Gotowe bibliografie tematyczne / Margaret Atwood

Gotowa bibliografia na temat „Margaret Atwood”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 10 marca 2023

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Artykuły w czasopismach na temat "Margaret Atwood"

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Gadpaille, Michelle, i Jason Blake. "Introduction: Atwood at 80". ELOPE: English Language Overseas Perspectives and Enquiries 17, nr 1 (21.06.2020): 9–11. http://dx.doi.org/10.4312/elope.17.1.9-11.

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When Margaret Atwood celebrated her 80th birthday in November 2019, there was a feeling that the occasion called for a burst of applause – figuratively speaking. Around Europe, many Canadian scholars and Canadian Studies Associations responded with a range of activities. Slovenia contributed handsomely: first, with an event at the Univerzitetna knjižnica Maribor – Fourscore and More: Margaret Atwood at Eighty – and second, with this special issue dedicated to Atwood’s recent work.
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Yuan, Xia, i Yiran Wei. "Power politics in Margaret Atwood’s Lady Oracle". Chinese Semiotic Studies 18, nr 2 (1.05.2022): 285–96. http://dx.doi.org/10.1515/css-2022-2062.

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Abstract The issue of power politics is a crucial topic in Margaret Atwood’s works. According to Atwood, power is pervasive and diffused throughout all social relations. This essay examines how power becomes a part of human life, and how different levels of power interact in Atwood’s third novel Lady Oracle (1976). I investigate Atwood’s treatment of family upbringing in reinforcing gender roles. I show how Atwood explores the protagonist’s odd behavior in relation to her family environment. I also consider Atwood’s representation of the cultural control of women with prescribed images or roles for them. The small details that form the everyday life of the protagonist are highly gendered and part of a larger picture of a patriarchal society. Based on Foucault’s notion of disciplinary society, I analyze how Atwood examines self-watching as internalized power. The protagonist and girls of her age best represent an internalization of patriarchal values of femininity. Just like the inmates of the Panopticon, they practice discipline through self-surveillance.
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Louët, Sabine. "Profile: Margaret Atwood". Nature Biotechnology 23, nr 2 (luty 2005): 163. http://dx.doi.org/10.1038/nbt0205-163.

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Mohar, Tjaša, i Tomaž Onič. "Margaret Atwood’s Poetry in Slovene Translation". ELOPE: English Language Overseas Perspectives and Enquiries 18, nr 1 (21.06.2021): 125–37. http://dx.doi.org/10.4312/elope.18.1.125-137.

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Margaret Atwood is undoubtedly the most popular Canadian author in Slovenia, with eight novels translated into Slovene. Although this prolific author also writes short fiction, poetry, children’s books, and non-fiction, these remain unknown to Slovene readers, at least in their own language. Atwood has published as many poetry collections as novels, but her poetry is inaccessible in Slovene, with the exception of some thirty poems that were translated and published in literary magazines between 1999 and 2009. The article provides an overview of Atwood’s poetry volumes and the main features of her poetry, as well as a detailed overview of Atwood’s poems that have appeared in Slovene translation, with the names of translators, titles of poetry collections, dates of publication, and names of literary magazines. This is the first such overview of Slovene translations of Atwood’s poetry. Additionally, the article offers an insight into some stylistic aspects of Atwood’s poetry that have proven to be particularly challenging for translation.
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Freire, Espido. "Margaret Atwood: la sirena de géneros". Arbor 185, A1 (29.06.2009): 89–96. http://dx.doi.org/10.3989/arbor.2009.ia1.793.

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Palumbo, Alice. "Margaret Atwood's Fairy-Tale Sexual Politics. Sharon Rose WilsonMargaret Atwood: Writing and Subjectivity. Colin Nicholson , Margaret Atwood". Signs: Journal of Women in Culture and Society 21, nr 3 (kwiecień 1996): 767–69. http://dx.doi.org/10.1086/495112.

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Vidya, Dr Y. "Personality Psychology in Margaret Atwood’s Short Story Under Glass". SMART MOVES JOURNAL IJELLH 7, nr 2 (10.02.2019): 10. http://dx.doi.org/10.24113/ijellh.v7i2.6950.

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Margaret Atwood is one of the most important and influential writers alive today. Margaret Atwood’s literature, both in the form of poetry and prose, is significant to an understanding of ‘female experiences’ more broadly speaking, though, Atwood attempts to explore questions of identity. She thus attempts to achieve the creation of a space and time in which readers can think critically about the world and their place in it. This self-reflexive form of analysis is significant in a modern and post-colonial world in which issues of gender have become increasingly critical, as it allows readers both a way of imagining and a way of criticizing ourselves and our own culture and that of others we perceive around us. Her stories are acute depictions of men and women, and are therefore interested in human curiosity but also in control and power. Atwood focus lies also in the effects and dynamics of unequal power relations.
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Hengen, Shannon, i Joyce Meier. "Interview with Margaret Atwood". Iowa Journal of Literary Studies 7, nr 1 (1986): 1–12. http://dx.doi.org/10.17077/0743-2747.1173.

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Widdicombe, Toby. "Margaret Atwood. Second ed." Utopian Studies 18, nr 2 (1.01.2007): 284–88. http://dx.doi.org/10.2307/20719873.

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Widdicombe, Toby. "Margaret Atwood. Second ed." Utopian Studies 18, nr 2 (1.01.2007): 284–88. http://dx.doi.org/10.5325/utopianstudies.18.2.0284.

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Rozprawy doktorskie na temat "Margaret Atwood"

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Montigny, Denise de. "Giving birth, Margaret Atwood traduction commentee". Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5352.

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Evans, F. E. M. "Margaret Atwood : words and the wilderness". Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/19728.

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This thesis is a study of several texts written by Margaret Atwood, and is motivated by a desire to demonstrate the polysemous irreducibility of literary meaning and to suggest ways in which critical theory and textual practice may meaningfully interact and correspond. The first chapter examines poems in The Circle Game in order to observe how Atwood's persistent scrutiny of the constitution of images creates a world almost entirely detached from a consciousness of time and history, and considers how this generates a radical split between textual self-sufficiency and the psychic wilderness through which the poems move. Here we can see Atwood deploying language in a pared-down, restrictive manner that circulates through the book with particular tension. The second chapter studies her first novel The Edible Woman, and attempts to trace through analysis of its linguistic patterns, how Margaret Atwood controls her subject matter and deploys her chosen narrative form in a way that expreses the conflict between consumption and production which is embodied in the novel's architectonic symbol. Moving through a specific historical period, her characters struggle to achieve self-definition and linguistic mastery of their environment. The third chapter is concerned with her critical study of Canadian literature, Survival, and the relational framework it suggests between Canada's uneasy post-colonial status, the writer's expressive predicament, and the universal experience of victimization. Consideration is given to aspects of Atwood's political and social philosophy, and comparison made between her conclusions and those of other contemporary Canadian writers.
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Vecchione, Nina. "The end of the world as we know it curing disability and recovering from victimization in Margaret Atwood's novels /". Click here for download, 2009. http://proquest.umi.com/pqdweb?did=1707435991&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Comiskey, Barbara Anne. "Margaret Atwood : fiction and feminisms in dialogue". Thesis, Lancaster University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308988.

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Desjardins, Louise. "Traduction de Power Politics de Margaret Atwood". Mémoire, Université de Sherbrooke, 1992. http://hdl.handle.net/11143/10339.

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Traduire la poésie, traduire Power Politics de l'écrivaine canadienne-anglaise Margaret Atwood, voilà une entreprise doublement hasardeuse. Comment arriver à rendre dans une autre langue ces instants de grâce liés tout entiers à une fusion de mots et de sens, à une prise en charge d'un univers gui ne pouvait s'exprimer que par cette coïncidence parfaite de la forme et du corps, du geste et de la parole. Traduire la poésie revient à traduire l'indicible de l'univers, la fluidité du temps, l'éclat de l'image, l'inachevé dans l'achèvement d'un discours. Entreprise téméraire et folle régie par la seule volonté de connaître et de faire connaître.
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Rao, Eleonora. "Strategies for identity : the fiction of Margaret Atwood". Thesis, University of Warwick, 1991. http://wrap.warwick.ac.uk/108219/.

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This study is a critical reading of the fiction of contemporary Canadian novelist and poet Margaret Atwood. My analysis focuses on problems pertaining to the questions of genre, identity and female subjectivity. The thesis is thematically structured. Chapter One, 'The Question of Genre: Creative Re- Appropriations, explores the plurality of genres and narrative styles present in the novels. The second Chapter' A Proliferation of Identities: Doubling and Intertextuality' examines constructions of the self in the light of psychoanalytic theories of language and subjectivity which conceive of the subject as heterogeneous and in constant process. Atwood's challenge to the notion of the homogeneous ego finds a gendered vision wherein woman assumes a multiplicity of roles and positions. Chapter Three 'Cognitive Questions' discusses the text's emphasis on sense receptivity and the epistemological question they pose in relation to language, reality and interpretation. Chapter Four 'Writing the Female Character' analyses Atwood's configurations of femininity, sexual politics and sexual difference.
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Ethier, Isabelle. "L'intertextualité dans La servante écarlate : la femme comme sujet en devenir /". Thèse, Trois-Rivières : Université du Québec à Trois-Rivières, 1997. http://www.uqtr.ca/biblio/notice/tablemat/03-2177901TM.htm.

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Evain, Christine Sellin Bernard. "Pluralité des voix et chant de soliste dans la poésie de Margaret Atwood". [S.l.] : [s.n.], 2007. http://castore.univ-nantes.fr/castore/GetOAIRef?idDoc=13596.

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Wang, Yiyan. "Literary responses to bewilderment in western society : a study of Margaret Atwood's novels /". Title page, contents and abstract only, 1993. http://web4.library.adelaide.edu.au/theses/09ARM/09armw246.pdf.

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Tennant, Colette. "Margaret Atwood's transformed and transforming Gothic /". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487757723997751.

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Książki na temat "Margaret Atwood"

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Margaret Atwood. New York: St. Martin's Press, 1996.

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Margaret Atwood. Basingstoke: Macmillan Education, 1987.

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Rigney, Barbara Hill. Margaret Atwood. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8.

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Howells, Coral Ann. Margaret Atwood. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24265-8.

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Howells, Coral Ann. Margaret Atwood. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-1-137-19041-3.

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Harold, Bloom, red. Margaret Atwood. Philadelphia: Chelsea House, 2000.

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Council, British, red. Margaret Atwood. Horndon, Tavistock, Devon, UK: Northcote, British Council, 2010.

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Harold, Bloom, red. Margaret Atwood. New York: Bloom's Literary Criticism, 2008.

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Margaret Atwood. Ipswich, Mass: Salem Press, 2012.

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Margaret Atwood. Wyd. 2. New York: Palgrave Macmillan, 2005.

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Części książek na temat "Margaret Atwood"

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Neumann, Birgit. "Atwood, Margaret". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7902-1.

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Rigney, Barbara Hill. "Atwood as Critic; Critics on Atwood". W Margaret Atwood, 122–35. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_7.

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Rigney, Barbara Hill. "Maps of the Green World". W Margaret Atwood, 1–17. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_1.

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Rigney, Barbara Hill. "Alice and the Animals: The Edible Woman and Early Poems". W Margaret Atwood, 18–37. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_2.

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Rigney, Barbara Hill. "‘Border Country’: Surfacing and The Journals of Susanna Moodie". W Margaret Atwood, 38–61. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_3.

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Rigney, Barbara Hill. "The ‘Escape Artist’: Lady Oracle". W Margaret Atwood, 62–81. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_4.

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Rigney, Barbara Hill. "‘The Roar of the Boneyard’: Life Before Man". W Margaret Atwood, 82–102. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_5.

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Rigney, Barbara Hill. "Politics and Prophecy: Bodily Harm, The Handmaid’s Tale and True Stories". W Margaret Atwood, 103–21. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18846-8_6.

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Howells, Coral Ann. "Fact File and Significant Characteristics". W Margaret Atwood, 1–19. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24265-8_1.

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Howells, Coral Ann. "Atwood’s Canadian Signature: From Surfacing and Survival to Wilderness Tips". W Margaret Atwood, 20–37. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24265-8_2.

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Streszczenia konferencji na temat "Margaret Atwood"

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Noortman, Renee, Mathias Funk, Kristina Andersen i Berry Eggen. "What Would Margaret Atwood Do? Designing for Ustopia in HCI". W Mindtrek '21: Academic Mindtrek 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3464327.3464344.

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Li, Xin. "Study on Duality Creation of Margaret Atwood 's The Blind Man". W 2016 2nd International Conference on Education, Social Science, Management and Sports (ICESSMS 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icessms-16.2017.40.

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SOUSA, LETICIA. "DIREITOS REPRODUTIVOS DA MULHER NO ROMANCE DISTÓPICO CONTO DA AIA DE MARGARET ATWOOD". W CONGRESSO BRASILEIRO CIÊNCIA E SOCIEDADE. Galoa, 2019. http://dx.doi.org/10.17648/cbcs-2019-110605.

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Meskova, Sandra. "SPACING MEMORY: TOPOGRAPHIES OF MEMORY NARRATIVE IN MARGARET ATWOOD�S AND ANITA LIEPA�S FICTION". W 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.2/s09.049.

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Krivachkova, Kalina. "Comparative study of Christina Dalcher’s VOX and Margaret Atwood’s The Handmaid’s Tale". W 5th International Conference on New Findings On Humanities and Social Sciences. Acavent, 2020. http://dx.doi.org/10.33422/5th.hsconf.2020.11.100.

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ŞERBAN, ANDREEA. "CANNIBALISED BODIES AND IDENTITIES, MARGARET ATWOOD'S, THE EDIBLE WOMAN, LADΥ ORACLE, AND CAT'S EΥE". W Proceedings of the 9th International Symposium on Interdisciplinary Regional Research. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812834409_0036.

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Rosa, Silvia, Riyani Vadilla, Dina Fauzana i Mahawitra Jayawardana. "When the Author Sued for Exploitation of Women and Nature in Margaret Atwood's Surfacing". W Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.25-11-2020.2306760.

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Bratanovic, Edita. "The Psychological State of Mind of Female Characters in Margaret Atwood’s Novel “The Edible Woman”". W International Academic Conference on Research in Social Sciences. Acavent, 2019. http://dx.doi.org/10.33422/iacrss.2019.11.630.

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Kotsiuba, Olena. "THE DYSTOPIAN FORMULA IN MARGARET ATWOOD'S NOVEL THE HANDMAID'S TALE: INTERLACEMENT OF TRADITIONS AND NOVATION". W Innovation in Science: Global Trends and Regional Aspect. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-050-6-57.

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