i Beck Christina S, red. Narratives, health, and healing: Communication theory, research, and practice. Mahwah, NJ: Lawrence Erlbaum Assoc., 2005.

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8

1952-, Fulton Helen, red. Narrative and media. Cambridge: Cambridge University Press, 2005.

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9

Lacey, Nick. Narrative and genre: Key concepts in media studies. New York: St. Martin's Press, 2000.

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10

Lacey, Nick. Narrative and genre: Key concepts in media studies. Basingstoke: Macmillan, 2000.

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11

Matheson, Donald. Media discourses: Analysing media texts. Maidenhead, England: Open University Press, 2005.

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12

Thon, Jan-Noël, i Marie-Laure Ryan. Storyworlds across media: Toward a media-conscious narratology. Lincoln: University of Nebraska Press, 2014.

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13

Bassett, Caroline. The arc and the machine: Narrative and the new media. Manchester: Manchester University Press, 2007.

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14

Gregoriou, Christiana. Language, ideology and identity in serial killer narratives. New York: Routledge, 2010.

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15

"International Conference on Narrative Revisited: Telling a Story in the Age of New Media" (2007 University of Augsburg). Narrative revisited: Telling a story in the age of new media. Amsterdam: John Benjamins Pub. Company, 2010.

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16

César, Guimarães, i França Vera Veiga, red. Na mídia, na rua: Narrativas do cotidiano. Belo Horizonte, MG: Autêntica, 2006.

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17

Hyman, Laura. Happiness: Understandings, Narratives and Discourses. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137321534.

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Hyman, Laura. Happiness: Understandings, narratives and discourses. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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19

Francesca, Bargiela-Chiappini, i Nickerson Catherine 1965-, red. Writing business: Genres, media, and discourses. New York: Longman, 1999.

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20

Design, American Center for, i Living Surfaces Conference (1998 : Park City, Utah), red. New media, new narratives? [Chicago]: American Center for Design, 2000.

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21

Pedersen, Isabel. Ready to wear: A rhetoric of wearable computers and reality-shifting media. Anderson, South Carolina: Parlor Press, 2013.

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22

Page, Ruth E. Stories and social media: Identities and interaction. New York: Routledge, 2012.

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23

Chovanec, Jan, i Katarzyna Molek-Kozakowska, red. Representing the Other in European Media Discourses. Amsterdam: John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/dapsac.74.

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24

Nünning, Vera, Ansgar Nünning i Birgit Neumann. Cultural Ways of Worldmaking: Media and Narratives. de Gruyter GmbH, Walter, 2016.

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25

Page, Ruth. Narratives Online: Shared Stories in Social Media. Cambridge University Press, 2018.

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26

Page, Ruth. Narratives Online: Shared Stories in Social Media. Cambridge University Press, 2018.

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27

Page, Ruth. Narratives Online: Shared Stories in Social Media. Cambridge University Press, 2018.

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28

Kan, Hoi-Yi Katy. Digital Carnivalesque: Power Discourse and Counter Narratives in Singapore Social Media. Springer, 2020.

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Kan, Hoi-Yi Katy. Digital Carnivalesque: Power Discourse and Counter Narratives in Singapore Social Media. Springer Singapore Pte. Limited, 2021.

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30

Beck, Christina S., Lynn M. Harter i Phyllis M. Japp. Narratives, Health, and Healing: Communication Theory, Research, and Practice. Taylor & Francis Group, 2006.

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31

Beck, Christina S., Lynn M. Harter i Phyllis M. Japp. Narratives, Health, and Healing: Communication Theory, Research, and Practice. Taylor & Francis Group, 2006.

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32

Beck, Christina S., Lynn M. Harter i Phyllis M. Japp. Narratives, Health, and Healing: Communication Theory, Research, and Practice. Taylor & Francis Group, 2006.

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33

Harter, Lynn M. Narratives, Health, and Healing: Communication Theory, Research, and Practice. Taylor & Francis Group, 2005.

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34

Beck, Christina S., Lynn M. Harter i Phyllis M. Japp. Narratives, Health, and Healing: Communication Theory, Research, and Practice. Taylor & Francis Group, 2006.

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35

Beck, Christina S., Lynn M. Harter i Phyllis M. Japp. Narratives, Health, and Healing: Communication Theory, Research, and Practice. Taylor & Francis Group, 2006.

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36

Narrative and Media. Cambridge University Press, 2005.

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37

Wilson, George M. Narrative. Redaktor Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0022.

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Narratology is the general theory of narratives and the structures they exemplify. The classical structuralist narratology of Todorov, C. Bremond, A. Greimas, and early Roland Barthes was concerned primarily with narrative as narrative product. In selecting that emphasis and in other methodological matters, these authors were influenced by their proto-structuralist predecessors, Russian formalists such as V. Shklovsky and V. Propp. Theorists in the linked traditions highlighted the fact that stories, both fictional and non-fictional, can be represented in very different narrative discourses. Indeed, the same story can be rendered in discourses that have been constructed within different media, such as literature, film, or theatre. A key analytical task of structuralist narratology has been to delineate the features of stories that are invariant across the fiction/non-fiction division and across the variety of their more specific realizations in different discourses and media.
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38

(Editor), Lynn M. Harter, Phyllis M. Japp (Editor) i Christina S. Beck (Editor), red. Narratives, Health, and Healing: Communication Theory, Research, and Practice (Lea's Communication Series) (Lea's Communication Series). Lawrence Erlbaum Associates, 2005.

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39

(Editor), Lynn M. Harter, Phyllis M. Japp (Editor) i Christina S. Beck (Editor), red. Narratives, Health, and Healing: Communication Theory, Research, and Practice (Lea's Communication Series) (Lea's Communication Series). Lawrence Erlbaum Associates, 2005.

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40

Carosso, Andrea. Cold War Narratives: American Culture in the 1950s. Peter Lang AG, Internationaler Verlag der Wissenschaften, 2013.

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41

Lacey, Nick. Narrative and Genre. Palgrave Macmillan, 2000.

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42

Moscowitz, Leigh. Gay Marriage in an Era of Media Visibility. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038129.003.0001.

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This book examines how media coverage helped to define and shape the gay marriage debate as well as gay rights activism during the period 2003–2012. Through an analysis of media reports and in-depth interviews with leaders of the modern gay rights movement, it investigates how media frames and activist discourses evolved surrounding the issue of same-sex marriage. It looks at the aims and challenges of leading gay rights activists who sought to harness the power of mainstream news media to advocate for their cause and reform images of their community. It also considers how gay and lesbian rights groups attempted to shape coverage of the same-sex marriage debate, and what images and narratives about gay and lesbian life activists foregrounded. Finally, it discusses ways in which media attention surrounding the gay-marriage issue reshaped the structure, organization, and goals of the contemporary gay rights movement. This introduction provides an overview of the legal and political contexts of gay marriage in the United States, the rise of gay-themed media, and the research approach and plan of the book.
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43

Matheson, Donald. Media Discourses. Open University Press, 2005.

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44

(Editor), Joseph Tabbi, i Michael Wutz (Editor), red. Reading Matters: Narrative in the New Media Ecology. Cornell University Press, 1997.

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45

Wutz, Michael, i Joseph Tabbi. Reading Matters: Narrative in the New Media Ecology. Cornell University Press, 2018.

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46

Santiago Iglesias, José Andrés, i Ana Soler Baena, red. Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbp.

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Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Taking Neon Genesis Evangelion (Shin Seiki Evangerion) as a case study, this volume acknowledges anime as a media form with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses. First broadcast in Japan in 1995-96, Neon Genesis Evangelion became an epoch-making anime, and later franchise. The initial series used already available conventions, visual resources and narrative tropes typical of anime in general and the mecha (or giant-robot) genre in particular, but at the same time it subverted and reinterpreted them in a highly innovative and as such standard-setting way. Investigating anime through Neon Genesis Evangelion this volume takes a broadly understood media-aesthetic and media-cultural perspective, which pertains to medium in the narrow sense of technology, techniques, materials, and semiotics, but also mediality and mediations related to practices and institutions of production, circulation, and consumption. In no way intended to be exhaustive, this volume attests to the emergence of anime studies as a field in its own right, including but not prioritizing expertise in film studies and Japanese studies, and with due regard to the most widely shared critical publications in Japanese and English language. Thus, the volume provides an introduction to studies of anime, a field that necessarily interrelates media-specific and transmedial aspects. In Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion, anime is addressed from a transnational and transdisciplinary stance. The disciplinary and methodological perspectives taken by the individual chapters range from audio-visual culture, narratology, performance and genre theory to fandom studies and gender studies. In its first part, the book focuses on textual analysis and media form in the narrow sense with regard to filmic media, bank footage, voice acting and musical score, and then it broadens the scope to consider subcultural discourse, franchising, manga and video game adaptations, as well as critical and affective user engagement.
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47

Hyvärinen, Matti, Frans Mäyrä, Mari Hatavara i Maria Mäkelä. Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. Taylor & Francis Group, 2015.

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Hyvärinen, Matti, Frans Mäyrä, Mari Hatavara i Maria Mäkelä. Narrative Theory, Literature, and New Media: Narrative Minds and Virtual Worlds. Taylor & Francis Group, 2018.

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49

Richardson, John E., i Joseph D. Burridge, red. Analysing Media Discourses. Routledge, 2014. http://dx.doi.org/10.4324/9781315874630.

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Richardson, John E., i Joseph D. Burridge. Analysing Media Discourses. Taylor & Francis Group, 2011.

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