Gotowe bibliografie tematyczne / Lettre de Louis XIV à Louis XV

Spis treści

  1. Artykuły w czasopismach
  2. Rozprawy doktorskie
  3. Książki
  4. Części książek

Gotowa bibliografia na temat „Lettre de Louis XIV à Louis XV”

Autor: Grafiati
Data publikacji: 29 lipca 2024
Data aktualizacji: 31 lipca 2024

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Artykuły w czasopismach na temat "Lettre de Louis XIV à Louis XV"

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Brewer, Daniel. "Voltaire, War Correspondent at Large". PMLA/Publications of the Modern Language Association of America 124, nr 5 (październik 2009): 1847–50. http://dx.doi.org/10.1632/pmla.2009.124.5.1847.

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Although the european eighteenth century was long called the “age of Voltaire” (at least in textbooks), it was also an age of war. Courts and cities were undergoing a progressive pacification, as Norbert Elias has argued, but elsewhere the “civilizing process” was more bellicose. To finance the expansionist wars of Louis XIV, whose reign ended in 1715, and those of Louis XV, including the War of Austrian Succession (1740–48) and the Seven Years' War (1756–63), the French state expended two-thirds of its revenues on war (Meyer 57). Despite the Anglomania that marked progressive intellectual and literary circles in France around mid-century, between 1689 and 1815 France and England were officially at war for sixty-two years, not including minor conflicts. Against this backdrop, the image of Voltaire is that of an unflagging pacifist. Standing for all wars, the fictional war between the Abares and the Bulgares in which the naive hero of Voltaire's Candide finds himself caught up is described by the text's narrator, in a bitingly ironic oxymoron, as “a heroic slaughter” (114). War for Voltaire represented yet another instance of infamous unreason, odious intolerance, and despicable evil. It was the collective, generalized form of the l'infâme (“the despicable”), against which he publicly and tirelessly railed. The phrase écrasez l'infâme (“crush the despicable”), appended to his letters beginning in the early 1760s, signified the Enlightenment project of rooting out error, superstition, and intolerance by means of reasoned argument, common sense, and often a healthy dose of sharp irony. Quickly becoming a battle cry, penned in condensed, symbolic form as “ÉCRLINF,” the phrase had preserved all its caustic energy when, a century later, Friedrich Nietzsche inserted it throughout his Ecco Homo. Voltaire's attempts to stamp out this evil took local forms, such as the highly public letter-writing campaigns he mounted to spark indignation and obtain justice for the victims of intolerance, as in the causes célèbres involving the protestant Calas and Sirven families, the young chevalier de La Barre, and Lally-Tollendal.
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Coeyman, Barbara. "Theatres for opera and ballet during the reigns of Louis XIV and Louis XV". Early Music XVIII, nr 1 (luty 1990): 22–37. http://dx.doi.org/10.1093/earlyj/xviii.1.22.

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Le Guillou, Jean-Claude. "Les Appartements attiques de Louis XIV et les Petits Appartements de Louis XV à Versailles". Versalia. Revue de la Société des Amis de Versailles 13, nr 1 (2010): 55–143. http://dx.doi.org/10.3406/versa.2010.903.

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Côté, Sébastien, Maxime Gohier i Jean-François Lozier. "Avis aux personnes de pieté (anonyme), suivi d’une lettre de Louis Atienon, chef algonquin, à Louis XV (1724)". Dix-huitième siècle 52, nr 1 (2020): 191. http://dx.doi.org/10.3917/dhs.052.0191.

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Ebel, Édouard. "Julian Gomez Pardo, La maréchaussée et le crime en Île-de-France sous Louis XIV et Louis XV". Revue Historique des Armées 270, nr 1 (1.01.2013): 132. http://dx.doi.org/10.3917/rha.270.0132.

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Klimaszewska, Anna. "Ordonanse królewskie we Francji". Czasopismo Prawno-Historyczne 69, nr 2 (4.10.2018): 47–62. http://dx.doi.org/10.14746/cph.2017.2.3.

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The issue of royal ordinances in France is not a subject avoided by Polish authors, especially in legal history textbooks. However, the information included in these books is fragmentary in its character, and some pieces require verification. In this extensive legislative material one can distinguish specific ordinances (spéciales), which regulate single issues, as well as general ones (générales), which constitute acts pertaining to a wide spectrum of issues, or even detailed codes. The latter, i.e. the ordinances general in their character, can be further divided into two groups. The first of them encompasses the ordinances published between the 14th and the 17th century (I), while the second one includes the so-called Great Ordinances enacted during the reign of Louis XIV and Louis XV (II). The purpose of the following publication is not to perform a detailed characteristic of the ordinances but, first and foremost, to show that although certain significant institutions were regulated by the ordinances from group I in a way which left a permanent mark on the French legal system, the Great Ordinances by Louis XIV and Louis XV, which represent a completely different character from all the previous general ordinances, constituted codes in the strict sense of the word. As a result of that codification work, performed in stages during the reign of two sovereigns, the ancien régime France did not lack generaland unified legal acts, created with an understanding of the creative role of law in modifying the reality, regulating select fields of law in a comprehensive way and binding in the entire territory of the country. The code of civil procedure, the code of criminal procedure, as well as the commercial code and the maritime code, were enacted at the time. Some areas of civil law were also regulated. The only thing which was not elaborated, or evenapproached in those days, was the penal code. Napoleonic codes should be therefore considered as the subsequent chapter of codification activities in France, carried out for the first time by Louis XIV. The popularity of this issue in the Enlightenment literature and the fact that it was a common phenomenon in other European countries is not a sufficient argument to justify applying this term only to those French acts which were enacted in the 19th century and afterwards.
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Zavyalova, Anna E. "Alexandre Dumas’s Works in the Art of Alexandre Benois". Observatory of Culture 16, nr 2 (5.07.2019): 184–95. http://dx.doi.org/10.25281/2072-3156-2019-16-2-184-195.

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The article studies the problem of interpretation of literary source in visual creative work of A.N. Benois. There are identified and analyzed new sources of his works — historical novels by A. Dumas, père. The question about the role of the novels by Alexandre Dumas devoted to the history of France of the 17th and 18th centuries in creative work of Alexandre Benois has never become the object of research. The re­levance of this article is determined by this fact. The scientific novelty of this article lies in revea­ling new literary sources of creative work of A. Benois — Dumas’s novels “Joseph Balsamo (Doctor’s Notes)” (1846—1848), “Louis XIV and his Century” (1844), “Louis XV and his Epoch” (1849) — and determining parallels between them and art practice of the artist: painting, graphics and art of book. The author analyses content of the ar­tist’s memories, his literary works, diaries, as well as diaries by E. Lanceray, and complements these information details by a comparative textological analysis of Benois’s memoirs and Dumas’s no­vels in Russian translations. This method allows to deepen the formal analysis of A. Benois’s works (primarily the two Versailles series) and partially reveal the mechanism of complex figurative synthesis in the artistic consciousness at the turn of the 19th—20th centuries, on the basis of which they were created, to expand the existing perceptions about the literary sources of the artist’s creative work. The author concludes that the no­vels by Dumas “Joseph Balsamo”, “Louis XIV and his Century” had an influence on the artist’s perception of the theme of court culture and Versailles in the historical, cultural and natural aspects. It was reflected in the appeal to the plot of “fish feeding” in the late 1890s, in the formation of the images of Versailles and King Louis XIV in old age. The article also finds that the novel “Joseph Balsamo” had an influence on Benois’s creation of Trianon’s everyday image in the past. At the same time, the artist turned to the interpretation of the image of Marquise de Pompadour as “sultana” under the influence of Dumas’s novel “Louis XV and his Epoch”. In addition, the three musketeers — characters of Dumas’s novel with the same name — are placed in the drawing of the title page of Benois’s “Versailles” album. It is important that it does not come about direct illustration of the novels, but about an artistic process of creating a figurative system of images and forming the artist’s stylistics.
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Cugy, Pascale. "Les épouses de la dynastie Bonnart. Miniaturistes, éditrices ou marchandes d’estampes à Paris sous les règnes de Louis XIV et Louis XV". Nouvelles de l'estampe, nr 261 (22.01.2018): 26–42. http://dx.doi.org/10.4000/estampe.287.

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Kudelin, Andrey. "The Eastern Policy of France in the Second Half of the 17th — Second Half of the 18th Century". ISTORIYA 13, nr 12-1 (122) (2022): 0. http://dx.doi.org/10.18254/s207987840024010-0.

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The article reveals the peculiarities of the eastern policy of France in the second half of the 17th — second half of the 18th century. During the reign of Kings Louis XIV and Louis XV, the eastern policy of France underwent significant changes. At the beginning of this period, the main goal of the “eastern barrier” was to confront the Austrian Habsburgs. To this end, the government of Louis XVI used, first of all, the alliance with the Principality of Transylvania. Problems in the east distracted the Habsburgs from the wars in Europe. During the reign of Louis XV, France's foreign policy became much less consistent. At the beginning of the reign of this monarch, the policy of the “eastern barrier” continued, only now it was directed primarily against Russia, since France was very concerned about the Austro-Russian military alliance. Later, the so-called “reversal of alliances” took place, which eventually led to the Seven Years' War, during which France was on the same side with Austria and Russia, and the policy of the “eastern barrier” was temporarily forgotten. After the turn of Russian policy towards an alliance with Prussia, France is also returning to its traditional policy of containing Russia. This was reflected in the support of the Bar Confederation in Poland and pushing the Ottoman Empire and the Crimean Khanate to war with Russia. However, this policy has not led to any significant results. Apparently, the traditional alliance with the Ottoman Empire for France already at that moment did not seem so attractive to some French politicians. The weakening of the Ottoman Empire was presented to them as a possible reason for the seizure of its territories in the Eastern Mediterranean, Egypt for example.
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Овчинников, В. М. "The Formation and Development of the French Colonial Artillery in the Second Half of the 17th — First Half of the 18th Centuries". Вестник Рязанского государственного университета имени С.А. Есенина, nr 1(74) (1.04.2022): 68–75. http://dx.doi.org/10.37724/rsu.2022.74.1.006.

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В работе рассматриваются основные аспекты развития и трансформации колониальной артиллерии во Франции в период правления Людовика XIV и Людовика XV. Заморские владения традиционно инструментализировали ключевые военные и политические практики, опираясь на опыт своих метрополий, приспосабливая эти механизмы к местным реалиям. Французские колонии наглядно демонстрируют реализацию этого принципа на фоне нарастания противоречий, неоднократно превращавшихся в полномасштабные конфликты. Автор концентрирует внимание в первую очередь на проблеме организации и функционирования обозначенного механизма в контексте течения очередного витка «фортификационной и артиллерийской революции» в Европе, что проявляется и в попытках реализовать на периферии постулаты вобановской концепции Pre Carre и пр. Уделяется внимание и проблеме увеличения роли артиллерии в ведении локальных кампаний на фронтире англо-французских территорий. The paper treats some important aspects of the development and transformation of the French colonial artillery during the reigns of Louis XIV and Louis XV. European countries are known for adapting their homeland military and political practices to the environment of their overseas colonies and territories. The French colonies clearly demonstrate the implementation of this principle against the background of the growing Anglo-French contradictions that repeatedly turned into full-scale conflicts. The author focuses on the implementation of the designated mechanism in the context of the field artillery revolution and the fortification revolution in Europe, in attempts to implement the principles of Vauban’s pre-carré territorial system. Attention is also paid to the issue of increasing the role of artillery in local campaigns on the Anglo-French frontier.
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Rozprawy doktorskie na temat "Lettre de Louis XIV à Louis XV"

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Ravel, Agnès. "Le « parti dévot » à la cour de France sous Louis XIV, Louis XV et Louis XVI". Paris, EHESS, 2010. http://www.theses.fr/2010EHES0043.

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Comment s'organiser pour influencer les décisions du monarque absolu? À travers l'étude du «parti dévot », ce travail analyse la mutation d’une forme de parti à la Cour de France. Sous le règne de Louis XIV et dans la première moitié de celui de Louis XV, le « parti dévot » était une faction (forme de parti structuré autour de familles et d'amitiés héréditaires). Il défendait le catholicisme d'Etat, dans la lignée du cardinal de Richelieu. Parlementaires, l'avènement des Lumières et l'émergence de l'individu bouleversèrent le «parti dévot », qui devint un proto-parti absolutiste et antiparlementaire. La prise de parti ne dépendait plus des fidélités sociales, mais des idées défendues par des individus. Cependant, l’usure du pouvoir et les querelles internes provoquèrent la dissolution du proto-parti, sous Louis XVI
How did people influence the decisions of the absolute King? This work analyses the mutation of the "devout party" configuration at the Court of France, under King Louis XIV, King Louis XV and King Louis XVI. The first part of this thesis shows that the "devout party" represented a royal catholic faction in the XVII century and at the beginning of the XVIII century. This kind of organized party was based on patronages and families that defended State Catholicism ideas in the same vein as cardinal de Richelieu. A second part deals with the change of the royal catholic faction into a proto-party which was supporting absolutism against Parliaments. Progressively, people entering this party were mostly defending ideas rather than being loyal ta social conventions. Since 1769, the "devout party" was confronted in the government to the wearing down of the power and to internal quarrel. At the beginning of 1780, the "devout party" had lost its political weight
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林榮楨. "A study on the differences of furniture style between Louis XIV and Louis XV period". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/da8k2d.

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碩士
中國科技大學
室內設計系
104
Abstract From ancient times to the present, Europe has always been the paramount hall of western art, and France the center of fashion trends. Throughout European history, King Louis XIV and XV of France had significant influence on western culture and art, especially in the aspect of furniture style. At that time, France had such enormous financial strength and political power that it not only exercised different levels of influence on the style of furniture but has become the pioneer of the art of furniture of later ages. The research uses the castles near the Loire Valley and the Palace of Versailles as background, and the paper is based on the field study of the researcher’s visit in France and personal interview with a number of Italian professional furniture manufacturers. It aims to provide an in-depth analysis of the differences between the furniture styles of the periods of both Louis XIV and XV. There are two steps in writing this paper: 1. The castles near the Loire Valley and the Palace of Versailles: Study the social backgrounds of the periods of Louis XIV and XV by visiting the Palace of Versailles. Understand its construction, historical value, structural style, interior design, garden features in order to collect necessary information for this paper. 2. The furniture: Read historical data, interview the furniture manufacturers, examine all kinds of furniture in the castles and palaces, and use the graphic analyses to expound the stylistic differences of the furniture of both Louis XIV and XV periods and the evolution of their appearances, materials, curves, coatings, inlays, metal decorations. Based on the on-site investigation and the experts’ explanation of the production process, along with the hypothesis testing, this study hopes to present the issues on the differences between the Louis XIV and XV furniture styles in a more scientific way. The study reveals the furniture in the periods not only emphasizes on the function but takes an awful lot of crafts, arts and luxury. Still now, it remains as a monument. Stuck goad leaf on the wooden material or used fancy silk on the surface of the chair is kind of a gorgeous style that has never been applied to furniture before. Auther hope to provide the objective viewpoints as references for interior designers using the ancient wisdom and creativity to build a brand new style in the 21th century. For those who have enthusiasm for gorgeous style furniture can enjoy it just like Louis XIV and XV. Hope the study can inherit the past and usher in the future in the academics. Key words：Louis XIV, Louis XV, the furniture style, differential analysis.
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Książki na temat "Lettre de Louis XIV à Louis XV"

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François de Salignac de La Mothe- Fénelon. Lettre à Louis XIV: Et autres écrits politiques. Paris: Bartillat, 2011.

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Charlet, Christian. Guide pratique des "réformations," refontes et mutations monétaires au temps de Louis XIV et de Louis XV, 1689-1726. Paris: Maison Florange, 1997.

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Delgrange, Dominique. Jetons de Flandre, Artois, Hainaut, Cambrai: Les pays formant le Nord-Pas-de-Calais, France, de la fin du règne de Louis XIV, & époque de Louis XV & Louis XVI, (1712 à 1789). Lille: D. Delgrange, 1987.

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Geck, Francis J. French interiors & furniture. Roseville, MI: Stureck Educational Services, 1993.

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Geck, Francis J. French interiors & furniture. Boulder, Colo: Stureck Educational Services, 1985.

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Geck, Francis J. French interiors & furniture. Boulder, CO: Stureck Educational Services, 1989.

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Geck, Francis J. French interiors & furniture. Boulder, CO: Stureck Educational Services, 1990.

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Geck, Francis J. French interiors & furniture. Boulder, CO: Stureck Educational Services, 1988.

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Geck, Francis J. French interiors & furniture. Roseville, MI: Stureck Educational Services, 1992.

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Louis François Armand Du Ple Richelieu, Claude Louis Hector Villars i Louis XIV. Pièces inédites Sur les Règnes de Louis Xiv, Louis XV et Louis Xvi: Ouvrage Dans Lequel on Trouve des Mémoires, des Notices Historiques et des Lettres de Louis Xiv, de Madame de Maintenon, et des Maréchaux de Villars. Creative Media Partners, LLC, 2018.

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Części książek na temat "Lettre de Louis XIV à Louis XV"

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Posselt-Kuhli, Christina. "La gloire de Louis XIV et Louis XV". W Die Repräsentation Maria Theresias, 395–405. Wien: Böhlau Verlag, 2020. http://dx.doi.org/10.7767/9783205211860.395.

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Swann, Julian. "Politics: Louis XV". W Old Regime France, 195–222. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198731306.003.0008.

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Abstract According to pope Benedict XIV there was no greater proof for the existence of providence than to see France prosper under the rule of Louis XV. Few were as gentle or ironic as the pontiff in their assessment of the king. For the duke de Choiseul, who was the linchpin of his government for more than a decade (1758–70), Louis XV was ‘soulless’ with the mind of a ‘spiteful child’. Worse still ‘he would, like Nero, have been enchanted to watch Paris burn … but lacked the courage to give the order.’1 In the popular memory, the king is famous for uttering the phrase ‘after me the deluge’, which, while almost certainly apocryphal, conjures up an image of a monarch intelligent enough to foresee the tragedy of 1789, but too lazy to do anything about it. Napoleon, on the other hand, once declared that he ‘found the crown of France in the mud’ and many have assumed that it was Louis XV who let it drop.
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"Chapter XV. The Period of Louis XIV". W Tapestry, 260–69. Piscataway, NJ, USA: Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463228934-017.

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Hamilton, C. I. "The Admiralty and the Ministry of Marine". W Anglo-French Naval Rivalry 1840-1870, 231–71. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198202615.003.0007.

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Abstract The Ministry of Marine was well housed in the more easterly of a fine matching pair of buildings flanking the rue Royale and fronting the place de la Concorde. These buildings—and, indeed, the whole square, originally called the place Louis XV—had their origins in the eighteenth century. The plans were drawn up by the architect J.-A. Gabriel, and approval came in letters patent dated 1757. The building that concerns us was constructed in 1766, intended as the Garde meuble de la Couronne, for which purpose it was conveniently close to the royal palace of the Tuileries.
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Naulet, Frédéric. "Le rôle de l’artillerie dans la bataille sous les règnes de Louis XIV et de Louis XV". W Combattre et gouverner, 53–62. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.88771.

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Rowlands, Guy. "The Fiscal-Military Constitution of Bourbon France in Comparative Perspective". W The Habsburg Monarchy as a Fiscal-Military State, 60–84. British Academy, 2022. http://dx.doi.org/10.5871/bacad/9780197267349.003.0003.

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Eschewing the notion of France as a ‘fiscal-military state’, this essay places the fiscal-military constitution of France in comparative perspective, looking at the armed forces, revenue-raising, credit and logistics. It investigates just how effective and efficient the French state was at raising and deploying resources for war in a sustainable fashion and considers the extent to which the fiscal-military constitution allowed the strategic interests and political goals of the monarchs to be met. For all the greater sophistication and increase of human, material and financial resources the French state achieved from the 1660s, it was not enough to meet the strategic demands Louis XIV and Louis XV placed on the armed forces and fiscal machinery in most wars from the 1690s. Yet these pressures not only drained energy from France, the fiscal-military overstretch, and strategic setbacks eventually generated demands for serious reform of the fiscal-military constitution by the Seven Years War, ultimately weakening the foundations of the monarchy.
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Trivellato, Francesca. "One Family, Two Bestsellers, and the Legend’s Canonization". W The Promise and Peril of Credit, 99–127. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691178592.003.0006.

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This chapter studies Jacque Savary's Le parfait négociant, which was first printed in 1675 and was the manifesto of seventeenth-century French commercial society. A far more experienced and effective writer than Cleirac, Savary shared with his predecessor a commitment to setting new legal and cultural standards for private trade and finance. He repeated the fictional account of Jews' invention of bills of exchange while also streamlining and purging the seven relevant pages of Us et coustumes de la mer of their overt anti-Jewish language. After Savary's death, two of his sons published a massive dictionary of commerce, the first of its genre, which proved to be another bestseller of the ars mercatoria and disseminated the legend even further. Taken together, the complete works of the Savarys constitute the most articulate explication of the norms and ethos that infused the practice and politics of commerce under the reigns of Louis XIV and Louis XV.
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"Lettre de Monsieur de Voltaire Mémoire présenté au ministère, et qui doit être mis à la tête de la nouvelle édition qu’on prépare du Siècle de Louis XIV". W Œuvres complètes de Voltaire (Complete Works of Voltaire) 65A, redaktor Claude Lauriol, 77–114. Voltaire Foundation, 2011. http://dx.doi.org/10.2307/jj.10704319.11.

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