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Artykuły w czasopismach na temat "Manuscripts. Denmark"
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Toftgaard, Anders. "Landkort over en samling. Hvad katalogposterne kan fortælle om Otto Thotts håndskriftsamling – og om katalogisering". Fund og Forskning i Det Kongelige Biblioteks Samlinger 58 (9.03.2019): 129. http://dx.doi.org/10.7146/fof.v58i0.125301.
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Anders Toftgaard: Mapping a collection. What the catalogue records can tell us about Otto Thott’s manuscript collection and about manuscript cataloguing.
This article deals with the manuscript collection of Count Otto Thott (1703-1785) and with manuscript cataloguing. Otto Thott was the single greatest private book collector in the history of Denmark and of inestimable importance for the Royal Danish Library, since he bequeathed his collection of manuscripts (4154 catalogue numbers) and books printed before 1531 (6059 catalogue numbers) to the Royal Library. In the manuscript collection, the inclusion of his collection marks the division between the Old Royal Collection (GKS) and the New Royal Collection (NKS). Many of the treasures in the rare books collection come from his library, and his definition of paleotypes (books printed before 1531) has (in the 20th c.) determined the definition of the collection of post-incunabula. Otto Thott did not write owners’ marks or notes in his books and he left very little archival material concerning the ways in which he created his library. Regrettably, the literary correspondence mentioned in his will has not survived. The article analyses a data set consisting of all catalogue records (in MARC format) concerning manuscripts from Otto Thott’s manuscript collection. These catalogue records in the library system derive from the catalogue made by Rasmus Nyerup (excluding oriental manuscripts) and published in 1795. When, towards the end of the 19th centrury, the alphabetical and the systematical catalogues of the collection of western manuscripts were produced, the entries in Nyerup’s catalogue were copied by hand without being revised. After the IT revolution, when the catalogue records of the systematical catalogue were transferred to a digital database of records, these records were copied once again without revision. It is shown what kind of errors from the catalogue of 1795 were still present in the on line catalogue in 2019. The quantitative analysis shows that the bulk of the manuscripts in Thott’s manuscript collection are manuscripts in Danish and German from Thott’s own century. The subject headings with most entries are Theology, History, History of Denmark, Danish Biography and Literature. As to provenances there is information concerning the manuscript’s provenance before the inclusion in Otto Thoot’s library in 17 % of the catalogue records. The analysis shows that Otto Thott’s manuscript collection was a universal collection with no specific preferences. The conclusion argues that it is necessary to get information from the various printed catalogs of the manuscript collection into the digital library system and that parts of Thott’s manuscript collection deserve revisiting and recataloguing. The Royal Danish Library’s manuscript collection might explore alternatives to the MARC-format for manuscript cataloguing. In a wider context, it is argued that Otto Thott’s library should be considered a knot in a network, and that data from the many book auction catalogues should be extracted and used for mapping the destinies of specific books and manuscripts.
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Petersen, Erik. "Om Kilderne til kilderne. Birger Munk Olsen og studiet af de latinske klassikere indtil år 1200". Fund og Forskning i Det Kongelige Biblioteks Samlinger 54 (3.03.2015): 167. http://dx.doi.org/10.7146/fof.v54i0.118880.
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Erik Petersen: Fontes Fontium. Birger Munk Olsen and the Study of the Latin Classical Authors up to 1200
In this presentation, the basic intentions, definitions and overwhelmingly rich results of professor Birger Munk Olsen’s magisterial opus magnum L’Étude des auteurs classiques latins aux XIe et XIIe siècles are briefly described. The first volume of L’Étude was published in 1982, the sixth and latest volume (= tome IV. 2) in 2014. BMO includes 57 authors from the end of the third century B.C. to the beginning of the fourth A.D. in his catalogue of Latin classical manuscripts copied in the 9th to the 12th centuries. The rationale for including the 9th and 10th centuries is that readers in the 11th and 12th centuries were still using books copied in the previous centuries. BMO also makes references to manuscripts copied before 800, the period covered by E. A. Lowe in Codices Latini Antiquiores. Since Bernhard Bischoff’s Katalog der festländischen Handschriften des neunten Jahrhunderts, mit Ausnahme der wisigotischen had not yet been published, the truly pioneering effort of BMO is related to his meticulous descriptions of the huge number of classical manuscripts copied in the period from the Carolingian Renaissance to the Renaissance of the 12th Century. His catalogue of individual manuscripts is followed, in vol. III. 1, by an equally detailed catalogue of the Latin classics in the libraries of the Middle Ages, based primarily on information collected in individual manuscripts and in a variety of medieval book lists and inventories. The two most recent volumes, La réception de la littérature classique. Travaux philologiques (IV. 1), and La réception de la littérature classique. Manuscrits et textes (IV. 2) are dedicated to broader issues of copying, reading and using texts and manuscripts, in a more synthetic manner than in the previous volumes. Still they draw upon BMO’s myriads of observations of details in the manuscripts and the experience of a long life in the company of the people who produced the books and used them.Denmark’s role in preserving and promoting classical literature during the Middle Ages was of little significance and less glory. During the Carolingian Renaissance Vikings were known to steal or destroy books rather than to read them. In the 12th century they had become less belligerent, perhaps, but still not very adaptive to classical literature. Of the 33 codices in the Royal Library included in EACL, 32 arrived in Copenhagen in the Early Enlightenment or later and had not been copied or studied in Denmark in the Middle Ages. Saxo Grammaticus marks a turning point, well-read in and dependent on classical authors as he was, but he completed his Gesta Danorum in the early years of the 13th century. However, he is known to have used a Justinus codex copied before the turn of the century, preserved in the Royal Library as GKS 450 2º. It was probably brought to Denmark from France by Archbishop Absalon, who lent it to Saxo and bequeathed it to the Cistercian monastery at Sorø. It remains a remarkable fact that the Justinus codex is the only extant manuscript of a Latin classical author recorded as being in Denmark before 1200. With the results of years of concentrated, hardcore research assembled in his L’Étude des auteurs classiques latins aux XIe et XIIe siècles Birger Munk Olsen has more than amply compensated for the meagre attention paid to the classics in early medieval Denmark. To the immense benefit of the scholarly community he has laid a new foundation for the study of the Latin classical authors, their transmission, use and history, which will surely prove indispensable for generations.
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Høgenhaven, Jesper. "Dansk forskning i Dødehavsrullerne siden 1947: En forskningshistorisk skitse". Dansk Teologisk Tidsskrift 85, nr 3-4 (19.12.2022): 229–58. http://dx.doi.org/10.7146/dtt.v85i3-4.135217.
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This article is a recapitulation of the history of research in Denmark on the Dead Sea Scrolls since their discovery. Before 1947, some authors had already treated subjects like the history of the Essenes and the Cairo Damascus Document. When news of the manuscript findings near Qumran reached the scholarly world and the Cave 1 manuscripts became known, Danish scholars showed great interest in the material, while at the same time proceeding with caution in the light of the uncertainty of the historical background of the scrolls. The available texts were translated into Danish and several studies as well as popular books were written. After a partial standstill during the 1960s and 1970s, the publication of the manuscript material especially from Cave 4 prompted an array of new investigations into the ancient Jewish worlds reflected in the scrolls. In recent years Dead Sea Scrolls scholars in Denmark, like their international colleagues, have renewed and expanded their methodological toolbox.
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Myking, Synnøve Midtbø. "Norwegian, Danish—or French? A Scattered Missal and Its Provenance". Digital Philology: A Journal of Medieval Cultures 13, nr 1 (marzec 2024): 91–101. http://dx.doi.org/10.1353/dph.2024.a926887.
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Abstract: Most books that existed in medieval Norway and Denmark are now lost or exist only in fragmentary form. The fragment collections of the Norwegian and Danish National Archives and the Royal Library in Copenhagen hold thousands of remnants of manuscripts, an invaluable source of knowledge of medieval book culture. The entwined history of Norway and Denmark represents a potential methodological challenge, as fragments from the same manuscript can sometimes be found scattered among collections in the two countries. This article examines such a case, showing how a single fragment from a twelfth-century missal in the National Archives in Norway was matched with several fragments in the Danish collections. The identifications, which were rendered possible by increased access to digital images, provide new insights into the missal’s likely origin and medieval provenance, putting us on the trail of an important Danish scriptorium.
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Boserup, Ivan, i Karsten Christensen. "Anders Sørensen Vedels Marsk Stig-håndskrift. To kommentarer til Svend Clausens afhandling i Fund og Forskning 55, 2016". Fund og Forskning i Det Kongelige Biblioteks Samlinger 56 (3.03.2017): 281. http://dx.doi.org/10.7146/fof.v56i0.118935.
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Ivan Boserup & Karsten Christensen: Anders Sørensen Vedel’s manuscript about Marshal Stig. Two comments on Svend Clausen’s thesis in Fund og Forskning 55, 2016
Svend Clausen has in vol. 55 of Fund og Forskning called attention to a lost and “forgotten” parchment manuscript described by Anders Sørensen Vedel in 1595 as “The History of Marshal Stig” containing key documents related to the trial which followed the assassination in Finderup Grange of King Eric V ‘Glipping’ of Denmark (1259–1286). Clausen’s evidence consists of registrations of manuscripts known only through their titles, which had been available to the Danish historians Anders Sørensen Vedel (1542–1616), Niels Krag (1550–1602), and Jon Jakobsen ‘Venusinus’ (1563–1608), but appear ultimately to have burned in the fire of Copenhagen in 1728. The sources referred to by Clausen were published in one case by H. F. Rørdam in 1874, in all other cases in the appendix to S. Birket Smith’s History of the University Library of Copenhagen, 1882, reprinted 1982. Apparently inspired by a casual remark made in 1891 by the then very young historian Mouritz Mackeprang, Svend Clausen argues that despite the lack of extant copies and quotations etc., the manuscript’s supposedly exclusively judicial contents and allegedly very considerable volume reveal the “existence” of such an important source that future research on the background and consequences of the royal assassination must take much more account of this lost source than has been the case until now. Reviewing Svend Clausen’s arguments, Ivan Boserup corrects Rørdam’s and Clausen’s incomplete reading of the source on which the latter builds his identification of Vedel’s manuscript with descriptions of a lost manuscript “Concerning King Eric [Glipping],” and rejects Clausen’s interpretation of “… cum adversariis ac diversis” (Clausen seems unaware of the literary concept of adversaria), on which all his further arguments are based. From his professional standpoint as a historian, Karsten Christensen refers to Vedel’s strong focus on Marshal Stig in his collection of One Hundred Danish Folk Songs (publ. 1591), to Vedel’s idiosyncratic manner of describing his manuscripts from the point of view of his own main interests, and to the fact that in contrast to the Jens Grand trial held before the Pope in Rome in 1296, one should not expect written actiones to have been delivered at the meeting of the Danish grandees in Nyborg Castle in 1286 subsequent to the murder of Eric Glipping. Christensen therefore suggests that it is much more probable that the manuscript referred to in Vedel’s registration refers to a lost manuscript that, contrary to the one associated by Svend Clausen with Vedel’s lost manuscript, can be followed closely all the way up to 1728, and the contents of which have been detailed by the historian Stephanus Stephanius (1599–1650).
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Hemstad, Ruth. "”Kampagnen med Blæk i stedet for Blod”: Håndskrifter, trykk og opinionskamp i skandinavisk offentlighet, 1801–1814". Sjuttonhundratal 14 (19.12.2017): 106–28. http://dx.doi.org/10.7557/4.4158.
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“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.
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Salkovskis, Paul. "Editorial". Behavioural and Cognitive Psychotherapy 28, nr 2 (kwiecień 2000): 97. http://dx.doi.org/10.1017/s1352465800001016.
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As of 1 October 2000, the editorial office for the journal moves to a different address, when I take up a new post in London. I will be sorry to move from Oxford, but welcome the opportunities and challenges of a new job. I will try to continue to edit the journal at least as well as before! Manuscripts for publication (and all other related material) should be directed to:Professor Paul Salkovskis, Editor, Behavioural and Cognitive Psychotherapy, Department of Psychology, Institute of Psychiatry, De Crespigny Park, Denmark Hill, London SE5 8AF.
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Marandjian, Karine. "Catalogue of Japanese Manuscripts and Rare Books. Merete Pedersen. The Royal Library, Copenhagen, Denmark. Catalogue of Oriental Manuscripts, Xylographs, etc. in Danish Collections (COMDC)". Written Monuments of the Orient 3, nr 1 (15.12.2017): 95–97. http://dx.doi.org/10.17816/wmo35128.
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Boserup, Ivan. "The Chaves Drawing, the Galvin Murúa, and the Miccinelli Claims Regarding Guaman Poma’s Nueva corónica". Fund og Forskning i Det Kongelige Biblioteks Samlinger 54 (3.03.2015): 89. http://dx.doi.org/10.7146/fof.v54i0.118877.
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Ivan Boserup: The Chaves Drawing, the Galvin Murúa Manuscript, and the Miccinelli Claims Regarding Guaman Poma’s Nueva corónica
Among the many extraordinary claims of the Miccinelli manuscripts kept in a private collection in Naples and published in 1989 and later, one of those most urgently in need of being closely investigated has concerned the authorship of one of the treasures of the Royal Library of Denmark: the autograph manuscript of the Nueva corónica (Ms. GKS 2232 4º). Authorship of this manuscript has traditionally been assigned, in accordance with its title page and other evidence, to the Andean Indian Felipe Guaman Poma de Ayala (1560?–1616?). Yet, in spite of the flat rejection of the Miccinelli material by the vast majority of leading specialists of the history and literature of early colonial Peru (see Adorno 1998; Zuidema 2001), the Miccinelli claims continue to find adepts at large and sometimes arouse new, fruitless debates. In 2012, however, it was revealed that a drawing included in one of the key manuscripts of the Miccinelli collection, a Contract which states that the mestizo chronicler and Jesuit Father Blas Valera was the real author of the Nueva corónica, is basically a tracing of a drawing of the Nueva corónica as reproduced from a retouched photograph in the facsimile edition of the Nueva corónica that was published in Paris in 1936 (see Boserup and Krabbe Meyer 2012; 2015). Following up on this material proof of the presence of recent forgeries within the Miccinelli collection, the present paper discusses the authenticity of a closely related drawing (the Chaves drawing) discovered c.1998 in the State Archives of Naples. This latter item turns out to be, in all probability, another recent tracing of a drawing of the Nueva corónica, based on the 1936 facsimile edition. The reason for discussing the Chaves drawing so many years later is a suggestion made in 2015 by the art historian Thomas B. F. Cummins (Harvard University). According to Cummins, the Chaves drawing is an authentic creation of Guaman Poma (see Cummins 2015). It is argued, however, that Professor Cummins’s superficial examination of the drawing and his advocacy of its authenticity are closely related to a theory developed by him in 2013 together with the renowned Peruvian anthropologist Juan Ossio (Pontificia Universidad Católica del Perú, Lima) and supported by Conservator at the Getty Museum Nancy K. Turner (2015). Their view, which is inspired by an outdated suggestion of the historian Manuel Ballesteros (1911–2002), is that the Chaves drawing may originate from the manuscript of the long lost illustrated chronicle (1596) of Martín de Murúa (the Galvin Murúa) supposedly consisting to a large extent of illustrated folios originating from other sources. The evidence of the Galvin Murúa itself does not, however, corroborate this view (see Adorno and Boserup 2005; 2008). Hence, as in the case of the demonstrably fake Contract, it is argued that the Chaves drawing was produced in the late 1990s and “dropped” in the State Archives of Naples so as to be innocently “discovered” by a scholar working there, and later promoted as “external” evidence of the authenticity and historical reliability of the two main Miccinelli manuscripts. By stepping right into this trap nearly twenty years after others have been lured into it (Cantù 2001; Laurencich Minelli 2001; 2007), Cummins has taken the risk of being counted among the supporters of the Miccinelli manuscripts and of stirring up once more an international debate on the status of forged or corrupted material, which one can hope, however, will be thwarted at an early stage by the present analysis.
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Dou, Paige. "Reviewer Acknowledgements". Engineering Management Research 4, nr 2 (27.10.2015): 87. http://dx.doi.org/10.5539/emr.v4n2p87.
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<p><em>Engineering Management Research</em> wishes to acknowledge the following individuals for their assistance with peer review of manuscripts for this issue. Their help and contributions in maintaining the quality of the journal are greatly appreciated.</p><p><em>Engineering Management Research </em>is recruiting reviewers for the journal. If you are interested in becoming a reviewer, we welcome you to join us. Please find the application form and details at http://www.ccsenet.org/reviewer and e-mail the completed application form to emr@ccsenet.org.</p><p><strong>Reviewers for Volume 4, Number 2</strong></p><p>Kenneth Donald Mackenzie, University of Kansas, United States</p><p>Suman Niranjan, Savannah State University, United States</p><p>Noorliza Karia, Universiti Sains Malaysia, Malaysia</p><p>Santosh Banadahally M, Chinmayi Research and Consulting, India</p><p>Juan Ramón Trapero Arenas, University of Castilla, Spain</p><p>Jingzheng Ren, University of Southern Denmark, Denmark</p><p>Anissa Frini, Université du Québec à Rimouski, Canada</p>
Książki na temat "Manuscripts. Denmark"
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Håndskriftafdelingen, Kongelige bibliotek (Denmark). Forfatterinden Karin Michaëlis: En registrant : arkivalier i Det Kongelige Bibliotek, Håndskriftafdelingen, Billedsamlingen samt Randers lokalhistoriske arkiv : en registrant. [Copenhagen]: Kongelige Bibliotek, 1985.
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Schartau, Bjarne. Codices graeci haunienses: Ein deskriptiver Katalog des griechischen Handschriftenbestandes der Königlichen Bibliothek Kopenhagen. Copenhagen: Museum Tusculanum Press, 1994.
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Jürgensen, Knud Arne. Balletmesteren August Bournonvilles papier: Registratur. København: Kongelige Bibliotek, 1998.
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(Denmark), Kongelige Bibliotek. Carl Nielsens samling: Katalog over komponistens musikhåndskrifter i Det Kongelige Bibliotek = The Carl Nielsen Collection : a catalogue of the composer's musical manuscripts in the Royal Library. Copenhagen: Det Kongelige Bibliotek, 1992.
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Perho, Irmeli. Catalogue of Arabic manuscripts: Codices Arabici Arthur Christenseniani. Copenhagen: [Great Britain], 2003.
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(Denmark), Kongelige Bibliotek. Historikeren Erik Arups arkiv: Registratur. København: Det Kongelige Bibliotek, 1992.
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Rigsarkivet, Denmark. Det danske spejderkorps. [Copenhagen]: Rigsarkivet, 1991.
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Håndskriftafdelingen, Kongelige Bibliotek (Denmark). Americana: Manuskripter og breve vedr. Nord-, Syd- og Mellemamerika i Håndskriftafdelingen : registratur. København: Det Kongelige Bibliotek, 1992.
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Svensson, Johanna. Latin letters from clergymen in the province of Scania (eastern Denmark-southern Sweden) in the seventeenth century: A critical edition with introduction, translation and commentaries. Skellefteå: Artos, 2015.
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Svane, Gunnar. Slavonic manuscripts in the Royal Library: A catalogue = [Slavi͡a︡nskie rukopisi v Kopengagenskoĭ korolevskoĭ biblioteke]. Copenhagen: The Royal Library, 1993.
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Johansen, Jens christian v. "Denmark: The Sociology of Accusations". W Early Modern European Witchcraft, 339–65. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198219897.003.0014.
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Abstract THE earliest cases of Danish witchcraft legislation are found in Section 7 of the Scanian Church Law and Section 11 of the Sealandian Church Law, promulgated about 1170; both mention sorcery, although only in connection with homicide. The secular Jutlandic law of 1241,2 on the other hand, contains no mention of sorcery in its original version, whereas a manuscript from the fifteenth century includes a section (book m, chapter 69) providing a detailed description of procedures to be adopted in cases of witchcraft and sorcery.