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Artykuły w czasopismach na temat "Mazurka (Dance)"
Goldberg, Halina. "Nationalizing the Kujawiak and Constructions of Nostalgia in Chopin's Mazurkas". 19th-Century Music 39, nr 3 (2016): 223–47. http://dx.doi.org/10.1525/ncm.2016.39.3.223.
Pełny tekst źródłaSzymaniak, Włodzimierz. "The Heritage of Polish Emigration after November Uprising in Cape Verde". Studia Gdańskie. Wizje i rzeczywistość XVII (1.05.2021): 191–99. http://dx.doi.org/10.5604/01.3001.0014.9104.
Pełny tekst źródłaParakilas, James. "Disrupting the Genre: Unforeseen Personifications in Chopin". 19th-Century Music 35, nr 3 (2012): 165–81. http://dx.doi.org/10.1525/ncm.2012.35.3.165.
Pełny tekst źródłaPtashenko, Serhii. "Song and dance genre specifics in works for button accordion by the composers of the Department of Folk Instruments of Ukraine of Kharkiv I. P. Kotlyarevsky National University of Art". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 59, nr 59 (26.03.2021): 67–82. http://dx.doi.org/10.34064/khnum1-59.05.
Pełny tekst źródłaKokanović Marković, Marijana. "Dance in the Salons: Waltzes, Polkas and Quadrilles in Serbian Piano Music of the 19th Century". Scientific herald of Tchaikovsky National Music Academy of Ukraine, nr 133 (21.03.2022): 120–33. http://dx.doi.org/10.31318/2522-4190.2022.133.257328.
Pełny tekst źródłaMuzyka, Lesia. "Piano Pieces for Children in Serhiy Bortkevych’s Musical Heritage". Musical art in the educological discourse, nr 8 (2024): 67–72. http://dx.doi.org/10.28925/2518-766x.2023.810.
Pełny tekst źródłaŁapeta, Oskar. "The Ballets of Eugeniusz Morawski in the Context of the Search for Polish National Identity". Polski Rocznik Muzykologiczny 19, nr 1 (1.12.2021): 54–66. http://dx.doi.org/10.2478/prm-2021-0010.
Pełny tekst źródłaSerdiuk, Yaroslava. "Peculiarities of embodying the Swedish national folklore in Amanda Maier’s violin miniatures". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 64, nr 64 (7.12.2022): 110–26. http://dx.doi.org/10.34064/khnum1-64.07.
Pełny tekst źródłaAndrzejak, Izabela. "Folk dance as a tool of socialist propaganda based on Paweł Pawlikowski’s Cold War". Dziennikarstwo i Media 15 (29.06.2021): 37–50. http://dx.doi.org/10.19195/2082-8322.15.4.
Pełny tekst źródłaKostenko, Nataliia. "Ihor Kovach’s concert works for the four-string domra in the modern performance practice". Aspects of Historical Musicology 32, nr 32 (15.11.2023): 39–55. http://dx.doi.org/10.34064/khnum2-32.03.
Pełny tekst źródłaRozprawy doktorskie na temat "Mazurka (Dance)"
CARDINALE, SARA. "IL BALLO DI COPPIA IN STRADA A MILANO: SOCIEVOLEZZA E APPARTENENZA NELL'INTIMITA' DELLO SPAZIO PUBBLICO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/35575.
Pełny tekst źródłaIn Western culture, social partner dances have re-emerged as a leisure activity for young and adults since the 90’s. This sociological research concerns social partner dancing events taking place in public spaces in Milan nowadays, especially in the city centre. They are organized through online social networks by groups of dancers who occupy the public space without any formal license and any profit-mindedness; Argentinian tango, French mazurka, swing, and Southern Italian dances are the types of dances involved. The underlying assumption is that these street events are part of a unique social phenomenon. By means of an at home perspective to participant observation, semistructured, and in-depth interviews, this work aims, firstly, to find specific meanings to this practice by comparing it to partner dances performed in institutional places; and secondly, to identify the role of public space in this framework. The collective sociality dimension of meaning has been chosen as a key to interpretation, since it stood out for complexity and relevance. This urban practice turns out to be a kind of simmelian sociability and an environment to experience a group intimacy produced by extemporary interactions of acquaintances; of which urban public spaces, furthermore, prove to be a perfect theatre to its full expression.
CARDINALE, SARA. "IL BALLO DI COPPIA IN STRADA A MILANO: SOCIEVOLEZZA E APPARTENENZA NELL'INTIMITA' DELLO SPAZIO PUBBLICO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/35575.
Pełny tekst źródłaIn Western culture, social partner dances have re-emerged as a leisure activity for young and adults since the 90’s. This sociological research concerns social partner dancing events taking place in public spaces in Milan nowadays, especially in the city centre. They are organized through online social networks by groups of dancers who occupy the public space without any formal license and any profit-mindedness; Argentinian tango, French mazurka, swing, and Southern Italian dances are the types of dances involved. The underlying assumption is that these street events are part of a unique social phenomenon. By means of an at home perspective to participant observation, semistructured, and in-depth interviews, this work aims, firstly, to find specific meanings to this practice by comparing it to partner dances performed in institutional places; and secondly, to identify the role of public space in this framework. The collective sociality dimension of meaning has been chosen as a key to interpretation, since it stood out for complexity and relevance. This urban practice turns out to be a kind of simmelian sociability and an environment to experience a group intimacy produced by extemporary interactions of acquaintances; of which urban public spaces, furthermore, prove to be a perfect theatre to its full expression.
VINCIKOVÁ, Eva. "Návrh metodiky nácviku jednoduchých gymnastických dovedností na 1. stupni ZŠ - rytmická gymnastika". Master's thesis, 2007. http://www.nusl.cz/ntk/nusl-44551.
Pełny tekst źródłaFons, Margaret Ann. ""A thousand nuances of movement" : the intersection of gesture, narrative, and temporality in selected mazurkas of Chopin". Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5451.
Pełny tekst źródłatext
Chung, Woan Yee, i 鍾宛妤. "A Study of Chopin's Polish Dance Works - With Examples of Polonaises, Op. 26 and Mazurkas, Op. 59". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/7y9r77.
Pełny tekst źródła國立臺灣藝術大學
音樂學系
105
Frédéric François Chopin (1810-1849) is a well-known composer-pianist in the Romantic period. He wrote a lot of piano works including sonatas, ballades, preludes, etudes, waltzes, polonaises, mazurkas and etc. His works have become a main body of concert repertoires for pianists. He created a new era for the nineteenth-century piano music and influenced numerous composers in his and further time. Analysis and discussions of this thesis will focus on his polish dance works, polonaises and mazurkas, with examples from Polonaises, Op. 26 and Mazurkas, Op. 59. This thesis contains five chapters. Chapter one states the research motives, methods and scope of research. Chapter two includes a biography of Chopin and his music styles, with focus on his style of composition. Chapter three studies the history of polonaise and mazurka and the distinguished feature of Chopin’s polonaises and mazurkas. Chapter four includes the analysis of Polonaises, Op. 26 and Mazurkas, Op. 59 in terms of form, rhythm, tonality and etc, interpretation also included in this chapter. Lastly, chapter five concludes the result of the study.
Książki na temat "Mazurka (Dance)"
Kijanowska, Anna. Embracing folk material and finding the new objectivity: Karol Szymanowski's Twenty Mazurkas op. 50 and Two Mazurkas op. 62. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2018.
Znajdź pełny tekst źródłaMazur, Michael. Michael Mazur: L'Inferno di Dante : opere grafiche : 1992-2000. Milano: Electa, 2000.
Znajdź pełny tekst źródłaHowe, Elias. Howe's Complete Ball-Room Hand Book: Containing Upwards of Three Hundred Dances, Including All the Latest and Most Fashionable Dances, Waltz, Polka, Mazurka, Schottische, Gallopade, Common, and Polka Redowa Quadrilles or Cotillons; Varsovianna, Corlitza,. Forgotten Books, 2017.
Znajdź pełny tekst źródłaThe Ball-Room Bijou, and Art of Dancing: Containing the Figures of the Polkas, Mazurkas, and Other Popular New Dances; With Rules for Polite Behaviour. Forgotten Books, 2018.
Znajdź pełny tekst źródłaCzęści książek na temat "Mazurka (Dance)"
Gremlicová, Dorota. "6. Decency, Health, and Grace Endangered by Quick Dancing?" W Waltzing Through Europe, 149–76. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.06.
Pełny tekst źródłaKatarinčić, Ivana, i Iva Niemčić. "9. Dancing and Politics in Croatia". W Waltzing Through Europe, 257–82. Open Book Publishers, 2020. http://dx.doi.org/10.11647/obp.0174.09.
Pełny tekst źródłaSamson, Jim. "Salons". W The Music of Chopin, 120–27. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198164029.003.0008.
Pełny tekst źródłaFullington, Doug, i Marian Smith. "Paquita in St. Petersburg". W Five Ballets from Paris and St. Petersburg, 264–327. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190944506.003.0006.
Pełny tekst źródłaSamson, Jim. "‘A new world for myself’". W Chopin, 148–86. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198164951.003.0006.
Pełny tekst źródłaBurnaby, Frederick. "The Meet—Bokharan and Kirghiz Sportsmen—The Country—The Chase— The Falcons—A Club-house—A Ball—The way of Dancing Quadrilles —Vaises—A Mazurka—Theatricals—Osbaldestone’s Feat—The Davenport Brothers’ Trick—The Khan’s Treasurer—An Envoy from the Ameer of Bokhara—”Whois the Khan in the Moon?”—A Russo-German Scientific Expedition—A Prussian Officer—Nazar and Ivanoff’s Servants—Captain Yanusheff—Shurahan." W A Ride to Khiva, 334–42. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780192880505.003.0036.
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