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Artykuły w czasopismach na temat "Media audiences"
Saulite, Linda. "News Media Brand Equity in a New Media Environment". Economics and Business 36, nr 1 (1.01.2022): 199–210. http://dx.doi.org/10.2478/eb-2022-0013.
Pełny tekst źródłaBalfour, Virginia H. "Likes, comments, action! An examination of the Facebook audience engagement strategies used by strategic impact documentary". Media International Australia 176, nr 1 (23.02.2020): 34–51. http://dx.doi.org/10.1177/1329878x19897416.
Pełny tekst źródłaAdelakun, Lateef Adekunle. "Local Media Going Global: Assessing Online Media Efficiency By Nigerian Audience Abroad". Jurnal Pengajian Media Malaysia 20, nr 1 (1.06.2018): 15–26. http://dx.doi.org/10.22452/jpmm.vol20no1.2.
Pełny tekst źródłaMiranda, Pritta, i Reny Yuliati. "Eksistensi Radio Saat Ini : Studi Preferensi & Motivasi Khalayak Dalam Mendengarkan Radio". Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 4, nr 3 (5.11.2020): 735. http://dx.doi.org/10.25139/jsk.v4i3.2477.
Pełny tekst źródłaSilfia, Imamatul, i Irwansyah Irwansyah. "Science communication by scientists and influencers on social media". Jurnal Manajemen Komunikasi 7, nr 1 (30.10.2022): 1. http://dx.doi.org/10.24198/jmk.v7i1.40508.
Pełny tekst źródłaEdgerly, Stephanie, i Emily K. Vraga. "News, entertainment, or both? Exploring audience perceptions of media genre in a hybrid media environment". Journalism 20, nr 6 (13.09.2017): 807–26. http://dx.doi.org/10.1177/1464884917730709.
Pełny tekst źródłaNanì, Alessandro, i Pille Pruulmann-Vengerfeldt. "Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland". Baltic Screen Media Review 5, nr 1 (20.12.2017): 58–69. http://dx.doi.org/10.1515/bsmr-2017-0012.
Pełny tekst źródłaJensen, Klaus Bruhn. "The Double Hermeneutics of Audience Research". Television & New Media 20, nr 2 (14.11.2018): 142–54. http://dx.doi.org/10.1177/1527476418811103.
Pełny tekst źródłaZhong, Luxiong. "Media Happiness of the Audience of “Mukbang”". Learning & Education 9, nr 3 (29.12.2020): 32. http://dx.doi.org/10.18282/l-e.v9i3.1567.
Pełny tekst źródłaCavalcante, Andre. "Affect, emotion, and media audiences: the case of resilient reception". Media, Culture & Society 40, nr 8 (12.06.2018): 1186–201. http://dx.doi.org/10.1177/0163443718781991.
Pełny tekst źródłaRozprawy doktorskie na temat "Media audiences"
Seles, Sheila Murphy. "Audience research for fun and profit : rediscovering the value of television audiences". Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/59574.
Pełny tekst źródłaThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student submitted PDF version of thesis.
Includes bibliographical references (p. 121-128).
The American television industry is in a moment of transition because of changes brought about by digital distribution and audience fragmentation. This thesis argues that the television industry can no longer adapt to the changing media landscape because structural relationships and business logics forged in previous eras do not allow for meaningful innovation. This project investigates how these relationships evolved and how they can be made more flexible to meet the challenges of digital distribution and digitally networked audiences. Legacy relationships, logics, and measurement methods have prevented the television industry from maximizing the value of increasingly fragmented television audiences. Publishers, advertisers, and measurement companies have historically been able to get around the limitations of their relationships to one another, but they are now faced with increasing competition from digital companies that understand how to make fragmented audiences valuable. This thesis argues that the methodologies and corporate ethos of successful online companies can serve as a model for the television industry, or they can be its undoing. This project also argues that the television ratings system is no longer serving the television industry, the advertising industry, and television audiences. The television industry has the opportunity to develop a system of audience measurement that maintains the residual value of television audiences while accounting for the value of audience expression. To leverage the true value of the television audience, the television industry must reconcile the commodity value of the audience with the cultural value that viewers derive from television programming. This thesis proposes that the cultural value of content should augment the commodity value of the audience. This project concludes that the television industry should reconfigure its economic structure by looking to other digital business, experimenting with new business models online, and actively exploring emergent sites of audience value.
by Sheila Murphy Seles.
S.M.
Abdel, Karim Mohamed. "Jordanian audiences and satellite news media". Thesis, Kingston University, 2012. http://eprints.kingston.ac.uk/25092/.
Pełny tekst źródłaKim, Hyungmin. "Uses and Gratification of Sports Media Audiences". Master's thesis, Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216550.
Pełny tekst źródłaM.A.
With the exposure of mass media, sports fans are able to enjoy games in real time in their homes (Beck & Bosshart, 2003; Phua, 2010). While just watching sports broadcasts, fans are likely to share the game experience with family, friends, and other fans who are following the same team (Gantz & Wenner, 1995). Besides, a significant number of people use social media when they are watching live sports broadcasts (Horn, 2012; Phua, 2012; Tang & Cooper, 2011). In particular, sports is one of the most common topics for Twitter users (Kwak, Lee, Park & Moon, 2010). Thus, this thesis explores 1) sports media audiences' motivations to watch live NFL game broadcasts with others, 2) their gratifications as a consequence of the group watching, 3) their motivations to use sports Twitter while watching live NFL game broadcasts, 4) their gratifications as a consequence of sports Twitter use while watching the game broadcasts, and 5) the level of gratifications as a consequence of the group watching and sports Twitter use. The factor analysis indicates that interactivity, fan identity, diversion/entertainment, and personal utility are the factors for the uses and gratifications of the group watching, while interactivity, information seeking, fan identity, and diversion/entertainment are the factors for sports Twitter use. All motivational factors are gratified as a consequence of sports group watching and Twitter use while watching the game broadcasts. This is the meaningful implication of the study that sports media allow the audience to have an opportunity to fulfill their desire for social interaction, and indeed, it is gratified as a consequence of sports media use.
Temple University--Theses
Law, Philippa. "Audiences' willingness to participate in Welsh-language media". Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8554.
Pełny tekst źródłaIngvoldstad, Bjorn Paul. "Post-socialism, globalization, and popular culture 21st century Lithuanian media and media audiences /". [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3219906.
Pełny tekst źródłaSource: Dissertation Abstracts International, Volume: 67-06, Section: A, page: 1962. Adviser: Barbara Klinger. "Title from dissertation home page (viewed June 21, 2007)."
Algers, Maria. "Museums on Instagram - Engagement with audiences on social media". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22904.
Pełny tekst źródłaAl-Jaber, Khalid Jamal M. H. "Audiences' perceptions of news media services in three Arab countries". Thesis, University of Leicester, 2012. http://hdl.handle.net/2381/27680.
Pełny tekst źródłaRedhead, Tracy. "Interactive music formats : will audiences interact?" Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/80881/4/Tracy_Redhead_Thesis.pdf.
Pełny tekst źródłaBenjarongkij, Yubol Chandruang. "Life events, need salience and audiences' use of television /". The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260135356719.
Pełny tekst źródłaTurner, Jerome. "Hyperlocal Community Media Audiences: An Ethnographic Study of Local Media Spaces and Their Place in Everyday Life". Thesis, Birmingham City University, 2018. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.753287.
Pełny tekst źródłaKsiążki na temat "Media audiences"
Gunter, Barrie, i David Machin. Media Audiences. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2009. http://dx.doi.org/10.4135/9781446262498.
Pełny tekst źródłaMufti, Sabeha. Media & its audiences: A media - audience study of Kashmir. Srinagar: Jaykay Books, 2011.
Znajdź pełny tekst źródłaA, Kent Raymond, red. Measuring media audiences. London: Routledge, 1994.
Znajdź pełny tekst źródłaBailey, Steve. Media Audiences and Identity. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501119.
Pełny tekst źródłaLacey, Nick. Media, Institutions and Audiences. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-9046-4.
Pełny tekst źródłaRuddock, Andy. Understanding audiences: Theory and method. London: SAGE, 2001.
Znajdź pełny tekst źródłaAudience evolution: New technologies and the transformation of media audiences. New York: Columbia University Press, 2010.
Znajdź pełny tekst źródłaKim, Schrøder, red. Researching audiences. London: Arnold, 2003.
Znajdź pełny tekst źródłaTelevision and new media audiences. Oxford: Clarendon Press, 1999.
Znajdź pełny tekst źródłaThe handbook of media audiences. Malden: Wiley-Blackwell, 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Media audiences"
Alvarado, Manuel, Robin Gutch i Tana Wollen. "Audiences". W Learning the Media, 249–66. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18681-5_10.
Pełny tekst źródłaLong, Paul, Beth Johnson, Shana MacDonald, Schem Rogerson Bader, Tim Wall, Vian Bakir i Andrew McStay. "Media audiences". W Media Studies, 304–59. Wyd. 3. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315690834-10.
Pełny tekst źródłaMeikle, Graham, i Sherman Young. "Creative Audiences". W Media Convergence, 103–26. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35670-2_6.
Pełny tekst źródłaThompson, Jay Daniel, i John Weldon. "Audiences and Target Audiences". W Content Production for Digital Media, 11–20. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9686-2_2.
Pełny tekst źródłaBertrand, Ina, i Peter Hughes. "Researching Audiences". W Media Research Methods, 43–62. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-1-137-04128-9_3.
Pełny tekst źródłaBertrand, Ina, i Peter Hughes. "Researching Audiences". W Media Research Methods, 51–82. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-55216-7_3.
Pełny tekst źródłaKrijnen, Tonny, i Sofie Van Bauwel. "Empowered audiences". W Gender and Media, 172–89. Wyd. 2. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429318474-9.
Pełny tekst źródłaCulloty, Eileen, i Jane Suiter. "Audiences". W Disinformation and Manipulation in Digital Media, 49–65. Abingdon, Oxon ; New York, NY : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003054252-4.
Pełny tekst źródłaLacey, Nick. "The Media Business". W Media, Institutions and Audiences, 6–34. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-9046-4_2.
Pełny tekst źródłaLacey, Nick. "Approaches to Audiences". W Media, Institutions and Audiences, 144–79. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-9046-4_7.
Pełny tekst źródłaStreszczenia konferencji na temat "Media audiences"
GIL-LAFUENTE, ANNA MARIA, i LUIS AMIGUET MOLINA. "MEDIA AUDIENCES PREDICTION: A MODEL". W Proceedings of the MS'10 International Conference. WORLD SCIENTIFIC, 2010. http://dx.doi.org/10.1142/9789814324441_0054.
Pełny tekst źródłaZitmane, Marita, i Marija Vorkule. "Should Influencers be Trusted? Analysis of Influencers’ Interaction with Children and Adolescents on Instagram and Youtube". W 80th International Scientific Conference of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/htqe.2022.08.
Pełny tekst źródłaProvost, Foster. "Brand advertising, on-line audiences, and social media". W the Third International Workshop. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1592748.1592749.
Pełny tekst źródłaYow, Leong Wai, Kong Hua Lim, Yee Mei Lim i Tong Ming Lim. "Multi-Emotion Detection in Social Media Post using Lexicon-Driven Approach". W International Conference on Digital Transformation and Applications (ICDXA 2020). Tunku Abdul Rahman University College, 2020. http://dx.doi.org/10.56453/icdxa.2020.1008.
Pełny tekst źródłaTan, Wai Beng, i Tong Ming Lim. "A Critical Review on Engagement Rate and Pattern on Social Media Sites". W International Conference on Digital Transformation and Applications (ICDXA 2020). Tunku Abdul Rahman University College, 2020. http://dx.doi.org/10.56453/icdxa.2020.1002.
Pełny tekst źródłaRusso, Angelina, i Jerry Watkins. "NEW LITERACY NEW AUDIENCES: SOCIAL MEDIA AND CULTURAL INSTITUTIONS". W Electronic Visualisation and the Arts (EVA 2008). BCS Learning & Development, 2008. http://dx.doi.org/10.14236/ewic/eva2008.26.
Pełny tekst źródłaNuzuli, Ahmad Khairul. "Audiences Meanings on Figure Disabilities in Korean Drama Scarlet Heart". W International Conference on Media and Communication Studies(ICOMACS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icomacs-18.2018.30.
Pełny tekst źródłaSu, Zhibin, Yahong Qian, Hui Ren, Chaohui Lv, Xiaoyi Zhang i Weiwei Li. "Emotion Classification of Film and Television Scene Images for Audiences". W 2019 International Joint Conference on Information, Media and Engineering (IJCIME). IEEE, 2019. http://dx.doi.org/10.1109/ijcime49369.2019.00013.
Pełny tekst źródłaLiu, Tianxiao, Jasmine Glover i Oliver L. Haimson. "Reasons for Sharing With Separate Social Media Audiences During Life Transitions". W CSCW '20: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3406865.3418306.
Pełny tekst źródłaLiu, Keren. "Female Audiences’ Interpretation on Media Programs——A Research Based on Sherlock". W Proceedings of the 2019 3rd International Seminar on Education, Management and Social Sciences (ISEMSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/isemss-19.2019.111.
Pełny tekst źródłaRaporty organizacyjne na temat "Media audiences"
Iverson, Kenneth. The Audiences of the Military-Media Stage: An Operational Commander's Role. Fort Belvoir, VA: Defense Technical Information Center, maj 2006. http://dx.doi.org/10.21236/ada463535.
Pełny tekst źródłaMcKittrick, Susan. Capitalizing on Social Media Channels to Draw Audiences in Specific Business Niches. Boston, MA: Patricia Seybold Group, kwiecień 2011. http://dx.doi.org/10.1571/sp04-07-11cc.
Pełny tekst źródłaOrtega, F., B. González Ispierto i ME Pérez Peláez. Audiences in revolution. Use and consumption of mass media groups’ apps for tablets and smartphones. Revista Latina de Comunicación Social, październik 2015. http://dx.doi.org/10.4185/rlcs-2015-1063en.
Pełny tekst źródłaKenes, Bulent. QAnon: A Conspiracy Cult or Quasi-Religion of Modern Times? European Center for Populism Studies (ECPS), marzec 2021. http://dx.doi.org/10.55271/op0007.
Pełny tekst źródłaVaskivskyj, Yurij. Branding in journalism: prospects for operation. Ivan Franko National University of Lviv, luty 2022. http://dx.doi.org/10.30970/vjo.2022.51.11395.
Pełny tekst źródłaManhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse i Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), listopad 2020. http://dx.doi.org/10.19088/ids.2020.001.
Pełny tekst źródłaSyvash, Kateryna. AUDIENCE FEEDBACK AS AN ELEMENT OF PARASOCIAL COMMUNICATION WITH SCREEN MEDIA-PERSONS. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11062.
Pełny tekst źródłaButyrina, Maria, i Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, luty 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.
Pełny tekst źródłaKrylova-Grek, Yulia, i Mariya Shyshkina. Blended Learning Method for Improving Students' Media Literacy Level. [б. в.], listopad 2020. http://dx.doi.org/10.31812/123456789/4467.
Pełny tekst źródłaWillis, Craig. ECMI Minorities Blog. Could a new level of digitalisation offer minority language media outlets a strategy to attract a wider audience? European Centre for Minority Issues, październik 2022. http://dx.doi.org/10.53779/smpx1996.
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