Gotowa bibliografia na temat „Loukik chara”
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Artykuły w czasopismach na temat "Loukik chara"
Silva, Igor De Almeida. "A Revolução Francesa em cena: o íntimo e o político em Ça Ira (1) Fin de Louis". Sala Preta 18, nr 1 (30.06.2018): 304. http://dx.doi.org/10.11606/issn.2238-3867.v18i1p304-312.
Pełny tekst źródła"Louis Rosenhead, 1 January 1906 - 10 November 1984". Biographical Memoirs of Fellows of the Royal Society 32 (grudzień 1986): 405–20. http://dx.doi.org/10.1098/rsbm.1986.0013.
Pełny tekst źródłaRozprawy doktorskie na temat "Loukik chara"
Som, Susmita. "Itihaser prekshite banglar loukik chara : ekti aarthosamajik sangskritik shomikkhon ইতিহাসের প্রেক্ষিতে বাংলার লৌকিক ছড়া: একটি আর্থ সামাজিক সাংস্কৃতিক সমীক্ষণ". Thesis, University of North Bengal, 2010. http://hdl.handle.net/123456789/1658.
Pełny tekst źródłaBelin, Olivier. "René Char et le surréalisme". Paris 4, 2008. http://ezproxy.normandie-univ.fr/login?url=https://www.classiques-garnier.com/numerique-bases/garnier?filename=obiMS01.
Pełny tekst źródłaRené Char officially belonged to the surrealist movement from 1930 to 1934. For all that, did the movement have a profound impact on his poetry ? This thesis sets out to answer in the affirmative by reconsidering the place of surrealism in the whole corpus published by Char from 1928 to 1988, in the light of unpublished correspondences or manuscripts. In the first part, it is a chronological study of the pre-war books which shows how the surrealist stage enabled Char, by attraction or repulsion, to form his own aesthetic and intellectual positions. The second part examines all of the post-war texts from different angles so as to reveal the persistence of the surrealist heritage, since Char constantly goes back to surrealism to define the meaning of his works, poetics, political tendencies, ethical thoughts or stylistic choices. Thus Char’s evolution provides a remarkable example of the dissemination of surrealism in the twentieth century French poetry
Delahaye, Francis. "L'invention de soi dans l'œuvre de Patrick Modiano". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040184.
Pełny tekst źródłaThis dissertation addresses the question of the invention of oneself by Patrick Modiano. The terms invention of oneself can be interpreted on three ways, depending on the manner the accent is made on the definition of identity, answering the question : “Who am I?”, or finding the ideas and arguments to prepare a discourse as it is done in the rhetoric or questioning one’s memory as nothing new can be invented. Amongst these three approaches, the first one about the question of identity is mainly studied with the literary tools, excluding the psychoanalytical view which is rejected by Patrick Modiano himself. A three steps approach is followed. At first we analyze how the Patrick Modiano’s romanesque art is influenced by History, mainly the history of the French collaboration during World War II but also by the history of the Algeria war at the beginning of the sixties, his literary sources mainly among French anti-Semite authors who published their books just before World War II, and of course his shared life, that is to say the life he is sharing with the readers. The following question concerns the literary genre of the novels written by an author using the I narrator. Is he writing novels, autobiographies or autofictions? The last issue is about the question of identity: what does it mean for Patrick Modiano to be born in 1945, to be the son of a supposed collaborator, or the son of a Jew, or to be a writer? Answering these different questions should help to approach the definition of the invention of oneself. Is it related to the invention of several birth dates, a false date for the wedding of his parents or imaginary family members for himself or on the opposite is it related to the invention of a new imaginary identity at each novel till the previous identity is abandoned and a new imaginary identity is created in the following novel?
Książki na temat "Loukik chara"
Hamilton, Laurell K. Guilty pleasures. London: New English Library, 1993.
Znajdź pełny tekst źródłaHamilton, Laurell K. Guilty pleasures. New York: Berkley Books, 2002.
Znajdź pełny tekst źródłaHamilton, Laurell K. Guilty pleasures. New York: Berkley Books, 2002.
Znajdź pełny tekst źródłaCaptured Dreams. Large Print Book Company, 2004.
Znajdź pełny tekst źródłaCzęści książek na temat "Loukik chara"
Maresch, Klaus, i Zola Marie Packman. "Charm against the Scorpion". W Papyri from the Washington University Collection St. Louis, Missouri, 52–54. Wiesbaden: VS Verlag für Sozialwissenschaften, 1990. http://dx.doi.org/10.1007/978-3-322-98454-8_14.
Pełny tekst źródłaMcCormick, Robert H. "Return Passages: Maryse Conde Brings Tituba Back to Barbados". W Black Imagination and the Middle Passage, 271–81. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195126402.003.0022.
Pełny tekst źródłaDriessen, Michael D. "Catholicism and Interreligious Dialogue". W The Global Politics of Interreligious Dialogue, 89–98. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197671672.003.0005.
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