Gotowa bibliografia na temat „Mages – Fiction”
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Artykuły w czasopismach na temat "Mages – Fiction"
Sangadieva, Erzhen Gendenovna. "Ethnographic and mythopoetic space of the novel “Big Argish” by Mikhail Osharov". Litera, nr 7 (lipiec 2021): 12–21. http://dx.doi.org/10.25136/2409-8698.2021.7.35920.
Pełny tekst źródłaZheltikova, Inga Vladislavovna. "Possible future options in the Russian modern cinematography". Культура и искусство, nr 11 (listopad 2020): 36–52. http://dx.doi.org/10.7256/2454-0625.2020.11.34473.
Pełny tekst źródłaSchleher, D. C. "LPI Radar: Fact or Fiction". IEEE Aerospace and Electronic Systems Magazine 21, nr 5 (maj 2006): 3–6. http://dx.doi.org/10.1109/maes.2006.1635166.
Pełny tekst źródłaBréhin, Yannick. "Menoud Lorenzo, Qu’est-ce que la fiction ?" Marges, nr 06 (15.10.2007): 130–31. http://dx.doi.org/10.4000/marges.654.
Pełny tekst źródłaAllahyari. "Jack Maggs and Peter Carey's Fiction as a World". Antipodes 31, nr 2 (2017): 326. http://dx.doi.org/10.13110/antipodes.31.2.0326.
Pełny tekst źródłaMarion, Anaël. "L’immersion dans les ruines de Passaic : le rôle créateur de la fiction dans la perception des monuments". Marges, nr 14 (1.06.2012): 47–59. http://dx.doi.org/10.4000/marges.293.
Pełny tekst źródłaAlcalde, Maxence. "L’imaginaire science-fictif de Robert Smithson". Marges, nr 14 (1.06.2012): 124–36. http://dx.doi.org/10.4000/marges.295.
Pełny tekst źródłaS., Roopha, i Patchainayagi S. "The Postmodern Rewritings of Great Expectations to Reinvent Antipodean identities; A Study on Jack Maggs by Peter Carey and Mister Pip by Lloyd Jones". Revista de Gestão Social e Ambiental 18, nr 7 (12.04.2024): e05530. http://dx.doi.org/10.24857/rgsa.v18n7-062.
Pełny tekst źródłaFaruk, Faruk, i Fadlil Munawwar Manshur. "Pelatihan Penulisan Cerita Lokal Bergenre Magis di Komunitas Sastra Darussalam". Bakti Budaya 5, nr 1 (28.04.2022): 61–73. http://dx.doi.org/10.22146/bakti.4076.
Pełny tekst źródłaHolmes, Frederick M. "Fictions, Reality, and the Authority of the Novelist: Barth’s The Sot-Weed Factor and Fowles’s The Magus". ESC: English Studies in Canada 11, nr 3 (1985): 346–60. http://dx.doi.org/10.1353/esc.1985.0007.
Pełny tekst źródłaRozprawy doktorskie na temat "Mages – Fiction"
Davies, Richard Blaine Davies Richard Blaine. "Historical fiction makes American history come to life!" [Boise, Idaho : Boise State University, 2002. http://education.boisestate.edu/bdavies.
Pełny tekst źródłaWeb site. Master's project includes an explanatory text and CD-ROM entitled: Historical fiction : a web site supporting secondary U.S. history courses of study-Idaho Department of Education. Includes bibliographical references.
Drouet-Richet, Stéphanie. "Les marges du regard dans la fiction eliotienne". Paris 3, 2000. http://www.theses.fr/2000PA030127.
Pełny tekst źródłaWilson, Deborah Lynn. "Perceptual Differences Between Males and Females Concerning Sexually Harassing Behavior: Fact or Fiction? /". The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487935125882303.
Pełny tekst źródłaGelas, Nicolas. "Fiction et humanisme dans l'oeuvre de Romain Gary : s'affranchir des limites, s'éprouver dans les marges". Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20123/document.
Pełny tekst źródłaChallenging both apparent determinism and political or moral representations, Gary's work is defined by its predilection for off limit situations and contentious attitudes. Confronted with hatred or barbarism, it will always stand for irony and the power of creativity, involved both in the process of getting detached as well as enrapturing the world anew. Fed on the World War II trauma, it sustains the concept of humanness needing reinvention, not being a set notion but a fiction to be built, an ideal to achieve. Artists and creators owe their contribution to such foundation of a new human mythology upholding the unalienable principle of dignity, thus implanting everyone's spirit with the strength to resist despair. However, humanism cannot be seen just as an abstracted value or some shore to reach, it also implies the actual manner of living in the world. One has to keep clear from whatever overwhelming dogmas reality can impose, by favoring “margins” that will accept human contradictions and frailty. Away from any prophetic idealism, these dedicated spaces become shelters for intimate expression, allowing one to avoid onlookers and escape compelling truth assessments. Shaped around affective values, they bring one to become sensitive to a potential world humanity. Against rigid certitudes and the alienating principle of transparency, they help remember that approximation and mystery can give access to freedom and oftentimes condition the possibility of happiness
De, Nittis Elizabeth MacInnes. "Gender and the grotesque in the short fiction of Joyce Carol Oates". View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/denittise/elizabethdenittis.pdf.
Pełny tekst źródłaFranks, Jamie N. "Becoming Other: Virtual Realities in Contemporary Science Fiction". FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1908.
Pełny tekst źródłaKing, Nikole June. "Men's physique standars of embodiment and Middle-class masculinity in Nineteenth-century British and American fiction /". Diss., UC access only, 2009. http://proquest.umi.com/pqdweb?index=96&did=1906549281&SrchMode=1&sid=1&Fmt=7&retrieveGroup=0&VType=PQD&VInst=PROD&RQT=309&VName=PQD&TS=1270483425&clientId=48051.
Pełny tekst źródłaIncludes abstract. Includes bibliographical references (leaves 262-274). Issued in print and online. Available via ProQuest Digital Dissertations.
Martins, de Carvalho Adilia Cristina Ferreira Castro. "Lecture des marges dans les oeuvres de Maria Velho da Costa et Teolinda Gersão". Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030032/document.
Pełny tekst źródłaThe texts of Maria Velho da Costa and Teolinda Gersão are inhabited by landscapes, archetypes and self-reflexivity configured in margins, peripheral zones, that simultaneously unveil the central place occupied by the female subject. The matter of the first section of this work, the concept of landscape hinges on the ones of archetype [the archetypal relation] and of self-reflexivity - both being respectively dealt with in the second and in the third sections of this work - through a co-ordinate they share: space considered in these three aspects, the physical, the social and the mental. Landscapes appear in a physical margin in relation to the centre inhabited by the subject that builds them. Embodied by female characters, the archetypes of the Amazon, the Witch and the Madwoman emblematize these characters’ being excluded from the social circle as they are being pushed off to the periphery, whether it be the wilderness or the lunatic asy! lum. Situated in the margins of the text, “beside” the would-be content of the work, self-reflexivity turns out to be a marginal place with regard to the centre, traditionally held by the diegesis. This study aims at analysing configurations of landscapes, archetypes, archetypal relations and reflections on writing within fictions that, while possessing a peripheral and marginal dimension, still manage to paradoxically contribute to rendering female subjectivities and identity quests sought by the Authors and the female narrators and characters whose central vitality unsteadies dichotomies and binary oppositions
Couderc, Mathieu. "Identités subies, identités intégrées : les Grecs dans les sociétés européennes du nord-ouest (Angleterre, Etats bourguignons, France et leurs marges) : début XVè - fin XVIè siècles". Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H009/document.
Pełny tekst źródłaThe aim of this work is about studying mechanisms of identities' creation. Indeed, The Greeks are people who were leaded to leave Greece because of political (the rise of the Turks), economics (some are merchant) or religious reasons (some became Catholics since the council of Florence in 1439). For these reasons, the Greeks came first to Italy. Few of them decided to follow their path to Northern Europe, towards England, Burgundian States and France. Of course, they were only a handful of them, but we tried to understand who were they and what was their purpose. First we determined what were their number their qualities, their activities and their intentions. Secondly, we tried to evaluate the Greeks as strangers or as members diasporic groups like the historiography traditionally qualify the m. We brought to light that the Greeks couldn't be understood as rigid societies which were never changing: sometimes they were received as strangers and excluded from western societies sometimes not. A Greek could change during his life : he could be a poor and foreigner migrant during a certain period an then become a rich merchant integrated to a western society few years later. The third part of our work was to understand t meaning of the word 'Greek' which is often applied in documents: did the word 'Greek' get the same meaning in England in France, during the early fifteenth century or the end of the sixteenth century? Of course, not. We explained the documentation built a stereotypical speech about the Greeks, about what they were supposed to be, to eat, to wear, to spear or to pray . This is the Greek Identities' Laboratory
REGAM, ABDELHAD. "Les marges du texte : incipit, desinit et paratexte dans la fiction narrative francaise aux dix-neuvieme et vingtieme siecles". Paris 8, 1991. http://www.theses.fr/1992PA080686.
Pełny tekst źródłaTaking as a base a corpus of forty three french novels of the 19th and 20th centuries, our aim is the description and interpretation of the functioning of these margins, the "incipit", the "desinit" and the paratext, considered separately and in their relations to each other. The structuralist methodology and the socio-historical analysis are the instruments used to see if these margins belong to an agreed on contract of reading, or if they are ximply the respect of the conventions of a genre, or they reveal an operation of meaning. It appears then that if the procedures used are no longer valid (operating) and are sometimes the object of their own contestation, their effects may therefore involve the legality of the code they transgress. They may also contain signs of ancient characteristics that underlie the narrative account. The matter that calls at the same time distance and persistence. This latter belongs to the narrative account as a transcultural and transhistorical phenomenon which the bases resist the mouvements of the novel. Also the distance, necessarily linked to the evolution of history and society, expresses the novel transformations
Książki na temat "Mages – Fiction"
Condé, Maryse. Les derniers rois mages. [Paris]: Mercure de France, 1992.
Znajdź pełny tekst źródłaMiller, Karen. A blight of mages. New York: Orbit, 2011.
Znajdź pełny tekst źródłaCondé, Maryse. Les derniers rois mages: Roman. Paris: Mercure de France, 1992.
Znajdź pełny tekst źródłaDeWitt, Kelly, red. I Eat Butterflies: Tales of Vampires, Mages & Mutants. United States: Swooping Grizzly Publications, 2011.
Znajdź pełny tekst źródłaLocke, Katica. Magebound. Clayton, NC: P.D. Pub., 2009.
Znajdź pełny tekst źródłaMagebound. Clayton, NC: P.D. Pub., 2009.
Znajdź pełny tekst źródła1926-, FOWLES JOHN. The magus. New York: Modern Library, 1998.
Znajdź pełny tekst źródła1926-, FOWLES JOHN. The magus. London: Vintage, 1997.
Znajdź pełny tekst źródła1926-, FOWLES JOHN. The magus. New York: Dell Pub. Co., 1985.
Znajdź pełny tekst źródłaWalker, Fiona. Between males. London: Coronet, 2001.
Znajdź pełny tekst źródłaCzęści książek na temat "Mages – Fiction"
Hart, Jonathan. "The Author Makes a Comeback". W Fictional and Historical Worlds, 35–55. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_3.
Pełny tekst źródłaWiegandt, Kai. "Futurology, Allegory, Time Travel: What Makes Science Fiction Fascinating". W The Fascination with Unknown Time, 273–92. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66438-5_13.
Pełny tekst źródłaGomel, Elana. "The Human Trinity: What Makes Us Other?" W Science Fiction, Alien Encounters, and the Ethics of Posthumanism, 149–86. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137367631_6.
Pełny tekst źródłaGreiner, Rasmus. "Fiction Film and History". W Cinematic Histospheres, 17–35. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_2.
Pełny tekst źródłaZaplana, Esther. "Self-Representation “Between Two”: Aging Males and the “Otherness Within” in Philip Roth’s Patrimony". W Aging Masculinities in Contemporary U.S. Fiction, 95–108. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71596-0_7.
Pełny tekst źródłaHennessey, John L. "Introduction to History and Speculative Fiction: Essays in Honor of Gunlög Fur". W History and Speculative Fiction, 1–25. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_1.
Pełny tekst źródłaLavery, Charne. "“Spoken Nowhere but on the Water”: Amitav Ghosh’s Sea of Poppies and Lost-and-Found Languages of the Indian Ocean World". W Maritime Mobilities in Anglophone Literature and Culture, 235–47. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91275-8_12.
Pełny tekst źródłaZunshine, Lisa. "Belief Is a Mess. That Makes It Good for Fiction. (A Perspective From Cognitive Literary Theory)". W The Routledge Handbook of Fiction and Belief, 88–100. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003119456-9.
Pełny tekst źródłaPiocos III, Carlos M. "Sexuality, Shame and Subversions in Indonesian Migrant Women’s Fiction". W Gender, Islam and Sexuality in Contemporary Indonesia, 145–68. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_8.
Pełny tekst źródłaLoreau, Michel. "Homo sapiens, a species among many others . . . but not quite like the others". W Nature That Makes Us Human, 9–24. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197628430.003.0002.
Pełny tekst źródłaStreszczenia konferencji na temat "Mages – Fiction"
Birzul', Aleksei Nikolaevich, i Dmitry Aleksandrovich Pitilyak. "DEVELOPMENT OF THE LITERARY METHODS IN STRENGTH OF MATERIALS IN HIGHER SCHOOL". W International Research-to-practice conference. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-107803.
Pełny tekst źródłaVasilateanu, Andrei, Sebastian Wyrazic i Bujor ionel Pavaloiu. "A SCIENCE FICTION SERIOUS GAME FOR LEARNING PROGRAMMING LANGUAGES". W eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-082.
Pełny tekst źródłaBrookner, Eli. "Boston radar history - from $10,000 magee to $10 single chip T/R module … better than fiction". W 2009 IEEE MTT-S International Microwave Symposium Digest (MTT). IEEE, 2009. http://dx.doi.org/10.1109/mwsym.2009.5165968.
Pełny tekst źródłaPRELIPCEANU, Cosmin. "Image and Post-Truth". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0024.
Pełny tekst źródłaGrogorick, Linda, Moritz Rohde, Bijan Khosrawi-Rad i Susanne Robra-Bissantz. "Fiction or Reality – Which Game Story Promotes Learning Outcome More?" W 36th Bled eConference – Digital Economy and Society: The Balancing Act for Digital Innovation in Times of Instability. University of Maribor Press, 2023. http://dx.doi.org/10.18690/um.fov.6.2023.28.
Pełny tekst źródłaPoverennaya, Anastasiya Alexandrovna, i Yuriy Petrovich Nechay. "THE ROLE OF METAPHOR AND COMPARISON IN THE VERBALIZATION OF THE CONCEPT OF "EMIGRANT" (BASED ON THE MATERIAL OF V. NABOKOV'S PROSE)". W Themed collection of papers from Foreign International Scientific Conference « Science in the Era of Challenges and Global Changes» Ьу НNRI «National development» in cooperation with AFP (Puerto Cabezas, Nicaragua). Мау 2023. - Caracas (Venezuela). Crossref, 2023. http://dx.doi.org/10.37539/230527.2023.17.20.009.
Pełny tekst źródłaVasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV". W 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.
Pełny tekst źródłaTereshko, Ekaterina V. "CONTEXTS OF THE USE OF THE DEFINITE ARTICLE UNDER STRESS IN DUTCH". W Проблемы языка: взгляд молодых учёных. Институт языкознания РАН, 2023. http://dx.doi.org/10.37892/978-5-6049527-1-9-2.
Pełny tekst źródłaМанцаева, Айна Новрдиевна, i Фарида Абдулхаевна Ибрагимова. "MEANINGS OF NAMES IN THE WORKS OF BRITISH WRITERS: NAMES IN J. R. R. TOLKIEN’S FICTION". W Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2020). Crossref, 2020. http://dx.doi.org/10.37539/srp290.2020.42.50.014.
Pełny tekst źródłaLégrádi, Miklós. "‘Find the book that speaks to you! – A qualitative pilot study for research on Book Consumption". W Egyesület a Marketing Oktatásért és Kutatásért XXIX. Nemzetközi Konferencia. Egyesület a Marketing Oktatásért és Kutatásért, Szegedi Tudományegyetem Gazdaságtudományi Kar, 2023. http://dx.doi.org/10.62561/emok-2023-19.
Pełny tekst źródłaRaporty organizacyjne na temat "Mages – Fiction"
Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina i Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], lipiec 2020. http://dx.doi.org/10.31812/123456789/3864.
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