Artykuły w czasopismach na temat „Mahesh Dattani”
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Kalaiselvan, M. "Patriarchy and Communalism in Mahesh Dattani’s Final Solutions". Shanlax International Journal of English 12, nr 2 (1.03.2024): 48–52. http://dx.doi.org/10.34293/english.v12i2.7199.
Pełny tekst źródłaJeyalakshmi, G. "Postcolonial Human Identity in Mahesh Dattani’s Select Plays". SMART MOVES JOURNAL IJELLH 8, nr 3 (28.03.2020): 12. http://dx.doi.org/10.24113/ijellh.v8i3.10467.
Pełny tekst źródłaJeyalakshmi, G. "Postcolonial Female Subalternity in Mahesh Dattani’s Tara". Shanlax International Journal of English 11, nr 2 (1.03.2023): 4–11. http://dx.doi.org/10.34293/english.v11i2.5792.
Pełny tekst źródłaOommen, Susan. "Inventing Narratives, Arousing Audiences: the Plays of Mahesh Dattani". New Theatre Quarterly 17, nr 4 (listopad 2001): 347–56. http://dx.doi.org/10.1017/s0266464x00014986.
Pełny tekst źródłaSingh, Dr Pramod Kumar. "Mahesh Dattani’s “Do the Needful”: An Unconventional Romantic Comedy". SMART MOVES JOURNAL IJELLH 8, nr 10 (29.10.2020): 74–81. http://dx.doi.org/10.24113/ijellh.v8i10.10802.
Pełny tekst źródłaSigroha, Suman. "ROLE OF MEMORY IN SHAPING CHARACTERS� IDENTITY IN MAHESH DATTANI�S FINAL SOLUTIONS". Celt: A Journal of Culture, English Language Teaching & Literature 13, nr 2 (10.02.2015): 227. http://dx.doi.org/10.24167/celt.v13i2.26.
Pełny tekst źródłaPandey, Lavanya, Kumkum Ray i Rashi Srivastava. "Exploring Gender Biasness in selected works of Mahesh Dattani". International Journal of English Literature and Social Sciences 9, nr 3 (2024): 040–46. http://dx.doi.org/10.22161/ijels.93.5.
Pełny tekst źródłaJeya Sudha, M., S. Anish i G. Georshia. "Signs of Marginal Frame of Mind in Mahesh Dattani’s Clearing the Rubble". Shanlax International Journal of English 10, S1-Jan (1.01.2022): 19–22. http://dx.doi.org/10.34293/english.v10is1-jan2022.4720.
Pełny tekst źródłaD. Mapari, Ms Dimple, i Shankarlal Khandelwal. "Performative Aspects of Mahesh Dattani’s Plays". International Journal of English Literature and Social Sciences 7, nr 4 (2022): 231–37. http://dx.doi.org/10.22161/ijels.74.33.
Pełny tekst źródłaJaved Iqbal. "Study of marginalization in Indian society through Mahesh Datani's "Tara"". World Journal of Advanced Research and Reviews 2, nr 1 (30.05.2019): 034–36. http://dx.doi.org/10.30574/wjarr.2019.2.1.1005.
Pełny tekst źródłaR., Kalaiselvi. "Gender Discrimination in Mahesh Dattani‟s Play Thirty Days in September". International Journal of Psychosocial Rehabilitation 24, nr 4 (30.04.2020): 5934–36. http://dx.doi.org/10.37200/ijpr/v24i4/pr2020400.
Pełny tekst źródłaMadhu, Madhu. "Gender Differentiation And Women Empowerment With Reference To The Plays Of Mahesh Dattani". Shodh Sari-An International Multidisciplinary Journal 02, nr 04 (1.10.2023): 138–51. http://dx.doi.org/10.59231/sari7630.
Pełny tekst źródłaSharma, Dr Ramesh. "Mahesh Dattani’s ‘Clearing the Rubble’: A Critique of Centre Versus Margins". International Journal of English Literature and Social Sciences 7, nr 3 (2022): 258–61. http://dx.doi.org/10.22161/ijels.73.39.
Pełny tekst źródłaDr. Om Prakash Ratnaker. "Gender Discrimination in Mahesh Dattani’s Tara: A Critical Analysis". Creative Launcher 7, nr 2 (30.04.2022): 31–41. http://dx.doi.org/10.53032/tcl.2022.7.2.04.
Pełny tekst źródłaSubrata Saha, Asoke Howlader, Arindam Modak,. "THEATER AND HEALTH EDUCATION: REPRESENTATION IN SELECT PLAYS OF MAHESH DATTANI". Psychology and Education Journal 58, nr 2 (1.02.2021): 3982–88. http://dx.doi.org/10.17762/pae.v58i2.2668.
Pełny tekst źródłaRajak, Purusattam. "Locating Sexual Dissidence and Body Politics in Mahesh Dattani’s on a Muggy Night in Mumbai". International Journal of English Literature and Social Sciences 8, nr 1 (2023): 268–71. http://dx.doi.org/10.22161/ijels.81.35.
Pełny tekst źródłaVinod Kumar i Dr Om Shiv Pandey. "Biological Diseases and Harmonious and Emotional Treatment in the Service of Humanity". Creative Launcher 5, nr 2 (30.06.2020): 128–33. http://dx.doi.org/10.53032/tcl.2020.5.2.15.
Pełny tekst źródłaAbinaya Sudha, M., i M. Ashitha Varghese. "The Cultural Silencing of LGBT Voices in India with Reference to Do the Needful: A Radio Play". Shanlax International Journal of English 7, nr 4 (1.09.2019): 65–68. http://dx.doi.org/10.34293/english.v7i4.614.
Pełny tekst źródłaVinod Kumar i Dr Om Shiv Pandey. "Expression of Political Agenda of Eunuch’s Exploitation in Mahesh Dattani’s Seven Steps around the Fire". Creative Launcher 5, nr 3 (30.08.2020): 116–23. http://dx.doi.org/10.53032/tcl.2020.5.3.16.
Pełny tekst źródłaSharma, Himani. "Plight of Daksha: Identity Crisis and Communal Violence in Final Solutions". SMART MOVES JOURNAL IJELLH 8, nr 2 (28.02.2020): 6. http://dx.doi.org/10.24113/ijellh.v8i2.10407.
Pełny tekst źródłaRoy, Debartha. "Indelible Memory Clots: Child Abuse in Select Plays of Mahesh Dattani". International Journal of English Literature and Social Sciences 7, nr 3 (2022): 020–26. http://dx.doi.org/10.22161/ijels.73.5.
Pełny tekst źródłaSivakami, S. "Myths, Beliefs and Practices in the Select Plays of Mahesh Dattani". International Journal of English Literature and Social Sciences 4, nr 1 (2019): 16–18. http://dx.doi.org/10.22161/ijels.4.1.3.
Pełny tekst źródłaFatima, Sadaf. "Finding the Voice of Indian Urbanity – Through the Selected Texts of Girish Karnad and Mahesh Dattani". International Journal of English Literature and Social Sciences 8, nr 4 (2023): 132–38. http://dx.doi.org/10.22161/ijels.84.23.
Pełny tekst źródłaGouda, Mr Y. Srinivasa. "Typical Indian Parents’ Mentality Portrayed in the Drama “Do the Needful” by Mahesh Dattani". SMART MOVES JOURNAL IJELLH 9, nr 5 (28.05.2021): 161–69. http://dx.doi.org/10.24113/ijellh.v9i5.11056.
Pełny tekst źródłaLama, Bhaskar. "Homosexuality and Indian Civil Society: Reading Mahesh Dattani After Decriminalization of Section-377". Indian Journal of Gender Studies 27, nr 3 (15.09.2020): 349–68. http://dx.doi.org/10.1177/0971521520938978.
Pełny tekst źródłaSingh, Aditya. "Evaluating Patriarchy in Select Works of Mahesh Dattani, Girish Karnad and Vijay Tendulkar". International Journal for Research in Applied Science and Engineering Technology 11, nr 5 (31.05.2023): 5169–75. http://dx.doi.org/10.22214/ijraset.2023.52412.
Pełny tekst źródłaSharma, Mishail. "A critical analysis of the gendered self in Mahesh Dattani's Tara". International Journal of Advanced Academic Studies 5, nr 11 (1.11.2023): 04–07. http://dx.doi.org/10.33545/27068919.2023.v5.i11a.1068.
Pełny tekst źródłaDeka, Diganta. "Newly ‘constructed masculinity’ in Mahesh Dattani’s Dance Like a Man". International Journal of English Literature and Social Sciences 7, nr 5 (2022): 036–39. http://dx.doi.org/10.22161/ijels.75.6.
Pełny tekst źródłaRana, Amandeep, i Harpreet Kaur. "Communicating in the Third Space: A Psycho-Cultural Reading of Mahesh Dattani’s Radio Play Do The Needful". Indialogs 10 (12.04.2023): 59–71. http://dx.doi.org/10.5565/rev/indialogs.227.
Pełny tekst źródłaMarigold, Vinita. "Portrayal of Women as Victims in Mahesh Dattani‟s Tara, Thirty Days in September and Beneath the Rubble". International Journal of Psychosocial Rehabilitation 24, nr 5 (20.04.2020): 3191–99. http://dx.doi.org/10.37200/ijpr/v24i5/pr202026.
Pełny tekst źródłaBhattacharya, Suchismita, i P. Suresh. "Mother-Daughter Relationship in the Plays Tara and Thirty Days in September of Mahesh Dattani". International Journal of Engineering & Technology 7, nr 4.36 (9.12.2018): 640. http://dx.doi.org/10.14419/ijet.v7i4.36.24215.
Pełny tekst źródłaRafique, Hina. "Dramaturgical Analysis: Play With in Play as a Theatrical Technique in Mahesh Dattani‟s Play Where Did I Leave My". Journal of English Language, Literature and Education 1, nr 01 (15.08.2019): 51–68. http://dx.doi.org/10.54692/jelle.2019.010138.
Pełny tekst źródłaManoj Kumar. "Mahesh Dattani’s Tara: A Critical Study of Gender and Social Discrimination". Creative Launcher 4, nr 1 (30.04.2019): 69–73. http://dx.doi.org/10.53032/tcl.2019.4.1.11.
Pełny tekst źródłaChhavi, Rajiv Bhushan i Priyanka Tripathi. "Mahesh Dattani’s Do the Needful: A Tussle Between Innate Sexuality and Imposed Identity". Gender Studies 21, nr 1 (1.12.2022): 45–65. http://dx.doi.org/10.2478/genst-2023-0004.
Pełny tekst źródłaSankhyan, Neeraj, i Suman Sigroha. "DECONSTRUCTING FALSE IDENTITY: EXPLORING GENDER DISCRIMINATION AND ROLE-PLAYING IN THE GIRL WHO TOUCHED THE STARS". Celt: A Journal of Culture, English Language Teaching & Literature 15, nr 2 (22.02.2016): 165. http://dx.doi.org/10.24167/celt.v15i2.469.
Pełny tekst źródłaRaymer, Mary. "The Position & Predicament of Transgenders in Dattani’s Seven Steps Around the Fire: A Critical Analysis". Shanlax International Journal of English 11, nr 3 (1.06.2023): 14–17. http://dx.doi.org/10.34293/english.v11i3.6222.
Pełny tekst źródłaIndu Bharti. "Social Consciousness Towards Kinners in Sanjay Johari's Play Kinner Maa". Creative Saplings 1, nr 10 (25.01.2023): 69–76. http://dx.doi.org/10.56062/gtrs.2023.1.10.196.
Pełny tekst źródłaRAMALAKSHMI’S, Mrs P. "Communal Harmony In Mahesh Dattani’s FinalSolutions". SMART MOVES JOURNAL IJELLH 2, nr 2 (16.06.2014): 12. http://dx.doi.org/10.24113/ijellh.v2i2.3247.
Pełny tekst źródłaSarkar, Aninnya, i Indrani Singh Rai. "SUBALTERN PERSPECTIVES IN MAHESH DATTANIS BRAVELY FOUGHT THE QUEEN". International Journal of Advanced Research 9, nr 11 (30.11.2021): 54–61. http://dx.doi.org/10.21474/ijar01/13712.
Pełny tekst źródłaAjay, Makwana. "Themes and Technique in Mahesh Dattani’s Brief Candle". International Journal of English Literature and Social Sciences 6, nr 6 (2021): 035–38. http://dx.doi.org/10.22161/ijels.66.6.
Pełny tekst źródłaSrinivas, Dr C. S. "The Art of Characterization in Mahesh Dattani’s Plays". IOSR Journal of Humanities and Social Science 22, nr 06 (czerwiec 2017): 71–73. http://dx.doi.org/10.9790/0837-2206107173.
Pełny tekst źródłaYadav, Prashant. "GENDER ISSUES IN MAHESH DATTANI’S THIRTY DAYS IN SEPTEMBER". Journal of English Language and Literature 10, nr 03 (2023): 101–5. http://dx.doi.org/10.54513/joell.2023.10311.
Pełny tekst źródłaGupta, Purnima. "Mahesh Dattani’s Seven Steps Around the Fire: Breaking the Stereotypes". International Journal of English Literature and Social Sciences 6, nr 6 (2021): 179–81. http://dx.doi.org/10.22161/ijels.66.28.
Pełny tekst źródłaRishi A. Thakar, Rishi A. Thakar. "Mahesh Dattani’s Seven Steps Around the Fire : The Plight of Subalterns". IOSR Journal of Humanities and Social Science 9, nr 6 (2013): 28–30. http://dx.doi.org/10.9790/0837-0962830.
Pełny tekst źródłaBhartiya, Vandana. "Mahesh Dattani’s Dance like a Man : A Study of Gender Discrimination". RESEARCH REVIEW International Journal of Multidisciplinary 6, nr 9 (15.09.2021): 150–53. http://dx.doi.org/10.31305/rrijm.2021.v06.i09.025.
Pełny tekst źródłaDas, Pinaki Ranjan, i Arghya Chakraborty. "(Un)-Doing Gender: Mahesh Dattani’s Dance Like A Man in Perspective". IOSR Journal of Humanities and Social Science 19, nr 12 (2014): 15–17. http://dx.doi.org/10.9790/0837-191261517.
Pełny tekst źródłaSadaf Fareed, Dr. "Mirroring Emotional Strangulation of Relations: Mahesh Dattani’s Thirty Days in September". DJ Journal of English Language and Literature 2, nr 1 (2.05.2017): 1–5. http://dx.doi.org/10.18831/djeng.org/2017011001.
Pełny tekst źródłaA, Thamizh Magal, i Sunitha V. "The Stigmatization of Trauma: A Reflection on Mahesh Dattani's Select Works". Studies in Media and Communication 11, nr 4 (4.04.2023): 108. http://dx.doi.org/10.11114/smc.v11i4.6059.
Pełny tekst źródłaA, Thamizh Magal, i Sunitha V. "Influence of societal norms in Mahesh Dattani’s Bravely Fought the Queen". Migration Letters 21, S1 (22.12.2023): 25–30. http://dx.doi.org/10.59670/ml.v21is1.5935.
Pełny tekst źródłaKumar, Tribhuwan. "culture of patriarchy, gender bias, and class discrimination in Mahesh Dattani’s Tara". Linguistics and Culture Review 5, S1 (8.07.2021): 60–69. http://dx.doi.org/10.21744/lingcure.v5ns1.1314.
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