Gotowe bibliografie tematyczne / Louis Kahn

Gotowa bibliografia na temat „Louis Kahn”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 29 stycznia 2023

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Artykuły w czasopismach na temat "Louis Kahn"

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González-Peña, Nuria. "Louis Kahn en Rochester". Actas de Arquitectura Religiosa Contemporánea 5 (25.07.2018): 156–71. http://dx.doi.org/10.17979/aarc.2017.5.0.5149.

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El objetivo de esta comunicación es evaluar de modo crítico la influencia del pensamiento unitario en la concepción de la Primera Iglesia Unitaria de Rochester de Louis Kahn. Partiendo de la visita al templo y de la interacción con los feligreses, se recoge información de Louis Kahn y la Primera Iglesia Unitaria de Rochester.Las conexiones se establecen planteando las premisas de la Iglesia Unitaria sobre la revisión de los datos recogidos del arquitecto respecto a la concepción de la idea. Se estudia el proyecto final en relación a estas premisas, lo que aporta una triple lectura que conjuga las intenciones del arquitecto con las necesidades de la Iglesia y la evolución del proyecto.Croquis, dibujos y fotografías representan las distintas fases de la formalización del concepto. El arquitecto aporta una solución que, aunando traslaciones culturales y tecnológicas, el cliente identifica como propia.
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Williamson, James F. "Louis I. Kahn, teacher". Architectural Research Quarterly 17, nr 3-4 (grudzień 2013): 313–24. http://dx.doi.org/10.1017/s1359135514000128.

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Louis I. Kahn was not only an architect of powerful buildings; he was also an unconventional teacher and a radical philosopher whose influence on his students was far-reaching. It is through his many former students, especially those in his Master's Class at the University of Pennsylvania, 1960–74, that Kahn's distinctive philosophy of education and unique pedagogy have continued to influence the teaching and making of architecture in the late modern era.Focusing on a neglected area of Kahn scholarship, the author argues that Kahn's legacy as a teacher should be remembered as among his greatest accomplishments. The study examines Kahn's philosophy of education, his unique pedagogy, and his motives for teaching. It draws upon the author's experience as a student in the Master's Class and extensive research at the Louis I. Kahn Collection housed in Penn's Architectural Archives, the comprehensive repository of records relating to Kahn's academic and professional career. It is the first study to be based upon interviews with numerous fellow Master's Class alumni, reflecting the views expressed by Kahn's students about their teacher and the lasting impact of his teaching on their professional lives.
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Hoffmann, Jeremie, i Hadas Nevo-Goldberst. "Louis Kahn in Tel-Aviv". Louis I. Kahn – The Permanence, nr 58 (2018): 71–73. http://dx.doi.org/10.52200/58.a.26ufxj56.

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This paper surveys the historical urban infrastructure and architecture of the School of Mechanical Engineering at Tel-Aviv University, designed by one of the greatest architects of the 20th century, Louis I. Kahn. The paper describes the monumental architecture of the building, which hints subtly to the qualities and complexity of the internal spaces. The structure is the only building ever erected in Israel by Kahn, and became an architectural icon, presenting the best in the Brutalist architectural style to be found in Tel-Aviv-Yafo, alongside other outstanding structures from the same period.
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Galván, Noelia. "Louis I. Kahn. Parasol Houses". Ra. Revista de Arquitectura 8 (11.05.2018): 79–86. http://dx.doi.org/10.15581/014.8.25925.

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Con ocasión del reciente centenario de Louis I. Kahn, su figura y trayectoria profesional han vuelto a ser objeto de estudios y análisis. Tal es el caso de la elegante monografía de Robert McCarter publicada por Phaidon en el 2004, o la sorprendente película, My Architect: A Son’s Journey, documental nominado para los Óscar 2004, realizado por su hijo Nathaniel Kahn, en el que intenta indagar en el personaje que apenas llegó a conocer. Poco nuevo se puede decir sobre sus obras construidas, sobre sus edificios para las grandes instituciones o sobre sus viviendas. Sin embargo, el amplio registro gráfico de sus planos y dibujos, publicado en la Garland Architecture Archives, aún permite un acercamiento a su obra intentando indagar en algunos aspectos poco conocidos de su trabajo, como pueden ser los procesos proyectuales de algunos encargos que no llegarían a materializarse. Este artículo aborda uno de esos proyectos, las viviendas conocidas como las Parasol Houses, quizá una de las primeras obras en las que se dejan ver las inquietudes formales –la geometría, el orden, la estructura– acometidas por Kahn a partir de la década de los cincuenta.
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Montes Serrano, Carlos, i Noelia Galván Desvaux. "Las litografías de Louis Lozowick y su influencia en Louis Kahn". EGA. Revista de expresión gráfica arquitectónica 21, nr 28 (29.09.2016): 92. http://dx.doi.org/10.4995/ega.2016.6301.

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Las pinturas y dibujos del arquitecto Louis Kahn fueron catalogados en el libro de Jan Hochstim (1991), permitiendo a los interesados por la obra gráfica de Kahn estudiarlos en mayor profundidad en posteriores publicaciones. En este ensayo pretendemos mostrar la posible influencia en algunos dibujos de Kahn de las litografías de Louis Lozowick, un artista muy celebrado a comienzos de los años treinta por sus dibujos de la American Scene.
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Yegul, Fikret K. "Review: Louis I. Kahn: In the Realm of Architecture by David B. Brownlee, David G. de Long; Louis I. Kahn: Writings, Lectures, Interviews by Alessandra Latour, Louis I. Kahn; The Paintings and Sketches of Louis I. Kahn by Jan Hochstim, Louis I. Kahn". Journal of the Society of Architectural Historians 52, nr 1 (1.03.1993): 115–18. http://dx.doi.org/10.2307/990773.

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Tostões, Ana. "William Whitaker interviewed by Ana Tostões". Louis I. Kahn – The Permanence, nr 58 (2018): 63–65. http://dx.doi.org/10.52200/58.a.epx0x9pt.

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In February 2018, Ana Tostões interviewed William Whitaker, curator and collections manager of the Architectural Archives of the University of Pennsylvania School of Design, where the Louis I. Kahn Collection is hosted, in order to debate the importance of documentation for the preservation of Kahn’s legacy. William Whitaker was curatorial consultant of the exhibition Louis Kahn: The Power of Architecture (Vitra Design Museum, 2012) and is the co-author of The Houses of Louis I. Kahn (with George Marcus, 2013), the first comprehensive publication on the architect’s house designs. The management of the Louis I. Kahn Collection has been having a fundamental role, not only in the documentation and interpretation of Kahn’s life and work, but also in the success of the contemporary rehabilitation projects undertaken in his buildings.
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Fleming, Stephen. "LOUIS KAHN AND PLATONIC MIMESIS: Kahn as Artist or Craftsman?" Architectural Theory Review 3, nr 1 (kwiecień 1998): 88–103. http://dx.doi.org/10.1080/13264829809478334.

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Marcus, G. H. "Louis Kahn and the Architectural Barbecue". Journal of Design History 26, nr 2 (16.10.2012): 168–81. http://dx.doi.org/10.1093/jdh/eps045.

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Tostões, Ana. "David B. Brownlee interviewed by Ana Tostões". Louis I. Kahn – The Permanence, nr 58 (2018): 60–62. http://dx.doi.org/10.52200/58.a.2rykcqpi.

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In February 2018, Ana Tostões interviewed David Brownlee, pioneer researcher on Louis I. Kahn and an historian of modern architecture and professor of the history of art at the University of Pennsylvania, in order to debate Kahn’s realm of ideas and their contemporary significance. David Brownlee was guest curator of the exhibition Louis I. Kahn: In the Realm of Architecture (Museum of Modern Art, New York, 1992), and is co-author of the homonymous book (with David G. De Long, New York, 1991, translated into four other languages) that stands as the first worldwide comprehensive publication on Louis I. Kahn.
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Rozprawy doktorskie na temat "Louis Kahn"

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Esenwein, Frederick. "The Organic Imagination and Louis Kahn". Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32120.

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This thesis investigates the relationship between architecture, Romanticism, American Transcendentalism, myth, and religious mysticism in the ideas of the American architect, Louis Kahn. Part One builds a chronology from Hermeticism and Jewish mysticisms into German Romanticism and how they played a role in the world of Kahnâ s parents shortly before his birth. The first chapter looks at mysticism and how it resonates with Kahnâ s descriptions of silence and light. The second chapter outlines the transition from rational aesthetics during the German Enlightenment into German Romanticism. This exposes the beginning of organicism as a way of seeing the world as a growth from a mythic image towards a physical manifestation made by artists and poets. In chapter three, the ideas from Romanticism inspire a philosophical and political movement for independence and cultural expression in the native region of Kahnâ s parents. Part Two concentrates on the American approach to Romanticism via Transcendentalism and how Transcendentalism influenced Kahnâ s childhood education in Philadelphia. It shows how the ideas of German Romanticism influenced English literature and criticism, especially Coleridgeâ s theories of organicism and literary criticism. Chapter four presents how the American Transcendentalists correlated the mind and imagination to an organism. In chapter five, we see how Transcendentalismâ s aesthetic theory influenced the Public Industrial Arts School of Philadelphiaâ s approach to teaching art. Louis Kahn attended this school. The final chapter deciphers Kahnâ s ideas, such as â form and design,â â material as spent light,â â measurable and unmeasurable,â â law and rule,â â order,â and â nature.â Within the framework of Romanticism and American Transcendentalism, these ideas become intelligible and an enriching approach to understand his architecture.
Master of Science
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Rodell, Sam. "The influence of Robert Venturi on Louis Kahn". Online access for everyone, 2008. http://www.dissertations.wsu.edu/Thesis/Spring2008/S_Rodell_042508.pdf.

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Senbabaoglu, Bilge. "Understanding lighting in architecture of Louis I. Kahn /". free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422963.

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Margalith, Dana. "Louis I. Kahn - Architectural history as mediation". Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121259.

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Louis I. Kahn - Architectural History as Mediation investigates the work of one of the most active architects of the 20th century who has been acknowledged by scholars as a modern thinker and architect, but is also known for his interest in history, and the clear references to historical precedents in his work. In studying Kahn's architectural training, writings, readings, travel experience, personal contacts, the context in which he practiced, and through investigating his personal drawings and two of his design projects, Kahn's layered approach to architectural history is unveiled.In describing the architectural context of Kahn's education and work, this thesis deals with important aspects of architectural thought and making, which Kahn was exposed to, and sheds light on the motivation behind Kahn's unique philosophical quest. When investigating Kahn's drawings done during his travelling experiences, the manner in which he embodied historical sites becomes apparent. Studying archival material it tracks Kahn's studies of architectural references, and analyzing his architectural drawings and designs for the Dominican Motherhouse of St. Catherine de Ricci, Media, Pennsylvania (1965-1969, un-built) and the Hurva Synagogue in the Old City of Jerusalem (1967-1974, un-built) it exemplifies the poetic references made by his projects to historical precedents - all while concentrating on hermeneutic and phenomenological concepts relating to perception, memory and understanding of the past.Thus, through Kahn, this dissertation addresses the contextual debate regarding the use of historical references in modern architecture from the 18th century up until the postmodern era, and deals with the importance of continuity of references in the age of fragmentation. Louis I. Kahn - Architectural History as Mediation reveals the possible intricate potential lying in the consideration of tradition and history in modern architecture, and sheds light on suitable endeavors in architectural thought and making which at once integrate historical references and promote originality and progress - both fundamental for innovative poetic architectural expressions.
Dans Louis I. Kahn – L'histoire de l'architecture comme médiation, on explore le travail de l'un des architectes le plus actifs du 20e siècle. Il a été reconnu par les intellectuels pour son rôle d'architecte et de penseur moderne, ainsi que pour ses recherches en histoire et ses références aux œuvres historiques importantes. En étudiant Kahn et son éducation, sa formation en architecture, ses écrits, lectures, voyages, contacts personnels, le contexte dans lequel il travaillait, en plus d'examiner ses dessins personnels et deux de ses projets de design, on comprend son approche de l'architecture sous plusieurs angles. En décrivant le contexte dans lequel Kahn a été éduqué et dans lequel il a pratiqué son métier, la thèse traite d'importants aspects de la pensée et pratique architecturale auxquels Kahn a été exposé, dévoilant ainsi les motivations derrière sa quête philosophique unique. En examinant les dessins de Kahn, la manière dont il incarne les sites historiques qu'il a vus durant ses voyages devient apparent. À travers l'étude du matériel d'archives, la trace des références architecturales que Kahn a étudiées devient visible. Ainsi, dans ses dessins et la conception architecturale pour le Dominican Motherhouse de St. Catherine de Ricci, Media, Pennsylvanie (1965-1969, jamais construit) et le Hurva Synagogue dans la vieille ville de Jérusalem (1967-1974, jamais construit), les références poétiques aux œuvres historiques que sont ses projets sont clairement illustrées, tout en soulignant des concepts herméneutiques et phénoménologiques en relation avec la perception, la mémoire et la compréhension du passé. Par conséquent, à travers Kahn, cette thèse examinera le débat contextuel concernant l'usage de références historiques dans l'architecture moderne du 18ième siècle jusqu'au postmodernisme, et abordera l'importance de la continuité des références dans l'âge de fragmentation. Louis I. Kahn – L'histoire de l'architecture comme moyen de médiation dévoilera le complexe potentiel dans l'étude de la tradition et l'histoire de l'architecture moderne. Elle éclairera les efforts acceptables dans la pensée et la pratique de l'architecture qui intègrent des références historiques et promeuvent l'authenticité et le progrès – deux éléments fondamentaux de l'expression architecturale poétique et innovatrice.
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Lorentz, Rafael de Conti. "A qualidade espacial na obra de Louis I. Kahn". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/142992.

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Essa dissertação apresenta um estudo analítico sobre a obra do arquiteto Louis I. Kahn, desde o ponto de vista da sua qualidade espacial, compreendida esta no modo como ocorre a interação entre espaço e usuário. Foram selecionados três edifícios como estudos de caso capazes de representar a síntese evolutiva da concepção de espaço ao longo da obra de Kahn, os quais foram submetidos a uma análise empírica baseada na experiência espacial do observador em movimento, lançando mão de um conjunto de ferramentas no assim denominado método do observador. Os edifícios estudados viabilizam o desenvolvimento de análises que abrangem desde as primeiras obras de Kahn, na década de 1930, até o seu falecimento, em 1974. A análise realizada registra o desempenho dos edifícios em termos de sua legibilidade e funcionalidade, compreendidas como qualidades inerentes ao espaço e ao modo como este condiciona a experiência do usuário, relacionandoas à concepção espacial do edifício. Procura-se ampliar a compreensão dos resultados obtidos à luz da evolução da obra teórica do autor, traçando relações de causa e efeito entre esta e os fenômenos registrados na realidade concreta dos edifícios. O trabalho busca ainda ampliar a compreensão da relação da obra de Kahn com o contexto da produção arquitetônica de sua época, investigando as influências que recebe e as contribuições que oferece, especialmente no que tange à continuidade da arquitetura moderna.
The present dissertation is as an analytical study about the work of architect Louis I. Kahn, focusing on its spatial quality, as funded in the interaction between space and people in motion. Three buildings were selected as case studies in order to capture the evolutionary synthesis of space conception happened during Kahn’s career. Each building was submitted to an empirical scrutiny based upon the spatial experience of a moving observer, using a set of tools named as the “method of the observer”. The buildings investigated are put in relation with other Kahn’s buildings, so allowing the development of an analytical discourse embracing since his first works, in the 1930’s, until his death, in 1974. The analysis registers the performance of the buildings in terms of their legibility and their functionality, both understood as qualities inherent to space and the way they shape the user’s experience, so relating them to the building’s spatial conception. The dissertation intends to enlarge the understanding of the findings by considering the evolution of Kahn’s theoretical work, so bringing cause-effect connections between theory and the registered phenomena in the concrete reality of buildings. Eventually, this study aims to enlarge the understanding of the link between Kahn’s work and the architectural environment of the time, so exploring the influences he received and contributions he gave, especially concerning the evolution of modern architecture.
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Ho, Jeffrey Kiat. "The philosophy of Louis I. Kahn and the ethical function of architecture". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0004/MQ43979.pdf.

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Pagliara, Sally F. "The understanding and the application of the "unmeasurables" of Louis I. Kahn". Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/23422.

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Weber, Bendicht. "La structure, une question d'architecture : Louis I. Kahn 1944-1974". Paris 8, 2002. http://www.theses.fr/2002PA082161.

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La thèse étudie les positions successives de Kahn à l'égard de la question de la structure. Elle analyse ce qui apparaît comme un véritable travail d'investigation développé au cours de trente ans de pratique et d'exercice (1944-1974). Les documents permettant de cerner l'implication de Kahn dans les débats contemporains, les rapports qu'il établit avec l'Histoire, les dessins de projet, les maquettes d'étude et les édifices sont examinés en tant que témoignages d'un travail d'architecture et d'une entreprise intellectuelle. L'étude est centrée sur l'analyse comparative des projets, des variantes et des variations de leurs thèmes, qui vise à faire apparaître les déplacements et l'enrichissement de l'approche théorique de l'architecte par les échanges et débats continus avec les ingénieurs et les collaborateurs. Ainsi la pratique de Louis I. Kahn, étudiée à l'aune de la question de la structure, restitue la démarche intellectuelle de l'architecte
This thesis studies the successive positions of Kahn with regard to the question of structure. It is an analysis of what appears as a true work of investigation, developped over thirty years of pratice and experience (1944-1974). Documents that allow to grasp Kahn's implications in contemporary debates and his attitude toward history, his working drawings, study models and buildings are examined as testimonies of a work of architecture as well as of an intellectual undertaking. Centered on the comparative analysis of designs and of variants or variations of their themes, the research aims to demonstrate how the theoretical approach shifts and is enriched by continuous exchange with engineers and collaborators. Louis I. Kahn's working practice, studied under the light of the question of structure, reveals in this way the intellectual process of the architect
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Bhatt, Ritu. "Louis I. Kahn and the organic tradition in American architecture". Kansas State University, 1993. http://hdl.handle.net/2097/36025.

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Morshed, Adnan Zillur. "Dialectics of vision : the voyages of Louis I. Kahn, 1950-59". Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/68769.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1995.
Includes bibliographical references (p. 110-115).
Kahn's genre of travel sketches offers us a visual basis to map his philosophical meandering. This thesis addresses the sketches produced from Kahn's voyages around the Mediterranean in 1950-51 and 1959 with an aim to understanding the premises that underlie them. During the trips, Kahn conjectured in his graphic oeuvre a dialogical method with the built forms of antiquity. On the one hand, he sought answers to his architectural and epistemological questions to these buildings; at another level, he re-contextualized the buildings in an imagined landscape that would in tum inform his imperatives. The sketches also permit an interesting theoretical commentary as they parallel Kahn's emergence into active architectural career in the fifties. At first encounter, some of them seem to be perplexing, but once extended into the context in which Kahn operated, they reveal an interwoven terrain of concepts that would continuously flower. There is no doubt that in his travel sketches Kahn was fighting a protracted battle about his architecture and that he benefited from the buildings of the past--but mostly at an epistemological level. Kahn raised questions on architecture that could have not been addressed by a formal retrieval of history. In that sense Kahn's travel sketches reappraise and re-propose the lessons of history.
by Adnan Zillur Morshed.
M.S.
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Książki na temat "Louis Kahn"

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1901-1974, Kahn Louis, red. Louis I. Kahn. Milano: Motta architettura, 2008.

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Kahn, Louis I. Louis I. Kahn. Wyd. 4. Barcelona: Gustavo Gili, 1994.

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Robert, McCarter. Louis I. Kahn. London: Phaidon, 2003.

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1901-1974, Kahn Louis I., red. Louis I. Kahn. Basel: Birkhäuser Verlag, 1999.

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Giurgola, Romaldo. Louis I. Kahn. Wyd. 3. Barcelona: Gustavo Gilli, 1992.

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Giurgola, Romaldo. Louis I. Kahn. Wyd. 5. Barcelona: Gustavo Gili, 1996.

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Kahn, Louis I. Louis I. Kahn. Wyd. 2. Barcelona: Gustavo Gilli, 1991.

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1901-1974, Kahn Louis I., red. Louis I. Kahn, 1901-1974. Milano: Electa architettura, 2012.

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1901-1974, Kahn Louis I., red. Louis Kahn, arquetipos y modernidad. [Buenos Aires]: Nobuko, 2009.

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1901-1974, Kahn Louis I., red. Louis I. Kahn: Unbuilt masterworks. New York, NY: Monacelli Press, 2000.

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Części książek na temat "Louis Kahn"

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Klotz, Heinrich. "Louis I. Kahn". W Moderne und Postmoderne, 120–32. Wiesbaden: Vieweg+Teubner Verlag, 1987. http://dx.doi.org/10.1007/978-3-322-83224-5_10.

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Hawkes, Dean. "Louis I. Kahn". W The Environmental Imagination, 111–38. Second edition. | New York : Routledge, 2020.: Taylor & Francis, 2019. http://dx.doi.org/10.4324/9781315210575-4.

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Conrads, Ulrich. "Louis I. Kahn Ordnung ist". W Programme und Manifeste zur Architektur des 20. Jahrhunderts, 162–63. Wiesbaden: Vieweg+Teubner Verlag, 2001. http://dx.doi.org/10.1007/978-3-663-13972-0_63.

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Barizza, Elisabetta, i Marco Falsetti. "The GRAU and Louis Kahn". W Rome and the Legacy of Louis I. Kahn, 156–87. New York : Routledge, 2019. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9781315124155-16.

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Ciucci, Giorgio. "Louis Kahn arrives in Italy". W Rome and the Legacy of Louis I. Kahn, 58–67. New York : Routledge, 2019. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9781315124155-8.

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Barizza, Elisabetta, i Marco Falsetti. "Rome before Kahn". W Rome and the Legacy of Louis I. Kahn, 102–13. New York : Routledge, 2019. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9781315124155-11.

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Barizza, Elisabetta, i Marco Falsetti. "Rome and Kahn". W Rome and the Legacy of Louis I. Kahn, 6–21. New York : Routledge, 2019. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9781315124155-2.

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Barros Costa, Hugo, Pedro Molina Siles i Irene López Moya. "Drawing with Louis Kahn in Venice". W Graphical Heritage, 197–207. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47983-1_18.

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Barizza, Elisabetta, i Marco Falsetti. "Kahn and the Rome legacy". W Rome and the Legacy of Louis I. Kahn, 39–43. New York : Routledge, 2019. | Series: Routledge research in architecture: Routledge, 2018. http://dx.doi.org/10.4324/9781315124155-6.

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Barizza, Elisabetta. "The significance of the idea of city". W Louis I. Kahn in Rome and Venice, 131–57. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003173298-13.

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Streszczenia konferencji na temat "Louis Kahn"

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Almeida, Lílian B., i Sylvio A. D. Jantzen. "Autor e método projetual. Louis Kahn na arquitetura modernista". W 2º Simpósio Brasileiro de Qualidade do Projeto no Ambiente Construído. Rio de Janeiro: Universidade Federal do Rio de Janeiro, 2011. http://dx.doi.org/10.4237/sbqp.11.343.

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PANSANI SILVEIRA MAIA, VICTORIA, i ANA MARIA TAGLIARI FLORIO. "Análise da arquitetura residencial de Louis Kahn a partir da leitura de suas metáforas". W XXIV Congresso de Iniciação Científica da UNICAMP - 2016. Campinas - SP, Brazil: Galoa, 2016. http://dx.doi.org/10.19146/pibic-2016-51947.

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Uddin, M. Saleh. "Simulation of Daylight in the Architecture of Louis I. Kahn: A Study of the Un-built Hurva Synagogue". W eCAADe 2008: Architecture "in computro" - Integrating methods and techniques. eCAADe, 2008. http://dx.doi.org/10.52842/conf.ecaade.2008.727.

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Uddin, M. Saleh. "Simulation of Daylight in the Architecture of Louis I. Kahn: A Study of the Un-built Hurva Synagogue". W eCAADe 2008: Architecture "in computro" - Integrating methods and techniques. eCAADe, 2008. http://dx.doi.org/10.52842/conf.ecaade.2008.727.

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Rocchi, Elena. "”Angelus Novus” On the Utility of Applied History of Contemporary Architecture in Architectural Design". W 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.2.

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Streszczenie:
“I must reflect on the circumstances — on the mystery of circumstances which leads the man into paths which he could never anticipate before they happen. This certainly happened to me because I was to be a painter — without questions about it — until my last year in high school when a course given on architecture just hit me so strongly as something that I wanted to be associated with.” Louis Kahn (1)While immersed in an increasingly pluralistic environment, students’ imaginary follows different tracks than the ones of an academic culture taught by teachers in classrooms. How can teachers enter the complex life cycle of students’ cultural growth? Explicitly, how can theyteach the history of contemporary architecture to a generation immersed in the debris of excessive information, with roots in motion over the wreckage of a globalized context?The course “APH 405 — Applied History of Contemporary Architecture” experiments on new ways to teach Millennials history of contemporary architecture expanding on their “experiences” of his-tory. By completing assignments as design actions instead of taking quizzes, students build awareness on the reasons why design cannot disregard its relationship with history. Most architecture students are alienated from the experience of designing architecture: seeing ways architects composed buildings in the past makes history relevant by fostering personal connections. The course’s purpose is to show how to design architecture learning from the past; the goal, to develop divergent thinking necessary in design as the ability to process ideas; and the objective, to avoid the multiple-choice quiz in favor of “designing” answers as drawings and movies.
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