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Artykuły w czasopismach na temat "Los Four (Artist group)"
Aaftab, Mohsina. "INSTALLATION ART IN INDIA: CONCEPTS AND ROOTS". International Journal of Research -GRANTHAALAYAH 4, nr 10 (31.10.2016): 16–20. http://dx.doi.org/10.29121/granthaalayah.v4.i10.2016.2483.
Pełny tekst źródłaMithlo, Nancy Marie. "Decentering Durham". American Indian Culture and Research Journal 43, nr 4 (1.10.2019): 25–28. http://dx.doi.org/10.17953/aicrj.43.4.2017.
Pełny tekst źródłaReynolds, Peter. "‘Remembering the Future’: Birmingham Contemporary Music Group, CBSO Centre, Birmingham". Tempo 70, nr 278 (28.09.2016): 86–87. http://dx.doi.org/10.1017/s0040298216000401.
Pełny tekst źródłaSusanto, Veren, i Suzy Azeharie. "Studi Komunikasi Budaya Fandom ARMY dan EXO-L (Studi Tentang Perbandingan Pemaknaan Simbol K-Pop)". Koneksi 6, nr 2 (2.11.2022): 272–77. http://dx.doi.org/10.24912/kn.v6i2.15609.
Pełny tekst źródłaSpivey, Virginia. "Sites of Subjectivity: Robert Morris, Minimalism, and Dance". Dance Research Journal 36, nr 1 (2004): 113–30. http://dx.doi.org/10.1017/s0149767700007592.
Pełny tekst źródłaHa, Sha. "An Intercultural Experience in European Art and Decorative Design by Chinese Students in Italy". Advances in Social Sciences Research Journal 9, nr 8 (31.08.2022): 483–93. http://dx.doi.org/10.14738/assrj.98.12948.
Pełny tekst źródłaNagel, Lisa, i Lise Hovik. "Presentation: The SceSam Project: Interactivity in Children´s Theatre". BUKS - Tidsskrift for Børne- & Ungdomskultur 33, nr 61 (15.04.2016): 13. http://dx.doi.org/10.7146/buks.v33i61.23446.
Pełny tekst źródłaKristensen, Juliette. "Making Ways of Seeing: A Conversation with Mike Dibb and Richard Hollis". Journal of Visual Culture 11, nr 2 (25.07.2012): 181–95. http://dx.doi.org/10.1177/1470412912444228.
Pełny tekst źródłaSmythe, Vanessa, Mitchell Cushman i Nick Bottomley. "A Grown-Up’s Guide to Flying". Canadian Theatre Review 197 (1.06.2024): 71–76. http://dx.doi.org/10.3138/ctr.197.014.
Pełny tekst źródłaPeters, Helen, Robert Chafe, Andrew Draskoy, Jillian Kieley i CE Anne Walsh. "Training to Survive, III: Primus Theatre: Workshops in Newfoundland". Canadian Theatre Review 88 (wrzesień 1996): 26–30. http://dx.doi.org/10.3138/ctr.88.005.
Pełny tekst źródłaRozprawy doktorskie na temat "Los Four (Artist group)"
Smith, Helen. "Artist as navigator : understanding how the social qualities of art influence organizational change : a methodology for art as a social practice". Thesis, Robert Gordon University, 2015. http://hdl.handle.net/10059/1377.
Pełny tekst źródłaGuerra, Aredal Maria Elena. "Art and Transformation under State Repression : The CADA group; art activism as social movement for political resistance during the Pinochet years". Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-143298.
Pełny tekst źródłaBrien, Renaud. "Normal Forms in Artin Groups for Cryptographic Purposes". Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23145.
Pełny tekst źródłaDubicki, Josef. "Renormalization group study of four generation models". Thesis, University of Glasgow, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252473.
Pełny tekst źródłaMickelow, Garrison Garry Stephen. "The artist as schizophrenic, psychic and formal structures in four films by Jerry Lewis". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ34316.pdf.
Pełny tekst źródłaSweat, Ashley Dawn. "What is the nature of the professional practice of artist-teachers? four case studies /". unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-11172005-212321/.
Pełny tekst źródłaTitle from title screen. Paula P. Eubanks, committee chair; Melody Milbrandt, Joseph Peragine,Teresa Bramlette-Reeves, committee members. Electronic text (50 p.) : digital, PDF file. Description based on contents viewed May 29, 2007. Includes bibliographical references (p. 49-50).
Sweat, Ashley Dawn. "What is the Nature of the Professional Practice of Artist-Teachers? Four Case Studies". Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/art_design_theses/3.
Pełny tekst źródłaKarki, Manoj Babu. "Invariant Riemannain metrics on four-dimensional Lie group". University of Toledo / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1438906778.
Pełny tekst źródłaTomberg, Alexandre. "Renormalisation group and critical correlation functions in dimension four". Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/54301.
Pełny tekst źródłaScience, Faculty of
Mathematics, Department of
Graduate
King, Dennis J. 1945. "A Structural Approach to Four Theories of Group Development". Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc279224/.
Pełny tekst źródłaKsiążki na temat "Los Four (Artist group)"
Isabel, Wünsche, i Scheyer Galka E, red. Galka E. Scheyer & the Blue Four: Correspondence 1924-1945. Wabern/Bern: Benteli, 2006.
Znajdź pełny tekst źródłaTaylor-Tomic, George. A history of Western Australian photography: Four members of the Dingoes Like Us group. Bentley, W.A: Black Swan Press, 2000.
Znajdź pełny tekst źródłagroup), Spicaisa (Artist. Spicaisa: Due mani sinistre : le opere di Isabella Mandelli e Pietro Spica in mostra a Milano. Albissola Marina (SV): Vanilla edizioni, 2018.
Znajdź pełny tekst źródłaMaine, University of, Columbia College (Chicago, Ill.). Center for Book & Paper Arts i Minnesota Center for Book Arts, red. Betwixt & between: The life and works of fluxus artist. Chicago: Columbia College, Chicago, Center for the Book and Paper Arts, 2000.
Znajdź pełny tekst źródłaRichardson, Sara. Artist/architect collaborations: A bibliography. Monticello, Ill: Vance Bibliographies, 1987.
Znajdź pełny tekst źródłagroup), Jochen Schmith (Artist. Certain arrangements: Jochen Schmith. Braunschweig: Kunstverein, 2010.
Znajdź pełny tekst źródłagroup), Jochen Schmith (Artist. Certain arrangements: Jochen Schmith. Braunschweig: Kunstverein, 2010.
Znajdź pełny tekst źródłaGarcia, Angel Moya. Prinz Gholam: While being other. Macerata]: Quodlibet, 2022.
Znajdź pełny tekst źródłaArtel, Rael, i Larissa Babij. R.E.P. Revolutionary experimental space: R.E.P. Revoli︠u︡t︠s︡iĭnyĭ eksperymentalʹnyĭ prostir. Redaktor R.E.P. (Artist group). Berlin: The Green Box, Kunst Editionen, 2015.
Znajdź pełny tekst źródłaHenry, Sue. Group skills in social work: A four-dimensional approach. Wyd. 2. Pacific Grove, Calif: Brooks/Cole, 1992.
Znajdź pełny tekst źródłaCzęści książek na temat "Los Four (Artist group)"
Stroeken, Koen. "Chapter Twelve: Street Cred". W Simplex Society, 253–61. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41115-1_14.
Pełny tekst źródłaKiliszek, Joanna. "Living Simulacrum". W Cultural Inquiry, 219–29. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_22.
Pełny tekst źródłaChinoy, Helen Krich. "Lee Strasberg: Artist of the Theater". W The Group Theatre, 81–94. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137294609_6.
Pełny tekst źródłaLee, Vanessa. "The French Caribbean Woman Artist on Stage". W Four Caribbean Women Playwrights, 49–74. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83364-0_3.
Pełny tekst źródłaKing, Wendy. "Working Group Paper Four". W Nursing Informatics ′91, 51–54. Berlin, Heidelberg: Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/978-3-642-46746-2_8.
Pełny tekst źródłaThelandersson, Fredrika. "Social Media Sadness: Sad Girl Culture and Radical Ways of Feeling Bad". W 21st Century Media and Female Mental Health, 157–207. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16756-0_5.
Pełny tekst źródłaWeik, Martin H. "group-four document facsimile equipment". W Computer Science and Communications Dictionary, 698. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_8107.
Pełny tekst źródłaBroncano-Berrocal, Fernando, i J. Adam Carter. "Four Models of Group Polarization". W The Philosophy of Group Polarization, 43–57. New York : Taylor & Francis, 2021. | Series: Routledge studies in epistemology: Routledge, 2020. http://dx.doi.org/10.4324/9781003023654-4.
Pełny tekst źródłaKoplowitz, Stephan. "Collaboration and Collaborative Elements". W On Site, 155–94. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197515235.003.0012.
Pełny tekst źródła"MÉLANGE: Artist Trading Cards, Flats, Scrapbooking". W Creative Activities for Group Therapy, 246–60. Routledge, 2013. http://dx.doi.org/10.4324/9780203119136-25.
Pełny tekst źródłaStreszczenia konferencji na temat "Los Four (Artist group)"
Henchoz, Nicolas, Pierre-Xavier Puissant, Ana Solange Leal, Tânia Moreira i Hugues Vinet. "Artist residencies for innovation". W SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3306211.3320140.
Pełny tekst źródłaKim, Jason, Jordan Wild, Fatima Anes, Seehyun Kim i Sally Kong*. "Artist-Centered Design for Feature Animation". W SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450617.3464506.
Pełny tekst źródłaAndrus, Curtis, Burak Ertekin, Guillaume Pernin i Stefan Feess. "Artist-Friendly Tools for Realistic Knitted Cloth". W SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3595465.
Pełny tekst źródłaArcelin, Bastien, i Nicolas Chaverou. "Audio2Rig: Artist-oriented deep learning tool for facial and lip sync animation". W SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641233.3664312.
Pełny tekst źródłaKlintberg, Josefine, i Rasmus Haapaoja. "An Artist-Friendly Method for Procedural Skin Generation and Visualisation in Houdini". W SIGGRAPH '24: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3641233.3665166.
Pełny tekst źródłaFrémontier-Murphy, Camille. "At the Sources of an Artistic Mutation towards Science: the First Years of the Journal Leonardo (1968-1981) as a Forum for the Pioneers of Digital Art". W 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-8-short-fremontier-murphy-artistic-mutation-towards-science.
Pełny tekst źródłaMorik, Marco, Ashudeep Singh, Jessica Hong i Thorsten Joachims. "Controlling Fairness and Bias in Dynamic Learning-to-Rank (Extended Abstract)". W Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. California: International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/655.
Pełny tekst źródłaBELLEAU, Sylvie. "The Otherness through Le rêve d’Urmila (Urmila’s Dream), an Interdisciplinary and Intercultural Research Creation Doctoral Project through Natyashastra". W The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0016.
Pełny tekst źródłaProcop, Svetlana. "The “Gypsy from Moldova” doll as a symbol of romantic perception of roma in the soviet period". W Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.05.
Pełny tekst źródłaMaupu, Damien, Emanuele Goffredo, Nile Hylton, Mungo Pay i Martin Pražák. "Artist-driven crowd authoring tools". W SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3084363.3085035.
Pełny tekst źródłaRaporty organizacyjne na temat "Los Four (Artist group)"
Sequeira, Dora María, Ileana Alvarado V. i Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, sierpień 2007. http://dx.doi.org/10.18235/0006438.
Pełny tekst źródłaBiazus-Dalcin, Camila, Louise Marryat, Sarah Gray, Andrea Mohan, Senga Robertson-Albertyn, Sreekanth Thekkumkara, Hazel Booth i in. My data: an animated film, co-produced with people who use drugs. University of Dundee, 2023. http://dx.doi.org/10.20933/100001299.
Pełny tekst źródłaBellwood-Howard, Imogen, Peter Taylor, Julie Doyle, Aminata Niang, Haoussa Ndiaye, Fatoumata Sow i Lansine Sountoura. Citizen Voice and the Arts: Opportunities and Challenges for Citizen–Policy Engagement on Environmental Issues in Sahelian West Africa. Institute of Development Studies, grudzień 2022. http://dx.doi.org/10.19088/ids.2022.088.
Pełny tekst źródłaNäslund-Hadley, Emma. ALAS IDB Early Childhood Development Awards: 2012. Inter-American Development Bank, kwiecień 2012. http://dx.doi.org/10.18235/0005979.
Pełny tekst źródłaWoodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, maj 2012. http://dx.doi.org/10.34074/ocds.12012.
Pełny tekst źródłaWoodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, maj 2012. http://dx.doi.org/10.34074/ocds.12012.
Pełny tekst źródłaGattenhof, Sandra, Ulvund Marit i Cecilie Haagensen. #YoungArt and Future Skills Report. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.244541.
Pełny tekst źródłaBellwood-Howard, Imogen, Peter Taylor i Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, sierpień 2023. http://dx.doi.org/10.19088/ids.2023.035.
Pełny tekst źródłaDefournier, Vanessa. Supporting development through the private sector: The IDB Group. Inter-American Development Bank, listopad 2012. http://dx.doi.org/10.18235/0006388.
Pełny tekst źródłaPeña-Habib, Oliver, Jorge Gallego, Luis Fernando Corrales, Jorge González, Julie King, Melisa Wong, Ana María Linares, Ivory Yong Prötzel i Chiaki Yamamoto. IDB Group Project Performance: The 2023 Validation Cycle. Inter-American Development Bank, marzec 2024. http://dx.doi.org/10.18235/0012862.
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