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Artykuły w czasopismach na temat "Lucier, Alvin"
Aschour, Didier. "Alvin Lucier, un phénomène sonore". Chimères 47, nr 1 (2002): 155–60. http://dx.doi.org/10.3406/chime.2002.2459.
Pełny tekst źródłaCurtis, Charles. "Alvin Lucier: A Performer's Notes". Leonardo Music Journal 22 (grudzień 2012): 87–88. http://dx.doi.org/10.1162/lmj_a_00111.
Pełny tekst źródłaLerman, Richard. "Thoughts on Alvin Lucier and Performance". Leonardo Music Journal 22 (grudzień 2012): 88. http://dx.doi.org/10.1162/lmj_a_00113.
Pełny tekst źródłaDAVIS, RANDAL. "‘… and what they do as they're going …’: sounding space in the work of Alvin Lucier". Organised Sound 8, nr 2 (sierpień 2003): 205–12. http://dx.doi.org/10.1017/s1355771803000116.
Pełny tekst źródłaLucier, Alvin. "On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949–1993". Leonardo Music Journal 11 (grudzień 2001): 51–52. http://dx.doi.org/10.1162/09611210152780674.
Pełny tekst źródłaKuivila, Ronald. "Images and Actions in the Music of Alvin Lucier". Leonardo Music Journal 22 (grudzień 2012): 88. http://dx.doi.org/10.1162/lmj_a_00112.
Pełny tekst źródłaYang, Justin. "Semiotics, Presence and the Sublime in the Work of Alvin Lucier". Leonardo Music Journal 22 (grudzień 2012): 88. http://dx.doi.org/10.1162/lmj_a_00114.
Pełny tekst źródłaLee, Peggy Kyoungwon. "The Alpha Orient". TDR: The Drama Review 66, nr 2 (czerwiec 2022): 45–59. http://dx.doi.org/10.1017/s1054204322000090.
Pełny tekst źródłaVandsoe, Anette. "I am Recoding the Sound of My Speaking Voice. Enunciation in Alvin Lucier's I'm Sitting in a Room". SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 2, nr 1 (13.04.2012): 96–112. http://dx.doi.org/10.7146/se.v2i1.5175.
Pełny tekst źródłaRose, Ethan. "Translating Transformations: Object-Based Sound Installations". Leonardo Music Journal 23 (grudzień 2013): 65–69. http://dx.doi.org/10.1162/lmj_a_00157.
Pełny tekst źródłaRozprawy doktorskie na temat "Lucier, Alvin"
Eitel, Verena. "The Empress of Sound - 5 Soli für/von Alvin Lucier". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-140729.
Pełny tekst źródłaEitel, Verena. "The Empress of Sound - 5 Soli für/von Alvin Lucier". Hochschule für Musik und Theater Leipzig, 2012. https://slub.qucosa.de/id/qucosa%3A4375.
Pełny tekst źródłaGauthier-Rahman, Nicolas. "Esthétique(s) de la métamorphose : Alvin Lucier, performance et propagation". Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC2194.
Pełny tekst źródłaThis PhD dissertation describes how north american composer Alvin Lucier (1931) found his path in composing music once he figured out his previous musical training lead him to an aesthetic dead end. Not without good sense of humor Lucier had to cope with lack of inspiration for almost a decade and focused mainly on conducting a contemporary music choir before he could take up a new composing perspective. His art, that one might define as performance art, has a form obviously different from what is commonly called (art) performance and is related to an art trend that was rising up within the Fifties and the Sixties. Lucier's music belongs to this history of american experimental and performative art, a topic barely known in french musicology at the exception of Cage's famous collaborations with either Cunningham, Rauschenberg or Tudor. These oversteppings of the bounds of the music field of the time as well Lucier's music itself indeed must be looked into at the light of the works of young artists who were often friends and working on common projects, be they dancers, musicians, painters or sculptors. All have altered the meaning of the word "to perform". Lucier amazing example helps to catch a glimpse on some artists who were on their thirties at the turning of the Sixties while their works help in turn to understand how in his case Lucier has considered music (and hearing) as if taking place on a stage. Where does a sound come from, on what stage, where hearing really takes place, these questions could be Lucier's ultimate seek motives. If his musical thinking therefore seems to deal with various matters as diverse as chance procedures, physics, ethology, poetry, alchemy his conception of what causality, environment or ecology are proves very consistant. All were new topics that must be now carefully driven back to their original backgrounds. To sum it up now in one sentence, the physical aspect of sound as a wave including a wavelenght that can be felt by the human body in different sensorial ways gave Lucier the opportunity, or so to say, the excuse to create a sound propagation art where sound is as much physically reflected as mentally thought over along the many conversions Lucier provokes. For Lucier sound is a puzzling question whom he surveys in all its manifestations be they its trajectories, transformations or even its metamorphosis so far as Lucier seems a modern alchemist willing to make the sound visible, haptic, or audible if litterally inaudible. Besides being a still active, highly influent composer and a seminal sound art icon, Lucier's long career displays thus a complete intellectual adventure that deserves to be pointed out in its most relevant and breaking features
Chung, Hsiang Ying. "A sound encounter of en creux : in-between Roni Horn, Alvin Lucier, and Robert Smithson". Thesis, Goldsmiths College (University of London), 2014. http://research.gold.ac.uk/10903/.
Pełny tekst źródłaBlamey, Peter J. "Sine waves and simple acoustic phenomena in experimental music : with special reference to the work of La Monte Young and Alvin Lucier /". Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/25659.
Pełny tekst źródłaBlamey, Peter J. "Sine waves and simple acoustic phenomena in experimental music with special reference to the work of La Monte Young and Alvin Lucier /". View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/25659.
Pełny tekst źródłaA thesis presented to the University of Western Sydney, College of Arts, School of Humanities and Languages, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
Hördegård, Jakob. "I am Speaking into a Chapel". Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-280167.
Pełny tekst źródłaZarzouli, Despoina. "Les enjeux de la "nouvelle critique" dans la critique racinienne". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015PA030011.
Pełny tekst źródłaThe nineteenth and twentieth centuries are characterized as centuries of literary criticism. The primary objective of this thesis will focus on the methodology used by “New Criticism” in relation to the work of Jean Racine. The New Criticism was a formalist movement, popular in the sixties, which focuses on objectively evaluating the underlying structure and text from literary work.Representatives of ‘‘New Criticism”, such as, Lucien Goldmann, Charles Mauron and Roland Barthes utilized structure methods to interpret Racine's literary works. The Sociological criticism of Goldmann, the Psychoanalytic criticism of Mauron, and the Structuralism of Barthes offer several areas of consideration.The aim of this study is to present the methods proposed by “New Criticism”, to reveal the essence of its theories, to assess their value by demonstrating the reason of their importance, and to understand controversy sparked around this formalist movement. So, identifying the “challenges of the ‘’New Criticism” in Racine’s criticism’’ by examining the criticisms made by other critics is the purpose of this work
Blamey, Peter J., University of Western Sydney, College of Arts i School of Humanities and Languages. "Sine waves and simple acoustic phenomena in experimental music : with special reference to the work of La Monte Young and Alvin Lucier /". 2008. http://handle.uws.edu.au:8081/1959.7/25659.
Pełny tekst źródłaDoctor of Philosophy (PhD)
Książki na temat "Lucier, Alvin"
Alvin Lucier : a celebration. Middletown, Conn: Wesleyan University Press, 2011.
Znajdź pełny tekst źródłaTenney, James. Alvin Lucier. Ezra & Cecile Zilkha Gallery, 1988.
Znajdź pełny tekst źródłaCollins, Nicolas, Andrea Miller-Keller, Alvin Lucier, Michael Roth i Ronald Kuivila. Alvin Lucier: A Celebration. University Press of New England, 2012.
Znajdź pełny tekst źródłaLucier, Alvin, i Douglas Simon. Chambers: Scores by Alvin Lucier. Wesleyan University Press, 2012.
Znajdź pełny tekst źródłaLochner, Michaela. SITULARIA – Klänge aus der Hallstattzeit. Verlag der Österreichischen Akademie der Wissenschaften, 2011. http://dx.doi.org/10.1553/978oeaw7002-0.
Pełny tekst źródłaVisions 91: Joseph Branco, Lorna Brown, Panya Clark, Barbara Claus, Marie A. Côté, Lucie Lefebvre, Lani Maestro, Alain Paiement, Robert Windrum, Kelly Wood : 15 août-3 novembre 1991, CIAC-Centre international d'art contemporain de Montréal. Montréal: CIAC, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Lucier, Alvin"
Möller, Hartmut. "Lucier, Alvin Augustus Jr." W Metzler Komponisten Lexikon, 443–44. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_174.
Pełny tekst źródłaMöller, Hartmut. "Lucier, Alvin Augustus Jr." W Komponisten Lexikon, 346–47. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_172.
Pełny tekst źródłaKahn, Douglas. "Alvin Lucier". W Earth Sound Earth Signal, 83–92. University of California Press, 2013. http://dx.doi.org/10.1525/california/9780520257801.003.0007.
Pełny tekst źródłaKahn, Douglas. "Alvin Lucier". W Earth Sound Earth Signal, 106–14. University of California Press, 2013. http://dx.doi.org/10.1525/california/9780520257801.003.0009.
Pełny tekst źródłaKuivila, Ronald. "Alvin Lucier (b. 1931)". W Interviews with American Composers, 201–17. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252043994.003.0013.
Pełny tekst źródła"6. Alvin Lucier. Brainwaves". W Earth Sound Earth Signal, 83–92. University of California Press, 2019. http://dx.doi.org/10.1525/9780520956834-009.
Pełny tekst źródła"8. Alvin Lucier. Whistlers". W Earth Sound Earth Signal, 106–14. University of California Press, 2019. http://dx.doi.org/10.1525/9780520956834-011.
Pełny tekst źródła"Finding Oneself: Alvin Lucier and the Phenomenal Voice". W Background Noise. Bloomsbury Academic, 2015. http://dx.doi.org/10.5040/9781501309106.ch-011.
Pełny tekst źródła"Alvin Lucier, Edmond Dewan und Music for Solo Perfomer". W Klangmaschinen zwischen Experiment und Medientechnik, 211–30. transcript-Verlag, 2010. http://dx.doi.org/10.14361/9783839414194-013.
Pełny tekst źródłaKahn, Douglas. "Alvin Lucier, Edmond Dewan und Music for Solo Perfomer". W Klangmaschinen zwischen Experiment und Medientechnik, 211–30. transcript Verlag, 2010. http://dx.doi.org/10.1515/9783839414194-013.
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