Artykuły w czasopismach na temat „Mari imprints”

В статье представлены новые результаты изучения керамики волосовской культуры территории Среднего Поволжья. В ходе обобщающего исследования было выявлено, что в ранней волосовской керамике преобладают прямые и утолщенные венчики. Преимущественно прямая профилировка сосудов. Высок процент орнаментированной посуды, общая схема орнаментации горизонтальная и вертикальная. В качестве элемента орнамента превалируют оттиски гребенчатого штампа. При подсчете коэффициента сходства 9 рассмотренных в работе памятников, относящихся к ранней волосовской культуре, было выявлено, что наиболее высокие коэффициенты сходства получены при подсчете по формам венчиков и элементам орнамента. По результатам технико-технологического анализа также выражена стандартизация рассматриваемых материалов. The paper presents new results of study of ceramics from the Volosovo culture sites located in the Middle Volga region which is important for research of the Volosovo culture. This synthesis-oriented research has found that straight and thick rims predominate among the early Volosovo ceramics. Vessel profiling is predominantly straight. The ornamented vessels account for a large percentage share of the found vessels, the decoration pattern is organized horizontally and vertically. The comb stamp imprints predominate as a decorative element. The calculations of the similarity coefficient for nine sites attributed to the Early Volosovo culture demonstrate that the highest similarity coefficients have been obtained for rim shapes and decorative pattern elements. The results of the technical and technological analysis also demonstrate standardization of the analyzed materials.

ABSTRACT Genomic imprinting at the Igf2/H19 locus originates from allele-specific DNA methylation, which modifies the affinity of some proteins for their target sequences. Here, we show that AT-rich DNA sequences located in the vicinity of previously characterized differentially methylated regions (DMRs) of the imprinted Igf2 gene are conserved between mouse and human. These sequences have all the characteristics of matrix attachment regions (MARs), which are known as versatile regulatory elements involved in chromatin structure and gene expression. Combining allele-specific nuclear matrix binding assays and real-time PCR quantification, we show that retention of two of these Igf2 MARs (MAR0 and MAR2) in the nuclear matrix fraction depends on the tissue and is specific to the paternal allele. Furthermore, on this allele, the Igf2 MAR2 is functionally linked to the neighboring DMR2 while, on the maternal allele, it is controlled by the imprinting-control region. Our work clearly demonstrates that genomic imprinting controls matrix attachment regions in the Igf2 gene.

The article draws on archival materials from the State Archive of the Mari El Republic and Central State Archive of the Kirov Region to study the emergence and development of the Mari regional organization of the RCP (B) in 1921–23. It is to analyze the process of formation of the Mari regional organization of the RCP (B) and to identify its specifics. The author sets himself two tasks: to clarify the features of the process of formation of the organization and the course of the intra-party conflict between “krasnokokshaytsy” and “kozmodemyantsy,” “local” and “appointees.” The novelty is determined by the fact that this is the first attempt since 1991 to analyze the process of formation of the Mari regional organization of the RCP (B). The research is written on archival material using principles of historicism and historical institutionalism. The Mari regional organization of the RCP (B) was formed in January 1921, shortly after the creation of the autonomous region. The first provisional bureau of the obkom and the revkom included the same people, producing a unified management system. This circumstance slowed down the formation of the party structures. The situation was aggravated by the fact that there were practically no industrial enterprises and corresponding infrastructure, and cultural level of the population was insufficient. The personnel shortage in the party and Soviet structures had its specifics: there were not enough trained Mari workers. However, circulars from the Central Committee demanded their engaging, as well as taking into account local specifics. In 1921–22, the situation in the party organizations worsened due to corrupting influence of the New Economic Policy, famine, and fires engulfing the region. Due to lack of educated, dedicated, and active communists, a huge responsibility fell on the local party elite from among the Mari intelligentsia. At the end of 1921, the “kozmodemyansky” conflict broke out, which nearly ended in armed clashes. The Central Committee intervened, sending party workers. Analysis of the process of formation of the Mari regional organization of the RCP (B) has shown that from its early days it faced great difficulties in its activities; in terms of social composition, it was a peasant organization. Ethno-cultural peculiarities of the region left an imprint on the relationships between the party members and caused conflicts. Overcoming them was hampered by arbitrariness of the “appointees,” as well as their resorting to repression and using contradictions between groups in their own interests.

Abstract Genomic imprinting leads to mono-allelic expression of genes based on parent of origin. Therian mammals and angiosperms evolved this mechanism in nutritive tissues, the placenta, and endosperm, where maternal and paternal genomes are in conflict with respect to resource allocation. We used RNA-seq to analyze allelic bias in the expression of 91 known imprinted genes in term human placentas from a prospective cohort study in Mali. A large fraction of the imprinted exons (39%) deviated from mono-allelic expression. Loss of imprinting (LOI) occurred in genes with either maternal or paternal expression bias, albeit more frequently in the former. We characterized LOI using binomial generalized linear mixed models. Variation in LOI was predominantly at the gene as opposed to the exon level, consistent with a single promoter driving the expression of most exons in a gene. Some genes were less prone to LOI than others, particularly lncRNA genes were rarely expressed from the repressed allele. Further, some individuals had more LOI than others and, within a person, the expression bias of maternally and paternally imprinted genes was correlated. We hypothesize that trans-acting maternal effect genes mediate correlated LOI and provide the mother with an additional lever to control fetal growth by extending her influence to LOI of the paternally imprinted genes. Limited evidence exists to support associations between LOI and offspring phenotypes. We show that birth length and placental weight were associated with allelic bias, making this the first comprehensive report of an association between LOI and a birth phenotype.

Abstract This study focuses on the pottery-bearing (“Neolithic”) sites of the northern Azov Sea region. The vessels ornamented with comb imprints appeared there in the sixth millennium BC. In the light of a recent re-dating of the Rakushechny Yar site sequence, the sites of the northern Azov region appeared to be the earliest evidence for this innovation. The innovation in the ceramic assemblage is accompanied by an innovative lithic tool set. The latter included macro-blades and fan-shaped end-scrapers, which were previously unknown in the studied region. Their reanalysis (including new field work at the single-layer site of Chapaevka) helped formulate a hypothesis of maritime transmission of comb-ornamented ceramics in the Black and Azov Sea. This hypothesis will stimulate further discussions regarding the ways of Neolithization in Eastern Europe. It underlines the connections between Balkan “classic” Neolithic and pottery-bearing sites of the Ukrainian Steppe. The impressed ware from Makri and other mainland Greek sites is treated as the closest analogy to the finds of the northern Azov Sea region.

ABSTRACTIn a comparative perspective, literacy has been closely associated with techniques of the self and with the emergence of modern subjectivities. But what happens when literacy is developed without genres such as diary keeping being widespread? Scrutinizing grassroots practices, this article demonstrates that even people who are not confronted with established forms of self-writing engage with literacy in ways that bear an imprint of their lives and subjectivities. Drawing on an ethnographic study in one village in southern Mali, it sets a socio-historical background where writing practices arise primarily as responses to the pressure of rural management. Yet the local discourses on the value of writing are suffused with notions of privacy. The article focuses on the unstable but shared practice of keeping a notebook for farming as well personal notations. Through a detailed analysis of two notebooks, it advocates for a set of distinctions between the individual, the private and the self that helps disentangle the issue of writing and self. This leads to a contrasted view of the local engagements with literacy. The question of the crystallization of notebook keeping as a genre remains open.

AbstractThe Amalaoulaou Neoproterozoic island-arc massif belongs to the Gourma belt in Mali. The metagabbros and pyroxenites forming the main body of this arc root show the pervasive development of garnet. In the pyroxenites, the latter has grown by reaction between pyroxene and spinel during isobaric cooling. By contrast, in the metagabbros, garnet textures and relations to felsic veins exclude an origin through solid-state reactions only. It is proposed that garnet has grown following dehydration and localized melting of amphibole-bearing gabbros at the base of the arc. The plagioclase-saturated melts represented by anorthositic veins in the metagabbros and by trondhjemites in the upper part of the massif provide evidence for melting in the deep arc crust, which locally generated high-density garnet–clinopyroxene–rutile residues. Garnet growth and melting began around 850 °C at 10 kbar and the tonalitic melts were most probably generated around 1050 °C at P ≥ 10 kbar. This HT granulitic imprint can be related to arc maturation, leading to a P–T increase in the deep arc root and dehydration and/or dehydration-melting of amphibole-bearing gabbros. Observation of such features in the root of this Neoproterozoic island arc has important consequences, as it provides a link to models concerning the early generation of continental crust.

Abstract This article explores the biography of a network of Soviet telescopic cameras stationed across the African Sahel during the Cold War. Through joint Soviet-African cooperative programs, scientists used these advanced cameras in Egypt, Somalia, Mali, the Sudan, and Chad to photograph satellites flying overhead to gather data to produce a new model of the Earth, one that Soviet scientists hoped would be an alternative to Western models. I argue that these technical artifacts in Africa, connected into a single global network, represented examples of “infrastructural irruptions” of Cold War technopolitics into African geography, wherein the superpowers placed networked technologies inside postcolonial spaces for the collection of data. Although these technologies were nominally Soviet in origin, the story could also be read as one of Africans who invested their geography with agency in the production of scientific knowledge. Like the socialist moment in Africa and indeed the Soviet Union itself, this camera network no longer exists, its data compromised and its material imprint disappeared. But this “failure” should not blind us to the immanent power of possibility embedded in this incomplete project. I argue that this combination of unbounded aspiration and incomplete materiality was a powerful manifestation of the African-Soviet Modern.

Sarah completed her residency training at The Medical City in 2010. As early as her residency days, she showed remarkable surgical skills, good clinical judgment, and excellent administrative insight. She spent her senior year in training as one of the best chief residents the department had seen. Setting the bar high, she demanded excellence from her juniors and constantly sought progress. The department was enhanced by her initiatives, and early on, the consultant staff was certain that she would soar to great heights and achieve great things. After passing the PBO-HNS diplomate exam, she went to Fujita Health University to pursue fellowship training in Sleep Medicine. Her intelligence, sunny personality, and diligence impressed all she encountered while in Japan, from her eminent senseis up to the allied medical personnel. She contributed to the society and co-authored several scientific papers that were published internationally. She returned after a year of training, prepared and eager to start her private practice. But God had other plans for Sarah. In June 2011, a few months after completing her fellowship training, she was diagnosed with Acute Lymphoblastic Leukemia. Her treatment course was anything but smooth, and the road to recovery was challenging to say the least. But being the fighter that she was, Sarah faced her trials head on, and with the support of her family, friends, and colleagues she went into remission. Sarah then went on to be an active consultant of the Department of Otolaryngology-Head and Neck Surgery as well as a reader at the Center for Snoring and Sleep Disorders of The Medical City. It was also during this time that she passed the certifying examination given by the Philippine Society of Sleep Medicine. She was active in both her subspecialty study group and in the Philippine Society of Otolaryngology - Head and Neck Surgery, giving lectures during meetings, round table discussions, and in the society's annual convention. Sarah's personal life was also noteworthy. In 2014, she married the love of her life, Dr. Rodney Marc H. Ramos, a fellow otolaryngologist. Their love story is inspiring and definitely one for the books. Early in her career, Sarah was already regarded as one of the experts in Sleep Medicine. She was well on her way to becoming an esteemed member of the ENT community when she was faced with yet another challenge. Months after getting married, they were handed the unfortunate news that her cancer had relapsed. She took a leave from her clinical duties to undergo treatment, consisting of intensive chemotherapy and a bone marrow transplant. Her support group, led by her loving husband, rallied behind her and again she emerged victorious. Unfortunately, despite such hopeful circumstances, Sarah succumbed to complications of her treatment on August 26, 2016. She fought a good fight and she will be remembered for her tenacity, resilience, and unwavering faith. Her trademark dimples, always present even during the toughest of times have been imprinted forever in the hearts and minds of her loved ones. Her short, but well lived life, continues to be an inspiration to all those who had the privilege of knowing her. Goodbye, our dear Sarah. You are missed every day.

"Based on scattered finds, besides the well‑known Ist (1889) and IInd (1968/1969) “princely” graves in Apahida (Romania, Cluj County), dated to the Gepidic age (5–6 centuries AD) (Pl. I), there must have been a IIIrd princely grave there. Apart from these scattered finds, a sealring with a monogram (symbolum), found in Apahida – and kept in the Hungarian National Museum – (Pl. II/1–3) refers to the same. The retrograde monogram on the ring indicates that the sealring was not only a personal jewel, but also a functional tool used for authentication. Although the ring’s precise site in Apahida is unclear, it is still interpreted in connection to the Ist grave of Onachar, as a similar reading of the monogram is suggested to the one [Ona(c)har|us, cf. Szabó 2020a‑b] that stands on the namering. As the letter O of the namering does not appear in the monogram, and the letter M of the monogram does not appear on the namering, the presumption of identical names in case of the two rings can undoubtedly be turned down. Based on its shape, the monogram is a block or box monogram, which can be dated to the period between the 5th and 7th century AD (Pl. III/1). According to the characteristics of the monogram type, it shows every letter of the word and each letter appears only once. Monograms from this period usually contain either personal names or office names, with genitive ending. Due to these reasons as well, the former readings: Marc(us) [J. Hampel], Audomariuς [I. Bóna], Marιaς [J. Spier], Omacar(?) [C. H. Opreanu] are not adequate. Former literature suggested and used Latin and Greek as reading languages for the monogram. A Greek reading must be considered because there might be a Σ i.e. C (i.e. sigma lunata) letter, on the right side of the imprinted monogram (Pl. III/2). Based on the structure of the monogram and the reading rules of the monogram type, furthermore with regards to all the solutions provided by the identifiable letters conjoined in alphabetical order, the monogram gives the Latin MAVRICI (nom. Mauricius or Mauricus as well) reading (Pl. III/3, 5). A not likely, speculative Greek MAΥPIΣI (nom. Mαυρις) solution (Pl. III/4) could be considered at most a Graecism because of the Latin ‑i instead of a Greek ‑ou for the genitive ending. The “Germanized” nominative version of the name without the Latin ending is MAVRIC (Mauric). Until now, the name was unknown in Germanic milieu. The ‑ric (‑rik, ‑rich) ending might have contributed to the use of the name in Germanic milieu. The sealring was made in a Christian milieu, and its owner was probably a Christian, which is indicated by the long- or Latin cross (crux immissa) on the ring head over the monogram (Pl. III/1). Based on the cross and in the context of the Age (5th-6th centuries AD), it is uncertain whether thering‑owner belonged to the Roman, Byzantine or Arian church. I have found no long- or Latin cross paired with a Greek monogram, consequently the ring and its owner must be of Western origin. His name may be related to the soldier martyr Mauricius from Agaunum (Saint‑Maurice, Valais canton, Switzerland) and the spreading popularity of his cult among Christians. The name refers to the centre and point of origin of the St. Mauricius (Saint Maurice) cult, the territory of the Burgundian Kingdom, conquered by the Francs in the first quarter of the 6th century AD. Compared to the western Germanic type of the finds, namely the artefacts from the Ist‑IInd‑IIIrd(?) “princely” graves from Apahida [cf. Gáll et alii 2017, 26–28, nos. 9–10, 11–13], it can be assumed, that Mauric from Apahida – who can be examined in the same context –, was a western Germanic regulus who fled either from internal political conflict or from the Franc conquest. Similarly to the regulus “Onachar from Apahida” [Ona(c)har|us ≈ Aunacharius, cf. Szabó 2020a‑b], who – based on his name and personal artefacts – had also western Germanic connections, Mauric i.e. Mauricius or Mauricus also settled in the confine of the Gepidic world. He might not only have had a role in the appearance of the eastern Merovingian culture in Transylvania [cf. Dobos 2019], but also in the rise of the settlement in Apahida or its vicinity as a regional political‑administrative centre. The damages on the surface of the sealring with monogram indicate its presumably longer usage in a kind of “chancellery” practice."

AbstractMolecularly imprinted polymer (L‐MIP) for L‐tyrosine (L‐Tyr) was prepared by the complexation between quaternized poly(4‐vinylpyridine/divinylbenzene) (QVP) and poly(acrylamide‐co‐acrylic acid) (PAmA) in alkaline solution. The L‐MIP showed higher enantioselectivity for L‐isomers of tyrosine, together with tryptophan (Trp) and phenylalanine (Phe) compared to the D‐isomers of them. The sorption isotherms of the three D‐enantiomers were converged to one isotherm. It could reflect that the sorption of D‐enantiomers could be relied mainly on the common segment, ‐CH2‐CH(NH2)‐COOH, neglecting any effect of bulkier aromatic groups. The imprinted common segment could be opened on the surface of MIP from the D‐enantiomers. For the L‐enantiomers, the sorption discrepancies were depended on the size of the aromatic group implying the phenolic moiety of L‐Tyr could be also opened. Thus, the imprinted sites were proposed to be opened on the surface of L‐MIP similar to the crop‐circle‐like. The enantioselectivity factors, αef = QL/QD, for Tyr, Trp, and Phe were 1.52, 1.30, and 1.52 for L‐ to D‐isomers, respectively. And the uptake differences between D‐ and L‐enantiomers of Tyr, Trp, and Phe were 31.8 mg, 20.7 mg, and 29 mg per 1 g MIP, respectively.This article is protected by copyright. All rights reserved

En 2005, Bibliothèque et Archives nationales du Québec (BAnQ) devenait partenaire du projet d’Inventaire des imprimés anciens au Québec, soutenu par les professeurs Marc André Bernier, de l’Université du Québec à Trois-Rivières, et Claude La Charité, de l’Université du Québec à Rimouski. Ce partenariat était une suite naturelle au colloque qu’avait organisé l’institution dans le cadre du congrès de l’Association francophone pour le savoir (Acfas) tenu en 2004 autour de questions portant sur la constitution, la description et la protection du patrimoine documentaire ancien présent sur le territoire québécois. C’est en raison de son expertise bibliothéconomique et de sa riche collection patrimoniale de livres anciens que les professeurs Bernier et La Charité ont invité BAnQ à participer au projet. Le présent article dresse le portrait de la collection de livres anciens de BAnQ, l’une des plus riches collections patrimoniales de l’institution, et décrit l’apport de BAnQ à la réalisation de l’inventaire.

Abstract Genomic imprinting is an epigenetic mechanism that results in allele-specific expression (ASE) based on the parent of origin. It is known to play a role in the prenatal and postnatal allocation of maternal resources in mammals. ASE detected by whole transcriptome RNA-seq (wht-RNAseq) has been widely used to analyze imprinted genes using reciprocal crosses in mice to generate large numbers of informative SNPs. Studies in humans are more challenging due to the paucity of SNPs and the poor preservation of RNA in term placentas and other tissues. Targeted RNA-seq (tar-RNAseq) can potentially mitigate these challenges by focusing sequencing resources on the regions of interest in the transcriptome. Here, we compared tar-RNAseq and wht-RNAseq in a study of ASE in known imprinted genes in placental tissue collected from a healthy human cohort in Mali, West Africa. As expected, tar-RNAseq substantially improved the coverage of SNPs. Compared to wht-RNAseq, tar-RNAseq produced on average four times more SNPs in twice as many genes per sample and read depth at the SNPs increased fourfold. In previous research on humans, discordant ASE values for SNPs of the same gene have limited the ability to accurately quantify ASE. We show that tar-RNAseq reduces this limitation as it unexpectedly increased the concordance of ASE between SNPs of the same gene, even in cases of degraded RNA. Studies aimed at discovering associations between individual variation in ASE and phenotypes in mammals and flowering plants will benefit from the improved power and accuracy of tar-RNAseq.

Looked at again and again half consciously by a mind thinking of something else, any object mixes itself so profoundly with the stuff of thought that it loses its actual form and recomposes itself a little differently in an ideal shape which haunts the brain when we least expect it. (Virginia Woolf 38) From briefcases to drugs, and from boxing rings to tower blocks, this issue of M/C Journal turns its attention to the diverse materialities that make up our social worlds. Across a variety of empirical contexts, the collected papers employ objects, structures, and spaces as lenses onto corporeality, extending and unsettling habitual understandings of what a body is and does. By exploring everyday encounters among bodies and other materialities, the contributors elucidate the material processes through which human corporeality is enacted and imagined, produced and unmade.That materialities “tell stories” of bodies is an implicit tenet of embodied existence. In biomedical practice, for example, the thermometer assigns a value to a disease process which might already be felt, whereas the blood pressure cuff sets in motion a story of illness that is otherwise hidden or existentially absent. In so doing, such objects recast corporeality, shaping not only experiences of embodied life, but also the very matter of embodiment.Whilst recognising that objects are “companion[s] in life experience” (Turkle 5), this issue seeks to go beyond a sole focus on embodied experience, and explore the co-constitutive entanglements of embodiment and materiality. The collected papers examine how bodies and the material worlds around them are dialectically forged and shaped. By engaging with a specific object, structure, or space, each paper reflects on embodiment in ways that take account of its myriad material dynamics. BodiesHow to conceptualise the body and attend to its complex relationships with sociality, identity, and agency has been a central question in many recent strands of thinking across the humanities and social sciences (see Blackman; Shilling). From discussions of embodiment and personhood to an engagement with the affective and material turns, these strands have challenged theoretical emphases on body/mind dualisms that have historically informed much thinking about bodies in Western thought, turning the analytic focus towards the felt experience of embodied being.Through these explorations of embodiment, the body, as Csordas writes, has emerged as “the existential ground of culture” (135). Inspired by phenomenology, and particularly by the writings of Merleau-Ponty, Csordas has theorised the body as always-already inter-subjective. In constant dynamic interaction with self, others, and the environment, the body is both creative and created, constituting culture while being constituted by it. As such, bodies continuously materialise through sensory experiences of oneself and others, spaces and objects, such that the embodied self is at once both material and social.The concept of embodiment—as inter-subjective, dynamic, and experientially focussed—is central to this collection of papers. In using the term corporeality, we build on the concept of embodiment in order to interrogate the material makings of bodies. We attend to the ways in which objects, structures, and spaces extend into, and emanate from, embodied experiences and bodily imaginings. Being inherently inter-subjective, bodies are therefore not individual, clearly bounded entities. Rather, the body is an "infinitely malleable and highly unstable culturally constructed product” (Shilling 78), produced, shaped, and negated by political and social processes. Studies of professional practice—for example, in medicine—have shown how the body is assembled through culturally specific, sometimes contingent, arrangements of knowledges and practices (Berg and Mol). Such arrangements serve to make the body inherently “multiple” (Mol) as well as mutable.A further challenge to entrenched notions of singularity and boundedness has been offered by the “affective turn” (Halley and Clough) in the humanities and social sciences (see also Gregg and Siegworth; Massumi; Stewart). Affect theory is concerned with the felt experiences that comprise and shape our being-in-the-world. It problematises the discursive boundaries among emotive and visceral, cognitive and sensory, experiences. In so doing, the affective turn has sought to theorise inter-subjectivity by engaging with the ways in which bodily capacities arise in relation to other materialities, contexts, and “force-relations” (Seigworth and Gregg 4). In attending to affect, emphasis is placed on the unfinishedness of both human and non-human bodies, showing these to be “perpetual[ly] becoming (always becoming otherwise)” (3, italics in original). Affect theory thereby elucidates that a body is “as much outside itself as in itself” and is “webbed in its relations” (3).ObjectsIn parallel to the “affective turn,” a “material turn” across the social sciences has attended to “corporeality as a practical and efficacious series of emergent capacities” which “reveals both the materiality of agency and agentic properties inherent in nature itself” (Coole and Frost 20). This renewed attention to the “stuff” (Miller) of human and non-human environments and bodies has complemented, but also challenged, constructivist theorisations of social life that tend to privilege discourse over materiality. Engaging with the “evocative objects” (Turkle) of everyday life has thereby challenged any assumed distinction between material and social processes. The material turn has, instead, sought to take account of “active processes of materialization of which embodied humans are an integral part, rather than the monotonous repetitions of dead matter from which human subjects are apart” (Coole and Frost 8).Key to this material turn has been a recognition that matter is not lumpen or inert; rather, it is processual, emergent, and always relational. From Bergson, through Deleuze and Guattari, to Bennett and Barad, a focus on the “vitality” of matter has drawn questions about the agency of the animate and inanimate to the fore. Engaging with the agentic capacities of the objects that surround us, the “material turn” recognises human agency as always embedded in networks of human and non-human actors, all of whom shape and reshape each other. This is an idea influentially articulated in Actor-Network-Theory (Latour).In an exposition of Actor-Network-Theory, Latour writes: “Scallops make the fisherman do things just as nets placed in the ocean lure the scallops into attaching themselves to the nets and just as data collectors bring together fishermen and scallops in oceanography” (107, italics in original). Humans, non-human animals, objects, and spaces are thus always already entangled, their capacities realised and their movements motivated, directed, and moulded by one another in generative processes of responsive action.Embodied Objects: The IssueAt the intersections of a constructivist and materialist analysis, Alison Bartlett’s paper draws our attention to the ways in which “retro masculinity is materialised and embodied as both a set of values and a set of objects” in Nancy Meyers’s film The Intern. Bartlett engages with the business suit, the briefcase, and the handkerchief that adorn Ben the intern, played by Robert De Niro. Arguing that his “senior white male body” is framed by the depoliticised fetishisation of these objects, Bartlett elucidates how they construct, reinforce, or interrupt the gaze of others. The dynamics of the gaze are also the focus of Anita Howarth’s analysis of food banks in the UK. Howarth suggests that the material spaces of food banks, with their queues of people in dire need, make hunger visible. In so doing, food banks draw hunger from the hidden depths of biological intimacy into public view. Howarth thus calls attention to the ways in which individual bodies may be caught up in circulating cultural and political discursive regimes, in this case ones that define poverty and deservingness. Discursive entanglements also echo through Alexandra Littaye’s paper. Like Bartlett, Littaye focusses on the construction and performance of gender. Autoethnographically reflecting on her experiences as a boxer, Littaye challenges the cultural gendering of boxing in discourse and regulation. To unsettle this gendering, Littaye explores how being punched in the face by male opponents evolved into an experience of camaraderie and respect. She contends that the boxing ring is a unique space in which violence can break down definitions of gendered embodiment.Through the changing meaning of such encounters between another’s hand and the mutable surfaces of her face, Littaye charts how her “body boundaries were profoundly reconfigured” within the space of the boxing ring. This analysis highlights material transformations that bodies undergo—agentially or unagentially—in moments of encounter with other materialities, which is a key theme of the issue. Such material transformation is brought into sharp relief by Fay Dennis’s exploration of drug use, where ways of being emerge through the embodied entanglements of personhood and diamorphine, as the drug both offers and reconfigures bodily boundaries. Dennis draws on an interview with Mya, who has lived experience of drug use, and addiction treatment, in London, UK. Her analysis parses Mya’s discursive construction of “becoming normal” through the everyday use of drugs, highlighting how drugs are implicated in creating Mya’s construction of a “normal” embodied self as a less vulnerable, more productive, being-in-the-world.Moments of material transformation, however, can also incite experiences of embodied extremes. This is elucidated by the issue’s feature paper, in which Roy Brockington and Nela Cicmil offer an autoethnographic study of architectural objects. Focussing on two Brutalist housing developments in London, UK, they write that they “feel small and quite squashable in comparison” to the buildings they traverse. They suggest that the effects of walking within one of these vast concrete entities can be likened to having eaten the cake or drunk the potion from Alice in Wonderland (Carroll). Like the boxing ring and diamorphine, the buildings “shape the physicality of the bodies interacting within them,” as Brockington and Cicmil put it.That objects, spaces, and structures are therefore intrinsic to, rather than set apart from, the dynamic processes through which human bodies are made or unmade ripples through this collection of papers in diverse ways. While Dennis’s paper focusses on the potentiality of body/object encounters to set in motion mutual processes of becoming, an interest in the vulnerabilities of such processes is shared across the papers. Glimpsed in Howarth’s, as well as in Brockington and Cicmil’s discussions, this vulnerability comes to the fore in Bessie Dernikos and Cathlin Goulding’s analysis of teacher evaluations as textual objects. Drawing on their own experiences of teaching at high school and college levels, Dernikos and Goulding analyse the ways in which teacher evaluations are “anything but dead and lifeless;” they explore how evaluations painfully intervene in or interrupt corporeality, as the words on the page “sink deeply into [one’s] skin.” These words thereby enter into and impress upon bodies, both viscerally and emotionally, their affective power unveiling the agency that imbues a lit screen or a scribbled page.Yet, importantly, this issue also demonstrates how bodies actively forge the objects, spaces, and environments they encounter. Paola Esposito’s paper registers the press of bodies on material worlds by exploring the collective act of walking with golden thread, a project that has since come to be entitled “Walking Threads.” Writing that the thread becomes caught up in “the bumpy path, trees, wind, and passers-by,” Esposito explores how these intensities and forms register on the moving collective of bodies, just as those bodies also press into, and leave traces on, the world around them. That diverse materialities thereby come to be imbued with, or perhaps haunted by, the material and affective traces of (other) bodies, is also shown by the metonymic resonance between Littaye’s face and her coach’s pad: each bears the marks of another’s punch. Likewise, in Bartlett’s analysis of The Intern, Ben is described as having “shaped the building where the floor dips over in the corner” due to the heavy printers he used in his previous, analogue era, job.This sense of the marks or fragments left by the human form perhaps emerges most resonantly in Michael Gantley and James Carney’s paper. Exploring mortuary practices in archaeological context, Gantley and Carney trace the symbolic imprint of culture on the body, and of the body on (material) culture; their paper shows how concepts of the dead body are informed by cultural anxieties and technologies, which in turn shape death rituals. This discussion thereby draws attention to the material, even molecular, traces left by bodies, long after those bodies have ceased to be of substance. The (im)material intermingling of human and non-human bodies that this highlights is also invoked, albeit in a more affective way, by Chris Stover’s analysis of improvisational musical spaces. Through a discussion of “musical-objects-as-bodies,” Stover shows how each performer leaves an imprint on the musical bodies that emerge from transient moments of performance. Writing that “improvised music is a more fruitful starting place for thinking about embodiment and the co-constitutive relationship between performer and sound,” Stover suggests that performers’ bodies and the music “unfold” together. In so doing, he approaches the subject of bodies beyond the human, probing the blurred intersections among human and non-human (im)materialities.Across the issue, then, the contributors challenge any neat distinction between bodies and objects, showing how diverse materialities “become” together, to borrow from Deleuze and Guattari. This blurring is key to Gantley and Carney’s paper. They write that “in post-mortem rituals, the body—formerly the manipulator of objects—becomes itself the object that is manipulated.” Likewise, Esposito argues that “we generally think of objects and bodies as belonging to different domains—the inanimate and the animate, the lifeless and the living.” Her paper shares with the others a desire to illuminate the transient, situated, and often vulnerable processes through which bodies and (other) materialities are co-produced. Or, as Stover puts it, this issue “problematise[s] where one body stops and the next begins.”Thus, together, the papers explore the many dimensions and materialities of embodiment. In writing corporeality, the contributors engage with a range of theories and various empirical contexts, to interrogate the material dynamics through which bodies processually come into being. The issue thereby problematises taken-for-granted distinctions between bodies and objects. The corporeality that emerges from the collected discussions is striking in its relational and dynamic constitution, in the porosity of (imagined) boundaries between self, space, subjects, and objects. As the papers suggest, corporeal being is realised through and within continuously changing relations among the visceral, affective, and material. Such relations not only make individual bodies, but also implicate socio-political and ecological processes that materialise in structures, technologies, and lived experiences. We offer corporeality, then, as a framework to illuminate the otherwise hidden, politically contingent, becomings of embodied beings. ReferencesBarad, Karen. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society 28 (2003): 801–831.Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Durham, NC: Duke UP, 2010.Berg, Marc, and Annemarie Mol (eds.) Differences in Medicine: Unraveling Practices, Techniques, and Bodies. Durham, NC: Duke, 1998.Bergson, Henri. Creative Evolution. London: Henry Holt and Company, 1911Blackman, Lisa. The Body: Key Concepts. London: Berg, 2008.Carroll, Lewis. Alice in Wonderland. London: Macmillan, 1865.Coole, Diana, and Samantha Frost. “Introducing the New Materialisms.” New Materialisms: Ontology, Agency, and Politics. Eds. Diana Coole and Samantha Frost. Durham, NC: Duke, 2010. 1-46.Csordas, Thomas J. “Somatic Modes of Attention.” Cultural Anthropology 8.2 (1993): 135-156.Deleuze, Gilles, and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. London: Continuum, 2004.Gregg, Melissa, and Gregory Seigworth (eds.) The Affect Theory Reader. Durham, NC: Duke, 2010.Halley, Jean, and Patricia Ticineto Clough. The Affective Turn: Theorizing the Social. Durham, NC: Duke UP, 2007.Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network-Theory. Oxford: Oxford UP, 2005.Massumi, Brian. The Politics of Affect. Cambridge: Polity Press, 2015.Merleau-Ponty, Maurice. Phenomenology of Perception. Trans. Colin Smith. London: Routledge, 1962Miller, Daniel. Stuff. Cambridge: Polity Press, 2010.Mol, Anemarie. The Body Multiple: Ontology in Medical Practice. Durham, NC: Duke UP, 2002.Seigworth, Gregory, and Melissa Gregg. “An Inventory of Shimmers.” The Affect Theory Reader. Eds. Melissa Gregg and Gregory Seigworth. Durham, NC: Duke, 2010. 1-28.Shilling, Chris. The Body and Social Theory. Nottingham: SAGE Publications, 2012.Stewart, Kathleen. Ordinary Affects. Durham, NC: Duke UP, 2007.Turkle, Sherry. “The Things That Matter.” Evocative Objects: Things We Think With. Ed. Sherry Turkle. Cambridge MA: MIT Press, 2007.Woolf, Virginia. Street Haunting. London: Penguin Books, 2005.

Area Studies and Study Abroad in the 21st Century The future now belongs to societies that organize themselves for learning. - Ray Marshall and Marc Tucker, Thinking for a Living, xiii Few today would argue with the conviction that nearly every phase of our daily lives is shaped and informed by global societies, corporations, events and ideas. More than ever before, it is possible to claim that we are increasingly aware of the dynamic power and penetrating effects of global flows on information, technology, the sciences, the arts, the humanities, and languages. Borderless, spaceless and timeless, such sources of knowledge, it appears, are effortlessly digested and disseminated without clocks, calendars, or physical limitations. It is, of course, a mistake to believe that packages of “instant” knowledge that appear to wing their way at megahertz speeds in and through our earthly lives account for all or nearly all that there is to know—or, more importantly, to learn—about our communities, regions and the globe itself. On the contrary: the “knowing” about how to live, to work, to prosper, or to understand ourselves and those around us is not what educators mean when they speak of intellectual achievement and practical understanding. It is the “learning” about us, our societies and our global knowledge that lies at the heart of the international educator’s life work, and it is the learning that is the most controversial aspect of education. The act of “learning,” in fact, is less objective and more subjective, is less passive and more active, and is less superficial and more profound in each of our lives. By definition, a responsible learner is one who takes on the intellectual challenge and the social and personal obligation to leave this globe a better place for those who follow, who assumes the life work of influencing the lives of others, and who is committed to making the best of every opportunity both within the reach and beyond the vision of the mind’s eye. Study abroad has traditionally been viewed as a time of seeing and viewing, however passively, the differences and similarities of other peoples, societies and cultures. The period of knowing about what others do or say can occur at any time during one’s life; however, the “knowing” of studying abroad is accomplished in the college years prior to the accumulated knowledge about practical learning and living. In this respect, study abroad has been seen as an experience which may or may not invest the students in greater or lesser insights about the peoples, societies or cultures around them. Further, when study abroad is bound up with travel or movement from place to place, it can become a passive act, so much so that travel rather than learning becomes the goal of the study abroad experience. Simply put, the more that one travels, the more, it is argued, one learns. Furthermore, while seen as desirable for “classroom learning,” some would say that no amount of academic preparation appears to be useful in the enterprise of the travel experience, since so many experiences are unpredictable, individualized and, in some cases, arbitrary. From the perspective of study abroad, it might be said that the gods of area studies no longer completely fulfill our students’ needs, while the gods of global studies have not yet fulfilled their promises. Janus-like, international educators look in one direction at a still highly intense and valued picture of local cultures and identities, and in another direction toward an increasingly common culture, economy and society. The former appears to celebrate the differences and “uncommonness” of the human experience while the latter smoothes over the differences to underscore the commonalities and sameness of our contemporary world. The choice appears to be between the particular and the universal, the local and the global. Academic preparations, such as area studies programs, appear to be unnecessary for the individualized forms of learning, such as study abroad. Indeed, since an area studies preparation may raise or strengthen stereotypical perceptions of the overseas peoples, societies and cultures, it has been argued that it best be left aside. In this context, students are viewed as a tabula rasa on which new discoveries from living and studying overseas leave an imprint or impression. It seems that sending as many students as possible in as many directions as possible has become the dominant study abroad objective. Thus, “whole world” presentations and documentation often rely on the “other” as the learning objective with little or no attempt to discriminate or distinguish the levels of learning that such “whole world” immersion entails. In recent times, additional concerns about liability, health, safety and comfort levels have been added to the “pre-departure” orientations and training programs. The “student as self-learner” continues to be viewed and treated as a “customer knowledge-consumer” within both U.S. private and public colleges and universities. In the age of “globalization,” it is the conviction of the editors of Frontiers that knowledge consumption is only a small aspect of the 21st century international educators’ arsenal. More importantly, it will be argued in this special issue on area studies and Study Abroad that the intellectual development of the U.S. undergraduate needs to be enhanced with skills of self-learning and transdisciplinary perspectives on local and regional cultures and languages. The authors contributing to this special thematic issue of Frontiers have been asked to bring their state-of-the-art thinking on area studies to bear on the key question confronting study abroad: How does specialized understanding of geographical and cultural areas of the world enhance and strengthen undergraduate learning on and beyond our campuses? In other words, in what ways do area studies inform overseas learning through the activity of study abroad? The variety of responses demonstrates two principal ways in which area studies has begun to reformulate its goals and strategies. First, area studies reaffirms a commitment to local and regional comprehensive research and teaching, and redefines its mission in terms of the need to come to grips with local knowledge and specific social and cultural practices within a globalized world. Second, area studies specialists question long-held definitions of concepts, including those of “geographical area” and “globalization,” in order to maximize contributions to U.S. undergraduate learning. David Ludden begins our issue with a review of the Social Science Research Council and the Ford Foundation’s understanding of the transition in area studies from the Sputnik era to the globalization era. Ludden notes the faculty dilemma in working in an “area.” He points out the political interests of the Cold War for public funding of such specialized academic skills, skills which, whether funded by the government or not, were and continue to be defined by the scholar first and then by finances. Drawing on his own experience at the South Asia Institute at the University of Pennsylvania, Ludden takes the reader through the intellectual rationale for area studies, and how that rationale is being redefined in favor of stronger area studies in the present globalization era. Gregory Kulacki’s study of China and the Chinese experience points accurately to one approach to defining area studies; that is, in terms of the peoples and cultures studied. In a sense, Kulacki makes it clear that Chinese studies is “legitimate” and has authority as long as it reflects the Chinese themselves, their experiences and lives. Ann Curthoys, on the other hand, notes the growing importance of defining Australians and Australian studies not only in terms of the changing experiences of contemporary Australia, but also in terms of the demands of non-Australians, who ask for more precision in defining Australians, their history, society and cultures. Richard Beach and George Sherman take on a more difficult matter, at least from the viewpoint of U.S. faculty and students. Canada is rarely seen as a study abroad site for U.S. students, not only because of its geographical position but also for its cultural and historical proximity. The overall U.S. view, albeit unflattering, is that Canada and Canadians are very much like the U.S. and Americans, so why study in Canada? Beach and Sherman argue that history, languages, and borders do make a difference, both physically as well as culturally. Using the argument of the previous area studies specialists, they are interested in the ways that Canadians have shaped and informed their cultural and social identities in the teeth of U.S. economic and political domination in the region. The implications of globalization are, perhaps, more immediately evident in the Canadian case than in any other world region. U.S. students would do well to observe the processes of adaptation and acculturation first-hand by studying and living in Canada. James Petras gives us a broader vista of regional adaptation to the economic and political forces of globalization with his essay on Latin America. Indeed, Latin America has a dynamic similar to that of Canada due to its physical, cultural and historical proximity to the U.S. It would be a mistake to see Latin America only in terms of the north-south regional dynamics, since Europe, Asia and Africa have also shaped both past and present structures and institutions within that region in ways far more dramatic than has the United States. Study abroad, Petras reminds us, is an excellent way of learning directly about Latin American societies, cultures and politics from Latin Americans themselves, a learning that may be widely different from the official U.S. diplomatic and corporate perspectives. Finally, the very familiar world regions, such as England, offer in some cases more challenges to the U.S. undergraduate than might be expected. Jane Edwards looks at Britain and all that U.S. students may or may not know about that culture and society. The study of Britain lends itself, Edwards argues, to more than the usual challenges, due to the preconceived notions that U.S. students bring with them to, say, London. Understanding the “European-ness” of Britain and its historic relationship with continental Western Europe will justify the need to see Britain as less familiar and more complex, thus necessitating the need to study, visit and live in parts of Britain and Western Europe. In this case, the area does define the country, its identity and culture in a historical interplay of social, cultural and economic forces. David Lloyd, Philip Khoury and Russell Bova invite the reader to return to large regional perspectives through African, Middle Eastern and Russian area studies. David Lloyd presents an analysis of the broad and immediate contexts of African studies. While recognizing the difficulty of establishing consistently causal links between African studies and study abroad in Africa, he delineates the significance of local, experience-based study for the development of collaborative African studies research. Lloyd argues that the benefits of study abroad in Africa to African studies belie the relatively small number of students involved. Further, assessment for funding and other purposes needs to utilize criteria that take into account the challenges of on-site study in Africa and the depth of post-study abroad participation not just in African studies per se, but in other related areas as well. Considering the recent past of Middle East studies, Philip Khoury charts its response to post-Cold War criticism. He illustrates new directions the field is taking towards including different geographic areas, and new emphasis in organizational priorities, noting the importance of funding for providing first-hand contact for students in Middle Eastern studies with scholars from the Middle East. Khoury assesses the impact of recent historical and political events in the area on Middle Eastern studies, and looks toward more inclusive research efforts. Russell Bova examines another region that has undergone considerable political, social and economic change in the 20th century. Having moved from empire to soviet socialist states and now to a confederation of nation states, Russia and, naturally, Russian area studies, offer an excellent example of local and regional complexities both in the nomenclature of the region and in the changes in Russian studies programs. Bova illustrates the need to understand the specific dynamics of local communities in their relationship to larger administrative units such as provinces, states and national capitals. In referring to the “double transition” of contemporary Russia, Bova reminds us that globalization is both a grass roots and elite process with many unlikely “bedfellows” that is also changing more rapidly each decade than had been the case fifty years ago. Finally, Richard Falk and Nancy Kanach collaborate to discuss the ways in which globalization and study abroad are emerging in the post-Cold War period. The sudden shifts of economic and political power make our world more fragile and more difficult to comprehend without considering the “computer gap” that is rapidly leaving whole communities and even nations in a more uneven relationship with the power brokers than ever before. The need to reflect with care and precision through area studies is complemented by the additional pressing need to study, see and learn outside of the U.S. Globalization means promoting study abroad and reaffirming the strengths of local and regional studies. Taken together, these essays invite international educators to reconsider notions of learning before, during and after study abroad. The writers view study abroad as an opportunity for social and intellectual engagement with other peoples and with oneself. The essays point to a variety of ways of intellectually preparing our students for their initial encounters with sets of real-life global experiences. Reflecting on such engagement and encounters allows students to begin to formulate, with increasing sophistication, specific and general concepts about individual differences, local and regional commonalities, and the global transformations of our present era. In light of the current area studies debates, we might also reconsider approaches to pre-departure preparations, create onsite projects, and reorganize the overseas curricula of study abroad programs themselves. In particular, students can continue to benefit from area and global studies programs back on the home campus upon their return, where they can enter effectively into scholarly debates and continue the learning and personal growth that began while they were abroad. Frontiers welcomes comments and suggestions for future special issues. We see ourselves and our field of international education in greater need of close cooperation with our faculty colleagues both in terms of defining the work of international learning, and in terms of formulating and designing international or global programs. We thus invite our readers to see Frontiers as a forum for such academic exchanges, and promise that Frontiers will respond to articles, essays, book reviews and reviews of resources for study abroad with collegial interest and enthusiasm. We wish to thank especially Brian Whalen, Rhoda Borcherding and our other colleagues on the Editorial Board for their support, encouragement and assistance in completing this special issue. We are particularly pleased with the authors and their willingness to listen to our requests and comments. Thomas Ricks, Villanova University Katharine Krebs, SUNY Binghamton Michael Monahan, Macalester College Suggestions for Further Reading Altbach, Philip G. and Patti McGill Peterson, eds. Higher Education in the 21st Century: Global Challenge and National Response. IIE Research Report Number 29. Annapolis, MD: IIE Books, 1999. This slim volume focuses on principal topics for colleges and universities to consider both locally and globally. Philip Altbach and Todd Davis set the tone of the volume with their “notes for an international dialogue on higher education.” Stressing the need for practical education, the authors also raise issues about the role of technology, the increase in “internationally mobile students,” the global role of graduate education, privatization of higher education, committed faculty and the threats of “managerialized” universities. The eight responses to the opening themes address specific issues for China, India, Africa and South Africa, Latin America, Japan and Europe. The work is a very good discussion text for international educators and their area studies faculty colleagues, and also provides a theoretical basis for the design and development of overseas programs. Stephen R. Graubard, ed. “Education Yesterday, Education Tomorrow.” Daedalus. Vol. 127, No. 4 (Fall, 1998). The eleven authors of this issue of the Journal of the American Academy of Arts and Sciences build off the Fall 1995 issue of Daedalus and its topic of “American Education: Still Separate, Still Unequal.” While neither accepting nor rejecting the thrust of A Nation at Risk, the authors look both at what has occurred over the past three decades, and at what is on the horizon for the next decade. In stressing reforms of systems and innovative ways of learning, the authors’ discussions invite the international educator to address a variety of ways in which students learn and to challenge the system in which they thrive. WWW. NAFSA.ORG/SECUSSA.WHYSTUDY In 1989, NAFSA and COUNCIL created the Whole World Committee (WWC). Initially chaired by John Sommers and now chaired by Mick Vandenberg, the WWC set out to find ways by which U.S. students could and would choose non-European overseas sites for a semester of study and learning. One of the tasks that the WWC accomplished was the creation of four area study essays on Africa, Asia, South America and the Middle East. Each essay, entitled “Why Study in …,” addresses basic fears and stereotyping of the non-European world regions. The essays then focus on benefits, health and safety, “getting started,” housing, and practical learning in each of these regions. In newly-attached longer versions, the essays also have a bibliography and more informative texts. The shorter versions were published serially in Transitions Abroad. NAFSA has added two additional important essays to this website, on “Class and Study Abroad” and “An African-American in South Africa.” Overall, the readers of Frontiers will be well-advised to access the articles at the website and consider using all the essays in their pre-departure orientation training, faculty area studies discussion groups, and in welcome-back sessions for returning students. Richard Falk. Predatory Globalization: A Critique. Cambridge, UK: Polity Press, 1999. The thesis of Richard Falk’s critique is that “predatory globalization’ has eroded, if not altogether broken, the former social contract that was forged between state and society during the last century or so” (p. 3). The breaking of that contract resulted from the state’s “deference to the discipline of global capital” and the neglect of the common good. Falk argues that only the “massing of strong transnational social pressures on the states of the world could alter the political equation to the point where the state could sufficiently recover its autonomy in relation to the world economy.” He demonstrates the emergence of a new kind of transnational politics referred to as “globalization-from-below.” In restoring “global civil society,” this new politics will need to move forward with the project of cosmopolitan democracy, including the protection of human rights. For the international educator, creating overseas programs that allow for a better understanding of the interconnectedness of regional and global levels is an admirable goal. More important, however, are those programs that offer U.S. undergraduates insights into “world order priorities” such as global poverty, protection of the planet, the sources of transnational violence, and “responsible sovereignty” in ways rarely found in traditional classroom learning on our campuses. Mark Tessler, Jodi Nachtwey and Anne Banda. Eds. Area Studies and Social Science: Strategies for Understanding Middle East Politics. Bloomington and Indianapolis, IN: Indiana University Press, 1999. This edited work addresses a wide range of issues involved in the “rational choice” versus area studies debate that is so well elucidated by David Ludden in the opening article of our special issue. Looking at the “area studies controversy” from the perspective of political scientists, the editors’ Introduction underscores questions that we international educators need to address ourselves. It is valuable to wonder about the “uses and abuses” of area studies in planning our overseas programs, or discussing the “internationalization” of our curricula. It is also critical to understand the Eurocentric and overly-simplistic approaches of the social science “rational choice” models. While agreeing that both area studies and the social science theories and methodologies are necessary for a global understanding, the present work places such questions within the context of the Middle East as a stimulus and a model for increasing the value of research about any country or region.

ExpositionPortland, Oregon (USA) has become known for an artisanal or ‘maker’ economy that relies on a resurgence of place specificity (Heying), primarily expressed and exported to a global audience in the notion of ‘Portland Made’ (Roy). Portland Made reveals a tension immanent in the notion of ‘place’: place is both here and not here, both real and imaginary. What emerges is a complicated picture of how place conceptually captures various intersections of materiality and mythology, aesthetics and economics. On the one hand, Portland Made represents the collective brand-identity used by Portland’s makers to signify a products’ material existence as handcrafted, place-embedded, and authentic. These characteristics lead to certain assumptions about the concept of ‘local’ (Marotta and Heying): what meaning does Portland Made convey, and how is such meaning distributed? On the other hand, the seemingly intentional embedding of place-specificity in objects meant for distribution far outside of Portland begs another type of question: how does Portland come to be discursively representative of these characteristics, and how are such representations distributed to global audiences? How does this global distribution and consumption of immaterial Portland feed back into the production of material Portland?To answer these questions we look to the realm of social media, specifically the popular image-based service Instagram. For the uninitiated, Instagram is a web-based social media service that allows pictures to be shared and seen by anyone that follows a person or business’ Instagram account. Actions include posting original photos (often taken and posted with a cell phone), ‘liking’ pictures, and ‘hash-tagging’ posts with trending terms that increase visibility. Instagram presents us with a complex view of place as both material and virtual, sometimes reifying and sometimes abstracting often-contradictory understandings of place specificity. Many makers use Instagram to promote their products to a broad audience and, in doing so, makers participate in the construction of Portland’s mythology. In this paper, we use empirical insights to theorise makers’ role in shaping and cultivating the virtual and material aspects of place. Additionally, we discuss how makers navigate the complex relationships tied to the importance of place in their specific cultural productions. In the first section, we develop the notion of a curated maker subjectivity. In the second section, we consider the relationship between subjectivity and place. Both sections emphasize how Instagram mediates the relationship between place and subjectivity. Through spotlighting particular literatures in each section, we attempt to fill a gap in the literature that addresses the relationship between subjectivity, place, and social media. Through this line of analysis, we attempt to better understand how and where Portland is made, along with the implications for Portland’s makers.ActionThe insights from this paper came to us inadvertently. While conducting fieldwork that interrogated ‘localism’ and how Portland makers conceptualise local, makers repeatedly discussed the importance of social media to their work. In our fieldwork, Instagram in particular has presented us with new opportunities to query the entanglements of real and virtual embedded in collective identifications with place. This paper draws from interviews conducted for two closely related research projects. The first examines maker ecosystems in three US cities, Portland, Chicago and New York (Doussard et. al.; Wolf-Powers and Levers). We drew from the Portland interviews (n=38) conducted for this project. The second research project is our multi-year examination of Portland’s maker community, where we have conducted interviews (n=48), two annual surveys of members of the Portland Made Collective (n=126 for 2014, n=338 for 2015) and numerous field observations. As will be evident below, our sample of makers includes small crafters and producers from a variety of ‘traditional’ sectors ranging from baking to carpentry to photography, all united by a common identification with the maker movement. Using insights from this trove of data as well as general observations of the changing artisan landscape of Portland, we address the question of how social media mediates the space between Portland as a material place and Portland as an imaginary place.Social Media, Subjectivity, and Authenticity In the post-Fordist era, creative self-enterprise and entrepreneurialism have been elevated to mythical status (Szeman), becoming especially important in the creative and digital industries. These industries have been characterized by contract based work (Neff, Wissinger, and Zukin; Storey, Salaman, and Platman), unstable employment (Hesmondhalgh and Baker), and the logic of flexible specialization (Duffy and Hund; Gill). In this context of hyper individualization and intense competition, creative workers and other entrepreneurs are increasingly pushed to strategically brand, curate, and project representational images of their subjectivity in order to secure new work (Gill), embody the values of the market (Banet-Weiser and Arzumanova), and take on commercial logics of authenticity (Duffy; Marwick and boyd). For example, Duffy and Hund explore how female fashion bloggers represent their branded persona, revealing three interrelated tropes typically used by bloggers: the destiny of passionate work; the presentation of a glam lifestyle; and carefully curated forms of social sharing. These curated tropes obscure the (unpaid) emotional and aesthetic labour (Hracs and Leslie), self-discipline, and capital required to run these blogs. Duffy and Hund also point out that this concealment is generative of particular mythologies about creative work, gender, race, and class. To this list we would add place; below, we will show the use of Instagram by Portland’s makers not only perpetuates particular mythologies about artisan labour and demands self-branding, but is also a spatial practice that is productive of place through the use of visual vernaculars that reflect a localized and globalized articulation of the social and physical milieu of Portland (Hjorth and Gu; Pike). Similar to many other artists and creative entrepreneurs (Pasquinelli and Sjöholm), Portland’s makers typically work long hours in order to produce high quality, unique goods at a volume that will afford them the ability to pay rent in Portland’s increasingly expensive central city neighbourhoods. Much of this work is done from the home: according to our survey of Portland Made Collective’s member firms, 40% consist of single entrepreneurs working from home. Despite being a part of a creative milieu that is constantly captured by the Portland ‘brand’, working long hours, alone, produces a sense of isolation, articulated well by this apparel maker:It’s very isolating working from home alone. [...] The other people I know are working from home, handmade people, I’ll post something, and it makes you realize we’re all sitting at home doing the exact same thing. We can’t all hang out because you gotta focus when you’re working, but when I’m like ugh, I just need a little break from the sewing machine for five minutes, I go on Instagram.This statement paints Instagram as a coping mechanism for the isolation of working alone from home, an important impetus for makers to use Instagram. This maker uses Instagram roughly two hours per workday to connect with other makers and to follow certain ‘trendsetters’ (many of whom also live in Portland). Following other makers allows the maker community to gauge where they are relative to other makers; one furniture maker told us that she was able to see where she should be going based on other makers that were slightly ahead of her, but she could also advise other makers that were slightly behind her. The effect is a sense of collaborative participation in the ‘scene’, which both alleviates the sense of isolation and helps makers gain legitimacy from others in their milieu. As we show below, this participation demands from makers a curative process of identity formation. Jacque Rancière’s intentional double meaning of the French term partage (the “distribution of the sensible”) creates space to frame curation in terms of the politics around “sharing in” and “sharing out” (Méchoulan). For Rancière, the curative aspect of communities (or scenes) reveals something inherently political about aesthetics: the politics of visibility on Instagram “revolve around what is seen and what can be said about it, who has the ability to see and the talent to speak, around the properties of space and the possibilities of time” (8-9). An integral part of the process of curating a particular identity to express over Instagram is reflected by who they follow or what they ‘like’ (a few makers mentioned the fact that they ‘like’ things strategically).Ultimately, makers need followers for their brand (product brand, self-brand, and place-brand), which requires makers to engage in a form of aesthetic labour through a curated articulation of who a maker is–their personal story, or what Duffy and Hund call “the destiny of passionate work”–and how that translates into what they make at the same time. These identities congeal over Instagram: one maker described this as a “circle of firms that are moving together.” Penetrating that circle by curating connections over Instagram is an important branding strategy.As a confections maker told us, strategically using hashtags and stylizing pictures to fit the trends is paramount. Doing these things effectively draws attention from other makers and trendsetters, and, as an apparel maker told us, getting even one influential trendsetter or blogger to follow them on Instagram can translate into huge influxes of attention (and sales) for their business. Furthermore, getting featured by an influential blogger or online magazine can yield instantaneous results. For instance, we spoke with an electronics accessories maker that had been featured in Gizmodo a few years prior, and the subsequent uptick in demand led him to hire over 20 new employees.The formulation of a ‘maker’ subjectivity reveals the underlying manner in which certain subjective characteristics are expressed while others remain hidden; expressing the wrong characteristics may subvert the ability for makers to establish themselves in the milieu. We asked a small Portland enterprise that documents the local maker scene about the process of curating an Instagram photo, especially curious about how they aesthetically frame ‘site visits’ at maker workspaces. We were somewhat surprised to hear that makers tend to “clean too much” ahead of a photo shoot; the photographer we spoke with told us that people want to see the space as it looks when it’s being worked in, when it’s a little messy. The photographer expressed an interest in accentuating the maker’s ‘individual understanding’ of the maker aesthetic; the framing and the lighting of each photo is meant to relay traces of the maker to potential consumers. The desire seems to be the expression and experience of ‘authenticity’, a desire that if captured correctly grants the maker a great deal of purchase in the field of Portland Made consumers. This is all to say that the curation of the workspaces is essential to the construction of the maker subjectivity and the Portland imaginary. Maker workshops are rendered as real places where real makers that belong to an authentic maker milieu produce authentic Portland goods that have a piece of Portland embedded within them (Molotch). Instagram is central in distributing that mythology to a global audience.At this point we can start to develop the relationship between maker subjectivity and place. Authenticity, in this context, appears to be tied to the product being both handmade and place-specific. As the curated imaginary of Portland matures, a growing dialogue emerges between makers and consumers of Portland Made (authentic) goods. This dialogue is a negotiated form of authority in which the maker claims authority while the consumer simultaneously confers authority. The aforementioned place-specificity signals a new layer of magic in regards to Portland’s distinctive position: would ‘making’ in any other place be generative of such authority? According to a number of our interviewees, being from Portland carries the assumption that Portland’s makers have a certain level of expertise that comes from being completely embedded in Portland’s creative scene. This complex interplay between real and virtual treats Portland’s imaginary as a concrete reality, preparing it for consumption by reinforcing the notion of an authoritative collective brand (Portland Made). One bicycle accessory maker claimed that the ability of Portland’s makers to access the Portland brand transmits credibility for makers of things associated with Portland, such as bikes, beer, and crafty goods. This perhaps explains why so many makers use Portland in the name of their company (e.g. Portland Razor Company) and why so many stamp their goods with ‘Made in Portland’.This, however, comes with an added set of expectations: the maker, again, is tasked with cultivating and performing a particular aesthetic in order to achieve legitimacy with their target audience, only this time it ends up being the dominant aesthetic associated with a specific place. For instance, the aforementioned bicycle accessory maker that we spoke with recalled an experience at a craft fair in which many of the consumers were less concerned with his prices than whether his goods were handmade in Portland. Without this legitimation, the good would not have the mysticism of Portland as a place locked within it. In this way, the authenticity of a place becomes metonymic (e.g. Portlandia), similar to how Detroit became known as ‘Motor City’. Portland’s particular authenticity is wrapped up in individuality, craftiness, creativity, and environmental conscientiousness, all things that makers in some way embed in their products (Molotch) and express in the photos on their Instagram feeds (Hjorth).(Social) Media, Place, and the Performance of Aesthetics In this section, we turn our attention to the relationship between subjectivity, place, and Instagram. Scholars have investigated how television production (Pramett), branding (Pike), and locative-based social media (Hjorth, Hjorth and Gu, Hjorth and Lim, Leszczynski) function as spatial practices. The practices affect and govern experiences and interactions with space, thereby generating spatial hybridity (de Souza e Silva). McQuire, for example, investigates the historical formation of the ‘media city’, demonstrating how various media technologies have become interconnected with the architectural structures of the city. Pramett expands on this analysis of media representations of cities by interrogating how media production acts as a spatial practice that produces and governs contested urban spaces, the people in those spaces, and the habitus of the place, forming what she dubs the “media neighbourhood.” The media neighbourhood becomes ordered by the constant opportunities for neighbourhood residents to be involved in media production; residents must navigate and interact with local space as though they may be captured on film or asked to work in the background production at any moment. These material (on site shooting and local hiring practices) and immaterial (textual, musical, and visual representations of a city) production practices become exploitative, extracting value from a place for media industries and developers that capitalize on a place’s popular imaginary.McQuire’s media city and Pramett’s media neighbourhood help us understand the embeddedness of (social) media in the material landscapes of Portland. Over the past few years, Portland has begun experiencing new flows of tourists and migrants–we should note that more than a few makers mentioned in interviews that they moved to Portland in order to become makers–expecting to find what they see on Instagram overlaid materially on the city itself. And indeed, they do: ‘vibrant’ neighbourhood districts such as Alberta Arts, Belmont, Mississippi, Hawthorne, Northwest 23rd, and downtown Portland’s rebranded ‘West End’ are all increasingly full of colourful boutiques that express maker aesthetics and sell local maker goods. Not only do the goods and boutiques need to exemplify these aesthetic qualities, but the makers and the workspaces from which these goods come from, need to fit that aesthetic.The maker subjectivity is developed through the navigation of both real and virtual experiences that contour the social performance of a ‘maker aesthetic’. This aesthetic has become increasingly socially consumed, a trend especially visible on Instagram: as a point of reference, there are at least four Portland-based ‘foodies’ that have over 80,000 followers on Instagram. One visible result of this curated and performed subjectivity and the place-brand it captures is the physical transformation of Portland: (material) space has become a surface onto which the (virtual) Instagram/maker aesthetic is being inscribed, a stage on which the maker aesthetic is performed. The material and immaterial are interwoven into a dramaturgy that gives space a certain set of meanings oriented toward creativity, quirkiness, and consumption. Meanings cultivated over Instagram, then, become productive of meaning in place. These meanings are consumed by thousands of tourists and newly minted Portlanders, as images of people posing in front of Portland’s hipster institutions (such as Salt & Straw or Voodoo Donuts) are captured on iPhones and redistributed back across Instagram for the world to experience. Perhaps this is why Tokyo now has an outpost of Portland’s Blue Star Donuts or why Red Hook (Brooklyn) has its own version of Portland’s Pok Pok. One designer/maker, who had recently relocated to Portland, captured the popular imaginary of Portland in this conversation:Maker: People in Brooklyn love the idea that it came from Portland. People in Seattle love it; people in the Midwest love that it came from Portland right now, because Portland’s like the thing.Interviewer: What does that mean, what does it embody?Maker: They know that it’s local, it like, they know that maker thing is there, it’s in Portland, that they know it’s organic to Portland, it’s local to Portland, there’s this crazy movement that you hear throughout the United States about–Interviewer: So people are getting a piece of that?Maker: Yeah.For us, the dialogical relationship between material and immaterial has never been more entangled. Instagram is one way that makers might control the gap between fragmentation and belonging (i.e. to a particular community or milieu), although in the process they are confronted with an aesthetic distribution that is productive of a mythological sense of place that social media seems to produce, distribute, and consume so effectively. In the era of social media, where sense of place is so quickly transmitted, cities can come to represent a sense of collective identity, and that identity might in turn be distributed across its material landscape.DenouementThrough every wrench turn, every stitching of fabric, every boutique opening, and every Instagram post, makers actively produce Portland as both a local and global place. Portland is constructed through the material and virtual interactions makers engage in, both cultivating and framing everyday interactions in space and ideas held about place. In the first section, we focused on the curation of a maker aesthetic and the development of the maker subjectivity mediated through Instagram. The second section attempted to better understand how those aesthetic performances on Instagram become imprinted on urban space and how these inscriptions feedback to global audiences. Taken together, these performances reveal the complex undertaking that makers adopt in branding their goods as Portland Made. In addition, we hope to have shown the complex entanglements between space and place, production and consumption, and ‘here’ and ‘not here’ that are enrolled in value production at the nexus of place-brand generation.Our investigation opens the door to another, perhaps more problematic set of interrogations which are beyond the scope of this paper. In particular, and especially in consideration of Portland’s gentrification crisis, we see two related sets of displacements as necessary of further interrogation. First, as we answer the question of where Portland is made, we acknowledge that the capturing of Portland Made as a brand perpetuates a process of displacement and “spatio-subjective” regulation that both reflects and reproduces spatial rationalizations (Williams and Dourish). This dis-place-ment renders particular neighbourhoods and populations within Portland, specifically ethnic minorities and the outer edges of the metropolitan area, invisible or superfluous to the city’s imaginary. Portland, as presented by makers through their Instagram accounts, conceals the city’s “power geometries” (Massey) and ignores the broader social context Portland exists in, while perpetuating the exclusion of ethnic minorities from the conversation about what else is made in Portland.Second, as Portland Made has become virtually representative of a deepening connection between makers and place, the performance of such aesthetic labour has left makers to navigate a process that increasingly leads to their own estrangement from the very place they have a hand in creating. This process reveals an absurdity: makers are making the very thing that displaces them. The cultivation of the maker milieu attracts companies, in-movers, and tourists to Portland, thus creating a tight real estate market and driving up property values. Living and working in Portland is increasingly difficult for makers, epitomized by the recent sale and eviction of approximately 500 makers from the Town Storage facility (Hammill). Additionally, industrial space in the city is increasingly coveted by tech firms, and competition over such space is being complicated by looming zoning changes in Portland’s new comprehensive plan.Our conclusions suggest additional research is needed to understand the relationship(s) between such aesthetic performance and various forms of displacement, but we also suggest attention to the global reach of such dynamics: how is Portland’s maker ecosystem connected to the global maker community over social media, and how is space shaped differentially in other places despite a seemingly homogenizing maker aesthetic? 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