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Artykuły w czasopismach na temat "Lucinda (1940-....)"
LUCINDA, PAULO H. F., CARLOS A. FIGUEIREDO i KARSTEN E. HARTEL. "Designation of the lectotype of Poecilia amazonica Garman, 1895 (Cyprinodontiformes, Poeciliidae) and discussion of its nomenclatural status". Zootaxa 2751, nr 1 (28.01.2011): 63. http://dx.doi.org/10.11646/zootaxa.2751.1.4.
Pełny tekst źródłaGarcia dos Santos, Bruno, i Amailton Magno Azevedo. "Memórias de devoção e saberes ancestrais afrodiaspóricos: A Irmandade de São Benedito da Casa Verde, São Paulo (SP)". ODEERE 3, nr 6 (30.12.2018): 198. http://dx.doi.org/10.22481/odeere.v3i6.4326.
Pełny tekst źródłaPhuwapraisirisan, Preecha, Serm Surapinit i Santi Tip-pyang. "A novel furanocoumarin fromFeroniella lucida exerts protective effect against lipid peroxidation". Phytotherapy Research 20, nr 8 (2006): 708–10. http://dx.doi.org/10.1002/ptr.1930.
Pełny tekst źródłaDUBEY, ANIL KUMAR. "Neotype designation and generic re-definition of the monotypic genus Dialeurotrachelus Takahashi (Hemiptera: Aleyrodidae), and first record of its occurrence in the Andaman and Nicobar Islands, India". Zootaxa 4695, nr 6 (13.11.2019): 568–76. http://dx.doi.org/10.11646/zootaxa.4695.6.7.
Pełny tekst źródłaAMATI, BRUNO, MASSIMO APPOLLONI, ANDREA DI GIULIO, DANILO SCUDERI, CARLO SMRIGLIO i MARCO OLIVERIO. "Revision of the Recent Alvania scabra (Philippi, 1844) complex (Mollusca, Gastropoda, Rissoidae) from the Mediterranean Sea with the description of a new species". Zootaxa 4767, nr 3 (28.04.2020): 415–58. http://dx.doi.org/10.11646/zootaxa.4767.3.3.
Pełny tekst źródłaPinto, Julie, Paola Magni, R. O’Brien i Ian Dadour. "Domestic Filth Flies in New Haven, Connecticut: A Case Study on the Effects of Urbanization and Climate Change by Comparing Fly Populations after 78 Years". Insects 12, nr 11 (27.10.2021): 972. http://dx.doi.org/10.3390/insects12110972.
Pełny tekst źródłaHorowitz, Joel. "Reviews of Books:Del estado liberal a la nacion catolica: Iglesia y ejercito en los origenes del peronismo; 1930-1943 Loris Zanatta, Judith Farberman; Peron y el mito de la nacion catolica: Iglesia y ejercito en los origenes del peronismo (1943-1946) Loris Zanatta, Luciana Daelli". American Historical Review 107, nr 3 (czerwiec 2002): 917–18. http://dx.doi.org/10.1086/532578.
Pełny tekst źródłaWall, Richard. "The reproductive output of the blowfly Lucilia sericata". Journal of Insect Physiology 39, nr 9 (wrzesień 1993): 743–50. http://dx.doi.org/10.1016/0022-1910(93)90049-w.
Pełny tekst źródłaZHANG, JING, JINHUI SHEN, QIAN CONG i NICK V. GRISHIN. "Genomic analysis of the tribe Emesidini (Lepidoptera: Riodinidae)". Zootaxa 4668, nr 4 (12.09.2019): 475–88. http://dx.doi.org/10.11646/zootaxa.4668.4.2.
Pełny tekst źródłaPROMMI, TAENG-ON, PRONTHIP PEUMWARUNYOO i PHARAWEE MANSUKPHOL. "Distribution of Hydropsychidae (Insecta, Trichoptera) and water quality parameters in Mae Tao Creek, Mae Sot District, Tak Province, northern Thailand". Zoosymposia 10, nr 1 (9.08.2016): 413–23. http://dx.doi.org/10.11646/zoosymposia.10.1.38.
Pełny tekst źródłaRozprawy doktorskie na temat "Lucinda (1940-....)"
Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Pełny tekst źródłaLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Ferreira, Stefânia Jeronimo. "Análise citomorfológica e citomorfométrica do epitélio da mucosa bucal de pacientes com líquen plano / Stefânia Jeronimo Ferreira ; orientadora, Luciana Reis Azevedo-Alanis ; coorientadora, Maria Ângela Naval Machado". reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2011. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1960.
Pełny tekst źródłaInclui bibliografias
Objetivo. Avaliar a morfologia e o tamanho das células do epitélio da mucosa bucal de pacientes com líquen plano bucal (LPB). Materiais e métodos. Os esfregaços foram coletados da mucosa bucal de 20 pacientes com LPB (grupo caso) e 20 pacientes sem LPB (g
Objective. To evaluate the morphology and the size of oral epithelial cells in patients with oral lichen planus (OLP). Study design. Oral smears were collected from mucosa by liquid-based exfoliative cytology of 20 subjects with OLP (case group) and 20 wi
Silva, Cíntia Aparecida da, Marilda Rosa G. C. Gonçalves da Silva i Universidade Regional de Blumenau Programa de Pós-Graduação em Desenvolvimento Regional. "A construção de uma identidade de Santa :Amabile Lucia Visintainer /". reponame:Biblioteca Digital de Teses e Dissertações FURB, 2010. http://www.bc.furb.br/docs/DS/2010/346438_1_1.pdf.
Pełny tekst źródłaDissertação (mestrado) - Universidade Regional de Blumenau, Centro de Ciências Humanas e da Comunicação, Programa de Pós-Graduação em Desenvolvimento Regional.
Fialho, Neusa Nogueira. "A formação do professor de química e a atualização das TIC'S : novos caminhos para uma prática inovadora / Neusa Nogueira Fialho ; orientadora, Elizete Lucia Moreira Matos". reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2010. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1970.
Pełny tekst źródłaBibliografia: f. 200-208
A formação do professor de Química e a utilização de recursos disponibilizados pelas tecnologias da informação e da comunicação marcam o rumo das investigações para o desenvolvimento dessa dissertação, que tem por objetivo analisar de que maneira os profe
The Chemistry professor training and the usage of available resources through Information and Communication establish the routes for investigation and research to the development of this dissertation. Its goal is to analyze in which way the professors who
Lima, Luciana Vieira. "A cultura como unidade de estilo nas considerações extemporâneas / Luciana Vieira de Lima ; orientador, Antonio Edmilson Paschoal". reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2013. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=2398.
Pełny tekst źródłaEsta dissertação busca apresentar a critica nietzscheana à cultura alemã de sua época partindo da premissa que cultura (Ku!tur) para o filósofo é a unidade de estilo em todas as manifestações de vida de um povo. No coniunto de textos intitulados de Consid
This dissertation aims to present the nietzschean critique of German?s culture of his time, with the premise that culture (Kultur), for the philosopher, is the unity of style in every manifestation of lhe of a people. On the set of texts titled Untimely M
Santos, Juliana. "Ficcção e crítica de Lucia Miguel Pereira : a literatura como formação". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/54098.
Pełny tekst źródłaO trabalho tem como enfoque a produção ficcional de Lucia Miguel Pereira, figura de destaque entre os críticos literários brasileiros, principalmente pela autoria de textos célebres como a obra Prosa de ficção e as biografias de Machado de Assis e de Gonçalves Dias, mas que não obteve para sua criação o mesmo empenho crítico de sua produção historiográfica, ensaística e biográfica. O estudo analisa a obra ficcional de Lucia, principalmente os romances, Maria Luísa (1933), Em surdina (1933), Amanhecer (1938) e Cabra-cega (1954), procurando destacar suas características e situar a autora no conjunto da produção ficcional brasileira do período (principalmente da década de 30). O trabalho faz uma recuperação da trajetória intelectual de Lucia e destaca os seus principais posicionamentos críticos, de natureza estética e política, a partir da leitura de sua produção intelectual; com esse levantamento, são analisadas as obras ficcionais, tomando por base as concepções da autora e os fundamentos teóricos da narrativa, especialmente do romance de introspecção e do Bildungsroman. A pesquisa promove uma visão sobre o conjunto de sua produção, tanto crítica quanto ficcional, recuperando alguns de seus posicionamentos e caracterizando, especialmente, a produção narrativa da autora, no que tange à sua proximidade com os pressupostos do romance psicológico e do romance de formação, lançando um novo olhar para a ficção produzida por Lucia Miguel Pereira.
Pontes, Heloisa André 1959. "Historia social e relações de gênero no teatro e no campo intelectual, 1940-1968". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281330.
Pełny tekst źródłaMade available in DSpace on 2018-08-10T23:46:07Z (GMT). No. of bitstreams: 1 Pontes_HeloisaAndre_LD.pdf: 22918634 bytes, checksum: 9ee22988278f3dd61b58642257cc0d63 (MD5) Previous issue date: 2008
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Tese (livre-docencia) - Univer
Livre-Docente em Antropologia Social
Pasqualini, Arianna. "Transcultural memories of German-Namibian history (1978-1990): : Micro-perspectives from the global autobiographies of Lucia Engombe and Stefanie Lahya Aukongo". Thesis, Högskolan Dalarna, Afrikanska studier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-28965.
Pełny tekst źródłaClaudel, Paul-André. "Dans l’angle mort de l’histoire : Agostino J. Sinadino (Le Caire, 1876 - Milan, 1956) ou le Grand Livre égaré entre les langues". Paris 4, 2006. http://www.theses.fr/2006PA040136.
Pełny tekst źródłaDivided between countries as well as languages, Agostino J. Sinadino’s work comprises 8 books, published in very limited editions between 1898 and 1934. Despite their significance, these works fell into complete oblivion. Agostino J. Sinadino, a very versatile poet who wrote in French as well as Italian, had a highly demanding conception of poetry-making, inherited from Mallarmé. From Alexandria to Paris and Milan he explored Modernity’s subterraneans and met some of the most influential figures of his generation, including Lucini, Marinetti, Gide and Valéry. Our analysis focuses on three aspects, with a first part on documents, leading to a critical interpretation concerned with the possibility of reintegrating Agostino J. Sinadino’s work in literary history. The purpose of this work is to try and better understand the inner workings of literary history’s dialectics, with an emphasis on the notions of anachronism and historicity, by showing how Agostino J. Sinadino, one of Mallarmé’s first followers, became a forerunner of hermetism and pure poetry
Santos, Maria Trindade Martins dos. "A memória no espaço da escritura de quarto de hora: contos de Maria Lúcia Medeiros". Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/14792.
Pełny tekst źródłaUniversidade Federal do Pará
The purpose of this dissertation is to study the poetic creation process in the book of short stories Quarto de Hora by Maria Lúcia Medeiros, published in 1994 in Belém do Pará, Brazil. It is a fictional process that, in view of the multiple stylistic marks, has similarities with the oral speech while legends or children s stories, beyond its own literary limits, in the realm of the visual arts. Two hypotheses were operated in this investigation: one relative to the ambivalent nature of the discourse in first person; the other relative to the presence of the memorialist narrative in the poetic essay. Both of them are supported on theories of the Russian Formalists, Paul Zumthor, Henri Bergson, Maurice Halbwachs, Gaston Bachelard, chiefly. The study of short stories was based on the analysis and construction of cinematographic procedures that blow up images processed as recollections of the oral illusional report. The time-space interrelation is operated in the narrative sequence by the imagination and memory, in the three chapters, as a complementary relation that results in the grasping of a fragmented and plural narrative, as a spiral figure, that has no beginning, no middle, and no end incomplete. The memory space provides the principle of creation of the legend s image in Quarto de Hora, which finds its representation in the origin of the human language, in the voice, and in gesticulations of the poetic expression at the threshold of prose
O propósito desta dissertação é estudar o processo de criação poética no livro de contos Quarto de Hora de Maria Lúcia Medeiros, publicado em 1994, em Belém do Pará, Brasil. É um processo ficcional que, em vista das múltiplas marcas estilísticas, apresenta similaridades com o discurso da oralidade, enquanto lendas ou histórias infantis, além das próprias fronteiras literárias, no domínio das artes visuais. Duas hipóteses foram trabalhadas nesta investigação: uma referente à natureza ambivalente do discurso em primeira pessoa; outra referente à presença da narrativa memorialista no ensaio poético. Ambas são fundamentadas nas teorias dos Formalistas Russos, Paul Zumthor, Henri Bergson, Maurice Halbwachs, Gaston Bachelard, principalmente. O estudo dos contos foi baseado na análise e construção de procedimentos cinematográficos, que sugerem imagens processadas como recolhas do relato da ilusão oral. A inter-relação tempo-espaço é trabalhada na seqüência narrativa pela imaginação e memória, nos três capítulos, enquanto uma relação complementar que resulta na apreensão de uma narrativa fragmentada e plural, como uma figura espiral, que não tem início, meio e fim inconclusa. O espaço da memória fundamenta o princípio da criação da imagem da lenda em Quarto de Hora, que encontra sua representação na origem da linguagem humana, na voz, e nas gestualidades da expressão poética, nos limites da prosa
Książki na temat "Lucinda (1940-....)"
House, Katherine L. George Monroe Abell (1841-1900) and Lucinda Ludwell Able (1853-1934): A story of two Nelson County, Kentucky, families. Wyd. 2. Louisville, KY (12009 Vanherr Dr., Louisville 40299): K.L. House, 2005.
Znajdź pełny tekst źródłaVelásquez, Lucila. Lucila Velásquez: 50 años de creatividad de la palabra : poesía, 1949-1999. Caracas: Fundarte, 1998.
Znajdź pełny tekst źródłaJoyce, Auguste, Gash Katy J i Royal Saint Lucia Police Band., red. The Royal Saint Lucia Police Band 60th Anniversary: 1947-2007. Saint Lucia: Right Angle Imaging, 2007.
Znajdź pełny tekst źródłaDay, Reed B. Two families: A history of the lives and times of the families of Isaac Newton Day and Lucilla Caroline Blachly, 1640-1940. McMurray, Pa (238 Tepee Rd., McMurray 15317): R.B. Day, 2000.
Znajdź pełny tekst źródłaHolt, Tom. Lucia in wartime. London: Macmillan, 1985.
Znajdź pełny tekst źródłaJones, Harvey. Mathews: Masterpieces of the California decorative style. Layton, UT: G.M. Smith, Inc., Peregrine Smith Books in association with the Oakland Museum, 1985.
Znajdź pełny tekst źródłaHolt, Tom. Lucia in wartime: Based on the characters created by E.F. Benson. London: Black Swan, 1986.
Znajdź pełny tekst źródłaHolt, Tom. Lucia in wartime. New York: Perennial Library, 1986.
Znajdź pełny tekst źródłaHolt, Tom. Lucia in wartime. London: Macmillan, 1985.
Znajdź pełny tekst źródłaHolt, Tom. Lucia in wartime. Seattle, WA: Coffeetown Press, 2013.
Znajdź pełny tekst źródłaCzęści książek na temat "Lucinda (1940-....)"
Åker, Patrik. "Roland Barthes (1980) Camera Lucida". W Classics in Media Theory, 268–83. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003432272-20.
Pełny tekst źródłavan Tiggelen, Brigitte. "Lucia de Brouckère (1904-1982)". W European Women in Chemistry, 157–60. Weinheim, Germany: Wiley-VCH Verlag GmbH & Co. KGaA, 2011. http://dx.doi.org/10.1002/9783527636457.ch38.
Pełny tekst źródłaCamargo Molano, Jessica, i Alfonso Amendola. "Women Behind the Camera: How Lucia Schulz and Hortense Ribbentrop-Leudesdorff Changed the History of Photography and Cinematography". W Cinematic Representations of Women in Modern Celebrity Culture, 1900–1950, 40–59. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003174134-4.
Pełny tekst źródłaSzwast, Miriam. "Lucia Moholy (1894–1989) Hundert Jahre Fotografie". W Kunsthistorikerinnen 1910–1980, 188–203. Dietrich Reimer Verlag, 2021. http://dx.doi.org/10.5771/9783496030508-188.
Pełny tekst źródłade Oliveira, Maria A. "Virginia Woolf’s Reception and Impact on Brazilian Women’s Literature". W The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature, 246–66. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.003.0014.
Pełny tekst źródłaKennedy, Sue. "‘The Lure of Pleasure’". W British Women's Writing, 1930 to 1960, 73–90. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621822.003.0005.
Pełny tekst źródłaJoseph, Tennyson S. D. "The Politics of St. Lucian Decolonization, 1970–1982". W Decolonization in St. Lucia, 51–81. University Press of Mississippi, 2011. http://dx.doi.org/10.14325/mississippi/9781617031175.003.0004.
Pełny tekst źródłaJoseph, Tennyson S. D. "St. Lucia under Global Neoliberal Hegemony, 1982–1990". W Decolonization in St. Lucia, 82–111. University Press of Mississippi, 2011. http://dx.doi.org/10.14325/mississippi/9781617031175.003.0005.
Pełny tekst źródłaJoseph, Tennyson S. D. "Deepening Globalization and the Unmaking of the Postcolonial Order, 1990–1997". W Decolonization in St. Lucia, 112–36. University Press of Mississippi, 2011. http://dx.doi.org/10.14325/mississippi/9781617031175.003.0006.
Pełny tekst źródła"Lucia Mae Pitts (1904 –1973)". W Shadowed Dreams, 233–35. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813586205-034.
Pełny tekst źródłaStreszczenia konferencji na temat "Lucinda (1940-....)"
Maino Ansaldo, Sandro. "Le Corbusier, el punto de partida de Juan Borchers". W LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.631.
Pełny tekst źródłaNovais, Aurea Maria Lago, Beatriz Santos Rogério i Renan Carvalho Castello Branco. "Stroke profile in patients with high risk of obstructive sleep apnea: a transversal study". W XIV Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2023. http://dx.doi.org/10.5327/1516-3180.141s1.558.
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