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Artykuły w czasopismach na temat "Littérature du XIIIe siècle"
Fasseur, Valérie. "L’Évangile dans la littérature en Languedoc (XIIe-XIIIe siècle)". Cahiers de Fanjeaux 34, nr 1 (1999): 81–118. http://dx.doi.org/10.3406/cafan.1999.1726.
Pełny tekst źródłaBeaussart, François-Jérôme. "Figures féminines dans la littérature mariale (XIIe-XIIIe siècles)". Le Moyen Age CIV, nr 3 (1998): 435. http://dx.doi.org/10.3917/rma.043.0435.
Pełny tekst źródłaCollet, Olivier. "Littérature, histoire, pouvoir et mécénat : la cour de Flandre au XIIIe siècle". Médiévales 19, nr 38 (2000): 87–110. http://dx.doi.org/10.3406/medi.2000.1480.
Pełny tekst źródłaFlori, Jean. "Littérature et société au xiie siècle". Bien Dire et Bien Aprandre, nr 8 (1.04.2022): 71–98. http://dx.doi.org/10.54563/bdba.1280.
Pełny tekst źródłaCordonnier, Rémy. "Des serpents en Irlande! Quelques notes à propos du Libellus septem peccatorum mortalium venena eorumque remedia describens qui dicitur Venenum Malachiae". Reinardus / Yearbook of the International Reynard Society 26 (31.12.2014): 51–65. http://dx.doi.org/10.1075/rein.26.04cor.
Pełny tekst źródłaMartín, Llúcia. "Chevaux et ânes humanisés dans la littérature catalane". Reinardus / Yearbook of the International Reynard Society 27 (31.12.2015): 143–61. http://dx.doi.org/10.1075/rein.27.08mar.
Pełny tekst źródłaShin’ichi, Saeki. "Figures du samouraï dans l’histoire japonaise Depuis Le Dit des Heiké jusqu’au Bushidô". Annales. Histoire, Sciences Sociales 63, nr 4 (sierpień 2008): 875–94. http://dx.doi.org/10.1017/s0395264900025889.
Pełny tekst źródłaGuerreau-Jalabert, Anita. "Aliments symboliques et symbolique de la table dans les romans arthuriens (XIIe-XIIIe siècles)". Annales. Histoire, Sciences Sociales 47, nr 3 (czerwiec 1992): 561–94. http://dx.doi.org/10.3406/ahess.1992.279063.
Pełny tekst źródłaBoulton, Maureen. "Les amours du poète: Poésie et biographie dans la littérature du XIIIe siècle. Daniel Lacroix". Speculum 81, nr 3 (lipiec 2006): 873–74. http://dx.doi.org/10.1017/s0038713400016195.
Pełny tekst źródłaNoto, Giuseppe. "Daniel Lacroix, Les amours du poète. Poésie et biographie dans la littérature du XIIIe siècle". Studi Francesi, nr 150 (L | III) (31.12.2006): 574. http://dx.doi.org/10.4000/studifrancesi.27182.
Pełny tekst źródłaRozprawy doktorskie na temat "Littérature du XIIIe siècle"
Bellec-Hassan, Sarah. "Le thème de l'eau dans la littérature médiévale française des XIIe et XIIIe siècles". Paris 4, 2002. http://www.theses.fr/2002PA040117.
Pełny tekst źródłaWhat are the nature, the frequency and the meaning of water motives in Arthurian Romances and other stories? We studied first all water occurrences in forms of drink, wash, Christian water, rain, wells, lakes, fountains and rivers; a part is devoted to castles built on water; then come shores, islands, crossing of sea, magical vessels and tempests (a chapter is dedicated to the Mediterranean Sea). The function of these motives is narrative or symbolic. They can also bring to us an historical or sociological information, or possess in itself a poetic value. Fresh water is at first connected with Celtic fairy and the beyond, and later with the Christian supernatural. We have looked for relationships with other literatures. The sea, almost away from Arthurian Romances, is represented by tempests, which have an important narrative function, if not a symbolic value. In the Middle Ages, water has very different and often contradictory values, and it reflects medieval mentalities
Capdeboscq, Anne-Marie. "Etudes sur le récit médiéval espagnol : XIIIe siècle-XVe siècle". Bordeaux 3, 1993. http://www.theses.fr/1993BOR30035.
Pełny tekst źródłaThe first part of my work is an introduction to los infantes de lars. A) centered upon the analysis of its actantial scheme and a new definition of the six well-known actantial positions. Thanks the help of robert blanche's theoretical works i transformed dual oppositions into more gradual ones that may well account for both states of the story. B) centered upon the 'looseness' of the legal frame since it partly explains the lack of determination of the initial scheme. A close scrutiny of the legal texts (fazanas) led me to an analysis of the diverging componants at stake in the different versions of the work. The second part deals with fifteenth century novels : siervo, carcel de amor, arnalte y lucenda. It throws a new light on the inoperativeness of traditional dynamics of the three works of fiction scrutinized here through the light of an hermetic code thanks to which meaning is reversed. I tried and gave a new insight to the analogy existing between the written work and the opus in alchemy, between the author ('auctor') and the very opus. In the end i reconsidered the question of the author in his relationship to the primordial matter : words
Joly, Jehanne. "Le Graal, réécriture et représentation : étude des variations d'un motif littéraire (fin du XIIe siècle-XIIIe siècle) et iconographique". Paris 4, 1995. http://www.theses.fr/1995PA040073.
Pełny tekst źródłaBroussou-Cotto, Anne. ""Joven" dans la littérature lyrique des XIIe et XIIIe siècles". Paris 4, 1991. http://www.theses.fr/1991PA040131.
Pełny tekst źródłaThe thesis examines one of the main courtly values, "joven", through the analyses of more than three hundred occurences of the term, as they were found in the works of the troubadours and trouvères of the twelfth and thirtheenth centuries. .
Halary, Marie-Pascale. "Beauté et littérature au tournant des XIIe et XIIIe siècles". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040178.
Pełny tekst źródłaThe object of this study is the question of beauty in a selection of early thirteenth century romances: Perlesvaus, the prose Lancelot, La Queste del Saint Graal, Le Bel Inconnu by Renaud de Beaujeu, Meraugis de Portlesguez by Raoul de Houdenc, Le Roman de la Rose by Guillaume de Lorris. In an effort to determine whether the representation of beauty is based on a unified concept, the investigation associates the aforementioned romances with various other texts: vernacular works from the twelfth century, medieval "artes poeticae" and theological discourse. It appears that "romance beauty", although not a strict vernacular equivalent of the latin concept of pulchritudo, is both a res, with relatively stable characteristics, and a signum, which points to an aliud aliquid
Abida, Dorra. "Le mensonge, son expression dans la littérature médiévale (XIIe – XIIIe siècles)". Paris 4, 2008. http://www.theses.fr/2008PA040173.
Pełny tekst źródłaWhen we evoke "lying", it is very difficult to deviate from the attitude inspired by religion. Lying is categorically forbidden by the Biblical text as well as by the men of the church. Nevertheless, in the medieval literature, falsehood is presented as the heroes' privilege. Though lying as they breathe, the latter win the narrator's favour. In spite of the gravity of this sin, lying is constantly present in the life of these heroes through multiple shapes. The truth, then, becomes transformed, distorted, and concealed. The heroes seem to be talented in the art of speaking and are magnified thanks to a portrait that turns them into some exceptional beings. The choice of terms is very revealing. Such terms as "mentir" and "mençoigne" are generally replaced by others that attenuate them and give them a certain legitimacy. But how can we talk about legitimacy in a world guided by religion ? The narrator vainly tries to applaud the heroes' cunning ; but he cannot forget that liars have to be penalised for their lies. Falsehood, thus, benefits from a status that makes it advocated and devalued at the same time. Devalued since it does not go with a society severely impregnated with a religious tonality. And privileged because it reflects a certain degree of intelligence and a limitless know-how. Constructing his arguments coherently, watching his style, finding the appropriate figures and an apt turn of phrase, speaking distinctly and lively is the mission of the liar who seeks not to be just but rather effective
Berthelot, Anne. "Figures et fonction de l'écrivain au XIIIe siècle". Paris 4, 1987. http://www.theses.fr/1987PA040334.
Pełny tekst źródłaWe have tried to identify and to analyze precisely the notion of "writer", as it is created in the roman texts, and as it represents itself, before to get formalized and theorized. The object of our study is a "long" XIIIth century, because the greatest part of the literature at this time is just a big laboratory, where the notion of "writer" becomes more and more precise and efficient. We have found that the problems which are linked to the concept of writer are in a strong relation with the problems of the development of novel as a literary type. As soon as a text is mostly a mirror of its own creation, so that the image of the writer appears in it as a personification of the abstract notion of writing, this text uses the narrative schema for expressing its preoccupations. In almost every kind of poetry of allegorical dreams and visions, of polemic or historical texts, there is a part of narrative: it may be discreet, and difficult to perceive, or on the contrary it may be nearly universal, so that the reader sees nothing but it. However, the greatest development of the figures of "writer" takes place in the novels, and peculiarly in the big prose novels
Bellet-Chelius, Véronique. "Les manifestations de l'émotivité dans la littérature de divertissement au XIIIe siècle". Lyon 2, 2002. http://theses.univ-lyon2.fr/documents/lyon2/2002/bellet_v.
Pełny tekst źródłaMasse, Marie-Sophie. "La description dans les récits d'Antiquité allemands (fin du XIIe-milieu du XIIIe siècle)". Amiens, 2001. http://www.theses.fr/2001AMIEA011.
Pełny tekst źródłaBiaggini, Olivier. "L'auctoritas en Castille au XIIIe siècle : l'exemple de Gonzalo de Berceo". Paris 3, 1999. http://www.theses.fr/1999PA030040.
Pełny tekst źródłaThe castilian xiiith century sees the rising tendency of the literary production to develop the vernacular. In the face of its latin predecessors or models, the vernacular work attempts to define a legitimacy and an authority that are both new. Gonzalo de berceo, being the first castilian writer to integrate his name into his works, attaches a major importance to the problem of auctoritas. Under the form of references or quotations, the poet of mester de clerecia constantly refers to the auctoritas of his latin sources in order to testify the truthfulness of his own words. This aspect which is the most obvious side of the auctoritas has for a long time created among critics a reduced apprehension of berceo's writings that have been mainly considered as faithful works to earlier writings. A global study of auctoritas has to go beyond the problem of conformity to the latin sources and examine the expression of authority in its context. The system of auctoritas pervades throughout all berceo's compositions and its use is also extended to the characters themselves. Nevertheless, universality does not mean uniformity. The authoritative reference as a convincing technique invites us to put it back into the general system of the evidence elaborated by berceo. Moreover, each reference possesses its own specific meaning according to its argumentative or narrative context. Concerned with the construction of certainty, the poet attempts to establish analogical and genealogical links between the authoritative latin sources and his own discursive reasoning. He can then stand as the legitimate heir of the doctrinal or hagiographical tradition. The text establishes a fictional continuity from the story to the narrative, from the miraculous events to the writing, so that berceo can more or less explicitly claim a personal auctoritas : as an auctor he considers himself as responsible for the production of his works and as the guarantor for its argumentative and literary significance
Książki na temat "Littérature du XIIIe siècle"
Danielle, Quéruel, Ferlampin-Acher Christine i Blons-Pierre Catherine, red. Merlin: Roman du XIIIe siècle, Robert de Boron. Paris: Ellipses, 2000.
Znajdź pełny tekst źródłaLa pensée du Graal: Fiction littéraire et théologie, XIIe-XIIIe siècle. Paris: Champion, 2008.
Znajdź pełny tekst źródłaLucarelli, Massimo. Mystique, histoire et littérature: Itinéraires de recherche : (XIIIe-XXe siècle, domaine franco-italien). Alessandria: Edizioni dell'Orso, 2019.
Znajdź pełny tekst źródłaLacroix, Daniel W. Les amours du poète: Poésie et biographie dans la littérature du XIIIe siècle. Genève: Slatkine, 2004.
Znajdź pełny tekst źródłaRaconter Byzance: La littérature au XIIe siècle. Paris: Les Belles Lettres, 2014.
Znajdź pełny tekst źródłaLa Rose, Renart et le Graal: La littérature allégorique en France au XIIIe siècle. Paris: H. Champion, 1989.
Znajdź pełny tekst źródłaLe vin et l'encre: La littérature française et le vin du XIIIe au XXe siècle. Bordeaux: Mollat, 1997.
Znajdź pełny tekst źródłaGuy, Muraille, Emond V i Groult Pierre 1895-, red. Anthologie de la littérature française du Moyen Âge: Des origines à la fin du XIIIe siècle suivie d'un glossaire. Wyd. 4. Louvain-la-Neuve: Academia, 1987.
Znajdź pełny tekst źródłaMenegaldo, Silvère. Le jongleur dans la littérature narrative des XIIe et XIIIe siècles: Du personnage au masque. Paris: Champion, 2005.
Znajdź pełny tekst źródłaLe jongleur dans la littérature narrative des XIIe et XIIIe siècles: Du personnage au masque. Paris: H. Champion, 2005.
Znajdź pełny tekst źródłaCzęści książek na temat "Littérature du XIIIe siècle"
Fasseur, Valérie. "Écoles de pensée du XIIe siècle et littérature en langue d'oc (XIIe-XIIIe siècles)". W Bibliothèque d'histoire culturelle du Moyen Âge, 23–47. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.bhcma_eb.5.109785.
Pełny tekst źródłaMula, Stefano. "Le Chronicon Clarevallense, la littérature exemplaire et l’ancienne bibliothèque de Clairvaux au XIIIe siècle". W Les cisterciens et la transmission des textes (XIIe-XVIIIe siècles), 37–51. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.bhcma-eb.5.114613.
Pełny tekst źródłaMadas, Edit. "Les ordres mendiants en Hongrie et la littérature médiévale en langue vernaculaire (xiiie-xve siècle)". W Bibliologia, 367–74. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.bib.5.102488.
Pełny tekst źródłaHawley, Robert. "Échos de la reconstruction de la ville d'Ougarit au xiiie siècle av. J.-C. dans la littérature locale". W Reconstruire les villes, 53–63. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.supsec-eb.5.118514.
Pełny tekst źródłaMunk Olsen, Birger. "L’esprit critique à l’égard de la littérature païenne au Moyen Âge, jusqu’au xiie siècle". W La méthode critique au Moyen Âge, 27–45. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.bhcma-eb.3.3120.
Pełny tekst źródłaBoussac, Adriane. "Ses gans es mains cousuz a or : Le gant, support de l’identité noble dans quelques textes des xiie et xiiie siècles". W Marqueurs d’identité dans la littérature médiévale : mettre en signe l’individu et la famille (XIIe-XVe siècles), 53–62. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.hifa-eb.5.102427.
Pełny tekst źródłaHaugeard, Philippe. "Traduction et essor de la littérature en langue française: l’état d’esprit des premiers auteurs de romans (xiie siècle)". W Rencontres médiévales européennes, 25–43. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.rme-eb.3.1020.
Pełny tekst źródłaBoutet, Dominique. "Entre le réel et l’imaginaire: les rivalités successorales et l’idéologie de la légitimité dans la littérature française du XIIe siècle". W Culture et société médiévales, 5–18. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.csm-eb.3.400.
Pełny tekst źródłaVoicu, Mihaela. "Du Chevalier Coloré au Noir de la Montagne : emblèmes de l’identité dans les romans de Chrétien de Troyes et dans les poèmes français de Tristan du XIIe siècle". W Marqueurs d’identité dans la littérature médiévale : mettre en signe l’individu et la famille (XIIe-XVe siècles), 253–65. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.hifa-eb.5.102440.
Pełny tekst źródłaCaroti, Stefano. "Modi rerum (au xiiie siècle)". W Mots médiévaux offerts à Ruedi Imbach, 455–63. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.tema-eb.4.00917.
Pełny tekst źródłaStreszczenia konferencji na temat "Littérature du XIIIe siècle"
Sakkal, Aya. "Croisés et musulmans à la recherche de la paix par le prisme des chroniques orientales et occidentales du xiie siècle". W Fiat pax. Le désir de paix dans la littérature médiévale. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9720.
Pełny tekst źródłaPlet, Charles. "Littérature catholique, littérature (du) care ? Le second XIXe siècle en question". W Pour une littérature du care. Fabula, 2022. http://dx.doi.org/10.58282/colloques.8280.
Pełny tekst źródłaReverzy, Éléonore. "48, le siècle cassé en deux : les Goncourt historiens de leur temps". W 1848 et la littérature. Fabula, 2021. http://dx.doi.org/10.58282/colloques.7016.
Pełny tekst źródłaRime, Jean. "Les visages littéraires de la presse au XIXe siècle". W Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6460.
Pełny tekst źródłaVouilloux, Bernard. "La « nature mixte » de la caricature au XIXe siècle". W Littérature et caricature (XIXe-XXIe siècles). Fabula, 2021. http://dx.doi.org/10.58282/colloques.6897.
Pełny tekst źródłaMoyan, Bruno. "L’apport de Musiques, Une Encyclopédie pour le XXIe siècle à l’étude du domaine musico-littéraire". W Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1290.
Pełny tekst źródłaVaillant, Alain. "Caricature, culture médiatique et addiction comique, au siècle de la modernité". W Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6456.
Pełny tekst źródłaWenger, Alexandre. "Cas médical et prévention antivénérienne au tournant du XXe siècle : Les Avariés d’Eugène Brieux". W Littérature et écritures du cas. Fabula, 2021. http://dx.doi.org/10.58282/colloques.7041.
Pełny tekst źródłaRojas, Luc. "Le Bulletin de la Société de l’industrie minérale ou la participation d’une revue à l’émergence de la figure de l’ingénieur civil (1855-1914)". W Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/sfpf2587.
Pełny tekst źródłaSieffert, Mathias. "La table lyrique dans les chansonniers et les manuscrits d’auteurs : quelques exemples du XIIIe au XVe siècle". W « S’asseoir à la table ». La table des matières, du Moyen Âge à nos jours. Fabula, 2021. http://dx.doi.org/10.58282/colloques.7271.
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