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Nikolaou, Paschalis. "The translating self : literary translation and life-writing". Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.433797.
Pełny tekst źródłaPålsson, Linda. "Translating Culture - An analysis of the cultural transfer in literary translation". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22390.
Pełny tekst źródłaHarkusha, Dariia Ruslanivna. "Important issues of literary translation theory". Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13189.
Pełny tekst źródłaEmami, Mohammad. "The dynamics of literary translation : a case study from English to Persian". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5955.
Pełny tekst źródłaLataiwish, Muftah S. "An analysis of literary translation Arabic/English". Thesis, University of Glasgow, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288057.
Pełny tekst źródłaClay, Jason. "Seneca's Agamemnon: A Literary Translation with Annotations". University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491308000521512.
Pełny tekst źródłaHahn, Daniel. "Translation Talks: getting to know Daniel Hahn". Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652221.
Pełny tekst źródłaConversatorio entre el autor, editor y traductor Daniel Hahn y el panel docente de la carrera de Traducción e Interpretación Profesional. Daniel Hahn comparte sus perspectivas respecto a la traducción literaria, su experiencia profesional y responde preguntas de los estudiantes de la carrera.
Shen, D. "Literary stylistics and translation : With particular reference to English translations of Chinese prose fiction". Thesis, University of Edinburgh, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379342.
Pełny tekst źródłaPolt, Christopher Brian O'Hara James J. "Latin literary translation in the late Roman Republic". Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,886.
Pełny tekst źródłaTitle from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics." Discipline: Classics; Department/School: Classics.
Bogs, Colleen Glenney. "Transnationalism and American literature : literary translation 1773-1892 /". New York : Routledge, 2007. http://catalogue.bnf.fr/ark:/12148/cb40976035k.
Pełny tekst źródłaREIS, CLERIO VILHENA DOS. "DIRECT TRANSLATION VS. INDIRECT TRANSLATION: THE CASE OF RUSSIAN LITERARY WORKS IN PORTUGUESE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2010. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=16069@1.
Pełny tekst źródłaA tradução de clássicos feita diretamente a partir do seu idioma original tornou-se um grande chamariz para os leitores. Assim, obras literárias já conhecidas há muito tempo do público brasileiro através de traduções indiretas, principalmente do inglês e do francês, estão sendo reapresentadas agora sob a forma de traduções diretas. Diante do impacto da literatura russa no Ocidente a partir do final do século 19, esta dissertação tem como objeto de estudo as traduções diretas e indiretas para o português de dois grandes autores russos, Tolstói e Dostoiévski, tomando como base a teoria dos polissistemas (Even- Zohar, 1990) e os Estudos Descritivos da Tradução (Toury, 1995; Lefevere, 1992). A partir de comentários elaborados por teóricos e estudiosos da literatura, críticos e tradutores, procura-se determinar a imagem desses autores e de suas respectivas obras - e também da própria literatura russa como um todo - construída por essas traduções, bem como verificar em que medida a imagem resultante das traduções diretas recentemente publicadas difere daquela produzida pelas transposições indiretas.
Direct translations of classic works from the original language have become a major factor used by the publishing industry to attract the reading public. Thus, literary works that had originally reached the Brazilian reading public via indirect translations, primarily from an English or French source text, are now being rendered into Portuguese directly from Russian originals. Considering the impact that Russian literature had in the Western world when it started to circulate in translation in the late 19th century, this thesis focuses on direct and indirect translations into Portuguese of the work of two great Russian authors, Leo Tolstoy and Fyodor Dostoievsky. The study is informed by polysystem theory (Even-Zohar 1990) and Descriptive Translation Studies (Toury, 1995; Lefevere, 1992) and aims, through the analysis of comments produced by literary theoreticians, scholars, critics, and translators, both to determine the image of these authors and their respective works - and of Russian Literature as a whole - that was constructed by these translations and to verify to what extent the image resulting from recent direct translations from the original Russian texts differs from that which was produced by indirect renderings.
Borg, Claudine. "A literary translation in the making : an in-depth investigation into the process of a literary translation from French into Maltese". Thesis, Aston University, 2017. http://publications.aston.ac.uk/30855/.
Pełny tekst źródłaLevenson, Sean I. "Translational Wit: Seventeenth-Century Literary Translations of Selections from Ovid’s Heroides". Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etd/1429.
Pełny tekst źródłaErkazanci, Hilal. "Heteroglossia in Turkish translations : locating the style of literary translation in an audience-design perspective". Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429673.
Pełny tekst źródłaGao, Wanlong, i n/a. "Recasting Lin Shu: A Cultural Approach to Literary Translation". Griffith University. School of Languages and Linguistics, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030731.161353.
Pełny tekst źródłaGao, Wanlong. "Recasting Lin Shu: A Cultural Approach to Literary Translation". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/365284.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Languages and Linguistics
Full Text
Marroquín, Paitán Diana Isabel, i Gonzales Natalia Isabel Santos. "Proceso de traducción por los fans hispanoamericanos de la saga Cazadores de sombras al traducir el libro Reina del aire y la oscuridad del inglés al español". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652390.
Pełny tekst źródłaThe present study aims to analyze the translation process of the book Queen of Air and Darkness (2019) of the Shadowhunters saga from English to Spanish by Hispanic fans. The fan translators considered that the previous official translations by Editorial Planeta did not fulfill their expectations. Therefore, they decided to use Facebook to start an online community translation process focused on producing a text in a short time, without compromising its quality. This qualitative study will allow us, through data production techniques such as interviews and document analysis, to learn more about the stages of the translation process of the fan translators team Shadowhunters contra la Ley. Also, it will help us to understand the internal relationship of the team and the relationship between the team and the fandom during the translation of the fantasy novel Queen of Air and Darkness.
Trabajo de investigación
Luo, Wenyan. "A literary translation as a translation project : a case study of Arthur Waley's translation of 'Journey to the West'". Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12841/.
Pełny tekst źródłaSaint-Loubert, Laëtitia. "The Caribbean in translation : remapping thresholds of dislocation". Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/102820/.
Pełny tekst źródłaHuang, Xiaocong. "Stylistic approaches to literary translation : with particular reference to English-Chinese and Chinese-English translation". Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/2949/.
Pełny tekst źródłaLei, Yan Bo. "Metaphors in Chinese literary translation : a case study of Fortress Besieged". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2525529.
Pełny tekst źródłaNoriega-Rivero, Gerardo. "La carrera de Letras Inglesas en el cuidado editorial". Thesis, Universidad Nacional Autónoma de México, 2015. http://hdl.handle.net/10919/64907.
Pełny tekst źródłaAllen, Gleed Kim M. "Joyce in France, Joyce in French translation, culture, literary fame /". Diss., Online access via UMI:, 2005.
Znajdź pełny tekst źródłaJawad, Hisham Ali. "Repetition in Arabic literary discourse : patterns, shifts and translation strategies". Thesis, University of Edinburgh, 2004. http://hdl.handle.net/1842/24738.
Pełny tekst źródłaDolack, Thomas William. "Literary ventriloquism : Pound, Celan, Mandelstam and twentieth-century poetic translation /". view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1404336851&sid=5&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Pełny tekst źródłaTypescript. Includes vita and abstract. Includes bibliographical references (leaves 276-292). Also available for download via the World Wide Web; free to University of Oregon users.
COELHO, DÉBORA LANDSBERG GELENDER. "DIALOGUE TRANSLATION IN LITERARY WORKS: EXPANDING THE LIMITS OF VEROSSIMILITUDE". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27752@1.
Pełny tekst źródłaCONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Com base no conceito de tradução ilusionista, de Jirí Levý, este estudo investiga a tradução de diálogos em obras literárias. Amparada nas premissas de Marcos Bagno de que nem as camadas cultas da sociedade falam segundo o prescrito nas gramáticas normativas, esta pesquisa subscreve a noção de que vivemos em uma diglossia no que se refere ao registro. A partir da década de 1970, segundo John Milton, o mercado editorial brasileiro cada vez mais adota o princípio do efeito de verossimilhança quando da recriação do discurso direto de personagens em língua portuguesa - conforme estabelecido por meio da comparação de três versões de As aventuras de Huckleberry Finn, de Mark Twain. Em seguida, por meio da tradução comentada do romance May We Be Forgiven, da escritora americana A. M. Homes, verificamos as marcas de oralidade já aceitas no mercado editorial. Por fim, o trabalho busca novas marcas em gramáticas descritivas da língua falada culta.
Based on Jiří Levý s concept of illusionist translation this study investigates the issue of dialogue translation in literary works. Supported Marcos Bagno s observation that not even cultivated people speak according to the rules of prescriptive grammar, this research endorses the notion that we live in a register diglossia. Since the 1970s, according to John Milton, the Brazilian publishing market has been more open to the principle of the verisimilitude effect when it comes to recreating characters direct speech in Portuguese — a statement that will be verified through the comparison of three Brazilian versions of The Adventures of Huckleberry Finn, by Mark Twain. Next, through the commented translation of excerpts from May We Be Forgiven, a novel by American writer A. M. Homes, we verify which orality markers are already accepted by the publishing market. Finally, this study also seeks new markers in descriptive grammars of standard spoken language.
BOTTENBERG, Laura. "Lucian’s Toxaris. A literary commentary with introduction, text, and translation". Doctoral thesis, Scuola Normale Superiore, 2022. http://hdl.handle.net/11384/124945.
Pełny tekst źródłaFlavia, Aiello Traore. "Translating Culture: Literary Translations into Swahili by East African Translators". Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-137419.
Pełny tekst źródłaNohara, Kayoko. "Problems of domestication and foreignisation in translated texts, with reference to English and Japanese". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312680.
Pełny tekst źródłaSpies, Carla-Marie. "Die wisselwerking tussen die agente betrokke by die publikasieproses van literere vertalings". Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/79993.
Pełny tekst źródłaENGLISH ABSTRACT: In this dissertation two relatively under-researched areas within the scope of translation studies are investigated: the production process of translations and the sociological and cognitive aspects involved in this production process (as opposed to only studying the translation product). Process and sociological studies are currently on the forefront of research in translation studies and this dissertation attempts to contribute to these fields. The current study investigates the role of the various agents (among others the publisher, reviser and editor) involved in the production process of translations to illustrate how this process involves more agents than only the translator. Translation is proven to be a process involving a network of agents who work together to produce the final product, i.e. the target text. In this dissertation this interaction between agents is examined by making use of Latour's Actor-Network-Theory (ANT), a sociological theory that focuses on the network and links between agents within a production process. The production processes of literary translations that are analysed in this dissertation are Niggie – To hell with Cronjé (Ingrid Winterbach), Vaselinetjie – My name is Vaselinetjie (Anoeschka von Meck) and a selection of the "Stoffel tales" – In bushveld and dessert: A game ranger's life (Christiaan Bakkes). These texts were all translated by the literary translator Elsa Silke and published by NB Publishers in 2007, 2009 and 2008, respectively. The versions of the texts analysed are the source text, the concept translation, any other preliminary versions (manuscripts) and the completed published target text. These texts are analysed along with all available correspondence between agents to reconstruct the production processes in order to determine how translations are produced by means of interaction between different agents. This study is therefore greatly exploratory by nature and aimed at revealing the "invisible" of the production process of literary translations in order to contribute to and promote research within this under-researched field of translation studies. The main focus of this study is to analyse how each agent's inputs have a sociological impact on other agents and the production processes, as well as how their interaction and decisions impact the target text. The results are predominantly presented descriptively (within the framework of Descriptive Translation Studies [DTS]) and concepts of Nord's Functionalism, Even-Zohar's Polysystem Theory, Bourdieu's theory on the field of cultural production, Sharpe and Gunther's editing principles and Mossop's theory on editing and revision of translated texts are used to analyse and discuss the production processes of the three literary translations mentioned above. In conclusion a model is presented, based on these analyses, depicting a possible optimal production process for literary translations. A possible chronology of steps in the production process and means of interaction between agents are depicted by this model. With this proposed model this dissertation contributes to theory development within the field of translation studies and editing and revision theory. This model can be applied to production processes of literary translations to test if it is viable to apply in practice to ensure a more effective production process as well as a successful product (target text). If this model proves to be effective, it can eventually serve as a guideline for literary translation practice.
AFRIKAANSE OPSOMMING: In hierdie proefskrif word twee studieterreine ondersoek wat in die verlede min binne die vertaalwetenskap nagevors is: die bestudering van die produksieproses van vertalings en die bestudering van die sosiologiese en kognitiewe aspekte betrokke by hierdie produksieproses (teenoor slegs die vertaalproduk). Die ondersoek van hierdie terreine is op die oomblik op die voorgrond in die vertaalwetenskap en hierdie proefskrif dra daartoe by om hierdie studieveld te verbreed. In hierdie proefskrif word daar gekyk na die rol van die verskillende agente, onder andere die uitgewers, redigeerders en reviseurs in die produksieproses van drie literêre vertalings om te illustreer dat die produksieproses van literêre vertalings nie slegs die insette van een agent, naamlik die vertaler, behels nie, maar dat dit 'n proses is wat uit 'n netwerk van agente bestaan wat saamwerk om die eindproduk (naamlik die doelteks) te produseer. Hierdie netwerk van verhoudings tussen agente in die produksieproses word ondersoek na aanleiding van Latour se sosiologiese Actor-Network-Theory (ANT) wat op die netwerk en skakels tussen agente binne 'n produksieproses fokus. Die produksieprosesse van literêre vertalings wat in hierdie proefskrif ontleed word, is Niggie – To hell with Cronjé (Ingrid Winterbach), Vaselinetjie – My name is Vaselinetjie (Anoeschka von Meck) en 'n keur uit die Stoffel-verhale – In bushveld and desert: A game ranger's life (Afgekort as In bushveld and desert) (Christiaan Bakkes) – almal tekste wat onderskeidelik in 2007, 2009 en 2008 by NB-Uitgewers verskyn het en deur die literêre vertaler Elsa Silke vertaal is. Die bronteks, die konsepvertaling, enige ander voorlopige weergawes (manuskripte) en die uiteindelike gepubliseerde doelteks word telkens saam met die beskikbare korrespondensie tussen die onderskeie agente bestudeer om die produksieprosesse te rekonstrueer en te bepaal hoe die vertaalprodukte deur middel van wisselwerking tussen onderskeie agente tot stand gekom het. Hierdie studie is dus grootliks verkennend van aard en het dit ten doel gestel om die "onsigbare" van die produksieproses van literêre vertalings bloot te lê ten einde verdere navorsing in hierdie onderontwikkelde been van die vertaalwetenskap te bevorder. Daar word hoofsaaklik gekyk na die wyse waarop elke agent se insette 'n sosiologiese impak op die ander agente sowel as die produksieprosesse en/of 'n tekstuele impak op die doelteks gehad het. Die resultate word hoofsaaklik deskriptief (vergelyk deskriptiewe vertaalstudies, DTS) aangebied en bespreek en daar word van konsepte uit Nord se funksionalisme, Even-Zohar se polisisteemteorie, Bourdieu se veldteorie, Sharpe en Gunther se redigeerbeginsels en Mossop se teorie oor redigering en revisie van vertalings gebruik gemaak om die analises uiteen te sit en te bespreek. Na aanleiding van dié analises word 'n model in die laaste hoofstuk aangebied wat 'n moontlike optimale produksieproses vir literêre vertalings voorstel. Die aanbevole chronologie van stappe in die produksieproses en die wisselwerking tussen agente word deur hierdie model voorgestel. Met die daarstelling van dié model dra die proefskrif dus tot teorieontwikkeling in die vertaalwetenskap en op die gebied van redigeer- en revisieteorie by. Hierdie model kan op die produksieprosesse van literêre vertalings toegepas word om te toets of dit wel in die praktyk werk om 'n effektiewe produksieproses te bewerkstellig en 'n geslaagde vertaalproduk te produseer. Indien wel, kan dit uiteindelik as 'n riglyn vir die literêre vertaalpraktyk dien.
Gharehgozlou, Bahareh. "A Study of Persian-English Literary Translation Flows:Texts and Paratexts in Three Historical Contexts". Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1532555559014889.
Pełny tekst źródłaKeskin, Saldi Rana. "On Beş Köpek, Turkish Translation and Analysis of André Alexis's Modern Fable Fifteen Dogs". Thesis, Université d'Ottawa / University of Ottawa, 2017. http://hdl.handle.net/10393/36200.
Pełny tekst źródłaBrasienė, Brigita. "Literary translation of culture-specific items in Lithuanian translation of Orwell's “Down and Out in Paris and London”". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130605_131601-47559.
Pełny tekst źródłaKultūrinių realijų vertimas yra vienas iš sunkiausių uždavinių keliamų vertėjui. Šio baigiamojo magistro darbo tikslas yra atskleisti kokias vertimo strategijas pasirinko Arvydas Sabonis Orvelio romane „Dienos Paryžiuje ir Londone“, kuris buvo išverstas 2007 m. Romanas, parašytas 1933 m., gvildena skurdo problemą ir aprašo skustančiųjų gyvenimą Paryžiuje ir Londone. Šį darbą sudaro santraukos lietuvių ir anglų kalbomis, penkios dalys, šaltinių sąrašas ir du priedai. Pirmojoje dalyje, įžangoje, pristatoma tema, tikslas ir siekiniai. Antrojoje dalyje aptariama kultūros sąvoka, kultūrinių realijų apibrėžimas, suskirstymas ir vieta literatūriniame vertime. Trečiojoje dalyje nurodomos problemos, su kuriomis susiduria vertėjas versdamas kultūrines realijas, ir pateikiamos vertimo strategijos, kurias siūlo Venuti ir Davies. Ketvirtojoje dalyje atskleidžiami vertimo sunkumai su kuriais susidūrė Arvydas Sabonis versdamas Orvelio romaną „Dienos Paryžiuje ir Londone“, analizuojamas kultūrinių realijų vertimas pagal jų kategorijas ir subkategorijas, aprašant naudotas vertimo strategijas ir jų galimas pasirinkimo priežastis. Paskutinėje, penktojoje, dalyje aptariamos tyrimo išvados. Atlikus kultūrinių realijų vertimo analizę G. Orvelio romano „Dienos Paryžiuje ir Londone“ išaiškėjo, kad dažniau buvo naudotas forenizacijos principas, kuris buvo pasirinktas siekiant išlaikyti prancūziškų realijų autentiškumą ir sukurti anglišką aplinką, nes lietuvių skaitytojams Paryžius ir... [toliau žr. visą tekstą]
Fahrmeier, A. "Eduard Morike's poetry in English translation : A study and critical evaluation of process and products of literary translation". Thesis, University of Manchester, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375061.
Pełny tekst źródłaSannholm, Raphael. "Translations of the Caribbean: at words' end? : A Study of the Translation of Literary Dialect in A State of Independence". Thesis, Stockholm University, Department of English, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8029.
Pełny tekst źródłaThe aim of this study was to identify the strategies used to render the literary dialect in A State of Independence into the Swedish translation. In order to systematically study the translation solutions, a number of ‘coupled pairs’ consisting of source text ‘problems’ and target text ‘solutions’ were extracted from the original text and the translation. The ‘coupled pairs’ were then analysed in order to detect regularities in the translation solutions. The study showed that the major strategy used by the translator was the use of ‘eye-dialect’, i.e. non-standard spellings that simulate non-standard speech. Moreover, some passages in the translation had been standardised, whereas eye-dialectal spellings were found in other passages where the original did not contain any non-standard features. Finally, a comparative count of dialectally marked utterances in both texts was made. The count showed that the dialectal markers were in the majority in the translation, which might indicate that the translator has tried to compensate for the lack of equivalent target language features.
Youdale, Roy. "Translating literary style : close and distant reading in the translation of Gracias por el Fuego by Mario Benedetti". Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738225.
Pełny tekst źródłaNash, Patricia Helena. "A body, a notion: translating Karla Reimert's 'Picnic with black bees'". Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/6229.
Pełny tekst źródłaBarokass-Emanuel, Noga. "Ethics in translation : an exploration through art, dramatization, literary and political texts". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59352.pdf.
Pełny tekst źródłaSabaté, Carrové Mariona. "Towards a theory of translation pedagogy based on computer-assisted translation tools for Catalan and English non literary texts". Doctoral thesis, Universitat de Lleida, 2000. http://hdl.handle.net/10803/8115.
Pełny tekst źródłaThe ecclectic approach proposed in this dissertation highlights the importance of including computers in teaching translation and other computer-assisted tools (machine translation, translation memories such as Trados') to improve the students' performance and preparation for professional translation.
Sebnem, Susam-Sarajeva. "Translation and travelling theory : the role of translation in the migration of literary theories across culture and power differentials". Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508273.
Pełny tekst źródłaHaroon, Haslina. "The publication of Malay literary works in English translation : problems of translating from a language of limited diffusion (LLD)". Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/2924/.
Pełny tekst źródłaEl-Haddad, Mohamed I. "An analytical study of some aspects of literary translation : two Arabic translations of Hemingway's The Old Man and the Sea". Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/2053/.
Pełny tekst źródłaBoushaba, Safia. "An analytical study of some problems of literary translation : a study of two Arabic translations of K. Gibran's The Prophet". Thesis, University of Salford, 1988. http://usir.salford.ac.uk/14668/.
Pełny tekst źródłaWalravens, Jan. "The missing link: towards a heuristic model for the translation of literary texts". Doctoral thesis, Universite Libre de Bruxelles, 1991. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/213068.
Pełny tekst źródłaPerris, Simon. "Literary Translation and Adaptation of Euripides' Bacchae in English in the Modern Era". Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504156.
Pełny tekst źródłaAl-Bainy, Ramez Hamad. "Additions and omissions in translation with reference to literary and legal translated texts". Thesis, University of Portsmouth, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397634.
Pełny tekst źródłaShercliff, Rebecca Mary. "A critical edition of 'Tochmarc Ferbe' with translation, textual notes and literary commentary". Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/288120.
Pełny tekst źródłaPeters, Li Li. "Translation, popular imagination and the novelistic reconfiguration of literary discourse, China, 1890s-1920s". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383468131&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaVan, Bolderen Patricia. "Literary Self-Translation and Self-Translators in Canada (1971-2016): A Large-Scale Study". Thesis, Université d'Ottawa / University of Ottawa, 2021. http://hdl.handle.net/10393/42749.
Pełny tekst źródłaGonçalves, Marina Bortolini. "Traduções de Persepolis de Marjane Satrapi : soluções para itens culturais-específicos e considersações sobre os polissistemas". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/168966.
Pełny tekst źródłaThe graphic novel Persepolis (2000), written and illustrated by the Iranian artist and writer Marjane Satrapi, was first published in France, and then, due to its success, it was soon translated to several languages. Although it portraits a peripheral culture (Iranian), the fact that is was published in French and in a country where the comics culture is quite appreciated brought the work to the center of what Even-Zohar (1990) coined “literary polysystem”. On the same direction, its translations also occupy the center of the translated literature polysystem, since French comics are respected and consumed in the anglophone literary system. In Brazil, in addition to the aforementioned reasons, an autobiographical graphic novel fills the gap of such kind of production in the local literary repertoire. Considering it is an autobiographical narrative which takes place mostly in Iran, portraying the country's culture, yet originally written in French, the text presents cultural marks from these two cultures in a very peculiar way. Therefore, the translations need to adequate a series of terms from the source culture(s) to the target cultures; mostly, with regard to the Iranian context, due to the cultural distance between Western and Eastern countries. Concerning the translation activity, the researcher Javier Franco Aixelá (1996) designates as “culture-specific items” (CSIs) the linguistic expressions that may cause problems to translators due to divergences in cultural understanding, such as proper names, brands and institutions, for instance, items which are constantly present in Satrapi’s text; he categorizes those items according to the possible manipulation they may receive. In the present work, the culture-specific items are found in the source text, and the solutions used in the translations to Brazilian Portuguese and to English are categorized according to Aixelá’s proposition and, finally, compared. Thus, it is possible to observe if the difficulties in transposing the cultural items to both target languages are similar to each other, as well as if the strategies used by the translators of the two languages are the same or differ from each other.