Gotowa bibliografia na temat „Live theater”
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Artykuły w czasopismach na temat "Live theater"
Zehra, Shamail, Kiran Karamat i Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES". Pakistan Journal of Social Research 05, nr 01 (4.03.2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Pełny tekst źródłaBuckley, Jennifer. "Long “Live” Theater". Theater 46, nr 2 (2016): 35–53. http://dx.doi.org/10.1215/01610775-3547659.
Pełny tekst źródłaSprogøe, Charlotte. "Live Experiences in the Theater Gardens of Contemporary Art". Peripeti 19, nr 35 (1.02.2022): 97–108. http://dx.doi.org/10.7146/peri.v19i35.130635.
Pełny tekst źródłaGamaliel Paulus. "Penerimaan Teknologi Gawai dalam Menonton Pertunjukan Teater Virtual di Era Pandemi Covid 19". Jurnal Netnografi Komunikasi 1, nr 1 (29.07.2022): 31–37. http://dx.doi.org/10.59408/netnografi.v1i1.5.
Pełny tekst źródłaTurchi, Laura B., Ann C. Christensen i Laura B. Turchi. "Teaching Shakespeare: Live Theater Matters". English Journal 108, nr 6 (1.07.2019): 103–5. http://dx.doi.org/10.58680/ej201930217.
Pełny tekst źródłaAhmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER". Scientific Journal of Polonia University 58, nr 3 (1.09.2023): 10–14. http://dx.doi.org/10.23856/5801.
Pełny tekst źródłaGontarski, Stanley. "The theater is always dying". Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, nr 4 (30.12.2020): 191–209. http://dx.doi.org/10.18778/1505-9057.59.11.
Pełny tekst źródłaDewi, Irma Kusuma, i Farid Farid. "Strategi Komunikasi Pemasaran Radjawali Semarang Cultural Center (RSCC) di Masa Pandemi". Kiwari 2, nr 4 (5.12.2023): 578–83. http://dx.doi.org/10.24912/ki.v2i4.27229.
Pełny tekst źródłaPalmer, David. "Miller’s Food for Thought at Food For Thought Productions: A Talk with Susan Charlotte, 15 July 2021". Arthur Miller Journal 17, nr 1 (2022): 39–43. http://dx.doi.org/10.5325/arthmillj.17.1.0039.
Pełny tekst źródłaNorman, Sally Jane. "Theater and ALife Art: Modeling Open and Closed Systems". Artificial Life 21, nr 3 (sierpień 2015): 344–53. http://dx.doi.org/10.1162/artl_a_00175.
Pełny tekst źródłaRozprawy doktorskie na temat "Live theater"
Shrader, Angela D. "A Comparison of Audience Response to Live and Recorded Theatre Performances". Marietta College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1430070781.
Pełny tekst źródłaTorpey, Peter Alexander. "Disembodied performance : abstraction of representation in live theater". Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55198.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (p. 151-158).
Early in Tod Machover's opera Death and the Powers, the main character, Simon Powers, is subsumed into a technological environment of his own creation. The theatrical set comes alive in the form of robotic, visual, and sonic elements that allow the actor to extend his range and influence across the stage in unique and dynamic ways. The environment must compellingly assume the behavior and expression of the absent Simon. This thesis presents a new approach called Disembodied Performance that adapts ideas from affective psychology, cognitive science, and the theatrical tradition to create a framework for thinking about the translation of stage presence. An implementation of a system informed by this methodology is demonstrated. In order to distill the essence of this character, we recover performance parameters in real-time from physiological sensors, voice, and vision systems. This system allows the offstage actor to express emotion and interact with others onstage. The Disembodied Performance approach takes a new direction in augmented performance by employing a nonrepresentational abstraction of a human presence that fully translates a character into an environment. The technique and theory presented also have broad-reaching applications outside of theater for personal expression, telepresence, and storytelling.
Peter Alexander Torpey.
S.M.
Miller, Michael R. M. Eng Massachusetts Institute of Technology. "Show design and control system for live theater". Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/65324.
Pełny tekst źródłaCataloged from PDF version of thesis.
Includes bibliographical references (p. 75).
Tod Machover's upcoming opera Death and the Powers calls for an unprecedented integration of technology and theater. These uses of technology are at the heart of the show and include a Greek chorus of nine "Operabots"; a novel surround sound and audio processing architecture; a massive string instrument called "The Chandelier"; three 14' tall robotic stage fixtures with displays called "The Walls"; and more. Each component has its own unique challenges, but all share the need for a comprehensive show design and control system. A show design and control system was built for this specific purpose and will be used for Death and the Powers. The software affords real-time control over the robotic elements in the opera alongside predetermined, choreographed routines.
by Michael R. Miller.
M.Eng.
Kastel, Thiemo [Verfasser]. "Live Performances and Broadcast Productions with Augmented Reality / Thiemo Kastel". Gernsbach : Prof.(FH) Dr. Thiemo Kastel, kastel media solutions, 2017. http://d-nb.info/1139666266/34.
Pełny tekst źródłaZachry, Corinne. "CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY". Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.
Pełny tekst źródłaChau-Dang, Tiffanie T. "Using Optical Illusions to Enhance Projection Design for Live Performance". Kent State University Honors College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1588376296563101.
Pełny tekst źródłaThomas, Kenneth. "Who, What, Why: A Self-Reflection on the Creation and Practice of Audition Technique in the Business of Live Theatre". Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/633.
Pełny tekst źródłaGray, Leslie. "A Home You Can’t Live in: Performances of the Black Body and Domestic Space in Contemporary Drama". Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19318.
Pełny tekst źródłaVandorpe, Dries. "The Archaeology of Liveness". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430786242.
Pełny tekst źródłaFaigin, David A. "COMPARING LIVE AND VIDEO-TAPED THEATRICAL PERFORMANCE IN CHANGING STIGMATIZING ATTITUDES TOWARDS PEOPLE WITH SERIOUS MENTAL ILLNESS". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1141964034.
Pełny tekst źródłaKsiążki na temat "Live theater"
Milwaukee's live theater. Charleston, S.C: Arcadia Publishing, 2009.
Znajdź pełny tekst źródłaMilwaukee's live theater. Charleston, SC: Arcadia Publishing, 2009.
Znajdź pełny tekst źródłaStages for tomorrow: Housing, funding, and marketing live performances. Oxford: Focal Press, 1998.
Znajdź pełny tekst źródłaAvant-garde performance: Live events and electronic technologies. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.
Znajdź pełny tekst źródłaCoveney, Michael. The aisle is full of noises: A vivisection of the live theatre. London: Nick Hern Books, 1994.
Znajdź pełny tekst źródłaLittle, Jean. Live on Broadway: A treasury of theater from A to Z. Maplewood, NJ: Blue Apple Books, 2009.
Znajdź pełny tekst źródłaAssociates, Nicholas Clark and. Study of the professional live theatre industry in Victoria for Victorian Ministry for the Arts. Melbourne, Vic: The Associates, 1985.
Znajdź pełny tekst źródłaApplying performance: Live art, socially engaged theatre and affective practice. New York: Palgrave Macmillan, 2012.
Znajdź pełny tekst źródłaNick, Kaye, red. Performing presence: Between the live and the simulated. Manchester, UK: Manchester University Press, 2011.
Znajdź pełny tekst źródłaMaaike, Bleeker, red. Anatomy live: Performance and the operating theatre. [Amsterdam]: Amsterdam University Press, 2008.
Znajdź pełny tekst źródłaCzęści książek na temat "Live theater"
Ibbotson, Piers. "Live Communication: The Business of Theater". W The Illusion of Leadership, 85–93. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230202009_10.
Pełny tekst źródłaLiedke, Heidi Lucja. "Transmedial experience in nineteenth-century live theater broadcasting". W Transmedia Practices in the Long Nineteenth Century, 62–78. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003222941-5.
Pełny tekst źródłaCheok, Adrian David. "Interactive Theater Experience with 3D Live Captured Actors and Spatial Sound". W Art and Technology of Entertainment Computing and Communication, 59–82. London: Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-137-0_3.
Pełny tekst źródłaVander Wilt, Dirk, i Morwaread Mary Farbood. "Deploying Prerecorded Audio Description for Musical Theater Using Live Performance Tracking". W Lecture Notes in Computer Science, 181–89. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_13.
Pełny tekst źródłaSmith, Paul Julian. "Two Media Crossovers: Cinema and Television for Day of the Dead; Live Theater Versions of TV Shows". W Multiplatform Media in Mexico, 127–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17539-9_8.
Pełny tekst źródłaConnock, Alex. "Theatre". W Media Management and Live Experience, 165–92. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003435167-11.
Pełny tekst źródłaKyung-Sung, Lee. "Practice of Theatre—Rehearsal of Life". W Theater, 225–42. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973-014.
Pełny tekst źródłaMoody, James L., i Jeff Ravitz. "Theatre Production". W Lighting for Televised Live Events, 150–52. First edition. | New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429288982-23.
Pełny tekst źródłaDundjerović, Aleksandar Sasha. "Live Theatre on Zoom". W Live Digital Theatre, 158–80. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003275893-10.
Pełny tekst źródłaKulick, Brian. "Borges and theater". W The Secret Life of Theater, 15–16. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445255-5.
Pełny tekst źródłaStreszczenia konferencji na temat "Live theater"
Wilt, Dirk Vander, i Morwaread Mary Farbood. "Automating Audio Description for Live Theater". W AM'19: Audio Mostly. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3356590.3356603.
Pełny tekst źródłaFrank, Whitton Anne, i Brendan Andolsek Bradley. "Creating Intimacy and Connection Through Live Theater in VR". W SA '22: SIGGRAPH Asia 2022 Real-Time Live! New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550453.3586017.
Pełny tekst źródłaTsoupikova, Daria, Jo Cattell, Andrew Johnson, Lance Long, Arthur Nishimoto i Sai Priya Jyothula. "Hummingbird: A Collaborative Live Theater and Virtual Reality Adventure". W SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3532834.3536213.
Pełny tekst źródłaSantos, Maria Lucina Anonas De, i Magdalena De Leon. "Can Virtual Theater Fulfill the Function of Live Theater in COVID–19 for Tertiary Level Dance Program Stakeholders?" W The Asian Conference on Arts and Humanities 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2186-229x.2023.5.
Pełny tekst źródłaOosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada". W ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.
Pełny tekst źródłaHe, Ziyi, Xiao Yan i Hanxi Wang. "Necessity of Establishing the Stage Technical Standards for Outdoor Live Performance Theater". W 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00084.
Pełny tekst źródłaYan, Xiao, i Hanxi Wang. "Comparison of Technical Systems between Outdoor Live Performance Stage and Indoor Theater Stage". W 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00059.
Pełny tekst źródłaZeglin, Garth, Aaron Walsman, Laura Herlant, Zhaodong Zheng, Yuyang Guo, Michael C. Koval, Kevin Lenzo i in. "HERB's Sure Thing: A rapid drama system for rehearsing and performing live robot theater". W 2014 IEEE Workshop on Advanced Robotics and its Social Impacts (ARSO). IEEE, 2014. http://dx.doi.org/10.1109/arso.2014.7020993.
Pełny tekst źródłaVander Wilt, Dirk, i Morwaread Mary Farbood. "Syncing Pre-Recorded Audio Description to a Live Musical Theater Performance Using a Reference Audio Recording". W ASSETS '19: The 21st International ACM SIGACCESS Conference on Computers and Accessibility. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3308561.3354624.
Pełny tekst źródłaWoodward, Jay, i Michelle Kwok. "CREATING A VIRTUAL STUDY ABROAD EXPERIENCE TO RUSSIA". W International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end141.
Pełny tekst źródłaRaporty organizacyjne na temat "Live theater"
McIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.
Pełny tekst źródłaIlgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, grudzień 2016. http://dx.doi.org/10.34074/ocds.038.
Pełny tekst źródłaTyson, Paul. Orchestrated Irrationality: Why It Exists and How It Might Be Resisted. Mέta | Centre for Postcapitalist Civilisation, maj 2022. http://dx.doi.org/10.55405/mwp13en.
Pełny tekst źródłaKhomenko, Tetiana, i Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, marzec 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.
Pełny tekst źródłaStudy of Social Entrepreneurship and Innovation Ecosystems in the Latin American Pacific Alliance Countries: Case Study: La Tarumba, Peru. Inter-American Development Bank, lipiec 2016. http://dx.doi.org/10.18235/0009335.
Pełny tekst źródłaTheatre can bring research findings to life for a wide range of audiences. National Institute for Health Research, grudzień 2020. http://dx.doi.org/10.3310/alert_43190.
Pełny tekst źródła