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Artykuły w czasopismach na temat "Luigi"
Bobbio, Norberto. "Luigi Einaudi, Federalista / Luigi Einaudi, Federalist". Brazilian Journal of International Relations 3, nr 3 (4.11.2020): 548–65. http://dx.doi.org/10.36311/2237-7743.2014.v3n3.p548-565.
Pełny tekst źródłaLepschy, A. L., i Harold Bloom. "Luigi Pirandello". Modern Language Review 86, nr 1 (styczeń 1991): 224. http://dx.doi.org/10.2307/3732156.
Pełny tekst źródłaBayer, Francis, i Pierre Michel. "Luigi Dallapiccola". Revue de musicologie 83, nr 2 (1997): 318. http://dx.doi.org/10.2307/946932.
Pełny tekst źródłaColonnelli, Enzo. "Luigi Magnano". Memorie della Società Entomologica Italiana 88, nr 1 (30.06.2009): 3. http://dx.doi.org/10.4081/memoriesei.2009.3.
Pełny tekst źródłaSilva, Valmir Luis. "Luigi Pirandello". Tabuleiro de Letras 15, nr 1 (1.07.2021): 44–54. http://dx.doi.org/10.35499/tl.v15i1.10366.
Pełny tekst źródłaLongman, Stanley V., Susan Basnett-McGuire i A. Richard Sogliuzzo. "Luigi Pirandello". Theatre Journal 37, nr 3 (październik 1985): 392. http://dx.doi.org/10.2307/3206877.
Pełny tekst źródłaThomas, Gavin, LaSalle Quartet, Slavka Taskova, Laren Driscoll, Saarlandischen Radio SO, Berlin Radio SO i Gielen. "Luigi Nono". Musical Times 134, nr 1810 (grudzień 1993): 715. http://dx.doi.org/10.2307/1002949.
Pełny tekst źródłaFitch, Fabrice, Soloists, Stuttgart State Opera, Beethoven, Prometeo, Liszt, Scriabin, Vienna Philharmonic i Claudio Abbado. "Luigi Nono". Musical Times 136, nr 1829 (lipiec 1995): 366. http://dx.doi.org/10.2307/1004340.
Pełny tekst źródłaJay, Venita. "Luigi Rolando". Journal of Histotechnology 25, nr 3 (wrzesień 2002): 149. http://dx.doi.org/10.1179/his.2002.25.3.149.
Pełny tekst źródłaGesnerus, Editors. "Luigi Belloni". Gesnerus 47, nr 2 (21.11.1990): 187–90. http://dx.doi.org/10.1163/22977953-04702006.
Pełny tekst źródłaRozprawy doktorskie na temat "Luigi"
Nardin, Elisa <1986>. "Luigi Basiletti". Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3123.
Pełny tekst źródłaGiachino, Monica. "L'opera di Luigi Carrer". Doctoral thesis, Università Ca' Foscari Venezia, 1994. http://hdl.handle.net/10579/349.
Pełny tekst źródłaGiacomello, Irene <1986>. "Luigi Ramello: erudito rodigino". Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9417.
Pełny tekst źródłaTortella, Jaime Gérard Yves. "Boccherini, un músico italiano en la España ilustrada /". Madrid : Sociedad Española de Musicología, 2002. http://catalogue.bnf.fr/ark:/12148/cb40156614g.
Pełny tekst źródłaLazzarini, Guilia. "Luigi Nono : espace et composition". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0049.
Pełny tekst źródłaArchitecture and music. Space and time. Sound. Experience. These are the key words on which my research is based. It all started from the intuition of the existence of a link between two disciplines to which I have devoted much time and study, along two parallel academics paths: the school of architecture and the conservatory. After a long process of identification and analysis of the infinite possible approaches to the topic, I chose to focus on one of the most emblematic example of collaboration between an architect and a musician of the twentieth century: "Prometeo, tragedia dell’ascolto" (1984), composed by Luigi Nono in collaboration with Massimo Cacciari and Renzo Piano. Through the study of Prometeo, I was able to deal with many possible interpretations of the interdisciplinary relationship between music and architecture. The research was mainly carried out by analysing the writings of Nono and by studying the documents stored at Archivio Luigi Nono and Fondazione Renzo Piano. The dissertation consists of three parts: the first part deals with the role of space in Nono's works preceding the Prometeo, highlighting the importance of cultural and sound environment in Venice: the second part explores the composition process that led to the set-up Promefeo in Venice, Milan and Paris; the third part deepens what happened after Prometeo, and reflects on the contributions that this experience can give to the design of spaces for music, analysing different setups of the play without the ark, and studying the projects of Akiyoshidai's International Art Village and the concert hall of the new Philharmonie in Paris. The study of the experience of Prometeo aims to encourage the curiosity to research, and the experimentation of those 'infiniti possibili’ of the architectural and musical composition mentioned by Nono
Chessa, Luciano. "Luigi Russolo and the occult /". For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2004. http://uclibs.org/PID/11984.
Pełny tekst źródłaLazzarini, Giulia <1985>. "Luigi Nono: spazio e composizione". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6529/1/lazzarini_giulia_tesi.pdf.
Pełny tekst źródłaArchitecture and music. Space and time. Sound. Experience. These are the key words on which my research is based. It all started from the intuition of the existence of a link between two disciplines to which I have devoted much time and study, along two parallel academics paths: the school of architecture and the conservatory. After a long process of identification and analysis of the infinite possible approaches to the topic, I chose to focus on one of the most emblematic example of collaboration between an architect and a musician of the twentieth century: "Prometeo, tragedia dell'ascolto” (1984), composed by Luigi Nono in collaboration with Massimo Cacciari and Renzo Piano. Through the study of Prometeo, I was able to deal with many possible interpretations of the interdisciplinary relationship between music and architecture. The research was mainly carried out by analysing the writings of Nono and by studying the documents stored at Archivio Luigi Nono and Fondazione Renzo Piano. The dissertation consists of three parts: the first part deals with the role of space in Nono's works preceding the Prometeo, highlighting the importance of cultural and sound environment in Venice; the second part explores the composition process that led to the set-up Prometeo in Venice, Milan and Paris; the third part deepens what happened after Prometeo, and reflects on the contributions that this experience can give to the design of spaces for music, analysing different setups of the play without the ark, and studying the projects of Akiyoshidai's International Art Village and the concert hall of the new Philharmonie in Paris. The study of the experience of Prometeo aims to encourage the curiosity to research, and the experimentation of those 'infiniti possibili' of the architectural and musical composition mentioned by Nono.
Lazzarini, Giulia <1985>. "Luigi Nono: spazio e composizione". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6529/.
Pełny tekst źródłaArchitecture and music. Space and time. Sound. Experience. These are the key words on which my research is based. It all started from the intuition of the existence of a link between two disciplines to which I have devoted much time and study, along two parallel academics paths: the school of architecture and the conservatory. After a long process of identification and analysis of the infinite possible approaches to the topic, I chose to focus on one of the most emblematic example of collaboration between an architect and a musician of the twentieth century: "Prometeo, tragedia dell'ascolto” (1984), composed by Luigi Nono in collaboration with Massimo Cacciari and Renzo Piano. Through the study of Prometeo, I was able to deal with many possible interpretations of the interdisciplinary relationship between music and architecture. The research was mainly carried out by analysing the writings of Nono and by studying the documents stored at Archivio Luigi Nono and Fondazione Renzo Piano. The dissertation consists of three parts: the first part deals with the role of space in Nono's works preceding the Prometeo, highlighting the importance of cultural and sound environment in Venice; the second part explores the composition process that led to the set-up Prometeo in Venice, Milan and Paris; the third part deepens what happened after Prometeo, and reflects on the contributions that this experience can give to the design of spaces for music, analysing different setups of the play without the ark, and studying the projects of Akiyoshidai's International Art Village and the concert hall of the new Philharmonie in Paris. The study of the experience of Prometeo aims to encourage the curiosity to research, and the experimentation of those 'infiniti possibili' of the architectural and musical composition mentioned by Nono.
Santini, Andrea. "The spatial performance of Luigi Nono". Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603065.
Pełny tekst źródłaMagalhães, Michelle Agnes. "O estilo tardio de Luigi Nono". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-04112010-151812/.
Pełny tekst źródłaThis research studies some aspects of Luigi Nonos (1924-1990) late work. It is based on analysis and interpretation of three important works of the Venetian composer: Fragmente-Stille, an Diotima, for string quartet, Das atmende Klarsein, for bass flute, double-bass, choir and live electronics, and Omaggio a György Kurtág, for contralto, flute, bass clarinet and live electronics. Each of these investigations focuses on three important principles of Nonos late poetics: the ideas of fragmentation, limit and suspension.
Książki na temat "Luigi"
Einaudi, Luca, Riccardo Faucci i Roberto Marchionatti, red. Luigi Einaudi. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230522978.
Pełny tekst źródłaPerilli, Giorgio. Luigi Bonazza. Trento: Publiprint, 1992.
Znajdź pełny tekst źródłaPellegrini, Ernestina. Luigi Meneghello. Fiesole (Firenze): Cadmo, 2002.
Znajdź pełny tekst źródłaOntani, Luigi. Luigi Ontani. Torino: Galleria in arco, 1989.
Znajdź pełny tekst źródłaPomini, Mario. Luigi Amoroso. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10339-1.
Pełny tekst źródłaMichel, Pierre. Luigi Dallapiccola. Genève: Contrechamps, 1996.
Znajdź pełny tekst źródłaLuigi Vanvitelli. Milano: Skira, 2000.
Znajdź pełny tekst źródłaManca, Gavino, i Marzio Achille Romani. Luigi Einaudi. Milano: Università Bocconi, 2011.
Znajdź pełny tekst źródłaSenesi, Luigi. Luigi Senesi. Trento: Edizione d'arte, Studio d'arte Raffaelli, 1990.
Znajdź pełny tekst źródłaMussini, Massimo. Luigi Ghirri. Milano: F. Motta, 2001.
Znajdź pełny tekst źródłaCzęści książek na temat "Luigi"
Rössner, Michael. "Luigi Pirandello". W Kindler Kompakt: Drama des 20. Jahrhunderts, 76–79. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_13.
Pełny tekst źródłaWild, Gerhard. "Capuana, Luigi". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2998-1.
Pełny tekst źródłaLeonelli, Antonella. "Luigi Onnis". W Encyclopedia of Couple and Family Therapy, 1748–50. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-49425-8_981.
Pełny tekst źródłaAlbèra, Philippe. "Nono, Luigi". W Metzler Komponisten Lexikon, 536–42. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_207.
Pełny tekst źródłaKämper, Dietrich. "Dallapiccola, Luigi". W Metzler Komponisten Lexikon, 186–87. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_74.
Pełny tekst źródłaLenort, Bernhard. "Luigi Cherubini". W Kammermusikführer, 127–30. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_20.
Pełny tekst źródłaKardos-Morin, Maria, i Frank Schneider. "Luigi Nono". W Kammermusikführer, 454–59. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_89.
Pełny tekst źródłaAlbèra, Philippe. "Nono, Luigi". W Komponisten Lexikon, 418–23. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_206.
Pełny tekst źródłaKämper, Dietrich. "Dallapiccola, Luigi". W Komponisten Lexikon, 144–45. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_72.
Pełny tekst źródłaBadolati, Ennio. "Lilio, Luigi". W Biographical Encyclopedia of Astronomers, 1322. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_9349.
Pełny tekst źródłaStreszczenia konferencji na temat "Luigi"
Kirman, Ben, Shaun Lawson i Conor Linehan. "Mario, Luigi and Dave". W the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621872.
Pełny tekst źródła"Dedication: In memory of Luigi Ciminiera 1954-2012 [includes "In memory of Luigi Dadda 1923-2012"]". W 2013 IEEE 21st Symposium on Computer Arithmetic (ARITH). IEEE, 2013. http://dx.doi.org/10.1109/arith.2013.11.
Pełny tekst źródłaCosentino, O., i R. Ibba. "Luigi Broglio Base facilities and activities: The ASI balloon program". W ASTROPHYSICAL POLARIZED BACKGROUNDS: Workshop on Astrophysical Polarized Backgrounds. AIP, 2002. http://dx.doi.org/10.1063/1.1471852.
Pełny tekst źródłaCeravolo, R., G. De Lucia, E. Lenticchia, G. Miraglia, A. Quattrone, F. Tondolo, E. Matta i in. "Challenges in the Reuse and Upgrade of Pier Luigi Nervi‘s Structures". W 12th International Conference on Structural Analysis of Historical Constructions. CIMNE, 2021. http://dx.doi.org/10.23967/sahc.2021.043.
Pełny tekst źródłaDaldoss, Ivan. "The problem of sovereignty according to Hans Kelsen and Luigi Ferrajoli". W Naděje právní vědy 2022. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/zcu.nadeje.2022.31-41.
Pełny tekst źródłaTavoletta, Concetta. "Luigi Cosenza, Bernard Rudofsky and Gio Ponti and the Secret of the Mediterranean Sea". W 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021186n6.
Pełny tekst źródładi Fraia, Guido, i Alessandra Massarelli. "DIGITAL PIRANDELLO: EDUCATIONAL INNOVATION THROUGH A VIRTUAL ASSISTANT INSPIRED BY NOBEL LAUREATE LUIGI PIRANDELLO". W 16th International Conference on Education and New Learning Technologies. IATED, 2024. http://dx.doi.org/10.21125/edulearn.2024.0698.
Pełny tekst źródłaRiva, MA, M. Belingheri, M. Turato i G. Cesana. "754 carlo vallardi (1886–1962). an assistant of luigi devoto deported to mauthausen concentration camp". W 32nd Triennial Congress of the International Commission on Occupational Health (ICOH), Dublin, Ireland, 29th April to 4th May 2018. BMJ Publishing Group Ltd, 2018. http://dx.doi.org/10.1136/oemed-2018-icohabstracts.543.
Pełny tekst źródłaRoccetti, M., G. Marfia, A. Amoroso, S. Caraceni i Angelo Varni. "Augmenting augmented reality with pairwise interactions: The case of Count Luigi Ferdinando Marsili shooting game". W 2012 IEEE Consumer Communications and Networking Conference (CCNC). IEEE, 2012. http://dx.doi.org/10.1109/ccnc.2012.6181002.
Pełny tekst źródłaTetti, Barbara. "THE TERMINOLOGY OF THE RESTORATION IN THE EIGHTEENTH CENTURY. RESTORATION AND RENEWAL IN LUIGI VANVITELLIS WORK." W SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.134.
Pełny tekst źródłaRaporty organizacyjne na temat "Luigi"
Brown, M., G. Huntington i T. Brown. Identification of the mineral phases responsible for cementation of Lurgi spent oil shale. Office of Scientific and Technical Information (OSTI), luty 1991. http://dx.doi.org/10.2172/5989897.
Pełny tekst źródłaBrown, M., G. Huntington i T. Brown. Identification of the mineral phases responsible for cementation of Lurgi spent oil shale. Office of Scientific and Technical Information (OSTI), luty 1991. http://dx.doi.org/10.2172/10114390.
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