Artykuły w czasopismach na temat „Lisson”
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Alleman, Vera. "LOS TRIGONIIDAE DE LA COLECCION VICTOR BENAVIDES, DEPOSITADOS EN LA UNIVERSIDAD RICARDO PALMA". Biotempo 1 (11.07.2018): 27–29. http://dx.doi.org/10.31381/biotempo.v1i0.1554.
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L-os 14 Trigoniidae de la colección victor Benavides cáceres (cretáceo de la región de Cajamarca), donada por elMuseum of Natural History de Nueva york. son descritos, registraclos y determinados, asignándolos a los siguientes taxa:?Buchotrigonia (Buchotrigonia) abrupta (von Buch, 1839) Buchotrigonia (syrotrigonia) steinmanni (Lisson, 1930);Buchotrigonia (syrotrigonia) gerthi (Lisson, 1930); Mediterraneotrigonia hondaana (Lea, 1861) var.boussingaulti Lisson, 1930;pteritrigonia (pteritrigonia) tocaimaana (Lea, 1840); Buchotrigonia (Syrotrigonia) Cox, 1952; Buchotrigonia Dietrich, 1938;Pteritrigonia (Pteritrigonia) Cox, 1969.
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Plumly, Stanley. "Lisson Grove: Part One". Hopkins Review 6, nr 3 (2013): 340–59. http://dx.doi.org/10.1353/thr.2013.0044.
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Plumly, Stanley. "Lisson Grove, Part Two". Hopkins Review 6, nr 4 (2013): 503–25. http://dx.doi.org/10.1353/thr.2013.0083.
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Heymann, Anthony David. "AIDS: Lisson Grove, North West London, 1986". Patient Education and Counseling 95, nr 2 (maj 2014): 292. http://dx.doi.org/10.1016/j.pec.2013.12.014.
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ALLEMAN HAEGHEBAERT, Vera. "IDENTIFICACIÓN Y REGISTRO DE AMMONITES DEL GÉNERO Raimondiceras Spath, 1924, FORMACIÓN LA HERRADURA, LOCALIDAD MORRO SOLAR, LIMA (VALANGINIANO)". Scientia 21, nr 21 (31.01.2020): 139–53. http://dx.doi.org/10.31381/scientia.v21i21.2780.
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Colección taxonómica de referencia depositada en el Departamento de Paleontologíadel Museo de Historia Natural “Vera Alleman Haeghebaert” de la Universidad RicardoPalma. Consiste en la identificación, registro y descripción de treinta y dos ejemplaresdel género Raimondiceras Spath, 1924, de los cuales doce ejemplares fueron atribuidosa la especie Raimondiceras raimondii (Gabb, 1877), quince a la especie Raimondiceraspflückeri (Lisson, 1904) y los cinco restantes a Raimondiceras sp. El estudio taxonómicoinicial se apoyó sobre las publicaciones y fósiles originales accesibles de los autoresoriginales; además se utilizó la clave de identificación de las especies de AMMONOIDEAdel Grupo Morro Solar, Valanginiano-Hauteriviano de Lima, Perú (Alleman, 2014).
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Villaseca Robertson, Andrea. "APORTE A LA DESCRIPCIÓN DE FAVRELLA LORENSIS (LISSON, 1907) AMMONOIDEA ZITTEL, 1884 DEL VALANGINIANO, LIMA, PERU". Biotempo 16, nr 2 (18.12.2019): 193–97. http://dx.doi.org/10.31381/biotempo.v16i2.2530.
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Presentamos aportes para mejorar a las descripciones originales de Favrella lorensis (Lisson, 1907) a partir de 70 ejemplares recolectados en la localidad tipo. El material fue recolectado del Morro Solar, Chorrillos, Lima y después depositadas en el Museo de Historia Natural “Vera Alleman Haeghebaert” de la Universidad Ricardo Palma, Lima, Perú. Se comparó con el holotipo T.19 (48703) de F. lorensis, el cual se encuentra en el Museo de Mineralogía y Paleontología de la facultad de Ingeniería Geológica de la Universidad Nacional de Ingeniería, Lima, Perú y se revisó bibliografía taxonómica especializada. Complementamos la descripción con: Parte parcial de la sutura, ejemplares con sección trapezoidal, individuos de diferentes tamaños y además de tener la primera colección de F. lorensis del Perú.
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Alegre, Manuel. "Lisboa ainda / Still Lisbon". Translation Matters 2, nr 1 (2020): 9. http://dx.doi.org/10.21747/21844585/tm2_1epi.
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Valada, Francisco Miguel. "Lisboa, Lisbon, and the exception". Entrepalavras 10, nr 1 (24.04.2020): 98. http://dx.doi.org/10.22168/2237-6321-11720.
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The graphemic form <Lisbon> in the title refers to an underlying [ˈlɪzbən] with a voiced heterosyllabic /zb/ cluster. Chomsky and Halle (1968, p. 150, n. 105) indicate the example Lisbon as one of the exceptions to the devoicing of obstruent clusters in English. Corresponding orthographic <sb> clusters in Portuguese obey a rule according to which a [ʒ] occurs as the phonetic realization of an underlying and unspecified for voice and place of articulation /S/ that assimilates the voicing of the following consonant [b], as in Lisboa [liʒˈboɐ]. It should be borne in mind that not only are /zb/ clusters exceptional in English but that /zb/ and /sb/ may be equally licensed (as in asbestos), while the cooccurrence of voiced and voiceless segments within a cluster is not possible in Portuguese. This paper aims at obtaining answers to the following research question: do native speakers of English experience difficulties when producing Portuguese voiced sC heterosyllabic clusters, taking into account (a) the different syllable structures of these clusters in the L1 (English) and the L2 (Portuguese), and (b) the assimilation process in Portuguese, whereby if C is voiced in sC, then /S/ = [ʒ]? The main conclusions are that assimilation seems less problematic than palatalization for native speakers of English when producing heterosyllabic word-medial Portuguese sC clusters and that individual differences may play an important role. More research is needed, with a focus on instruction and with more informants, to confirm or dismiss these conclusions.
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Lemos, João. "Presentación dossier: Kant 300 PT – Grupo Kant Lisboa / Lisbon Kant Group". Con-Textos Kantianos. International Journal of Philosophy, nr 19 (16.07.2024): 119–21. http://dx.doi.org/10.5209/kant.96152.
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O dossier ‘Kant 300 PT – Grupo Kant Lisboa / Lisbon Kant Group’ celebra os trezentos anos do nascimento de Immanuel Kant tendo como eixo as actividades do recentemente formado Grupo Kant Lisboa / Lisbon Kant Group. Entre os autores que contribuem para o dossier encontram-se quer membros do Grupo, quer colegas que com o Grupo têm vindo a colaborar de modo especialmente activo. Os artigos que integram o dossier são todos escritos em Português e têm como linha temática central a filosofia prática de Kant, com especial destaque para os valores morais e para a filosofia política, remetendo também para os valores estéticos, a antropologia e a filosofia da história. Celebrando Kant, este dossier igualmente homenageia António Marques, o grande dinamizador da investigação em desenvolvimento pelo Grupo Kant Lisboa / Lisbon Kant Group.
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Gonçalves, Manuel, i Maria da Conceiçao Da Costa Marques. "Evoluçâo do ensino da contabilidade em Portugal na segunda metade do século XIX: uma análise histórica, 1844-1886 = Evolution of accounting education in Portugal in the second half of the nineteenth century: a historical analysis, 1844-1886". Pecvnia : Revista de la Facultad de Ciencias Económicas y Empresariales, Universidad de León, nr 13 (1.12.2011): 201. http://dx.doi.org/10.18002/pec.v0i13.609.
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En 1844 el Aula de Comércio de Lisboa (1759) fue rebajada al nivel de enseñanza secundaria, por iniciativa legislativa de Costa Cabral, terminando así la autonomía de la que hasta entonces disfrutó. Su sucesora fue la Escola de Comércio (1844-1869), integrada en el Liceu de Lisboa como sección comercial. Posteriormente, en los años 1869 y 1886 se fundaron, respectivamente, dos instituciones de enseñanza pública de la Contabilidad: El Instituto Industrial e Comercial de Lisboa y el Instituto Industrial e Comercial de Oporto. Este artículo pretende contribuir al conocimiento de estas tres escuelas difusoras de conocimientos contables en Portugal en el Siglo XIX: La Escola de Comércio de Lisboa (1844-1869) y los Institutos Industriales y Comerciales de Lisboa (1869) y Oporto (1886).<br /><br /><br />In 1844 Portuguese School of Commerce (1759) was downgraded to the level of secondary education, an initiative of Costa Cabral, therefore abolishing the autonomy that it had enjoyed until that date. His successor was the School of Commerce of Lisbon (1844-1869), a part of the Lisbon High School, as a commercial section. Later, were founded in 1869 and 1886, respectively, another two public schools of accounting: the Industrial and Commercial Institute of Lisbon and the Industrial and Commercial Institute of Oporto. This article aims to contribute to the increase of knowledge associated with these three schools of accounting knowledge in Portugal in the nineteenth century - the School of Commerce (1844-1869) and the Industrial and Commercial Institutes of Lisbon (1869) and Oporto (1886).<br /><br /><br />Em 1844 a Aula de Comércio de Lisboa (1759) foi rebaixada ao nível do ensino secundário, por iniciativa legislativa de Costa Cabral, abolindo-se a autonomia de que até aí gozara. A sua sucessora foi a Escola de Comércio (1844-1869), integrada no Liceu de Lisboa como secção comercial. Posteriormente, foram fundados nos anos de 1869 e de 1886, respectivamente, dois estabelecimentos de ensino público de Contabilidade: o Instituto Industrial e Comercial de Lisboa e o Instituto Industrial e Comercial do Porto. Este artigo visa contribuir para o aumento do conhecimento associado a estas três escolas difusoras de saberes contabilísticos em Portugal no século XIX – a Escola de Comércio de Lisboa (1844-1869) e os Institutos Industriais e Comerciais de Lisboa (1869) e do Porto (1886).
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Moreira, Carla, i Martins De-Barros. "“Lisboa Criativa”: why it is important to connect". Journal of Creative Industries and Cultural Studies 1 (2017): 64–87. http://dx.doi.org/10.56140/jocis-v1-3.
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This article is double aimed—it addresses the relevance of connections among the participants of the Lisbon creative ecosystem and presents a distinct model of a platform which creates and facilitates connection within this network. This research project is part of a strategy set up by the creative economy sector of the Câmara Municipal de Lisboa [Lisbon City Council], the CML, whose ambition is to position Lisbon as one of the most creative cities in Europe. Lisbon is currently the most creative city in Portugal. However, the professionals and institutions connected to the city’s creative ecosystem still lack a significant grasp of the rich infrastructure available in the city, as well as the existing knowledge, skills, and tools that can facilitate establishing of new creative partnerships and sharing of experiences and equipment. Considering this situation, we decided to carry multiple research projects aimed at finding the most appropriate model of an online platform which could fulfil these needs. The platform which was created as a result of these research projects is called Lisboa Criativa [—Creative Lisbon]. Its primary goals are to connect participants of the city’s creative ecosystem; foster partnerships; generate national and international visibility; and support local projects. These goals ultimately concur with positioning Lisbon as a creative city. The focus on its Cultural and Creative Industries (the CCIs) would allow Lisbon to combine the aforementioned strategies with the development of a strong entrepreneurial ecosystem and foster further economic activity.
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Assis Kalil, Luis Guilherme. "debate no Novo Mundo: representações do homem americano nos séculos XVII e XVIII". Revista Eletrônica da ANPHLAC 21, nr 30 (19.07.2021): 384–88. http://dx.doi.org/10.46752/anphlac.30.2021.3989.
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Gąsior, Magdalena. "Organized Immigrant Resources and Aspirations at the City Level of the Host Country – the Case of Casa do Brasil de Lisboa". Studia Migracyjne – Przegląd Polonijny 47, nr 3 (181) (listopad 2021): 189–210. http://dx.doi.org/10.4467/25444972smpp.21.038.14458.
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This article looks at the Brazilian migrant association founded in 1992, functioning in the capital of Portugal, Casa do Brasil de Lisboa. Its origin is connected to the period of the first numerous stream of Brazilians coming to Portugal, the colonizer of their homeland in former times. Knowing that migrant networks are of great value to the process of immigrants’ integration into a host society – and a local community as well – Casa do Brasil de Lisboa is very active in this field. For instance, in partnership with the Lisbon City Council, this association offers guidance on the legalization of stay, and access to public and private services in Portugal. However, a large number of tasks undertaken by Casa do Brasil de Lisboa go far beyond this kind of guidance. Two editions of the project Migrante Participa (Migrant Participates) are a clear illustration of it. Each edition created opportunities to meet, gain knowledge, and share opinions on migratory process issues in the context of Portugal and Lisbon as well, encouraging political participation at the local level, for example. Casa do Brasil de Lisboa is also active in the field of culture, promoting Brazilian artists. What is more, this association is not closed for other nationalities and collaborates with various entities. To be more specific, therefore, the focus of this text is on presenting Casa do Brasil de Lisboa as a dynamic immigrant association working on increasing the level of integration and reducing the phenomenon of individual marginalization within the Lisbon community. As a theoretical framework of this text serves the concept of immigrants’ integration of Rinus Penninx.
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Targino, Maria das Gracas. "Qual será o futuro do gênero humano?" Informação & Informação 25, nr 4 (26.12.2020): 733. http://dx.doi.org/10.5433/1981-8920.2020v25n4p733.
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Martinho Ferreira, Patrícia. "Imperial Debris: Reflections on the Lisbon Cityscape in Contemporary Portuguese Fiction". Journal of Lusophone Studies 5, nr 2 (19.12.2020): 93–110. http://dx.doi.org/10.21471/jls.v5i2.325.
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This essay focuses on the literary image of contemporary Lisbon. Through an analysis of the anthology Lisbon Tales and Trails (2017) and Djaimilia Pereira de Almeida’s Luanda, Lisboa, Paraíso (2018), I examine how Lisbon’s representation on a global stage exposes the complexities and ambiguities of a metropolitan area deeply connected to the legacies of empire. Moving through fictional texts from the city center to the suburban periphery, I offer a focused reflection on Lisbon’s postcolonial/post-imperial ethnoscape.
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Fazzini, Luca. "Visões de Lisboa em dissonância: dinâmicas do poder no espaço urbano e escritas em trânsito". Cadernos de Literatura Comparada, nr 43 (2020): 155–74. http://dx.doi.org/10.21747/21832242/litcomp43a10.
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This article aims to analyse the literature produced in Europe and in Portugal in particular, by people in transit, contemporary migrants, focusing on the dissonances present in these texts in relation to the he-gemonic collective imaginary. Considering the urban dynamics and the action of public power in Lisbon, as well as the representation of the city space in contemporary literary texts - including the novel Luanda, Lisboa, Paraíso (2018), by Djaimilia Pereira de Almeida -, this article highlights the relationship between contemporary capitalist development and colonial persistence in the daily life of the city of Lisbon.
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Rosa, Francesca de. "Africa em Lisboa - Os Indígenas da Guiné na Grande Exposiçã o Industrial and Guiné Aldeia Indígena em Lisboa - 1932: the portrayal of the female body". Comunicação e Sociedade 29 (27.06.2016): 219–38. http://dx.doi.org/10.17231/comsoc.29(2016).2417.
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In this essay I will discuss the iconographic constructions developed by the Portuguese colonial project, arguing that Estado Novo has used cinema to consolidate social categories defined by the regime propaganda, using a discourse based on reality and authenticity and through the projection of stereotyped structures such as race and gender. Moving in the background of the theoretical frame on the concepts of archive and digital archive, the analysis will focus on a deconstructive re-interpretation of colonial and dominant narratives in two documentaries realized for the Portuguese industrial exposition in 1932, África em Lisboa – Os Indígenas da Guiné na Grande Exposição Industrial ((Africa in Lisbon- The Indigenous People of Guinea in The Great Industrial Exhibition) and Guiné Aldeia Indígena em Lisboa – 1932 (Guinea Indigenous Village in Lisbon- 1932). The discussion will hence be centered on the representation and the construction of relations of dominance and power over the black female body.
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Proença, Sérgio Barreiros, Cristiana Valente Monteiro i Francesca Dal Cin. "From Reading to Design of the “[entra]mar”: The Role of Urban Morphology in Architectural Pedagogy and Design". Land 13, nr 6 (12.06.2024): 836. http://dx.doi.org/10.3390/land13060836.
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This article presents the pedagogical process of reading and designing in the design studio course in the first semester of the fourth year in Architecture and Urbanism (2020–2021) held at the Lisbon School of Architecture of the Universidade de Lisboa. The research by design results are inscribed in the Embryo Project “[entra]mar Sea Intertwined City. Interpretation and Design of Portuguese Seashore Streets Vulnerable to Sea Level Rise”, funded by the FCT exploratory projects through CIAUD—Research Center in Architecture, Urbanism and Design at the Lisbon School of Architecture, Universidade de Lisboa (Portugal). The aim of this article is to demonstrate the usefulness of urban morphology in the reading and design process of an urban seafront vulnerable to extreme weather events. The approach to the “Sesimbra [entra]mar” in a pedagogical context confirms morphological interpretation as a key instrument for the formation of students and is consequently valuable for the practice of architecture and urbanism.
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Drumond Braga, Paulo. "Comer e sociabilizar à mesa em Lisboa em camisa (1882), de Gervásio Lobato". e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 05 (2020): 71–80. http://dx.doi.org/10.53943/elcv.0220_07.
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This article aims to study several aspects of food and sociability around the table in the Portuguese humorous book Lisboa em camisa (1882), by Gervásio Lobato, which portrays, with great humor, some episodes from the life of a petty bourgeois family from Lisbon in the 1880s.
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Musidlak-Schlott, Gabriele. "Reise nach Lissabon: Bericht". Art Libraries Journal 15, nr 3 (1990): 38–41. http://dx.doi.org/10.1017/s030747220000688x.
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Following an earlier visit to Madrid which was described in the pages of the Art Libraries Journal, the author travelled to Lisbon in April 1989, once again visiting art libraries, museums, and bookdealers. Several German libraries participate in exchanging publications with the Biblioteca Nacional de Lisboa.
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Clarke, Sara M., Salome M. Thurlow i Duane E. Hilmas. "Application of Beryllium Antibodies in Risk Assessment and Health Surveillance: Two Case Studies". Toxicology and Industrial Health 11, nr 4 (lipiec 1995): 399–411. http://dx.doi.org/10.1177/074823379501100403.
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This paper demonstrates that current standards used by the Occupational Safety and Health Administration (OSHA) to establish an area free from potential beryllium contamination may be inadequate. Using the Beryllium Antibody Assay, it was shown that workers exposed to former beryllium work areas, thought to be sanitized and to meet OSHA standards, experienced statistically significant rises in blood beryllium antibody titers. This finding raises the question of whether the equipment currently required to protect workers in beryllium-laden environments is sufficient. The project mission of decommissioning/decontaminating the former nuclear weapons plant at Rocky Flats Environmental Technology Site (RFETS), instituted in 1992, has necessitated development of new technology directed toward safe and responsible cleanup. Challenges have been posed not only by the need to dispose of radioactive and chemical waste, but also by the problem of cleaning up hazardous metals such as the element beryllium. Beryllium was used extensively in research and the manufacture of nuclear weapons components at Rocky Flats for over 40 years. Since inhalation of this element can induce chronic beryllium disease (Eisenbud and Lisson, 1983), an antibody assay was developed to screen workers for internal exposure to beryllium. Exposure is indicated by a titer of antibodies greater than twostandard deviations above a normal population control (defined as the mean titer of pooled samples from 51 individuals with no known exposure to beryllium) and a p-value of < 0.05. This paper uescribes two new applications for the assay: risk assessment and health surveillance. Case study 1 involves a team of three workers who cleaned a beryllium plenum and whose beryllium antibody titers provided a quantitative assessment of their exposure. Case study 2 describes the use of the antibody assay to determine the probable manner in which one worker was exposed to beryllium while performing his duties as an architectural engineer.
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Marques, Ângela Cristina Salgueiro. "O virtual que falta ao visual: uma leitura de Lisbon Story". Aletria: Revista de Estudos de Literatura 8 (2.03.2018): 186–93. http://dx.doi.org/10.17851/2317-2096.8..186-193.
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Resumo: O filme Lisbon Story, de Wim Wenders, expõe o processo do fazer imagético e suas imbricações com o cotidiano da cidade de Lisboa. Através desse filme e de outras questões pretendo apontar que o caráter de visibilidade das imagens está carente da manifestação de sua virtualidade, ou seja, de seu potencial criativo e da força que transcende a imagem rumo à alteridade.Palavras-chave: virtual; visual; imagem; cinema; olhar.Abstract: The film Lisbon Story by Wim Wenders shows the process of making through images and its relationship to the everyday life of Lisbon. I intend to point out, analysing the film and other questions, that the visible character of the images is lacking the manifestation of their virtuality, that is, is lacking the creative potential and the power that transcends the image and directs itself to alterity.Keywords: virtual; visual; image; cinema; look.
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Borges, João Cunha. "Babilónia superlotada: representações de Lisboa na obra de Luísa Dacosta / Overcrowded Babylon: Representations of Lisbon in the Work of Luísa Dacosta". Revista do Centro de Estudos Portugueses 39, nr 62 (22.01.2020): 233. http://dx.doi.org/10.17851/2359-0076.39.62.233-254.
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Resumo: Este artigo estabelece paralelos entre textos da escritora portuguesa Luísa Dacosta (1927-2015) e a cidade de Lisboa, onde residiu nas décadas de 1940 e 1950. Tendo a escrita de Luísa sido notada pelo seu pendor autobiográfico e pela sua ligação com géneros literários como a crónica e o diário, identificam-se apontamentos verosímeis para a observação dum período fundamental no crescimento da capital portuguesa, então marcada por processos de urbanização planeada e transformadora. Assim, este artigo confronta textos de Luísa Dacosta com a história do urbanismo português, e particularmente da região de Lisboa. Do confronto entre a literatura e a história urbana obtem-se um retrato físico, mas também humano, da cidade como a escritora a conheceu e percepcionou, encontrando directrizes gerais sobre como a história da arquitectura e do urbanismo podem usar a literatura para compreender as implicações da transformação do espaço vivido.Palavras-chave: Luísa Dacosta; Lisboa; planos de urbanização; crescimento urbano; arquitectura.Abstract: This paper establishes parallels between texts by Portuguese writer Luísa Dacosta (1927-2015) and the city of Lisbon, where she resided in the 1940s and 1950s. Having Dacosta’s writings been noticed for their autobiographical nature and connection with literary genres like chronicle and diary, reliable observations can be identified with respect to a fundamental time for growth of the Portuguese capital, then marked by processes of planned and transformative urbanization. Thus, this paper confronts Luísa Dacosta’s writings with the history of Portuguese planning, particularly in Lisbon. From the confrontation between literature and urban history, a physical and human portrait of the city as the writer knew it is sought after, while finding some general guidelines on how the history of architecture and urbanism may learn from literature the implications of transforming inhabited space.Keywords: Luísa Dacosta; Lisbon; urbanization plans; urban growth; architecture.
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Samuels, Ivor. "Lisbon between History and Modernity/Lisboa Entre Historia e Modernidade". URBAN DESIGN International 17, nr 4 (7.11.2012): 349–50. http://dx.doi.org/10.1057/udi.2012.17.
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Santa-Clara, Catarina. "RINGS AND MODULES IN HONOUR OF PATRICK F. SMITH'S 65TH BIRTHDAY". Glasgow Mathematical Journal 52, A (24.06.2010): 1–5. http://dx.doi.org/10.1017/s0017089510000327.
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The conference ‘Rings and Modules’, in honour of Patrick F. Smith's 65th birthday and on the occasion of his retirement, gathered in Lisbon 67 of Patrick Smith's students, co-authors and friends from all over the world. The conference was held at Centro de Álgebra da Universidade de Lisboa (CAUL), 16th–19th September 2008.
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Costa, Cátia Miriam, i Olívia Pestana. "From Lisbon to Macau: The conquest of the air as seen by the Portuguese press in a comparative approach1". Portuguese Journal of Social Science 19, nr 1 (1.03.2020): 83–96. http://dx.doi.org/10.1386/pjss_00021_1.
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In 1924, two well-known Portuguese servicemen made the first flight between Lisbon and Macau. The press of the time not only followed this adventure but also supported it, playing an active role as it unfolded. This article presents a comparison of the content of news published in two Portuguese newspapers, the Diário de Lisboa and Comércio do Porto, one based in Lisbon and the other in Porto, between 1 April and 30 June that year, the period during which the trip took place. The aim is to analyse the involvement of these periodicals in this project, which assumes journalistic characteristics, but also their commitment to raise funds and their role in the mobilization of the public and as intermediaries between the pilots and public authorities.
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Mellado Prado, Pilar. "El sistema de representación del Parlamento Europeo cuestionado : la ausencia de un procedimiento electoral uniforme = A critical approach to the European Parliament’s electoral system". Teoría y Realidad Constitucional 1, nr 33 (1.01.2014): 219. http://dx.doi.org/10.5944/trc.33.2014.13042.
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Las grandes diferencias entre las legislaciones de los Estados miembros de la Unión Europea que regulan las elecciones al Parlamento europeo provocan la desigualdad en la representación; lo que se traduce en que el Parlamento Europeo, no obstante lo dispuesto en el Tratado de Lisboa, sigue siendo una institución que no representa realmente al pueblo europeo.The analysis of the electoral legislations of the EU member States shows the existence of serious differences among them. As a consequence the representation is clearly unequal. Thus, notwithstanding the wording of Article 14.2 Lisbon TEU, and contrary to the claim that Article 10.1 Lisbon TEU seems to make according to its wording the European Parliament is still an institution that does not represent the European people.
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Wildgruber, Moritz, i Walter A. Wohlgemuth. "Brief an den Herausgeber in Bezug auf die Arbeit „Radiologische Diagnostik von Weichteiltumoren im Erwachsenenalter: MRT-Bildgebung ausgewählter Entitäten mit Abgrenzung zwischen benignen und malignen Tumoren“ von Lisson et al." RöFo - Fortschritte auf dem Gebiet der Röntgenstrahlen und der bildgebenden Verfahren 191, nr 06 (22.05.2019): 566–67. http://dx.doi.org/10.1055/a-0914-3479.
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Marques, Ângela Cristina. "O virtual que falta ao visual". Aletria: Revista de Estudos de Literatura 8 (31.12.2001): 188. http://dx.doi.org/10.17851/2317-2096.8.0.188-195.
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O filme Lisbon Story, de Wim Wenders, expõe o processo do fazer imagético e suas imbricações com o cotidiano da cidade de Lisboa. Através desse filme e de outras questões pretendo apontar que o caráter de visibilidade das imagens está carente da manifestação de sua virtualidade, ou seja, de seu potencial criativo e da força que transcede a imagem rumo á alteridade.<br /><br />
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Ferreira, Luzia Gomes. "Grada Kilomba e Rosana Paulino: duas pérolas negras atlânticas à beira do Tejo – lembranças do olhar, do escutar e do observar". Arteriais - Revista do Programa de Pós-Gradução em Artes 4, nr 7 (23.04.2019): 214. http://dx.doi.org/10.18542/arteriais.v4i7.6943.
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ResumoNeste artigo de percurso expositivo, apresento as minhas lembranças de visitante-poeta nas exposições "The Most Beautiful Language" e "Secrets to Tell» de Grada Kilomba", e "Atlântico Vermelho" de Rosana Paulino, ambas realizadas na cidade de Lisboa em outubro de 2017. Assim como, teço reflexões problematizadoras sobre exposições, arte, racismo e lugar de enunciação artística. Regresso a Lisboa em pensamento, imagens, palavras, água e som para afirmar que representatividade negra importa nas duas margens atlânticas. E sigo almejando que no Brasil e em Portugal num futuro bem próximo, exposições como a da Grada Kilomba e da Rosana Paulino, sejam constantes e não, raras pérolas negras.AbstractIn this expositive article I present my memories as a visitor-poet at the exhibitions “The Most Beautiful Language” and “Secrets to Tell” by Grada Kilomba and “Atlântico Vermelho” by Rosana Paulino, both held in the city of Lisbon in October 2017. As well as I have problematizing reflections about expositions, art, racism and place of artistic enunciation. I return to Lisbon in thought, images, words, water and sound to affirm that black representation matters on the two Atlantic Margins. And I am still aiming that in the near future expositions such as Grada Kilomba’s and Rosana Paulino’s are constant in Brazil and Portugal and not rare black pearls.
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Madruga, Catarina. "Expert at a distance". HoST - Journal of History of Science and Technology 11, nr 1 (1.09.2017): 57–74. http://dx.doi.org/10.1515/host-2017-0004.
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Abstract The career of José Vicente Barbosa du Bocage (1823‒1907) as director of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon) followed by the presidency of the Society of Geography of Lisbon is presented in this paper as an example of transfer of expertise between scientific fields, specifically from zoology to geography. Additionally, it explores the connection between scientific credit and political recognition, in the sense of the conflation of Bocage’s taxonomical and zoogeographical work with the colonial agenda of his time. Although Bocage himself never visited Africa, he was part of a generation of Africanists who were members of the Portuguese elite dedicated to African matters and considered exemplary custodians of the political and diplomatic Portuguese international position regarding its African territories.
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Pälviranta, Harri, Stefanie Baumann i Alexandra Athanasiadou. "The choreography of violence: A discussion between Harri Pälviranta and Stefanie Baumann". Philosophy of Photography 14, nr 1 (1.04.2023): 95–108. http://dx.doi.org/10.1386/pop_00073_7.
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How is violence conventionally portrayed and where does violence lie in representation? How does photography mediate the relationships between different forms and ideas, moments and experiences of violence? These were some of the questions addressed in a conversation between artist Harri Pälviranta and philosopher Stefanie Baumann organized by Alexandra Athanasiadou, founder and director of the online platform Philosophy & Photography Lab (PHLSPH), during the international Photography Festival, Imago Lisboa, in Lisbon during October 2022. The discussion presented here is edited from a transcript by Athanasiadou. It took place at Lusófona University in Lisbon on the occasion of Pälviranta’s exhibition at the Museu Nacional de Arte Contemporânea (MNAC) (6 October 2021–8 January 2023) and focuses on two series of works in the exhibition, News Portraits and Choreography of Violence.
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Goñi Gaztambide, J. "José ORLANDIS y Domingo RAMOS-LISSON, Historia de los concilios de la España romana y visigoda, Ediciones Universidad de Navarra («Historia de la Iglesia», 13), 1986, 530 pp., 16 x 22,5." Scripta Theologica 19, nr 1-2 (6.03.2018): 524. http://dx.doi.org/10.15581/006.19.19805.
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Maltez, Fernando, Teresa Martins, Diana Póvoas, João Cabo, Helena Peres, Francisco Antunes, João Perdigão i Isabel Portugal. "Tuberculose Multirresistente por Estirpes da Família Beijing, em Doentes de Lisboa, Portugal: Estudo Preliminar". Acta Médica Portuguesa 30, nr 3 (31.03.2017): 175. http://dx.doi.org/10.20344/amp.7882.
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Introduction: Beijing family strains of Mycobacterium tuberculosis are associated with multidrug-resistance. Although strains of the Lisboa family are the most common among multidrug-resistant and extensively drug-resistant patients in the region, several studies have reported the presence of the Beijing family. However, the features of patients from whom they were isolated, are not yet known.Material and Methods: Retrospective study involving 104 multidrug-resistant and extensively drug-resistant strains of Mycobacterium tuberculosis, from the same number of patients, isolated and genotyped between 1993 and 2015 in Lisbon. We assessed the prevalence of strains of both families and the epidemiologic and clinical features of those infected with Beijing family strains.Results: Seventy-four strains (71.2%) belonged to the Lisboa family, 25 (24.0%) showed a unique genotypic pattern and five (4.8%) belonged to the Beijing family, the latter identified after 2009. Those infected with Beijing family strains were angolan (n = 1), ukrainian (n = 2) and portuguese (n = 2), mainly young-aged and, four of five immunocompetent and with no past history of tuberculosis. All had multidrug-resistant tuberculosis. We did not find any distinctive clinical or radiological features, neither a predominant resistance pattern. Cure rate was high (four patients).Discussion: Although the number of infected patients with Beijing strains was small, it suggests an important proportion of primary tuberculosis, a potential for transmission in the community but also a better clinical outcome when compared to other reported strains, such as W-Beijing and Lisboa.Conclusion: Although Lisboa family strains account for most of the multidrug and extensively drug-resistant tuberculosis cases in Lisbon area, Beijing strains are transmitted in the city and might change the local characteristics of the epidemics.
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A. P., Nunes. "STORING AN OVERSIZED MUSEU DE LISBOA TEXTILE BANNER COLLECTION". ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (23.08.2019): 865–69. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-865-2019.
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<p><strong>Abstract.</strong> In 1947 Lisbon held the "Cortejo Histórico de Lisboa", a parade belonging to the “VII Centenary of the Reconquest of Lisbon to the Moors” celebrations. For the accomplishment of this parade, hundreds of scenic objects and accessories were created and three thousand extras and actors participated. Museu de Lisboa has in its collection a significant set of these objects, with highlight to the seventeen-banner collection. These banners that since 1947 were kept in different warehouses, were transferred in 2008 to the Museu de Lisboa Central Storage Unit textile room. The large dimensions of these objects were the main preventive conservation issue the Museum had to solve, regarding the way of storing the collection. In 2018 the Museum designed a project for the vertical storage of these banners. Due to its enormous size (being the biggest 315&thinsp;cm height and 212&thinsp;cm width) it was impossible for the museum to store these objects in flat format. The alternative was designed and executed using <i>Tycore</i>® boards as backing panel, hinged with <i>acid-free</i> buffered paper sheets and then glued together into one large piece with the same size as each banner. The banners with textile strip extensions were mounted onto the panels and stored vertically on metallic grids used for the storage of the Museum painting art collection. Treatments such as dust cleaning, tear consolidation and stain removal were carried out to stabilize the banners prior to the mounting on the boards. This paper describes some of the steps of this eight-month project, involving six people.</p>
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DA SILVA, CARLOS GUARDADO. "PATRIMÓNIO RURAL DO MOSTEIRO DE SáƒO VICENTE DE FORA (LISBOA): séculos XII-XIII". Outros Tempos: Pesquisa em Foco - História 14, nr 23 (26.06.2017): 240–59. http://dx.doi.org/10.18817/ot.v14i23.578.
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O presente estudo, de natureza qualitativa e suportado em pesquisa documental, analisa o sistema de organização económica e a gestão do aro rural, nomeadamente a evolução das relações que se estabeleceram entre o Mosteiro de São Vicente de Fora e os particulares, assim como a diversificação e a expansão do seu património rural, mais intensas junto da cidade de Lisboa. Parte da conquista de Lisboa e da fundação do Mosteiro, em meados do século XII, seguindo-se uma análise do processo de formação e estruturação do património monástico, bem como das formas e estratégias de aquisição patrimonial, terminando com a composição da propriedade rural. Depois são apresentados os resultados, predominando na paisagem rural, por ordem decrescente, as herdades de ”pão”, as vinhas e os olivais, a par de outro tipo de propriedades rurais, assim como dos meios de transformação: moinhos e azenhas, lagares de vinho e azeite e fornos. Conclui que o Mosteiro adquirira e possuáa um património concentrado na região de Lisboa, apesar da sua influência se estender a nável nacional, dados os direitos e os privilégios que possuáa no reino. Palavras-chave: História Medieval. Mosteiro de São Vicente de Fora. Património Rural. Propriedade rural. Paisagem rural. Portugal. Séculos XII-XIII.RURAL HERITAGE OF THE MONASTERY OF SáƒO VICENTE DE FORA (LISBOA): 12th-13th centuriesAbstract: This present study, of qualitative nature and based on documentary research, analyzes the economical organization system and the management of rural suburbs, namely the evolution of relationships fostered between the Monastery of São Vicente de Fora and individuals, as well as the diversification and expansion of its rural heritage, which had a higher intensity near the city of Lisbon. Tracing back from the conquest of Lisbon and the foundation of the monastery, in the middle of the twelfth century, conducting an analysis on the processes of formation and structuration of monastic heritage, as well as on the mechanisms and strategies of patrimony acquisition and, lastly, on rural property composition. Afterwards, it presents the results, predominantly in rural landscape, in a descending order, are bread farms, vineyards and olive groves, and other type of rural properties, as much as of means of processing: mills and watermills, wine and olive presses, and ovens. It concludes that the Monastery acquired and owned a concentrated heritage mostly in the region of Lisbon, although its influence reached a national level due to the rights and privileges that it possessed in the kingdom. Keywords: Medieval History. Monastery of São Vicente de Fora. Rural Heritage. Rural Heritage. Rural landscape. Portugal. 12th-13th centuries.PATRIMONIO RURAL DEL MONASTERIO DE SAN VICENTE DE FORA (LISBOA): siglos XII-XIIIResumen: El presente estudio, de naturaleza cualitativa y apoyado en investigación documental, analiza el sistema de organización económica y la gestión del aro rural, en particular la evolución de las relaciones que se establecieron entre el Monasterio de San Vicente de Fora y los particulares, asá como La diversificación y la expansión de su patrimonio rural, más intensas al redor de la ciudad de Lisboa. Parte de la conquista de Lisboa y de la fundación del Monasterio, a mediados del siglo XII, siguiendo un análisis del proceso de formación y estructuración del patrimonio monástico, asá como de las formas y estrategias de adquisición patrimonial, terminando con la composición de la propiedad rural. A continuación se presentan los resultados, predominando en el paisaje rural, por orden decreciente, las hereditates de "pan", las viñas y los olivares, junto a otro tipo de propiedades rurales, asá como de los medios de transformación: molinos y aceñas, lagares de vino y aceite y hornos de pan. Concluye que el Monasterio habáa adquirido y poseáa un patrimonio concentrado en la región de Lisboa, a pesar de su influencia extendida a nável nacional, en virtud de los derechos y los privilegios que poseáa en el reino.Palabras clave: Historia Medieval. Monasterio de San Vicente de Fora. Patrimonio Rural. Propiedad rural. Paisaje rural. Siglos XII-XIII.
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Gamito-Marques, Daniel. "The golden age (1862–1910) of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon), Portugal". Archives of Natural History 49, nr 1 (kwiecień 2022): 160–74. http://dx.doi.org/10.3366/anh.2022.0765.
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This paper provides an overview of the organization and first decades of the Zoological Section of the Museu Nacional de Lisboa (National Museum of Lisbon), under the leadership of José Vicente Barbosa du Bocage (1823–1907), a Portuguese zoologist who attained international recognition. The article discusses the contributions made by a small community of zoologists, who joined transnational networks and gave projection to the institution by founding and disseminating the first Portuguese journal exclusively devoted to scientific research, the Jornal de sciencias mathematicas, physicas e naturaes, in which they published their original research. The animal collections of the Zoological Section were unique in that they had numerous specimens of previously unknown Southwestern African birds and reptiles, most of which were sent by José de Anchieta, who extensively travelled across the Angolan hinterland. From its inception, the museum was tied to a higher education institution, the Escola Politécnica de Lisboa (Lisbon Polytechnic School), and also fulfilled a pedagogical function. Although the Zoological Section survived the death of its founder, being renamed Museu Bocage (Bocage Museum) in 1905, it failed to gain more autonomy in subsequent decades, becoming a constrained institution that lacked premises and personnel to meet its rising demands. After a fire that destroyed almost all its specimens in 1978, the recently reformed Museu Nacional de História Natural e da Ciência (National Museum of Natural History and Science) is trying to write a new chapter by honouring its long history.
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Tostões, Ana. "João Luís Carrilho da Graça interviewed by Ana Tostões". Modern Lisbon, nr 55 (2016): 84–86. http://dx.doi.org/10.52200/55.a.uk2y3ecv.
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On July 2016, Ana Tostões interviewed João Luís Carrilho da Graça, one of the main Portuguese contemporary architects, in order to discuss the riverside projects that he has been developing for the future of Lisbon. João Luís Carrilho da Graça was born in 1952, Portalegre, and studied architecture at the Lisbon School of Fine Art (1977). He was assistant lecturer at the Lisbon School of Fine Art (1977-1992), full professor at the Universidade Autónoma de Lisboa (2001-2010) and the University of Évora (2005-2013). He coordinated the departments of Architecture in both institutions until 2010, and was responsible for the creation of the PhD in Architecture at the latter institution, which he also directed (2011-2013). He was professor at the University of Navarra (2005, 2007, 2010, 2014) and at the College of Architecture, Art, and Planning of Cornell University, New York (2015). Since 2014, he has been full professor at the School of Architecture, University of Lisbon. He is the principle of the architectural office João Luís Carrilho da Graça Arquitectos with an extensive work built. He was nominated and selected for the Mies van der Rohe European Prize in Architecture (1990, 1992, 1994, 1996, 2009, 2011, 2013, 2015) and received several awards, such as the AICA (1992), the Secil (1994), the FAD (1999), the Valmor (1998), the Pessoa (2008), the Order of Merit of the Portuguese Republic (1999), the Chevalier des Arts et des Lettres from the French Republic (2010) and the Medal of the Académie d’Architecture of France (2012). In 2013, he received an Honorary Doctorate degree from the School of Architecture of the University of Lisbon and in 2015 the Royal Institute of British Architects International Fellowship.
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Bento, Pedro José Dos Santos Ferreira Da Fonseca. "En los límites urbanos de Lisboa y Barcelona: proyectar en áreas expectantes de los frentes de agua". QRU: Quaderns de Recerca en Urbanisme, nr 11 (grudzień 2021): 91–113. http://dx.doi.org/10.5821/qru.10973.
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Este trabajo trata de establecer una investigación aplicada y morfológica
sobre unos tejidos urbanos muy particulares de las metrópolis de Lisboa y
Barcelona. En LISBOA, esta área se formaliza por la zona de los muelles de
Pedrouços, un área de la frente de río, antiguamente ocupada por las actividades
del Puerto de Lisboa, ubicada en la parte occidental de la ciudad,
formalizando la frontera con el municipio de Oeiras y asumiéndose como
un espacio potencial para múltiples transformaciones. En BARCELONA,
la vista cae sobre parte de su paseo marítimo, especialmente en los terrenos
ocupados por el edificio de la antigua Central Térmica de Sant Adrià, ubicada
en la orilla izquierda del río Besós, y también se define como un área
estratégica de reflexión contemporánea. En definitiva, se pretende abordar
de manera amplia tanto los debates sobre las políticas de rehabilitación en la
ciudad heredada y canónica, como los particulares problemas morfológicos
con respecto a la ciudad-territorio con la que estas áreas son colindantes. La
reflexión finaliza con un conjunto de propuestas y estrategias de intervención
diseñadas en contexto académico que señalan posibles escenarios de nueva
urbanidad, capaces de atar los entornos y poner en valor su relación con el
agua. The focus of this work is to establish applied and morphological research on very particular urban fabrics in the metropolises of Lisbon and Barcelona. In LISBON, this area is formalized by the Pedrouços docks area, an area of the river front, formerly occupied by the activities of the Port of Lisbon, located in the western part of the city, formalizing the border with the municipality of Oeiras and assuming itself as a potential space for multiple transformations. In BARCELONA, the view falls on part of its promenade, especially on the land occupied by the building of the old Sant Adrià Thermal Power Plant, located on the left bank of the Besós river, and is also defined as a strategic area for contemporary reflection. In short, it is intended to broadly address both the debates on rehabilitation policies in the inherited and canonical city, as well as the particular morphological problems with respect to the city-territory with which these areas are adjacent. The reflection ends with a set of proposals and intervention strategies designed in an academic context that point out possible scenarios of a new urbanity, capable of binding the surroundings and highlighting their relationship with water.
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Thiam, El Hadji Omar. "Entre decadência e afirmação. Uma autópsia da Lisboa oitocentista em “Patologia Social” de Abel Botelho / Between decadence and affirmation. An postmortem of the Lisbon eighteenth century in “Patologia Social” by Abel Botelho". Resistances. Journal of the Philosophy of History 1, nr 1 (31.07.2020): 90–98. http://dx.doi.org/10.46652/resistances.v1i1.4.
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Abel Botelho, escreveu um conjunto de cinco romances naturalistas, incluindo Patologia Social. Nas suas obras, a cidade de Lisboa é representada através dos seus aspectos sociais, históricos e políticos. Nesse sentido, este artigo analisa as descrições da cidade de Londres, enfatizando seus aspectos decadentes revelados pelas caminhadas noturnas de Elvira, Mário e Isabel, personagens do O Barão de Lavos, O Livro de Alda e Fatal dilema. Em seguida, focará nos aspectos inovadores ou nas formas afirmativas dos personagens tirados em uma avenida chamada Avenida. Abel Botelho wrote a set of five naturalistic novels, among them Patologia Social. In his works, the city of Lisbon is represented through its social, historical, and political aspects. In that sense, this article analyses the descriptions of the city of Lisbon by emphasizing its decadent aspects revealed through the nocturnal walks of Elvira, Mário, and Isabel, who are characters from O barão de Lavos, O Livro de Alda, Fatal dilema. Then, he will focus on the innovative aspects of the affirmative forms of the characters taken in a boulevard called Avenida.
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Aguilar de León, Armando. "Des angles et des contours dans História do Cerco de Lisboa (une lecture parmi tant d'autres)". Anuario de Letras Modernas 14 (31.07.2009): 169–80. http://dx.doi.org/10.22201/ffyl.01860526p.2008.14.684.
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This paper analyzes the narrative structure and the literary elements that give Saramago’s novel its postmodern features, focusing in the plot and its uchronic perspective in order to appreciate the sci-fi dimension that the historical events take through the narrative. Our discussion examines the action of the principal character, Raymundo Silva, who proofreads a historical work titled The History of the Siege of Lisbon and decides to deny an important fact: "the crusaders did (not) help the Portuguese forces against the Moorish army". Added to the historical work, this não ("not", in portuguese) produces a disruption over the ‘real’ temporary line. In consequence, the city of Lisbon, at the centre of a meteorological phenomenon, slides in between the medieval siege and contemporary life. Thus, the historical subject resorts to a science fiction procedure: uchrony. Two intradiegetic symbols -the circle and the deleatur- represent the two overlapped universes; the circle refers to the historical world and the deleatur symbolizes the uchronic universe. Therefore, História do cerco de Lisboa is not a sci-fi work, but a postmodern historiographical metafiction.
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Silva, Gabriela. "A cartografia amorosa de Lisboa: A cidade de Ulisses, de Teolinda Gersão / The Loving Cartography Of Lisbon: The City Of Ulisses, by Teolinda Gersão". Revista do Centro de Estudos Portugueses 41, nr 66 (11.02.2022): 71. http://dx.doi.org/10.17851/2359-0076.41.66.71-84.
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Resumo: A cidade é elemento indissociável de determinadas narrativas, constituindo o material imagético que serve de cenário para as ações das personagens. No entanto, muitas vezes ela se destaca por ser totalizante na construção feita pelo autor, que parte de escolhas e “recortes” significativos do ambiente urbano para compor a narrativa. O espaço urbano desvela-se através das personagens que percorrem diferentes âmbitos, de onde emergem sensações e sentimentos diversos. A cidade de Ulisses, romance de Teolinda Gersão, apresenta-nos uma “geografia amorosa” da cidade de Lisboa, desenhando-nos um mapeamento histórico e sentimental da cidade. Assim, a narrativa engendra-se através da revisitação e da recordação do narrador dos espaços afetivos e simbólicos de Lisboa. Este artigo propõe uma leitura do romance de Teolinda Gersão a partir de aspectos relacionados ao significado da cidade, assim como da apropriação da memória relativa aos ambientes urbanos. Gaston Bachelard (2005), Henry Bergson (2011) e Walter Benjamin (2009) são alguns dos autores que embasam a proposta dessa abordagem.Palavras-chave: Teolinda Gersão; literatura contemporânea portuguesa; Lisboa.Abstract: The city is an inseparable element of certain narratives, constituting the imagery material that serves as a backdrop for the actions of the characters. However, it often stands out for being totalizing the construction made by the author, which starts with significant choices and “cuts” from the urban environment to compose the narrative. The urban space is revealed through the characters that cross different areas from which different sensations and feelings emerge. The city of Ulysses, Teolinda Gersão’s novel, presents us with a “loving geography” of the city of Lisbon, drawing us a historical and sentimental mapping of the city. Thus, the narrative is engendered in revisiting and remembering the narrator from the affective and symbolic spaces of Lisbon. This article proposes a reading of Teolinda Gersão’s novel based on aspects related to the meaning of the city and the appropriation of memory related to urban environments. Gaston Bachelard (2005), Henry Bergson (2011) and Walter Benjamin (2009) are some of the authors that support the proposal of this approach.Keywords: Teolinda Gersão; contemporary Portuguese literature; Lisbon.
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Gómez, José Manuel Naranjo, Ana Vulevic, Gualter Couto i Rui Alexandre Castanho. "Accessibility in European Peripheral Territories: Analyzing the Portuguese Mainland Connectivity Patterns from 1985 to 2020". Infrastructures 6, nr 6 (20.06.2021): 92. http://dx.doi.org/10.3390/infrastructures6060092.
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The inner periphery European countries, as is the case of Portugal, are characterized by poor access to essential areas and services of general and social relations. Contextually, this paper aims to explore the linkages between inner peripheries, ultra-peripherality concepts, and the concept of accessibility from 1985 to 2020, in parallel with the analysis of some demographic trends in the same research period. Thus, the study deals with accessibility and the analysis of accessibility-related spatial distribution to represent the traditional core—periphery pattern, with the highest accessibility in the center of the mainland and west coastal area, and the lowest accessibility in remote regions. The results show that the distribution of the road infrastructure is not uniform in Portugal. Furthermore, the NUTS II regions of PT13 Lisboa e Vale do Tejo (the Lisbon region) and PT11 Norte (northern Portugal) have the greatest road per km2. The Lisbon region has the highest concentration of national roads globally, while the northern region has the highest concentration of municipal roads. These two regions are, by far, the most densely populated, encompassing about ¾ of the national population and GDP.
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De Sousa, Rita Martins. "Alteraçoes das práticas contabilísticas na Casa da Moeda de Lisboa no século XVIII = Changes in accounting practices at the Lisbon Mint in the 18th century". Pecvnia : Revista de la Facultad de Ciencias Económicas y Empresariales, Universidad de León, nr 13 (1.12.2011): 263. http://dx.doi.org/10.18002/pec.v0i13.613.
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En este artículo se explica el cambio de prácticas contables en la Casa da Moeda de Lisboa encuadrándolas en la política de difusión de la contabilidad por partida doble en el ámbito público en Portugal durante la segunda mitad del siglo XVIII.<br />La necesidad del Estado de ejercer un mayor control sobre sus fuentes de ingresos justificó la transformación ocurrida demostrando la adaptación de las prácticas contables a las características de cada organización. En la Casa da Moeda, lo específico de su misión acuñación de monedas originó una legislación propia fechada en 1773. <br />La periodización de estas prácticas contables en la Casa da Moeda de Lisboa se organizó en tres fases: la primera entre 1686 y 1761, la segunda entre 1761 y 1773 y por último desde 1773 a 1797, período final de este estudio.<br /><br />This article explains the changes made to accounting practices at the Lisbon Mint within the context of the introduction of double-entry bookkeeping into the public sphere in Portugal during the second half of the 18th century.<br />The State’s requirement to exercise greater control over its sources of income justified the changes that took place, with accounting practices being adapted to the features of each organisation. The Mint's specific function –the minting of metallic money– gave rise to the creation of its own particular legislation, in 1773. <br />The study of these accounting practices at the Lisbon Mint will be divided into three separate periods: firstly from 1686 to 1761, secondly from 1761 to 1773, and finally from 1773 to 1797. <br /><br /><br />Neste artigo explica-se a alteração das práticas contabilísticas na Casa da Moeda de Lisboa enquadrando-as na política de difusão da contabilidade por partidas dobradas na esfera pública, em Portugal, na segunda metade do século XVIII.<br />A necessidade de um maior controlo exercido pelo Estado sobre as suas fontes de receita justificarão as transformações ocorridas, demonstrando estas a adaptação das práticas contabilísticas às características de cada organização. Na Casa da Moeda a especificidade da sua função cunhar moeda metálica originou uma decisão legislativa própria, datada de 1773. <br />A periodização destas práticas contabilísticas na Casa da Moeda de Lisboa será arrumada em três fases: a primeira entre 1686 e 1761, a segunda entre 1761 e 1773 e por último de 1773 a 1797, período final deste estudo. <br />
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Ramneantu, Krisztina, i Teresa Marat-Mendes. "AN EXPLORATORY STUDY OF THE EVOLUTION OF URBAN GREEN SPACES IN LISBON USING DIACHRONIC ANALYSIS OF ORTHOPHOTO MAPS". JOURNAL OF ARCHITECTURE AND URBANISM 48, nr 1 (10.04.2024): 39–51. http://dx.doi.org/10.3846/jau.2024.19687.
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Green urbanism, namely in the form of consolidated urban green spaces (UGSs), has gained traction along with the reformist impetus of urban design, based on the ideal of efficient, functional, sustainable cities that promote a better quality of life for their citizens and on the notion of making urban expansion compatible with natural resources. Using a diachronic analysis (1995–2020) of the orthophoto maps of 38 UGSs included in the last version of the main municipality’s legislation, framed within the Plano Director Municipal (PDM), whose first version was approved in 1994, we assessed the situation and evolution of the UGSs in the centre of Lisbon, Portugal. We conclude that with fewer or more incidences, depending on the periods analysed, the structure of UGSs in the centre of Lisbon has undergone significant changes, whether in terms of the implementation and requalification of existing UGSs or in terms of the increment and quality of UGSs (space created), thus respecting to a lesser or greater degree the strategic lines defined in various plans, as is the case of the PDM itself, but also of other important documents, such as the Carta Estratégica 2010–2024, Estratégia de Reabilitação Urbana 2011–2024 and Estratégia Regional de Lisboa 2030.
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Frier, David G., i John Laidlar. "Lisbon". Modern Language Review 94, nr 1 (styczeń 1999): 238. http://dx.doi.org/10.2307/3736079.
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Alden, Jeremy, i Artur da Rosa Pires. "Lisbon". Cities 13, nr 1 (luty 1996): 25–36. http://dx.doi.org/10.1016/0264-2751(95)00111-5.
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Oliveira, Vítor, i Paulo Pinho. "Lisbon". Cities 27, nr 5 (październik 2010): 405–19. http://dx.doi.org/10.1016/j.cities.2009.12.008.
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Seabra, Daniel. "Portoan Ultra Group Members’ Social Representation of Lisbon and Sport Lisboa and Benfica and Its Influence on the Discourses and Practices of the Portoan Ultra Groups and Their Members". Physical Culture and Sport. Studies and Research 73, nr 1 (1.03.2017): 5–14. http://dx.doi.org/10.1515/pcssr-2017-0005.
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Abstract The following text relates to a more recent approach to the problem of hooliganism and the Ultra Movement. It does not focus on a broad theory aimed to explain these two phenomena, but rather concentrates on the use of concepts that are relevant for a multifaceted understanding of them. Therefore, this text is the result of an investigation carried out on the four Ultra groups who support clubs in Oporto.It aims to demonstrate how the social representation of Lisbon as the capital of Portugal and one of its clubs, Sport Lisboa and Benfica, influences not only the discourse used by the members of the four Portoan Ultra groups and the allusive clothing that they wear, but also the practices of their own groups inside and outside football stadiums. Included in these practices are the choreographies and banners that the Ultra groups display, as well as the chants they sing.The research also showed that the social representation mentioned above legitimizes a strong rivalry towards with Sport Lisboa and Benfica and has the capacity to suspend conflicts between the Portoan Ultra groups and unite them in collective action, sometimes violent, against the Ultra groups and members of this club.
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Kemmler, Rolf, Susana Alves Fontes, Sónia Coelho, Teresa Moura i Carlos Assunção. "Um ‘cartapácio’ na Gazeta de Lisboa Occidental". Diacrítica 32, nr 1 (28.11.2018): 209–24. http://dx.doi.org/10.21814/diacritica.46.
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The Orthografia, ou Arte de Escrever, e Pronunciar com acerto a Lingua Portugueza (1734) by the eighteenth century orthographer Madureira Feijó is undoubtedly one of the most important metaorthographic works of the eighteenth century. However, it cannot be considered an independent work, since there are indications that it is but a part of the author’s neo-Alvaresian work that became famous under the title Arte Explicada. In the present paper, we intend to analyse the relevant ads that were published in the Gazeta de Lisboa Occidental, between 1729 and 1734, with the intent of proving that Feijó’s Orthografia constitutes the fourth and last part of the first edition of the Arte Explicada, published in a total of six volumes in Miguel Rodrigues’ Lisbon printing shop.