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Data publikacji: 12 marca 2024

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1

Khayyam, Omar. The Ruba'iyat of Umar-I-Khayyam: Persian Text Edited From a Manuscript Dated 911 A.H. (1605 A.D.) in the Collection of Professor S. Najib Ashraf Nadvi with a Facsimile of the Manuscript by M. Mahfuz-Ul-Haq, M.A. Calcutta: The Asiatic Society, 1986.

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S, Reese William, i Beinecke Rare Book and Manuscript Library., red. A Herman Melville Collection: Exhibited at the Beinecke Rare Book and Manuscript Library, Yale University on the occasion of the 100th anniversary of his death, from the collection of William S. Reese. New Haven: [Beinecke Rare Book and Manuscript Library], 1991.

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Lombardo, Luca. Albertino Mussato, Epistole metriche Edizione critica, traduzione e commento. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-436-3.

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The Metric Epistles of Albertino Mussato (1261-1329) are a collection of 20 compositions in Latin verse (of which, 12 in elegiac couplets, 8 in hexameters, for a total of 1,570 verses) composed between 1309 and 1326 and addressed to different recipients. The list of recipients includes friends of the author and representatives of the Paduan political and intellectual élite of the early 14th century such as the judges Rolando da Piazzola, Giovanni da Vigonza and Paolo da Teolo, the notary Zambono d’Andrea and Marsilio Mainardini; masters of grammar and rhetoric such as the Venetian Giovanni Cassio, Bonincontro from Mantua and Guizzardo from Bologna; religious personalities such as the Dominican friars Benedetto and Giovannino da Mantova, respectively lecturer and professor of theology at the Studium Generale of the convent of S. Agostino in Padua; collective recipients, such as the College of Artists and fellow citizens of Padua. After an editio princeps was printed in Venice in 1636 on the basis of a now lost manuscript, a critical edition of the Epistles is published here for the first time, including the complete corpus of the texts in the light of their entire manuscript tradition. The texts are accompanied by an Italian translation and a detailed commentary, which mainly aims to bring to light and analyse the dense intertextuality of Mussato’s poem (in particular classical Latin sources), reconsidering the cultural background of the author and his contemporaries in the context of the so-called ‘Paduan prehumanism’ and an ideal dialogue with Dante’s coeval biographical and literary experiences.

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4

Wendling, Miriam, red. Cardinal Adam Easton (c. 1330-1397). NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463726528.

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The varied career of Adam Easton (c.1330—1397) led him from Norwich Cathedral Priory to Oxford, Avignon and Rome. Not only a monk of the Benedictine Order, he was also a scholar, theologian, diplomat and cardinal, and his work reflects the breadth of this multifaceted background. This volume presents recent research on Easton’s oeuvre, his diplomacy and the books that accompanied him on his travels. Amongst the works addressed in this volume are Easton’s Defensorium ecclesiastice potestatis, his Defensorium Sanctae Birgittae and his Office for the Feast of the Visitation of the Virgin Mary. Further evidence is also offered on his testimony during the Great Schism, on the dating of his copy of De pauperie Salvatoris, while two reassessments are made of his likeness, including his sepulchral monument at S. Cecilia in Trastevere in Rome and the Lutterworth wall painting. Finally, a catalogue of Easton’s important manuscript collection is also provided.

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5

Journals, C. R. J. S Bach Manuscript Book: Manuscript Paper. Independently Published, 2021.

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6

Pagliuca, Manuela. Malela S Music Manuscript Paper. Independently Published, 2020.

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Fourth Avenue Fourth Avenue Songbooks. Vintage Forever: 90's Love Songs Cassette, Manuscript Paper. Independently Published, 2019.

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8

Whetter, K. S. Manuscript and Meaning of Malory`s Morte Dar - Rubrication, Commemoration, Memorialization. Boydell & Brewer, Limited, 2020.

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9

Grimsted, Patricia Kennedy. Archives and Manuscript Repositories in the USSR: Ukraine and Modavia, Book 1 : General Bibliography and Institutional Directory (Archives & Manuscript Repositories in the U. S. S. R.). Princeton Univ Pr, 1989.

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(Compiler), Joyce Bedi, Ronald R. Kline (Compiler) i Craig Semsel (Compiler), red. Sources in Electrical History: Archives and Manuscript Collections in U. S. Repositories. Ieee, 1989.

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11

Peterson, William. Collations From The Codex Cluniacensis S. Holkhamicus: A Ninth-Century Manuscript Of Cicero. Kessinger Publishing, LLC, 2007.

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12

Notari, Angelo, i Jonathan P. Wainwright. Angelo Notari - Collected Works, Part 3: Notari¿s Manuscript Scorebook, Nos. 61¿86. A-R Editions, 2022.

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Notari, Angelo, i Jonathan P. Wainwright. Angelo Notari - Collected Works, Part 3: Notari¿s Manuscript Scorebook, Nos. 61¿86. A-R Editions, 2022.

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14

Grimsted, Patricia Kennedy. Archives and Manuscript Repositories in the U. S. S. R. : Ukraine and Moldavia. Book 1: General Bibliography and Institutional Directory. Princeton University Press, 2014.

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15

Grimsted, Patricia Kennedy. Archives and Manuscript Repositories in the U. S. S. R. : Ukraine and Moldavia. Book 1: General Bibliography and Institutional Directory. Princeton University Press, 1989.

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16

Grimsted, Patricia Kennedy. Archives and Manuscript Repositories in the U. S. S. R. : Ukraine and Moldavia. Book 1: General Bibliography and Institutional Directory. Princeton University Press, 2014.

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17

Miles, Bo. S. Joplin Manuscript Paper: Wide-Staff WithOUT Bar-Lines 8 Large Size Staves - 86 Pages. Independently Published, 2018.

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Miles, Bo. S. Joplin Manuscript Paper: Wide-Staff with Bar-Lines 8 Large Size Staves - 86 Pages. Independently Published, 2018.

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Miles, Bo. S. Rachmanioff Manuscript Paper: Wide-Staff with Bar-Lines 8 Large Size Staves - 86 Pages. Independently Published, 2018.

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Miles, Bo. J. S. Bach Manuscript Paper: Wide-Staff WithOUT Bar-Lines 8 Large Size Staves - 86 Pages. Independently Published, 2018.

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Miles, Bo. J. S. Bach Manuscript Paper: Wide-Staff WithOUT Bar-Lines 8 Large Size Staves - 86 Pages. Independently Published, 2018.

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22

Maxwell, James Clerk, i Henry Cavendish. Electrical Researches of ... Henry Cavendish, F. R. S.: Written Between 1771 and 1781, Ed. from the Original Manuscript. Creative Media Partners, LLC, 2018.

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23

Swarth, Christopher W., i Daniel D. Gibson. Origin and Distribution of Birds in Coastal Alaska and British Columbia: The Lost Manuscript of Ornithologist Harry S. Swarth. Oregon State University Press, 2022.

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24

Maxwell, James Clerk, i Henry Cavendish. The Electrical Researches of ... Henry Cavendish, F. R. S.: Written Between 1771 and 1781, Ed. From the Original Manuscript. Andesite Press, 2017.

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The Electrical Researches of ... Henry Cavendish, F. R. S.: Written Between 1771 and 1781, Ed. from the Original Manuscript. Franklin Classics, 2018.

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Maxwell, James Clerk, i Henry Cavendish. The Electrical Researches of ... Henry Cavendish, F. R. S.: Written Between 1771 and 1781, Ed. from the Original Manuscript. Franklin Classics Trade Press, 2018.

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The Proud Papers Embracing, Original Manuscript[S]: Early American Almanacks, Newspapers, Paxton Boy ... Other Imprints; and a Collection of Americana. Franklin Classics, 2018.

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28

Notari, Angelo, i Jonathan P. Wainwright. Angelo Notari - Collected Works, Part 1: Prime Musiche Nuove [1613], Other Attributed Works, Notari¿s Manuscript Partbooks, and Tentatively Attributable Works. A-R Editions, 2022.

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Notari, Angelo, i Jonathan P. Wainwright. Angelo Notari - Collected Works, Part 1: Prime Musiche Nuove [1613], Other Attributed Works, Notari¿s Manuscript Partbooks, and Tentatively Attributable Works. A-R Editions, 2022.

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30

Exact Transcript of the Codex Augiensis: A Graeco-Latin Manuscript of S. Paul's Epistles, Deposited in the Library of Trinity College, Cambridge. Wipf & Stock Publishers, 2009.

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31

PUBLISHING, SHEETMUSIC. Sandra: Sheet Music Note Manuscript Notebook Paper | Personalized Custom First Name Initial S | Musician Composer Instrument Composition Book | 12 ... Guide | Create Compose & Write Creative Songs. Independently published, 2019.

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PUBLICATIONS, UNICORNMUSIC. Samara: Unicorn Sheet Music Note Manuscript Notebook Paper | Magical Horse Personalized Letter S Initial Custom First Name Cover | Musician Composer ... Notepad Notation Guide | Compose Write Songs. Independently published, 2019.

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PUBLICATIONS, UNICORNMUSIC. Sis: Unicorn Sheet Music Note Manuscript Notebook Paper | Magical Horse Personalized Letter S Initial Custom First Name Cover | Musician Composer ... Notepad Notation Guide | Compose Write Songs. Independently Published, 2019.

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34

PUBLICATIONS, UNICORNMUSIC. Emmarie: Unicorn Sheet Music Note Manuscript Notebook Paper | Magical Horse Personalized Letter S Initial Custom First Name Cover | Musician Composer ... Notepad Notation Guide | Compose Write Songs. Independently Published, 2019.

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35

Williams, Ian. Common Law Scholarship and the Written Word. Redaktor Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.4.

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This chapter considers early modern common law scholarship both in the Inns of Court and outside of them. It investigates the relationship between oral scholarship in the Inns, manuscript, and printed texts. The sixteenth and seventeenth centuries have been identified as the period in which the common law changed from a system of predominantly oral learning to one based primarily on texts. Particular attention is paid to the issue of the circulation of legal scholarship, particularly in manuscript, the possibility of scribal production, and the limits on such circulation. The chapter also considers the purpose(s) behind certain forms of scholarship, such as patronage, and the textual sources used by common lawyers.

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36

Scrivener, Frederick Henry Ambrose. Exact Transcript of the Codex Augiensis: A Græco-Latin Manuscript of S. Paul's Epistles, Deposited in the Library of Trinity College, Cambridge to Which Is Added a Full Collation of Fifty Manuscripts. Cambridge University Press, 2011.

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37

Scrivener, Frederick Henry Ambrose. Exact Transcript of the Codex Augiensis: A Graco-Latin Manuscript of S. Paul's Epistles, Deposited in the Library of Trinity College, Cambridge - To Which Is Added a Full Collation of Fifty Manuscripts. Cambridge University Press, 2010.

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38

Nicholas Esterhazy Stephen Armytage Hami. Inquiry into the Genuineness of the Manuscript Corrections in Mr. J. Payne Collier's Annotated Shakspere, Folio 1632: And of Certain Shaksperian Documents Likewise Published by Mr. Collier. by N. E. S. A. Hamilton. Creative Media Partners, LLC, 2018.

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39

Peterson, William. Collations from the Codex Cluniacensis S. Holkhamicus: A Ninth-Century Manuscript of Cicero, Now in Lord Leicester's Library at Holkham; with Certain Hitherto Unpublished Scholia, Three Facsimiles and a History of the Codex. Creative Media Partners, LLC, 2018.

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40

Stevens, Walter. Grant in Saint Louis: From Letters in the Manuscript Collection of William K. Bixby. Applewood Books, 2008.

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41

Hardy, Thomas, i Penny Boumelha. Tess of the d'Urbervilles. Redaktorzy Simon Gatrell i Juliet Grindle. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199537051.001.0001.

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‘She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess s countenance that he gazed at her with a stupefied air: “Tess– say it is not true! No, it is not true!”’ Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice. Hardy's indictment of society's double standards, and his depiction of Tess as ‘a pure woman’, caused controversy in his day and has held the imagination of readers ever since. Hardy thought it his finest novel, and Tess the most deeply felt character he ever created. This unique critical text is taken from the authoritative Clarendon edition, which is based on the manuscript collated with all Hardy's subsequent revisions.

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Wolff, Christoph. Did J. S. Bach Write Organ Concertos? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0004.

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This chapter explores the prehistory of the cantata movements with obbligato organ and asks whether Johann Sebastian Bach wrote organ concertos by focusing on the sinfonias of his Cantatas 146 and 169. Bach presented church cantatas with concertato organ sinfonias several times between 1725 and 1728. This can only mean that neither the clergy, the congregation, nor anyone else objected to this innovative type of church music. This chapter analyzes the two first entries in the autograph manuscript P 234 (ca. 1738), the D-minor and E-major harpsichord concertos (BWV 1052–1053) and their related movements in cantatas 49, 146, 169, and 188, and challenges the notion that they are concertos for violin, oboe, or any other solo instrument. Instead, it argues that they are keyboard concertos in the same two keys and were designed for performance on either harpsichord or organ. The chapter concludes that Bach composed such works primarily for his own use, sketching out a solo part and making appropriate adjustments and improvisatory elaborations as needed at either harpsichord or organ.

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