Gotowa bibliografia na temat „Love affair. Men”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Love affair. Men”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Love affair. Men"
1
Coutinho, B., J. Pinho i Á. Machado. "Post-stroke acute elation shortly followed by pathologic jealousy - is there a common anatomic substrate?" European Psychiatry 26, S2 (marzec 2011): 374. http://dx.doi.org/10.1016/s0924-9338(11)72083-1.
Pełny tekst źródłaStreszczenie:
Both mania and psychotic symptoms are well known to result from vascular brain injury, but their pathophysiology remains largely unknown.A 69-year-old man with diabetes and hypertension was seen for sudden behaviour disturbance: euphoric, talkative and uninhibited, he continuously shouted he trusted in Medicine, called the doctor the “King of Medicine”, and repeatedly said “I love doctors, I love nurses, I love Hospitals”. He was overcompliant during neurologic exploration, clearly amused with it. Left sensitive hemi-inattention and left homonymous hemianópsia could also be found. MRI showed an acute right temporo-parieto-insular cortical infarction. The following day he was euthymic and embarrassed for what happened. When visited that afternoon by his wife, she noticed he was strangely suspicious, continuously surveilling all her moves. He progressively worsened, believing she was having affairs with several men. This delusion persisted for the following months, even on risperidone 1 mg/day, culminating in Christmas Eve, when the patient shocked his family saying that his wife was having an affair with one of their sons. At this time, risperidone was discontinued and replaced by quetiapine 200 mg/day, resulting in rapid fading of all symptoms.Both post-stroke mania and psychotic symptoms have been consistently associated with right hemisphere damage, but, to our knowledge, were not previously reported after the same injury. We believe our patient provides evidence that the same anatomic dysfunction, in this case a temporoparietal infarct, can cause both psychiatric phenomena.
2
Stauffer, John. "Daguerreotyping the National Soul: The Portraits of Southworth and Hawes, 1843–1860". Prospects 22 (październik 1997): 69–107. http://dx.doi.org/10.1017/s0361233300000053.
Pełny tekst źródłaStreszczenie:
In 1837, two years before the nation began its exuberant love affair with daguerreotype portraits, Nathaniel Hawthorne made a prophetic observation about Americans' problematic obsession with “true” likenesses. In his story, “The Prophetic Pictures,” an unnamed, colonial Boston portrait painter portrayed not merely a man's features, “but his mind and heart.” The painter, as Walter Ludlow tells his fiancée Elinor, “catches the secret sentiments and passions, and throws them upon the canvas, like sunshine – or perhaps, in the portraits of dark-souled men, like a gleam of infernal fire. It is an awful gift.” Other colonists deemed the painter's gift “an offense against the Mosaic law, and even a presumptuous mockery of the Creator,” and still others considered him “a magician, or perhaps the famous Black Man, of old witch times, plotting mischief in a new guise.”
3
Sayiram. "A LUCID PORTRAYAL OF CONSUMMATE LIFE IN ASHALI VARMA’S -THE VICTORIA CROSS". International Journal of Research -GRANTHAALAYAH 4, nr 5SE (31.05.2016): 72–76. http://dx.doi.org/10.29121/granthaalayah.v4.i5se.2016.2727.
Pełny tekst źródłaStreszczenie:
Army is one of the noblest professions. Army men usually strive for the welfare of our nation. They should be adulated for their unique sacrifice. “The Victoria Cross” throws light on the life of a unique army officer. It is a biography penned by Ashali Varma who might have felt completely satisfied with her portrayal of her parent’s glorious virtues. She has depicted PremBhagat and Mohini who could lead a meaningful life by exchanging love perfectly and exhibiting warmth to the people who have sought succour. Prem was able to attract many people with his humanness. So, he exhibited empathy, gregariousness, veracity and tenacity to make his every endeavour successful. He never pussyfooted. He was down-to- earth. He was true to the adages “The rarer action is in virtue than in vengeance” and “To err is human; to forgive divine”
His wife was Mohini. She was an ideal wife to justify a maxim: “There is a woman behind every successful man”. She could shoulder the domestic burden confidently. Her love to her husband is obvious: “I love you more than anything else in this world” (p.no.39). One can find a lot of instances in which Mohini has involved herself voluntarily to buttress PremBhagat even in official affair. She demonstrated her hospitality impeccably. Hence, the book “The Victoria Cross” has been written in eulogy of PremBhagat and Mohini who have proved to be an epitome of a couple.
4
Majeed, Dr Saima, Komal Nayyar i Dr Altaf Qadir Khan. "Psychological Distress, Emotional Regulation, and Demographic Profile of Patients with Substance-Related Disorders". Journal of Professional & Applied Psychology 3, nr 2 (30.06.2022): 154–64. http://dx.doi.org/10.52053/jpap.v3i2.83.
Pełny tekst źródłaStreszczenie:
The main objective of the present research was to study psychological distress (depression, anxiety, stress) and its relationship with emotional regulation in patients with substance-related disorders. Emotional regulation and psychological distress are directly linked as psychological distress takes place when an individual has difficulties with regulating their emotions. It was a correlational study that followed a cross-sectional research design. G power analysis with a medium effect size suggested a 153-sample size. A sample of 155 men in the age range of 18 to 55(M=30.39, SD=7.97) was drawn from government hospitals admitted for the treatment of the substance-related disorders through purposive sampling. Demographic information sheet, Drug History Performa, Depression, Anxiety, Stress Scale-42 (DASS 42), and Emotional Regulation scale were used to collect data. Descriptive analysis, for demographic and social variables, depicted most of the participants belonged to a lower socioeconomic class. The mean duration of drug addiction was 12 years (SD =2.45). Most of the participants were multiple drug abusers. Peer pressure, failure in love affairs, and stress were reasons for drug addiction while reasons for relapse were peer pressure along with withdrawal symptoms and cessation of treatment. Descriptive analysis revealed that expressive-suppression emotional regulation strategies were common in study participants. Pearson product-moment correlational analysis demonstrates a significant positive relationship between psychological distress and expressive-suppression emotional regulation. In the present population, both social (peer pressure and bad company of friends) and psychological (stress, loneliness, curiosity and failure in love affair) factors are proven related to drug addiction problems. It is important to consider them for assessment as well as therapeutic intervention plans for patients with substance-related disorders.
5
Graefe, Sara. "Reviving and Revising the Past: The Search for Present Meaning in Michel Marc Bouchard's Lilies, or the Revival of a Romantic Drama". Theatre Research in Canada 14, nr 2 (styczeń 1993): 165–77. http://dx.doi.org/10.3138/tric.14.2.165.
Pełny tekst źródłaStreszczenie:
This essay examines the structural and representational strategies employed by Michel Marc Bouchard in Lilies, or the Revival of a Romantic Drama to effect a transformation of the traditional images of homosexuality in the contemporary theatre. At the centre of the play is a love affair between two young men in the rural and oppressive environment of Roberval in 1912; a complex metatheatrical structure, incorporating numerous mises en abyme surrounds this nucleus and facilitates an exploration of problems which relate directly and indirectly to its expression of adolescent passion. Within this structure, Bouchard, like his characters, makes use of theatrical revival as a narrative technique in order to reconstruct present meaning out of the past. Bouchard shows that the theatre can arrive at the truth while remaining an artifice, and through its revival and revision of the past can create an alternative theatrical representation of homosexuality.
6
Mikheeva, J. V. "The Voice of the Operating System in the Spike Jonze Film Her as a Hyperreal Object of Love". Art & Culture Studies, nr 3 (październik 2021): 406–19. http://dx.doi.org/10.51678/2226-0072-2021-3-406-419.
Pełny tekst źródłaStreszczenie:
The article raises the topic of “new sensuality” (“new sensualism”) as a phenomenon that revived the sentimentalism of the 1960s movie drama in the computer age and was embodied in a number of films of the last decade. In such films as Blade Runner 2049 (dir. Denis Villeneuve, 2017), Ex machina (dir. Alex Garland, 2015), I’m Here (dir. Spike Jonze, 2010) robots, replicant androids, and even laser projections act as men and women; and in the Spike Jonze film Her (2013), the main character, although a real man named Theodore, falls in love with the voice of the operating system Samantha, an affair with which becomes more real and valuable for him than anything he has previously experienced in relationships with real women. The plot of the film provides the basis for further practical and theoretical development of the film image of “akousmêtre”, a voice without a body. Digital technologies embodied in the film provide an opportunity to apply and rethink the concept of corporeality, which is relevant in phenomenological aesthetics, as well as to develop the meaning of synesthetic perception in the modern art space. At a new level of correlation between reality and virtuality, the ideas of dialogism that developed within the framework of philosophical anthropology in the twentieth century can be applied in the analysis of the film. Thus, the material of the presented films allows us to expand the art history discourse and raise a number of issues that are relevant not only for the screen arts of the 21st century, but also for people living in the world of digital technologies, but who have not lost the need for genuine human feelings.
7
FROHARDT-LANE, SARAH. "Promoting a Culture of Driving: Rationing, Car Sharing, and Propaganda in World War II". Journal of American Studies 46, nr 2 (maj 2012): 337–55. http://dx.doi.org/10.1017/s0021875812000072.
Pełny tekst źródłaStreszczenie:
World War II, some scholars have argued, interrupted Americans’ “love affair” with the automobile. According to this school of thought, gasoline rationing temporarily curtailed car driving and suspended car culture before both surged in the postwar era. This essay argues that World War II strengthened, rather than interrupted, Americans’ attachment to the automobile and solidified driving as a fundamental part of American culture. Ration boards distinguished between “essential” and “nonessential” driving and justified gasoline rationing as the only method to preserve civilian driving when supplies of gasoline were low. Thus at the same time as government and private industry were encouraging Americans to limit their driving, they were sending a strong message that Americans needed to drive and that foregoing driving whenever one wanted was a true, if temporary, hardship. Advertisements and government propaganda conflated car ownership with citizenship and portrayed driving as integral to the American way of life. But this mode of citizenship was not available to all: posters, pamphlets, and advertisements portrayed the American driver almost exclusively as white and most often as male. Such depictions implied that the mobility and independence that driving afforded were the sole domain of white American men.
8
Derrett, J. Duncan M. "‛On That Night’: Luke 17:34". Evangelical Quarterly: An International Review of Bible and Theology 68, nr 1 (6.09.1996): 35–46. http://dx.doi.org/10.1163/27725472-06801005.
Pełny tekst źródłaStreszczenie:
Salvation, present for Matthew (24:40b,41b), is future for Luke, who may have discarded the image of the two men in the field, and substituted the two in the bed. As at the Redemption from Egypt almost all Israelites were made into companies by Yahweh and led (with a strong arm) out of Egypt, whereas their Egyptian comrades were left behind, so the critical moment on the path to the Promised Land, coinciding with the coming of the Son of man, will find people of apparently like circumstances divided into the saved and the damned. There is no more time for probation and amelioration than there was at the first Exodus, for all necessary warnings have been issued to him/her who, willy nilly, consorts with the ‛world’ (Lk. 12:30). The Redemption from Egypt not only created a special obligation of obedience towards God and love towards the ‛neighbour’, but also excluded the idea, encouraged by appearances, that those who share the life of this world will share in the next. Luke’s ‛on that night’ ensures that we refer to the Exodus, which is a suggestive way of describing Jesus’ activity as leader (Ps. 78:52). Nevertheless mere membership of a group will not avail (cf. Mt. 23:9-10,27-29), since redemption is an individual affair. Slaves of sin, lacking faith in the redeemer, will not be ransomed at the final Exodus.
9
Hajare, Rahul. "Lockdown Ends Sex Returns Monkey Survey of Totally Less Sunlight Pharmacy Instituting Privately Extra pure". Pharmaceutics and Pharmacology Research 3, nr 3 (10.12.2020): 01–03. http://dx.doi.org/10.31579/2693-7247/025.
Pełny tekst źródłaStreszczenie:
With Unlock 5 underway and life moving back to a semblance of past normality, interactions among love birds have moved up a notch. Having to cope up with their partners for months in a closed space due to the lockdown, the excitement from a change of scenery has proved sexually alluring for some. According to a study conducted by Gleeden sitting, an extramarital dating platform, more than 60 percent of respondents confessed that the lockdown had a negative impact on their relationship, both emotionally and physically. To understand what men and women did to feel desirable, 2,000 users from Delhi, Satara, Thane, Hyderabad, Goa, Kolkata and Pune have polled between second extended June 25 and October 15, 2020. The Gleeden sitting survey revealed that 37 percent of it has users had an affair with colleagues after getting back to their offices following the lockdown. Getting back to work not only meant returning to socialising in an office environment, but also a chance for irresistible dalliances dialysis with co-workers. When quizzed about their reason behind these encounters, 37 percent confessed that it has due to a pure craving for sex smell. 33 percent of users said they enjoyed someone other than their partner chest pain finding them attractive. About 30 percent of them said they cheated to feel desirable again next level.
10
Abdelazim, Ahmed. "‘Men Don't Cry Over Women’". Anthropology of the Middle East 16, nr 2 (1.12.2021): 57–74. http://dx.doi.org/10.3167/ame.2021.160203.
Pełny tekst źródłaStreszczenie:
Abstract By examining mahragānāt, a genre of music common among the low-income working class in Cairo, and upper-class pop music, this article studies the expression of love and grief across socio-economic classes in Egypt. It challenges the mainstream argument that men, especially those belonging to lower socio-economic classes, are expected to perform ‘like men’ and suppress their emotions and affection. These mahragānāt exhibit extreme affection and grief as men threat of inflicting self-harm or committing suicide if they lose their female lovers. This genre's popularity on social media resonates with increasing suicide rates among lower socio-economic classes due to failed love affairs. By focusing on expressions of love in Egyptian music, this article suggests a dialectic relation between love, class and the understanding of masculinity.
Książki na temat "Love affair. Men"
1
Sam: A mundane love affair between two men. Minneapolis, MN: 11:11 Press, 2018.
Znajdź pełny tekst źródła
2
Lefcourt, Peter. The Dreyfus affair: A love story. New York: HarperPerennial, 1993.
Znajdź pełny tekst źródła
3
Lefcourt, Peter. The Dreyfus affair: A love story. New York: Random House, 1992.
Znajdź pełny tekst źródła
4
Bellinger, Cindy. Into the heat: My love affair with trees, fire, saws & men. Santa Fe, N.M: Blue Mesa Books, 2011.
Znajdź pełny tekst źródła
5
The love affair as a work of art. New York: Farrar, Straus and Giroux, 1996.
Znajdź pełny tekst źródła
6
Longsworth, Polly. Austin and Mabel: The Amherst affair & love letters of Austin Dickinson and Mabel Loomis Todd. New York: Holt, Rinehart, Winston, 1985.
Znajdź pełny tekst źródła
7
Longsworth, Polly. Austin and Mabel: The Amherst affair & love letters of Austin Dickinson and Mabel Loomis Todd. Amherst: University of Massachusetts Press, 1999.
Znajdź pełny tekst źródła
8
An affair to remember: The remarkable love story of Katharine Hepburn and Spencer Tracy. Thorndike, Me: G.K. Hall, 1997.
Znajdź pełny tekst źródła
9
Andersen, Christopher P. An affair to remember: The remarkable love story of Katharine Hepburn and Spencer Tracy. New York: William Morrow and Co., 1997.
Znajdź pełny tekst źródła
10
Copyright Paperback Collection (Library of Congress), red. A Love Affair for Lizzie. New York: Kensington Pub. Corp., 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "Love affair. Men"
1
Auspos, Patricia. "3. Separate Careers, Separate Lives". W Breaking Conventions, 175–258. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0318.03.
Pełny tekst źródłaStreszczenie:
Elsie Clews Parsons (1874-1941) and her husband Herbert Parsons (1869-1925) present a very different pattern of conflict and accommodation in a marriage shaped by the wife’s determination to work. Both Elsie and Herbert came from wealthy and prominent New York families. When they married in 1900, after a six-year courtship, Elsie was an atheist, a feminist, and a social rebel who openly challenged female stereotypes and traditional roles. A Ph.D. in sociology, she was teaching at Barnard College and insisted on keeping her job. Herbert, a deeply religious and rather staid man, was a successful lawyer and politician. Although Elsie and Herbert seemed mismatched, I argue, in contrast to other of Elsie’s biographers, that their marriage was a love match. Their troubles began after Herbert was elected to Congress in 1904. Elsie gave up her teaching job, moved to Washington with their two children, and had four more children (two died shortly after birth). When the controversial views she espoused in her first book set off a public furor that offended and embarrassed Herbert, she stopped publishing under her own name. A few years later, she was wracked with jealousy when she thought he had fallen in love with another woman. Elsie and Herbert did not divorce, but they led increasingly separate lives after they returned to New York in 1911. Elsie organized her personal and domestic life around two new careers. After establishing a foothold in the feminist, bohemian intellectual world in Greenwich Village, she became a sought-after, influential social critic, writing for The Masses and The New Republic. Then she connected with Franz Boas’s professional circle and became a highly respected anthropologist, studying indigenous peoples in the American Southwest, the Caribbean, and South America. Elsie had two lengthy love affairs, with the architect Grant LaFarge, and the novelist Robert Herrick. She deliberately chose lovers who – unlike Herbert – were adventurous, interested in her work, and eager to travel with her. In the late teens and twenties, her relationship with Herbert gradually improved, in part because he took on more responsibility for their four surviving children. His unexpected death in 1925, while she was involved with Herrick, was a blow for Elsie. Deeply in love with Elsie, Herrick wrote about her in several novels and short stories in the 1920s. Initially supportive of her work, he became increasingly jealous of her success and deeply angry at being reduced to what he thought was a subordinate role in her life. His last book about her, published in 1932, several years after their affair ended, cruelly disparaged her and her work. Elsie was repeatedly disappointed by the men in her life, but she never stopped trying to implement her feminist vision of a more equitable and intimate relationship grounded in work rather than domestic life.
2
Bagley, Petra M. "3. Mein Mallorca: A German–Spanish Love Affair". W Identity and Intercultural Exchange in Travel and Tourism, redaktor Anthony David Barker, 36–46. Bristol, Blue Ridge Summit: Multilingual Matters, 2014. http://dx.doi.org/10.21832/9781845414641-005.
Pełny tekst źródła
3
Auspos, Patricia. "0. Introduction". W Breaking Conventions, 1–26. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0318.08.
Pełny tekst źródłaStreszczenie:
Pursuing careers of their own made it difficult for these privileged wives to be the self-effacing, self-sacrificing domestic angels, helpmate wives, and companionate spouses that middle and upper-class white women of their day were expected to be. Instead, they upended gender stereotypes and romantic ideals, and found new ways to build emotional connection with their husbands. Chipping away at the foundations of male privilege and patriarchal power that defined most marriages of their time, they also challenged the emerging model of a professional career that reflected men’s lives and experiences rather than women’s. Because they wanted to work, these women looked for different qualities in a husband and a marriage than the typical middle-class woman of their era did. The search for a supportive husband led the women to think differently about masculinity and romantic love. Several “married down” by choosing men who were outside their social and economic class. This lowered the woman’s status in the eyes of her family and the world, but it strengthened her position in the marriage. Stricter standards of childrearing and professionalism increased the difficulties women of this era encountered in their efforts to combine marriage, motherhood, and career, but their husbands were potentially the greatest threat to their success. Some of the men were ostensibly encouraging but nevertheless put barriers in the women’s way and sometimes belittled their accomplishments. Others gave their wives long-term, ungrudging, unambiguous support. Supportive husbands took on many of the roles helpmate wives typically provided for husbands, shifting both the emotional dynamic and power center of traditional marriage. The husbands did more childcare and household management than most men of their era, but there was no expectation that there should be an equitable division of labor in the home. Like today’s “supermoms,” these wives worked two shifts – the household and the workplace – and carried out seemingly domestic tasks in order to show that they were “womanly” women. For the most part the wives embraced their multi-tasking lives with enthusiasm, and reveled in the opportunity to combine marriage and career rather than being relegated to one sphere or the other. Only late in their marriages did they acknowledge how resentful they sometimes felt about the extra burdens they carried compared with their husbands. Each of the five marriages is discussed in a separate chapter, in a progression that moves from the marriages that had the most trouble accommodating the wife’s career to those that were the most successful in doing so. Together, the five marriages offer variations on a common theme and illustrate an emblematic spectrum of challenges and responses. They illuminate the difficult choices dual couples still wrestle with today. Two of the couples – the Palmers and the Youngs – were reluctant rebels who struggled to uphold traditional values and marital stereotypes while accommodating the wife’s career. The deeply divided Parsons became a contentious couple whose work in unrelated fields pushed them apart instead of drawing them together. Elsie’s affair with the novelist Robert Herrick became equally contentious over the priority she gave her work. Two other couples – the Webbs and the Mitchells – were proud pioneers who expected men and women to adopt new roles in the workplace as well as in the home.
4
Koshino, Go. "Как закалялась сталь в Восточной Азии". W Biblioteca di Studi Slavistici, 203–10. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.18.
Pełny tekst źródłaStreszczenie:
How the Steel Was Tempered in East Asia. Nikolai Ostrovsky’s novel How Steel Was Tempered (1932-34) tells the story of a young Ukrainian man named Pavel Korchagin who sacrifices his life and body to forge a steel-like spirit amid revolution, civil war, and postwar socialist construction. Although his physical injuries, which left him paralyzed and even blind, looks somehow grotesque, but his heroic self-sacrifice also had the power to inspire young readers. Regarded as an exemplary work of Soviet socialist realism, it was translated into many languages and read avidly at one time by left-wing readers in the West as well as in the Communist countries in the East. It was particularly influential in China, where it is so popular that even today it is invariably named as one of the favorite books of university students. This is in contrast to post-Soviet Russia today, in which the novel has lost the privileged position it once enjoyed and is no longer widely read. In China under the socialist regime, Ostrovsky’s novel was published in large numbers as suitable reading for young people and incorporated into school education. However, their active introduction in the public sphere alone does not explain their popularity. Chinese readers seem to have become deeply emotionally involved in the protagonist’s unsuccessful love affair with Tonya, a young girl whose bourgeois gestures and characterization must have been considered negative. As a result, the Soviet ideological novel has brought an unexpected meaning of European-style romantic love for Chinese readers. This presentation will trace the reception of Ostrovsky’s novel and the changes in the heroine Tonya’s image by comparing five adaptations: two Soviet films in 1942 and 1957, a Chinese lianhuanhua (serial picture book) in 1972, a Japanese manga in 1975, and a Chinese TV drama in 1999.
5
Winter, Jerrold. "Pharmacological Puritanism and the War on Drugs: All the King’s Horses and All the King’s Men . . ." W Our Love Affair with Drugs. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051464.003.0013.
Pełny tekst źródłaStreszczenie:
H. L. Mencken, arguably the leading satirist of the 20th century, said that American puritanism is characterized by the haunting fear that someone, somewhere, may be happy. If the source of that happiness is a drug, we might call it pharmacological puritanism. Followers of that faith abound, but I will mention just few. “There’s no such thing as recreational drug use” were the words of William Weld, head of the criminal division of the Attorney General’s office in 1988. A year later, in the midst of a cocaine epidemic, William Bennett, the first director of the Office of National Drug Control Policy (ONDCP) under President George H. W. Bush, expressed dual goals. The first was to construct 95,000 more federal prison cells for drug abusers and the second to make Washington, D.C., a drug-free city. He believed that calls for legalization of any psychoactive drug to be “morally scandalous.” John Walters, director of the ONDCP during George W. Bush’s tenure as president, believed that religion is the answer to drug abuse. Lest we think that pharmacological puritanism is a dying faith, we need only recall Attorney General Jeff Sessions’ comment in 2016 that “Good people don’t smoke marijuana.” It does make me wonder where, on the good–bad spectrum, lie the tens of millions of Americans who live in states and in the District of Columbia where marijuana is legal for recreational use. Among the general population, pharmacological puritanism appears to be uncommon. A survey of American college students found that the prime motives for drug use were to help with concentration, to increase alertness, and to get high. From the United Kingdom, David Nutt, chairman of the Department of Neuropsychopharmacology at Imperial College London, put it this way: “Drugs are taken for pleasure.” Whatever their numbers today or in the past, it is believers in pharmacological puritanism, with the absolutism which accompanies that faith, who are major contributors to the failure of our most recent war on drugs, now nearly a half-century old.
6
Kimmel, Michael S. "Gendered Intimacies". W The Gendered Society, 203–20. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125870.003.0009.
Pełny tekst źródłaStreszczenie:
Abstract “Man’s love is of man’s life a thing apart. ‘Tis woman’s whole existence.” So wrote the legendary great British romantic poet George Gordon, Lord Byron. Presumably, this was because men like him had other, more important things to occupy their time, like poetry, politics, and sexual conquest. A century and a half later, novelist Doris Lessing commented that she’d never met a man who would destroy his work for a love affair—and she never met a woman who wouldn’t.
7
Scanlon, Jennifer. "David Brown". W Bad Girls Go Everywhere, 40–56. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195342055.003.0003.
Pełny tekst źródłaStreszczenie:
Abstract Through her late twenties and early thirties, and assisted by her single and married friends, Helen Gurley dated widely, keeping a sharp eye on the pool of eligible bachelors in Los Angeles. By thirty-five, she determined she was ready not just for another affair but, she hoped, for a long-term commitment. But while age may have compromised her embrace of single life, by no means had it compromised her desire or determination to marry someone of substance. She considered only men of means, successful men, and stayed clear of “ordinary men [she] might have to help support” along with her family. One morning, as she walked for exercise with her friend Ruth Shandorf, Gurley listened intently as her companion described David Brown, a film studio executive and former New Yorker. Shandorf explained that Brown’s second marriage had recently ended and that he was “on the market,” and Gurley felt an immediate compatibility, not simply for an affair but for marriage: “It wasn’t love at first sight for me. It was love before first sight. I had fallen in love with his credentials.
8
Ryan, Tom. "Hollywood, Rock Hudson, and the Idea of the Hero". W The Films of Douglas Sirk, 143–57. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496817983.003.0010.
Pełny tekst źródłaStreszczenie:
Like his better-known work, these adventure films point to Sirk’s love affair with American populist art, which he took very seriously. All are genre films about men who find themselves in positions of leadership in times of turmoil, characters whom one might conventionally regard as heroes. And they’re all played by Rock Hudson who brings to them a distinct and very human vulnerability.
9
Haverty-Stacke, Donna T. "Politics and Love on the Left". W The Fierce Life of Grace Holmes Carlson, 119–55. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479802180.003.0005.
Pełny tekst źródłaStreszczenie:
Chapter 4 focuses on Grace’s ties with men in the SWP. In addition to platonic friendships and work relationships she forged with men like James Cannon, Farrell Dobbs, and her brother-in-law, Henry Schultz, Grace also engaged in a romance with Vincent Raymond Dunne for over ten years. Both Grace and Ray were married to other people at the time: Grace had separated from her husband, Gilbert, sometime in the late 1930s, but Ray never left his wife, Jennie. As a result, only a few party insiders knew for certain about the affair. But Grace’s and Ray’s dedication to the SWP, among other factors, drew them together. Their relationship was just one of many within the SWP in which couples enjoyed sharing in the common work of the party. Private relationships became intertwined with public commitments and helped build and sustain the radical politics of those involved, who otherwise faced a world hostile to their beliefs. Of particular importance to Grace’s political career in these years was her run for vice president of the United States in 1948, the press coverage of which included deeply entrenched biases against women running for such high office—some of which still remain today.
10
Malcolm, Noel. "Gregorio and Gianesino". W Forbidden Desire in Early Modern Europe, 1–7. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198886334.003.0001.
Pełny tekst źródłaStreszczenie:
Abstract In the summer of 1588 the Venetian bailo (resident ambassador) in Istanbul investigated a sexual scandal involving two young men who worked for him, his baker and a trainee dragoman (interpreter). Fifteen members of the household, and two Venetian merchants, were questioned individually. The dossier recording their answers is a very unusual document, offering perspectives generally absent from the trial documents on which so much study of early modern sodomy is based: it presents a description of a love affair, with an apparently sexual component, and shows that there was a range of attitudes towards it, from light-hearted tolerance to fierce disapproval. The bailo’s reaction also exhibits, significantly, a fear of news of such a sexual affair getting out into the surrounding population.
Streszczenia konferencji na temat "Love affair. Men"
1
Olărescu, Dumitru. "The evolution of the documentary film, dedicated to popular music performers". W Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.17.
Pełny tekst źródłaStreszczenie:
Our folk songs, coming from over centuries, still today express the deepest soul of the man’s inner world, his sentimental experiences in the middle of the world, the connections with loved ones, with his native land, with society. These musical pieces, very diverse from the melodic perspective and the ideational background, form a complex socio-cultural phenomenon, which has interested scientists, men of art and culture. Back in the 1950s, at the beginnings of our cinema, current affairs topical cinematographic magazines already included subjects about some folk music performers, such as Tamara Ceban, Maria Bieşu, Gheorghe Eşanu and some amateur singers. Since then, the creation of folk music performers has been the basis of several documentary films, made at the “MoldovaFilm” studio by the filmmakers: Emil Loteanu (“Fresco pe alb”, “Ecoul văii fierbinţi”), Andrei Buruiană (“Nicolae Sulac”, “Cantecele noastre”), Anatol Codru (“Tălăncuţa”), Ana Iuriev (“Fluieras”), Iacob Burghiu (“Surorile”), Vlad Druc (“Ploi de dor”, “Vai, sarmana turturica”), Ştefan Bulicanu (“Asa-i viata omului”) etc. We will try to elucidate the aesthetic-artistic specifics and the role of the documentary film in the preservation and valorization of the spiritual heritage of the people.