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Artykuły w czasopismach na temat "Lucinda Childs"
Sporton, Gregory. "Dance, Lucinda Childs". Scene 10, nr 1 (1.12.2022): 145–47. http://dx.doi.org/10.1386/scene_00047_5.
Pełny tekst źródłaForster, Lou. "Towards an Embodied Abstraction: An Historical Perspective on Lucinda Childs’ Calico Mingling (1973)". Arts 10, nr 1 (21.01.2021): 7. http://dx.doi.org/10.3390/arts10010007.
Pełny tekst źródłaGraham, Amanda Jane, i Lauren DiGiulio. "Grid variations: Lucinda Childs Dance Company on Robert Moses Plaza". Feminist Modernist Studies 4, nr 3 (2.09.2021): 375–88. http://dx.doi.org/10.1080/24692921.2021.1989245.
Pełny tekst źródłaUeno, Ken. "Presence and Physiovalence". TDR: The Drama Review 68, nr 1 (marzec 2024): 132–41. http://dx.doi.org/10.1017/s1054204323000643.
Pełny tekst źródłaMohr, Hope. "liberation study". TDR: The Drama Review 66, nr 4 (grudzień 2022): 2–3. http://dx.doi.org/10.1017/s1054204322000508.
Pełny tekst źródłavan Hensbergen, Rosa. "Dance X Fase X Quad: Choreographic Seeing in Lucinda Childs, Anne Teresa de Keersmaeker, and Samuel Beckett". TDR/The Drama Review 63, nr 3 (wrzesień 2019): 108–27. http://dx.doi.org/10.1162/dram_a_00859.
Pełny tekst źródłaMikou, Ariadne. "Chorégraphie « (a)live » et « care » : le cas de Chamber symphony de Lucinda Childs, au Théâtre Massimo de Palerme". Repères, cahier de danse 47, nr 2 (28.05.2021): 15–18. http://dx.doi.org/10.3917/reper.047.0015.
Pełny tekst źródłaKim, Hokyung. "A Study on Children’s Literature Set in the City: Focusing on Ruth Sawyer’s Roller Skates". Korean Society of Culture and Convergence 45, nr 7 (31.07.2023): 145–55. http://dx.doi.org/10.33645/cnc.2023.07.45.07.145.
Pełny tekst źródłaGarcia, Aedan. "Book Review: What time is the 9:20 bus? A Journey to a Meaningful Life, Disability and All, by Lucinda Hage (2014)". Canadian Journal of Bioethics 2, nr 2 (20.03.2019): 19–20. http://dx.doi.org/10.7202/1058144ar.
Pełny tekst źródłaOlin, Margaret. "Touching Photographs: Roland Barthes's ''Mistaken'' Identification". Representations 80, nr 1 (2002): 99–118. http://dx.doi.org/10.1525/rep.2002.80.1.99.
Pełny tekst źródłaRozprawy doktorskie na temat "Lucinda Childs"
Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Pełny tekst źródłaLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Książki na temat "Lucinda Childs"
Jonsberg, Barry. Dreamrider. New York: Alfred A. Knopf, 2008.
Znajdź pełny tekst źródłaWalden, Joshua S. Celebrity, Music, and the Multimedia Portrait. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653507.003.0005.
Pełny tekst źródłachildren, Motivate. Keep Calm and Let Luciana Shine Through the Unicorn Coloring: The Unicorn Coloring Book Is a Very Nice Gift for Any Child Named Luciana. Independently Published, 2021.
Znajdź pełny tekst źródłaKeep Calm and Let Luciana Enjoy the Magic of the Unicorn: The Unicorn Coloring Book Is a Very Nice Gift for Any Child Named Luciana. Independently Published, 2021.
Znajdź pełny tekst źródłaMesse nere sulla Riviera: Gian Pietro Lucini e lo scandalo Besson. [Turin, Italy]: UTET libreria, 2010.
Znajdź pełny tekst źródłaBerk, Laura E. Awakening Children's Minds. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195124859.001.0001.
Pełny tekst źródłaLucinda Animal Letter Tracing Workbook: Personalized Letter Tracing Workbook. Ideal for Pre-K Ages 3-5. This Number and Letter Tracing Workbook Has Animals on Cover with Personalized Child's Name. Independently Published, 2022.
Znajdź pełny tekst źródłaLuciana Animal Letter Tracing Workbook: Personalized Letter Tracing Workbook. Ideal for Pre-K Ages 3-5. This Number and Letter Tracing Workbook Has Animals on Cover with Personalized Child's Name. Independently Published, 2022.
Znajdź pełny tekst źródłaPress, ATWs. Luciana Learns to Write Their Name: Help Your Child Write Their Name with Our Custom Name Tracing Book. Perfect for 3-5 Year Olds. Improve Writing Skills and Fine Motor Skills. Independently Published, 2021.
Znajdź pełny tekst źródłaPRESS, zaki. Luciana Sketchbook: A Christmas Story Reindeer Sketchbook for Girls with Their Name Personalized Christmas Book for Children with Your Child's Name - Personalized Christmas Gift Books for Children, Toddlers and Kids/Kindergarten to Early Childhood School S. Independently Published, 2020.
Znajdź pełny tekst źródłaCzęści książek na temat "Lucinda Childs"
"LUCINDA CHILDS". W Fifty Contemporary Choreographers, 91–96. Routledge, 2005. http://dx.doi.org/10.4324/9780203977972-16.
Pełny tekst źródła"Lucinda Childs". W Speaking of Dance, 75–88. Routledge, 2005. http://dx.doi.org/10.4324/9780203997703-12.
Pełny tekst źródłaWeiss, Piero. "Einstein On The Beach By Philip Glass". W Opera, 322–27. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0051.
Pełny tekst źródłaBarr-Melej, Patrick. "The Palomita and Her Nest". W Psychedelic Chile. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469632575.003.0009.
Pełny tekst źródłaClorinda Matto De, Turner. "18". W Torn From the Nest, redaktor John H. R. Polt, 128–31. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195110067.003.0045.
Pełny tekst źródłaClorinda Matto De, Turner. "7". W Torn From the Nest, redaktor John H. R. Polt, 20–22. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195110067.003.0008.
Pełny tekst źródłaHobson, Maurice J. "The Sorrow of a City". W The Legend of the Black Mecca. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469635354.003.0004.
Pełny tekst źródłaClorinda Matto De, Turner. "2". W Torn From the Nest, redaktor John H. R. Polt, 82–84. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195110067.003.0029.
Pełny tekst źródłaGoldstein, Inge F., i Martin Goldstein. "Breast Cancer, Part 1: The Rise Of Activism and The Pesticide Hypothesis". W How Much Risk? Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195139945.003.0010.
Pełny tekst źródłaStreszczenia konferencji na temat "Lucinda Childs"
Maino Ansaldo, Sandro. "Le Corbusier, el punto de partida de Juan Borchers". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.631.
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