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Artykuły w czasopismach na temat "Liturgical art"
Thompson, Christine J. "Controversies in Liturgical Art". Liturgy 5, nr 4 (styczeń 1986): 86–91. http://dx.doi.org/10.1080/04580638609408094.
Pełny tekst źródłaJensen, Robin M. "Book Review: Medieval Liturgical Art". Expository Times 122, nr 2 (21.10.2010): 98–99. http://dx.doi.org/10.1177/00145246101220020702.
Pełny tekst źródłaMaura, Behrenfeld F. S. E. "Liturgical Experiences Mediated through Abstract Art". Studia Liturgica 47, nr 1 (marzec 2017): 113–18. http://dx.doi.org/10.1177/003932071704700108.
Pełny tekst źródłaDe Jong, Ursula, i Flavia Marcello. "Stewardship and renewal of catholic places of worship in Australia". Actas de Arquitectura Religiosa Contemporánea 6 (3.04.2020): 156–71. http://dx.doi.org/10.17979/aarc.2019.6.0.6236.
Pełny tekst źródłaMarinis, Vasileios. "A Reconsideration of the Communion of the Apostles in Byzantine Art". Studies in Iconography 42, nr 1 (2021): 1–20. http://dx.doi.org/10.32773/iqww3944.
Pełny tekst źródłaReeve, Matthew. "Art, Prophecy, and Drama in the Choir of Salisbury Cathedral". Religion and the Arts 10, nr 2 (2006): 161–90. http://dx.doi.org/10.1163/156852906777977752.
Pełny tekst źródłaVenable, Hannah Lyn. "The Weight of Bodily Presence in Art and Liturgy". Religions 12, nr 3 (3.03.2021): 164. http://dx.doi.org/10.3390/rel12030164.
Pełny tekst źródłaGolovushkin, Dmitrii Aleksandrovich, i Irina Ravkatovna Gumarova. "Expanding or limiting the boundaries of the “allowable”: to the problem of outlining the concept of “religious art”". Человек и культура, nr 5 (maj 2020): 76–88. http://dx.doi.org/10.25136/2409-8744.2020.5.31638.
Pełny tekst źródłaKönig, Götz. "Bayān Yasn: State of the Art". Iran and the Caucasus 21, nr 1 (15.03.2017): 13–38. http://dx.doi.org/10.1163/1573384x-90000003.
Pełny tekst źródłaKisby, Fiona. "A mirror of monarchy: Music and musicians in the household chapel of the Lady Margaret Beaufort, mother of Henry VII". Early Music History 16 (październik 1997): 203–34. http://dx.doi.org/10.1017/s0261127900001728.
Pełny tekst źródłaRozprawy doktorskie na temat "Liturgical art"
Close, Jennifer M., i n/a. "A Feminist Understanding of Liturgical Art". Griffith University. School of Theology, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060301.141353.
Pełny tekst źródłaLee, Keonsoo. "Revisiting the use of art, imagery and symbolism in the Presbyterian Liturgical tradition in Korea : a practical-theological research". Thesis, Stellenbosch : Stellenbosch University, 2013, 2013. http://hdl.handle.net/10019.1/85728.
Pełny tekst źródłaENGLISH ABSTRACT: Aesthetics has a theological calling: The beauty (or ugliness) in the world and art incites us to long for the divine eternal beauty. The earthly beauty is revelatory and analogous to the beauty of God. Imagination, i.e. making an image, whether mental or physical, is an inherent faculty of human beings who were created in the image of God. It is an insuppressible human activity. Besides, the search for meaning, which is a universal human quest for the purpose in life, is a concern common in both religion and art. Aesthetics (art and beauty) thereby should be a theological locus, a graceful partner of theological dialogue. But how much are aesthetic dimensions incorporated in the Korean Presbyterian theological/liturgical context? Visual art, imagery and symbolism are considered marginal or even dangerous in the Korean Presbyterian churches while preaching is given a dominant position in their worship services. As a result, they are losing sight of the essential implications that aesthetic, embodied experiences of art, imagery and symbolism have for liturgical richness. Art, imagery and symbolism are fundamental components in Christian life and worship as demonstrated with numerous evidences throughout the Christian history. They are never discordant with the tradition of the Word, but rather, have critical importance to theology for five reasons – the human as embodied being, a manifestation of imago Dei, the integrative characteristic of our thinking and perceiving, the Bible as book of images, and the contemporary culture of images. Against this backdrop, aesthetic expressions of art, imagery and symbolism are claimed to have five features significant to Christian worship: The revelatory power of the beauty in nature or works of art displays something of God; aesthetic expressions of art, imagery and symbolism speak to the human totality as an intelligent-affective-sensate-corporeal being; people necessarily become participants in the performative nature of art and its claim of truth; the beauty, truth and goodness manifested in works of art may be a reminder of our responsibility to work for the transformation of the world; an artwork can serve an eloquent mode of hoping for the present absent reality of the Kingdom of God. In terms of these qualities, an implication that aesthetic experiences in worship have the power to reframe, taking us to the encounter with the divine beauty, goodness and truth, is drawn, and a fusion of the verbal and non-verbal is claimed conclusively.
AFRIKAANSE OPSOMMING: Estetika het 'n teologiese roeping: Die skoonheid (of lelikheid) in die wêreld en kuns moedig ons aan om na die goddelike ewige skoonheid te verlang. Die aardse skoonheid is openbarend en ooreenkomstig tot die skoonheid van God. Verbeelding, dit wil sê die maak van 'n beeld, óf dit geestelik of fisies is, is 'n inherente fakulteit van die mens wat in die beeld van God geskape is. Dit is 'n menslike aktiwiteit wat nie onderdruk kan word nie. Buitendien, die soeke na betekenis, wat 'n universele menslike soektog na die doel van die lewe is, is 'n belangstelling wat algemeen in godsdiens en kuns voorkom. Estetika (kuns en skoonheid) moet daarmee 'n teologiese lokus wees, 'n bekoorlike vennoot in die teologiese dialoog. Hoeveel van estetiese dimensies word egter in die Koreaanse Presbiteriaanse teologiese / liturgiese konteks opgeneem? Visuele kuns, beelde en simboliek word as marginaal of selfs gevaarlik in die Koreaanse Presbiteriaanse kerke beskou, terwyl prediking 'n dominante posisie in hul eredienste beklee. Die gevolg is dat die belangrikste implikasies wat die estetiese, beliggaamde ervarings wat kuns, beelde en simboliek vir liturgiese rykdom inhou, uit die oog verloor word. Kuns, beelde en simboliek is fundamentele komponente van die Christelike lewe en aanbidding soos verskeie getuienis in die Christelike geskiedenis demonstreer. Hulle is nooit teenstrydig met die tradisie van die Woord nie, maar dit is eerder van kardinale belang vir die teologie vir vyf redes – die mens as beliggaamde wese; 'n manifestasie van die Imago Dei; die geïntegreerde kenmerk van ons denke en waarneming; die Bybel as boek van beelde, en die huidige kontemporêre kultuur van beelde. Die estetiese uitdrukking van kuns, beelde en simboliek besit op hierdie gronde vyf eienskappe van belang vir die Christelike aanbidding naamlik: Die openbarende krag van skoonheid in die natuur of kunswerke wat iets van God vertoon; die estetiese uitdrukking van kuns, beelde en simboliek praat tot die menslike totaliteit as 'n intelligente-affektiewe-sintuiglik-waarnemende-liggaamlike wese; mense word noodsaaklike deelnemers in die performatiewe aard van kuns en sy eis van die waarheid; die skoonheid, waarheid en goedheid wat in kunswerke te sien is, kan vir ons tot 'n herinnering wees van ons verantwoordelikheid om vir die transformasie van die wêreld te werk; 'n kunswerk kan as 'n welsprekende beeld van hoop vir die hede dien in die afwesige werklikheid van die Koninkryk van God. Die implikasie van die mag om verandering te weeg te bring wat estetiese ervarings in aanbidding mag hê, word volgens hierdie eienskappe veronderstel. Dit neem ons na ʼn ontmoeting met die goddelike skoonheid, goedheid en waarheid en die samesmelting van die verbale en nieverbale word gevolglik opgeëis.
Essex, Sandra Mikel. "Metal concepts : the calligraphic image". Virtual Press, 1994. http://liblink.bsu.edu/uhtbin/catkey/897526.
Pełny tekst źródłaDepartment of Art
Kiefer, John. "Sacred containers/sacred cups". Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1129631.
Pełny tekst źródłaDepartment of Art
Holmes, Andrew David. "To see or not to see : communication, cooperation and co-creation in the use of liturgical media art in Protestant worship". Thesis, Durham University, 2013. http://etheses.dur.ac.uk/9418/.
Pełny tekst źródłaBenchabo-Benlolo, Bida-Guila. "Inventaire des synagogues et objets de culte de Casablanca : les vestiges d'un patrimoine en sursis". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCF017.
Pełny tekst źródłaThis thesis is an exhaustive inventory of Casablanca synagogues (based on, closed or missing) and ritual objects they contain. The etablishment of these places of worship provide also information on the jewish community of this city as well as the mobility of its population between 1911 and 2013. Casablanca, open-air museum, was influenced by artistic currents imported by colonization, such as the bauhaus, Art nouveau style, Art Déco, gothics elements ... mixed with local influence and architecture imported from the other cities of Morocco, as well as colonial architecture. Those architectural movements will penetrate private houses including jewish families of Casablanca to finally get into the synagogues and influence their architecture, furniture and liturgical objects
Nichols, Bridget. "Liturgical hermeneutics : interpreting liturgical rites in performance /". Frankfurt an Main ; New York ; Paris [etc.] : P. Lang, 1996. http://catalogue.bnf.fr/ark:/12148/cb37196131c.
Pełny tekst źródłaNelson, Kathleen E. "Medieval liturgical music of Zamora /". Ottawa : The Institute of Mediaeval music, 1996. http://catalogue.bnf.fr/ark:/12148/cb369600647.
Pełny tekst źródłaNOBILI, ELENA. "Alfredo Ildefonso Schuster a Roma (1880 - 1929)". Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1070.
Pełny tekst źródłaAlfredo Ildefonso Schuster (1880-1954) was a Benedictine monk at the Basilica of Saint-Paul-Outside-the-Walls in Rome and Archbishop of Milan from 1929 to 1954. During his stay in Rome he held high offices for both the Benedictine order and the Roman Curia thanks to Popes Pius X, Benedict XV and Pius XI. He provided decisive contributions to various fields: teacher at the Institute of Sacred Music, Consultor to the Sacred Congregation of Rites, President of the Pontifical Oriental Institute and President of the Commission for Sacred Art. Man with a highly sensitive personality, Cardinal Schuster got in touch with the European Benedictine community, promoted the Liturgical Movement and showed his openness to the Orthodox Church and the Jewish people. In the political field Schuster clearly stated the necessity of the State to admit the important social action carried on by the Church, while blaming interferences and abuses of both the Liberal and Fascist Government.
Johnson, Brian Todd. "Sacred conversations viewing liturgy through art /". Theological Research Exchange Network (TREN) Access this title online. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Pełny tekst źródłaKsiążki na temat "Liturgical art"
Art, architecture, and liturgical reform: The Liturgical Arts Society (1928-1972). New York: Pueblo Publishing, 1990.
Znajdź pełny tekst źródłaStuckenschneider, Placid. Faith images: Clip art for the liturgical year. Kansas City, MO: Sheed & Ward, 1993.
Znajdź pełny tekst źródłaEdwards, Peter. Times & seasons: Clip art for the liturgical year. Great Wakering: McCrimmons, 1993.
Znajdź pełny tekst źródłaThe medieval development of liturgical symbolism. Bramcote, Nottingham: Grove Books, 1986.
Znajdź pełny tekst źródłaCronin, Daniel P. The ministry of the liturgical artist: An analysis of the theological, liturgical and artistic principles that form the artist's service to the liturgical celebration in the church today. Romae: [s.n.], 1993.
Znajdź pełny tekst źródłaCronin, Daniel P. The ministry of the liturgical artist: An analysis of the theological, liturgical and artistic principles that form the artist's service to the liturgical celebration in the church today. Romae: [s.n.], 1993.
Znajdź pełny tekst źródłaUsing art in Sunday worship. San Jose, Calif: Resource Publications, 1990.
Znajdź pełny tekst źródłaDen talande tystnaden: Om det liturgiska symbolspråket. Stockholm: Verbum, 1987.
Znajdź pełny tekst źródłaMathews, Thomas F. Art and architecture in Byzantium and Armenia: Liturgical and exegetical approaches. Aldershot, Great Britain: Variorum, 1995.
Znajdź pełny tekst źródłaGuggenheim-Weil, Susi. Traditionelles neu gestalten: Moderne jüdische Zeremonialkunst = New forms for traditional art : modern Jewish ceremonial art. Berlin: D. Riemer, 1989.
Znajdź pełny tekst źródłaCzęści książek na temat "Liturgical art"
Christensen, Karin Hyldal. "The functional aesthetics of liturgical art". W The Making of the New Martyrs of Russia, 81–86. New York : Routledge, 2017. | Series: Routledge religion, society, and government in Eastern Europe and the Former Soviet States ; 5: Routledge, 2017. http://dx.doi.org/10.4324/9781315226514-5.
Pełny tekst źródłaSheridan, John-Paul. "Religious Art and Liturgical Catechesis of Children". W Global Perspectives on Catholic Religious Education in Schools, 323–33. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6127-2_26.
Pełny tekst źródłaRingbom, Åsa. "Reflections on Liturgical Drama in Medieval Scandinavian Art". W Textes et Etudes du Moyen Âge, 737–57. Turnhout: Brepols Publishers, 1998. http://dx.doi.org/10.1484/m.tema-eb.5.102814.
Pełny tekst źródłaDillistone, F. W. "Liturgical Forms in Word and Act". W Language and the Worship of the Church, 3–25. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20477-9_2.
Pełny tekst źródłaSchier, Volker. "Memorials Sung and Unsung: Liturgical Remembrance and Its History". W Museums at the Crossroads, 125–35. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.mac-eb.3.1816.
Pełny tekst źródłaMirelman, Sam. "Performative Aspects of Litanies in Sumerian Liturgical Prayers, According to Selected Late Manuscripts". W The Litany in Arts and Cultures, 71–87. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.stt-eb.5.119207.
Pełny tekst źródłaVukašinović, Vladimir. "Конфесионално-литургичке полемике у теолошким списима Зелићевих савременика". W Biblioteca di Studi Slavistici, 117–25. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-979-9.10.
Pełny tekst źródłaMarti, Susan. "Micrographic Prayers for Monks and Colorful Images for Nuns: Evidence for Gender-Specific Decoration in Liturgical Manuscripts from Late-Medieval Germany". W Les femmes, la culture et les arts en Europe entre Moyen Âge et Renaissance, 177–95. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.tcc-eb.5.107665.
Pełny tekst źródłaTalmon-Heller, Daniella. "The State of the Art". W Sacred Place and Sacred Time in the Medieval Islamic Middle East, 17–24. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474460965.003.0003.
Pełny tekst źródłaGschwandtner, Christina M. "Introduction". W Welcoming Finitude, 1–30. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286430.003.0001.
Pełny tekst źródłaStreszczenia konferencji na temat "Liturgical art"
Galaicu, Violina. "Byzantine religious chanting between oral and written tradition". W Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.15.
Pełny tekst źródłaЖенюх, П. "Современные полевые исследования литургического языка словаков византийско-славянской традиции". W Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.12.
Pełny tekst źródłaKudzoeva, Angela, i Soslan Chekhov. "TO THE PROBLEM OF TRANSLATION OF LITERAL TEXTS TO OSSETIAN LANGUAGE". W ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.19.
Pełny tekst źródłaBraguta, Ecaterina. "Lexico-Grammatical Peculiarities of the Orthodox Hymnographic Text". W Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.12.
Pełny tekst źródłaGalaicu, Violina. "The historical trajectory of Byzantine religious music in the Romanian space: volutes and milestones". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.04.
Pełny tekst źródłaMcCartney, Patrick. "Sustainably–Speaking Yoga: Comparing Sanskrit in the 2001 and 2011 Indian Censuses". W GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-5.
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